Works of Sax Rohmer

by Sax Rohmer

  He bowed and went out. The door closed. Perhaps half a minute had elapsed when it was flung open again and Nayland Smith hurried in.

  “Was that Maître Foli who left a moment ago?” he rapped.

  “Yes,” M. Chamrousse replied. “He is anxious to get into immediate touch with the Chinese Legation in Paris.”

  Sir Denis stood stock still, then:

  “Great heavens!” he said in a low voice — and looked at me almost wildly— “It’s not impossible! It’s not impossible—”

  “What do you mean, Sir Denis?”

  “The Blessing of the Celestial Vision!”

  His words were a verbal thunderbolt; his meaning was all too clear.

  “Sterling! Good God! Follow me.”

  He rushed from the room, along the passage to the cell occupied by Dr. Fu-Manchu. A guard was on duty at the door. He opened it in response to Sir Denis’s order. We entered. M. Chamrousse was close behind.

  A man was seated where Dr. Fu-Manchu had sat; one in figure not unlike whom we had come to seek. But...

  “Great heavens!” cried Nayland Smith. “He wasn’t relying on loopholes of the law! He was relying on his genius as an illusionist!”

  The man in the yellow robe bowed.

  It was Maître Foli!

  “Sir Denis,” he said, in his harsh, strident voice, “I have served my purpose for which I have been retained by Dr. Fu-Manchu for a period of more than thirty years. I am honoured; I am happy. I crown a successful career with a glorious deed...”

  The light in his eyes — their wild fanaticism — told me the truth.

  Maître Foli was a Companion; a victim of those arts which I had so narrowly escaped!

  “I shall be committed to a French jail — my sentence may be a long one. I am too old for Devil’s Island; but in any event what does it matter? The Prince is free! The work goes on...”

  THE TRAIL OF FU MANCHU

  CONTENTS

  CHAPTER ONE. THE GREAT FOG

  CHAPTER TWO. THE PORCELAIN VENUS

  CHAPTER THREE. STERLING’S STORY

  CHAPTER FOUR. PIETRO AMBROSO’S STUDIO

  CHAPTER FIVE. P.C. IRELAND IS UNEASY

  CHAPTER SIX. DR. NORTON’S PATIENT

  CHAPTER SEVEN. LASH MARKS

  CHAPTER EIGHT. FOG IN HIGH PLACES

  CHAPTER NINE. THE TOMB OF THE DEMURASES

  CHAPTER TEN. THE MARK OF KALI

  CHAPTER ELEVEN. SAM PAK OF LIMEHOUSE

  CHAPTER TWELVE. LONDON RIVER

  CHAPTER THIRTEEN. A TONGUE OF FIRE

  CHAPTER FOURTEEN. AT SAM PAK’S

  CHAPTER FIFTEEN. A LIGHTED WINDOW

  CHAPTER SIXTEEN. A BURNING GHAT

  CHAPTER SEVENTEEN. THE GAME FLIES WEST

  CHAPTER EIGHTEEN. “I BELONG TO CHINA”

