The Marriage Mistake_A Billionaire Hangover Romance

by Natalie Knight

  Armed with spoon and box, I limp back to my laptop. I wait for the screen to come to life and try my hardest to push vivid images of this afternoon out of my mind.

  Time for some work, Kayla, I think to myself. You’ve had your fun, and now you need to concentrate.

  Easier said than done, I discover.

  I sigh and randomly type some words onto the screen. At least now it doesn’t look so empty. What a sad habit.

  Failure, you’re a failure. The words haunt me. I can’t afford to screw up this project.

  I must succeed.

  For further inspiration, I take another spoonful of ice cream. I revel in the cold, sweet texture sliding along my tongue and down my throat. Not as good as swallowing all of Scott, but it’s satisfying in its own way.

  Briefly, I imagine Scott’s body covered in ice cream and the pleasure I’d have in licking it off, my tongue working its way from chest to belly to between his legs. I sigh.

  I can still feel his tongue working its magic between my legs.

  I shake my head. What am I doing? There’s no time to indulge in fantasies of our sexual escapade earlier today.

  If I don’t start writing, Ed will have me killed, or worse, he’ll see to it that I would be fired.

  I change my tactic.

  Quickly my fingers move across the keyboard to pull up my scene map. My scene map is like a mind map, except it depicts different scenes in the series.

  Instead of writing, I will focus on creating individual scenes. Any progress is going to be better than nothing at all.

  I reread the first series and then open up my notes on series two. But try as I might to concentrate, my thoughts are not cooperating.

  Brad. Scott. Scott. Brad.

  Kill one of them. Ian’s off-limits

  Those things invade my mind like weeds invading the lawn.

  It’s no use. There’s no way I’m going to be doing any work tonight.

  There’s only one thing to do. I go back into the kitchen and grab a wine glass. A bottle of red is taken from my wine rack, and once my glass if full, I make myself comfortable on the couch.

  With my left hand I hold my glass and with my right hand I flick through my contacts. Ah, there it is.

  After the third ring, I get worried. What if she doesn’t pick up? What will I do then?

  “Hello, stranger,” a familiar voice greets me after the eighth ring.

  “Hey, Ange.” I take a sip of my wine. For the umpteenth time, I lament the fact my best friend is out of town at the moment.

  Why has she chosen this week to take a little break? It’d have been much better if she were around. A girl’s night would be awesome.

  “What have you been up to?”

  I sigh. Where do I start?

  “That bad, is it?” Angela asks before I can reply to her question.

  “You know me too well.” I laugh. “I don’t know where to start.”

  It’s true. What do I unburden first, the problem about work or the problem of fucking my two leads?

  “Ed’s being a dick,” I start, and I hear Angela laugh. Instantly I feel better.

  “What else is new?” Angela says, and I’m reminded how Angela had a run-in with Ed last year. It wasn’t pretty, but from what she said, Ed came off looking worse from the incident than she did.

  “Well,” I start and try and work out how to put it to her. “He’s interfering with my creative side. He just barged into my office the other day to tell me I have to kill off one of the leads in the show.”

  “Is that all?” Angela sounds indifferent.

  “I don’t think it’s time to kill one of them, and besides…” I falter.

  There’s laughter from Angela.

  “Let me guess, you’re screwing one of them?”

  Luckily, Angela can’t see me go bright red like a tomato. Wait till she hears the rest of my story.

  “Anyway, why don’t you kill that loser Ian? He’s a wanker anyway.”

  Good old Ange, not one to shy away from saying it as she sees it.

  “That’s just the problem. Ed told me Ian’s off-limits.”

  Silence.

  “But even if he wasn’t off-limits,” I continue, “I don’t think the show is ready for losing one of the brothers. I mean…it is meant to be about three brothers, not two and their deceased brother.”

  I pause to take a sip of my wine. “Although you could maybe delve into that ghost stuff, you know? Like they did in that other show.”