  CHAPTER NINETEEN. ROWAN HOUSE

  CHAPTER TWENTY. GOLD

  CHAPTER TWENTY-ONE. GALLAHO AND STERLING SET OUT

  CHAPTER TWENTY-TWO. GALLAHO RUNS

  CHAPTER TWENTY-THREE. FLEURETTE

  CHAPTER TWENTY-FOUR. THE LACQUER ROOM

  CHAPTER TWENTY-FIVE. CURARI

  CHAPTER TWENTY-SIX. DR. FU-MANCHU

  CHAPTER TWENTY-SEVEN. THE PIT AND THE FURNACE

  CHAPTER TWENTY-EIGHT. TUNNEL BELOW WATER

  CHAPTER TWENTY-NINE. AT THE BLUE ANCHOR

  CHAPTER THIRTY. THE HUNCHBACK

  CHAPTER THIRTY-ONE. THE SI-FAN

  CHAPTER THIRTY-TWO. IRON DOORS

  CHAPTER THIRTY-THREE. DAUGHTER OF THE MANCHUS

  CHAPTER THIRTY-FOUR. MORE IRON DOORS

  CHAPTER THIRTY-FIVE. THE FURNACE

  CHAPTER THIRTY-SIX. DIM ROARING

  CHAPTER THIRTY-SEVEN. CHINESE JUSTICE

  CHAPTER THIRTY-EIGHT. THE BLUE LIGHT

  CHAPTER THIRTY-NINE. THE LOTUS GATE

  CHAPTER FORTY. A FIGHT TO THE DEATH

  CHAPTER FORTY-ONE. THE LAST BUS

  CHAPTER FORTY-TWO. NAYLAND SMITH REFUSES

  CHAPTER FORTY-THREE. CATASTROPHE

  CHAPTER FORTY-FOUR. AT SCOTLAND YARD

  CHAPTER FORTY-FIVE. THE MATCH SELLER

  CHAPTER FORTY-SIX. GALLAHO EXPLORES

  CHAPTER FORTY-SEVEN. THE WATERSPOUT

  CHAPTER FORTY-EIGHT. GALLAHO BRINGS UP THE REAR

  CHAPTER FORTY-NINE. WAITING

  CHAPTER FIFTY. THE NIGHT WATCHMAN

  CHAPTER FIFTY-ONE. NIGHT WATCHMAN’S STORY

  CHAPTER FIFTY-TWO. “I AM CALLING YOU”

  CHAPTER FIFTY-THREE. POWERS OF DR. FU-MANCHU

  CHAPTER FIFTY-FOUR. GALLAHO EXPLORES FURTHER

  CHAPTER FIFTY-FIVE. MIMOSA

  CHAPTER FIFTY-SIX. IBRAHIM

  CHAPTER FIFTY-SEVEN. A CALL FOR PETRIE

  CHAPTER FIFTY-EIGHT. JOHN KI

  CHAPTER FIFTY-NINE. LIMEHOUSE

  CHAPTER SIXTY. DR. PETRIE’S PATIENT

  CHAPTER SIXTY-ONE. THE CROSSLANDS’ FLAT

  CHAPTER SIXTY-TWO. COMPANION CROSSLAND

  CHAPTER ONE. THE GREAT FOG

  “Who’s there?”

  P.C. Ireland raised his red lantern, staring with smarting eyes through moving wreaths of yellow mist. Visibility was nil. This was the great fog of 1934 — the worst in memory.

  No one replied — there was no sound.

  The constable shook himself, and setting the lantern down at his feet, flapped his arms in an endeavor to restore circulation. This chilliness was not wholly physical. Something funny was going on — something he didn’t like. He stood quite still again, listening.

  Three times he had heard that sound resembling nothing so much as the hard breathing of some animal, quite close to him in the fog — some furtive thing that crept by stealthily... And now, he heard it again.

  “Who’s there?” he challenged, snatching up the red lamp.

  None answered. The sound ceased — if it had ever existed.

  Traffic had been brought to a standstill some hours before; pedestrians there were none. King Fog held the city of London in bondage. The silence was appalling. P.C. Ireland felt as though he was enveloped in a wet blanket from head to feet.

  “I’ll go and have another look,” he muttered.

  He began to grope his way up a short, semicircular drive to the door of a house. He had no idea what danger threatened Professor Ambroso, but he knew that he would be in for a bad time from the inspector if anyone entered or left the professor’s house unchallenged...

  His foot struck the bottom of the three steps which led up to the door. Ireland mounted slowly; but not until his red lamp was almost touching the woodwork, could he detect the fact that the door was closed. He stood there awhile listening, but could hear nothing. He groped his way back to his post at the gate.

  The police phone box was not fifty yards away; he would have welcomed any excuse to call up the station; to establish contact with another human being — to be where there was some light other than the dim red glow of his lantern, which, sometimes when he set it down, resembled, seen through the moving clouds of mist, the baleful eye of a monster glaring up at him.

  He regained the gate and put the lantern down. He wondered when, if ever, he would be relieved. Discipline was all very well, but on occasions like this damned fog, when men who ought to have been in bed were turned out, a quiet smoke was the next best thing to a drink.

  He groped under his oilskin cape for the packet, took out a cigarette and lighted it. He felt for the coping beside the gate and sat down. The fog appeared to be getting denser. Then in a flash he was on his feet again.

  “Who’s there?” he shouted.

  Stooping, he snatched up the red lantern and began to grope his way towards the other end of the semicircular drive.

  “I can see you!” he cried, slightly reassured by the sound of his own voice— “Don’t try any funny business with me!”

  He bumped into the half-open gate, and pulled up, listening. Silence. He had retained his cigarette, and now he replaced it between his lips. It was the blasted fog, of course, tha
t was getting on his nerves. He was beginning to imagine things. It wouldn’t do at all. But he sincerely wished that Waterlow would come along to relieve him, knowing in his heart of hearts that Waterlow hadn’t one chance in a thousand of finding the point.