  “I don’t think Ian has the talent to play a ghost,” Angela points out.

  I groan. “And he’s off-limits.”

  “I heard. Can’t you do that? Just kill one of the guys and have him come back as a ghost…that way, you’re only changing his character. Solved. Easy.”

  More wine dances across my tongue, tantalizing my taste buds. Briefly, I contemplate the story line put forward by Ange before I dismiss it. Ed would never go for it.

  “It wouldn’t work.”

  “What’s the other problem?”

  “I’ve had the best sex ever with Brad,” I confess, and Ange chuckles.

  “And since when is that a problem? About time you loosened up and looked after your sex life. You and Angelo were never meant to be together.”

  “And then today,” I continue, ignoring the reference to Angelo. Angelo has been shelved over twelve months ago, after I found him banging his personal assistant. “I fucked Scott.”

  I wait for the rebuke.

  “I still can’t see the problem?”

  “Are you serious?” I rouse on my best friend. “Have you been listening? I’m having sex with two different guys.”

  As I say it out loud, I groan inwardly. When did my life become so complicated?

  What had happened to my goal of becoming a successful screenwriter, find a supportive man, live in a nice mansion downtown along with all the other successful writers and…and what? Be bored out of my brain?

  “Lighten up, Kay,” Angela says.

  “Easy for you to say.” I grumble. “You’ve always been more adventurous than me.”

  I’m sure Angela doesn’t tell me everything that’s going on in her life. She’s a wild one.

  “About time for you to catch up. Enjoy it and see where it takes you. I wish I had two spunks like Brad and Scott lust after me.”

  We laugh. We both know Angela is not short on admirers.

  “But what am I going to do?” I persist.

  “Enjoy it.”

  “What about this killing off scene? How can I kill either Brad or Scott?” I know the minute I do, our relationship will be over. Am I selfish in not wanting it to end with either one of them?

  “You need to think creative. You’re the writer. You’ll work something out.”

  Angela sounds full of optimism.

  “But I still don’t know what to do about Brad and Scott.” I know I sound like a broken record, but I can’t help it.

  “Again you need to think creatively. You might not need to choose between either one of them.”

  I frown. What does she mean?

  “You’re not suggesting…?” I hesitate. Is she really suggesting I keep both going at the same time?

  “I’m suggesting you’re making a mountain out of a molehill. How do you know they would be against doing it with you,” Angela pauses, “together?”

  “At the same time?” I blurt the question out before I can stop myself.

  “Duh.”

  “I don’t know. That sort of bad girl stuff doesn’t suit me.”

  “How do you know?”

  I bite my bottom lip. “Because I’m not like that. You’re like that.”

  “About time you get with the program, girl.” Angela laughs before I hear her talk to someone else.

  “Sorry, gorgeous, got to go.”

  “Company?”

  “You bet. Just go with it. Stop thinking about it, and you’ll see it’ll all work out.”

  I fee
l marginally better when I press the end button on my phone…emphasis on marginally.

  It’s too early to go to bed, and I know I won’t be able to sleep, not with the way I’m feeling right now. And so I try one more time to plan my scenes for the next upcoming season.

  Angela’s words ring in my ear: “get with the program,” and “be a bad girl.” I’ve enjoyed sex with both Brad and Scott. Perhaps my best friend’s right.

  Maybe I should just go with the flow.

  Scott

  I pull up at the Starbucks drive-through for a triple espresso. I need to bring my A game for today’s read through, and a heavy dose of caffeine is just what the script doctor ordered. I need to be wide awake and ready for action.

  I pass my credit card through the window, pay for my coffee, and drive to the studio.

  The top’s down today, and the sun is fucking magnificent. I love LA mornings when there’s no smog and the air is almost fresh.

  When I get to the lot, I park my car, and who do I see? Brad. Bam!

  What a way to start the day.