  “Stick there till you’re relieved,” had been the inspector’s order.

  “All-night job for me,” Ireland murmured, sadly.

  What was the matter with this old bloke, Ambroso? He leaned against the gate and reflected. It was something about a valuable statue that somebody wanted to pinch, or something. Ireland found it difficult to imagine why anyone should want to steal a statue. The silence was profound — uncanny. To one used to the bombilation of London, even in the suburbs, it seemed unnatural. He had more than half smoked his cigarette when — there it was again!

  Heavy breathing and a vague shuffling sound.

  Ireland dropped his cigarette and snatched up his lantern. He made a surprising spring in the direction of the sound.

  “Come here, damn you!” he shouted. “What the hell’s the game?”

  And this time he had a glimpse of — something!

  It rather shook him. It might have been a crouching man, or it might have been an animal. It was very dim, just touched by the outer glow of his lantern. But Ireland was no weakling. He made another surprising leap, one powerful hand outstretched. The queer shape sprang aside and was lost again in the fog.

  “What the hell is it?” Ireland muttered.

  Aware again of that unaccountable chill, he peered around him, holding the lantern up. He had lost his bearings. Where the devil was the house? He made a rapid calculation, turned about and began to walk slowly forward. He walked for some time in this manner, till his outstretched hand touched a railing. He had crossed to the verge of the Common.

  He was on the wrong side of the road.

  His back to the railings, he set out again. He estimated that he was half-way across, when:

  “Help!” came a thin, muffled scream — the voice of a woman. “For God’s sake help me!”

  The cry came from right ahead. P.C. Ireland moved more rapidly, grinding his teeth together. He had not been wrong — there was something funny going on. It might be murder. And, his heart beating fast, and all his training urging “hurry — hurry!” he could only crawl along. By sheer good luck he bumped into the half-open gate of the semicircular drive.

  Evidently that cry had come from the house.

  He moved forward more confidently — he was familiar with the route. Presently, a dim light glowed through the wet blanket of the fog. The door was open.

  Ireland stumbled up the steps and found himself in a large lobby, brightly lighted. Fog streamed in behind him like the fetid breath of some monstrous dragon. There were pictures and statuettes; thick carpet on the floor; rugs and a wide staircase leading upwards. It was very warm. A coal fire had burned low in an open grate on one side of the lobby.

  “Hello there!” he shouted. “I’m a police officer. Who called?”

  There was no answer.

  “Hi!” Ireland yelled at the top of his voice. “Is there anyone at home?”

  He stood still, listening. A piece of coal dropped from the fire onto the tiled hearth. Ireland started. The house was silent — as silent as the fog-bound streets outside, and great waves of clammy mist were pouring in at the open door.

  The constable put down his red lantern on a little coffee table, and began to look about him apprehensively. Then he walked to the foot of the stairs and trumpeted through cupped hands:

  “Is there anyone there?”

  Silence.

  He was uncertain of his duty. Furthermore, this brightly lighted but apparently empty house was even more perturbing than the silence of the Common. A telephone stood on a ledge, not a yard from the coffee table. Ireland took up the instrument.

  A momentary pause, during which he kept glancing apprehensively about him, and then:

  “Wandsworth police station — urgent!” he said. “Police calling.”

  CHAPTER TWO. THE PORCELAIN VENUS

  That phenomenal fog which over a great part of Europe heralded and ushered in the New Year, was responsible for many things that were strange and many that were horrible. Amongst the latter the wreck of the Paris-Strasbourg express and the tragic crash of an Imperial Airways liner. The triumphant fog demon was responsible, also, for the present predicament of P.C. Ireland.

  A big car belonging to the Flying Squad of Scotland Yard, and provided with special fog lights, stood outside Wandsworth police station. And in the divisional-inspector’s office a conversation was taking place which, could P.C. Ireland have heard it, would have made that intelligent officer realize the importance of his solitary vigil.

  Divisional-inspector Watford was a gray-haired, distinguished looking man of military bearing. He sat behind a large desk looking alternately from one to the other of his two visitors. Of these, one, Chief-inspector Gallaho, of the C.I.D., was well known to every officer in the Metropolitan police force. A thick-set, clean-shaven man, of florid coloring and truculent expression, buttoned up in a blue overcoat and wearing a rather wide-brimmed bowler hat. He stood, resting one elbow upon the mantelpiece and watching the man who had come with him from Scotland Yard.