  I mean, he’s a nice-enough guy, and if we weren’t in a competition about whose character is gonna live and who’s is gonna die, I might really dig him. Maybe grab a beer together after a long day on set—if I weren’t competing.

  I guess I need to cut him some slack. This wasn’t his idea.

  The whole situation is just fucked. Seriously.

  I need to stop thinking like this.

  Before I get out of the car, I pull down the visor and give myself the once-over in the mirror. I check the hair, give a big smile, and make sure there’s no breakfast stuck in my teeth. Looking good. Time to move on out.

  “Breathe,” I tell myself. “Stay calm. People can smell desperation.”

  There are certain things that are out of my control, but I refuse to believe this is one of them. I will act my ass off (and any other body parts necessary) at this table read to make sure I’m the character they can’t live without.

  “Yo! Brad,” I call as I jog over to him. “Wait up.”

  “Hey, Scott. What’s going on?”

  “Ah, you know, the usual.”

  “Yeah? Kinda tense around here lately, don’t you think?” Brad asks.

  “Yeah, just a little,” I say, trying to sound like I’m tossing off the remark.

  We push through the revolving door, and we’re greeted by Sam the guard.

  He’s about a hundred years old and can’t see worth shit. If there were any type of disturbance, we’d definitely be on our own. But he’s been with the studio for twenty-five years, and no one has the heart to fire him.

  He just scowls at us as we say our hellos. We sign in and head toward studio A.

  Most of the cast for The Kings is already at the table, and the only person missing is Kayla.

  I hang my jacket up in the corner, take the script from my back pocket, and head over to the table with my triple shot and plop down in the seat next to Brad.

  I inch my chair a little closer. I bet he can feel me breathing on him. I figure a little intimidation might throw him off.

  My mother used to say, “Whoever has the upper hand has control.” And I want control.

  The truth is, I gotta have it. I hate, absolutely hate, not knowing what’s coming next.

  When I read a book, I skip to the end so I know who did it. I can’t take the anxiety of not immediately knowing what’s going to happen.

  Like right now, I want to know what Brad knows, and the best way to do that is to get him talking.

  “Kayla’s late,” I say and blow a breath out as if I’m exasperated.

  “Not really,” Brad says, looking at the clock on the wall. “She has another five minutes.”

  “Aren’t we precise, and protective.”

  Brad sits back in his chair and looks at me. “Meaning?”

  “Let’s just say I have my sources, and I know what goes on around here.” I make a circular motion with my hand, indicating the studio.

  “I’m not sure that’s something you want to brag about. It’s a little girlie, if you ask me,” Brad says.

  “So now you think you’ve got comedy chops? ’Cause that wasn’t funny.”

  “I just call it like I see it.” Brad folds his arms over his chest. “Who would have pegged you as gossip girl?” And then he chuckles.

  It’s the chuckle that gets me. It’s a little superior, so now I’m feeling like I gotta pounce.

  I lean in and whisper, “I know you think you’ve got it all going on with Kayla.”

  “Jeez!” He turns in his chair and frowns. “Was your last gig as a code breaker, because you’re being incredibly cryptic. What are you talking about, and what is it you think you know, Scott?”

  He sounds pissed, and a the few cast members are starting to look our way.

  “Well, I know about that little lunch run you did for Kayla.” I shake my head. “Dude, that was so freaking lame. What makes you think wining and dining with the head writer saves your ass? It’s gonna take a lot more than that.”

  Brad just stares at me and shrugs. Smug is all over his face.

  “I’m seriously asking, why do you think that’s your save?”

  “I’m not just a pretty face,” Brad fires back, pointing to his head. The rest of the people at the table are definitely staring at us now. “There is actually something underneath this hood. And I have a plan.”

  I so wanna wipe the smirk off his face. But it’s true, the guy is good-looking, and clearly he’s working as hard as I am to stay in this game. So I gotta give him some props.

  “If you know so much about what’s going on around here,” Brad continues, “and if you have your finger on the pulse, as you claim, why don’t you know who’s getting written off?”