  The latter, tall, lean, and of that dully dark complexion which tells of long residence in the tropics, wore a leather overcoat over a very shabby tweed suit. He was hatless, and his close-cropped, crisply waving gray hair excited the envy of the district inspector. His own hair was of that color but had been deserting him for many years. The man in the leather overcoat was smoking a pipe, and restlessly walking up and down the office floor.

  The divisional inspector was somewhat awed by his second visitor, who was none other than ex-Assistant Commissioner Sir Denis Nayland Smith. Something very big was afoot. Suddenly pulling up in front of the desk, Sir Denis took his pipe from between his teeth, and:

  “Did you ever hear of Dr. Fu-Manchu?” he jerked, fixing his keen eyes upon Watford.

  “Certainly, sir,” said the latter, looking up in a startled way. “My predecessor in this division was actually concerned in the case, I believe, a number of years ago. For my own part” — he smiled slightly— “I have always regarded him as a sort of name — what you might term a trade-mark.”

  “Trade-mark?” echoed Nayland Smith. “What do you mean? That there’s no such person?”

  “Something of the kind, sir. I mean, isn’t Fu-Manchu really the name for a sort of political organization, like the Mafia — or the Black Hand?”

  Nayland Smith laughed shortly, and glanced at the man from Scotland Yard.

  “He is chief of such an organization,” he replied, “but the organization itself has another name. There is a Dr. Fu-Manchu — and Dr. Fu-Manchu is in London. That’s why I’m here tonight.”

  The inspector stared hard for a moment, and then:

  “Indeed, sir!” he murmured. “And may I take it that there’s some connection between this Fu-Manchu and Professor Ambroso?”

  “I don’t know,” Nayland Smith snapped, “but I intend to find out tonight. What can you tell me about the professor? He lives in your area.”

  “He does, sir.” The inspector nodded. “He has a large house and studio on the North Side of the Common. We have had orders for several days to afford him special protection.” Nayland Smith nodded, replacing his pipe between his teeth.

  “Personally, I’ve never seen him, and I’ve never seen any of his work. He’s a bit outside my province. But I understand that although he’s an Italian by birth, he is a naturalized British subject. What he wants protection for, is beyond me. In fact, I should be glad to know, if anyone can tell me.”

  Sir Denis glanced at the Scotland Yard man.

  “Bring the inspector up-to-date,” he directed; “he’s evidently rather in the dark.”

  Watford, resting his arms on the table, stared at the celebrated detective, enquiringly.

  “Well,
it’s like this,” Gallaho began in a low, rumbling voice. “If it means anything to you, I’ll begin by admitting that it means nothing to me. Professor Ambroso has been abroad for some time supervising the making of a new kind of statue at the Sevres works, outside Paris. It’s a life-sized figure, I understand, and more or less colored. Since the matter was brought to my notice, I have been looking up newspaper reports and it appears that the thing has created a bit of a sensation in artistic circles. Well, the professor took it down to an international exhibition held in Nice. This exhibition closed a week ago, and the figure, which is called ‘The Sleeping Venus,’ was brought back to Paris, and from Paris to London.”

  “Did the professor come along, too?”

  “Yes. And in Paris he asked for police protection.”

  “What for?”

  “Don’t ask me — I’m asking you. The French sent a man down to Boulogne on the train in which the thing was transported — then we took over on this side. There’s a man on duty outside his house now, isn’t there?”

  “Yes. And the fog’s so dense it’s impossible to relieve him.” Nayland Smith had begun to walk up and down again; but now:

  “He can be relieved when the other car arrives,” he jerked, glancing back over his shoulder. “I should have pushed straight on, but there is someone I am anxious to interrogate. I have arranged for him to be brought here.”

  That the speaker was in a state of high nervous tension, none could have failed to recognize. He was a man oppressed by the cloud of some dreadful doubt.

  “That’s the story,” Gallaho added. “The professor and his statue arrived by the Golden Arrow on Friday evening, just as the fog was beginning. He had two assistants, or workmen — foreigners, anyway, with him — and he had hired a small lorry. A plain-clothes man covered the proceedings, and the case containing the statue arrived at the professor’s house about nine o’clock on Friday night, I understand.” Then, unconsciously he echoed the ideas of Police Constable Ireland. “What the devil anybody wants to steal a statue for, is beyond me.”

  “It’s so far beyond me,” Nayland Smith said rapidly, “that I am here tonight to inspect that work of art.”

  Watford’s expression was pathetically blank.