  I gotta admit, this catches me slightly off guard.

  Now it’s my turn to shrug.

  “If the studio is looking for an easy answer,” Brad says, “I have a tire iron in my trunk. I’ll make it painless, I promise.”

  “Look, all I’m trying to say is it’s going to take a lot more than bringing Kayla lunch to beat me. It’s going to actually take some acting skills. And sorry. Last time I checked, there was no contest. Mine were front and center.”

  I slap the table for emphasis, and the girl across the table jumps.

  “Oh, ho, ho, ho…you think? Dream on. Who got twelve, count them, twelve script pages in the last episode?”

  “Bro, what the fuc—” I shake my head, “Your character’s name was on twelve pages, but you were lying unconscious for ten of them. It’s not as if you had to act, for God’s sake!”

  “Remember who won the People’s Choice Award? Right, that would be me.” Brad gives a low whistle. “Man, why don’t you go sit on the other side of the table?”

  He pushes to his feet and walks over to the craftytable, all eyes on him.

  I get up and step right in line next to him. “Listen, this is getting out of hand,” I say in an angry whisper.

  “Asshole, you started it.”

  “I am not the asshole. You’re the one who’s playing Kayla. And if I find out that’s the case, they won’t have to figure out who to write off, ’cause I’ll kill you.”

  Brad grabs a bottled water from the table and takes a long chug while I stand there and wait for a response.

  He wipes his mouth with the back of his wrist. “I feel the same way. If you’re using her to keep your job, then I really will take out that tire iron.”

  Now I’m pumped the fuck up. I want a piece of this guy. I’m about to take a swing when the door opens, and in sweeps the director’s assistant, a girl named Sandra.

  “What the fuck are you guys doing?” she asks, her foul mouth fast at work while her gaze sweeps the room. “You’re in the wrong fucking room. Kayla has been waiting for you for ages.”

  As the rest of the cast starts getting up from their chairs, Sandra raises her hand and stops them. “No, today’s just the three
wonder brothers—Brad, Scott, and Ian.”

  Ah, fuck.

  Kayla

  “Play it cool,” I remind myself as I pretend to be busy reading from my laptop. Sandra has gone out to look for the cast, and a few minutes later, the door opens and Brad saunters in. My nose recognizes his aftershave, distinct yet subtle.

  I briefly glance at him, smile, and return to reading. My heart is bucking in my chest like a wild bronco. Take deep breaths, I think, but I steal the occasional glimpse of Brad.

  How I would like to be doing something else right now, other than sitting through a reading with our director and three actors.

  “Hey, gorgeous,” he says casually and sits to my left.

  I pretend to only just notice him now.

  “Hi, Brad. How’re you today?” I am pleased with how casual I sound. There isn’t a hint of a quiver in my voice.

  “Party started already, huh?” Scott has come in without me noticing it.

  I reach for my coffee and take a sip. This is going to be an interesting reading.

  Since my romp with Brad and Scott the other day, I haven’t been in the same room as the two of them.

  “Where’s Ian?” Scott breaks the silence first.

  “We don’t’ need him,” quips Brad. “A threesome is much more cozy, don’t you think?” He shoots a meaningful glance in my direction.

  I notice Scott narrowing his eyes and leaning back on his chair, his lips a thin line. Have they been fighting?

  Ah, and the tingling between my legs has me on edge. Perhaps I should ask for a jug of ice-cold water to be brought in.

  “Who says Kayla would be interested in you?” Scott is quick with a comeback.

  Brad shrugs.

  “Dude, you gotta go on a limb to get ahead in life.”

  Scott’s eyebrow raise to a perfect arch.

  “A limb? Looks like you’ve’ gone out on a twig, my friend.”

  My nerve endings are on fire. I’m trying to search for something to say to diffuse the tense situation.

  “You learned your lines?” is all I manage to say. Not very imaginative, but at least both of them are looking at me now.