Mozart: The Man Revealed

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Mozart: The Man Revealed Page 29

by John Suchet


  An essential reference work is The Cambridge Mozart Encyclopedia, edited by Cliff Eisen and Simon P. Keefe (Cambridge University Press, 2006).

  What is certain is that there will be a whole new raft of publications to mark the tercentenary of Mozart’s birth in forty years’ time. The world will be as keen to know about this musical genius as it is today, and has always been.

  Who can tell what original documents might have come to light by then? Maybe some of Leopold’s letters to his son will prove not to have been destroyed. Autograph manuscripts might be sitting in someone’s loft as I write this.

  There is always a danger that biographies like mine – like all the books I have listed above – will become outdated, or in certain aspects prove to be wrong. That, though, is not a reason for not writing them in the first place.

  We can be grateful that we know as much about this great artist as we do, and can only hope that future generations might be able to know more about him than we know today.

  This book is dedicated to the Emmy Award winning television documentary maker James Black. James was a lifelong lover of Mozart’s music. At the time that he became ill with dementia, he had completed a six-part television series on Mozart’s life that was soon to be put into production. His illness, and death in 2014, prevented this. His widow Nula is in talks to revive the series.

  Nula helped James for many years with his research on Mozart, just as my late wife Bonnie helped me for many years with my research on Beet-hoven. James and Bonnie, we are certain, would be elated to know that Nula and I are now married.

  The city of Salzburg is today ‘Mozart city’. Fly into Salzburg and you land at W. A. Mozart Airport. The city’s university is the Universität Mozarteum Salzburg. The house where he was born and the apartment in which his family later lived are museums dedicated to his life. On any day of the year (including Christmas) they are full of visitors – tourists, school groups, Mozart enthusiasts. They claim to be two of the most visited museums in the world.

  Souvenir shops bristle with Mozart memorabilia, from emblazoned T-shirts and mugs to boxes of Mozart chocolates in all shapes and sizes. The boxes, that is. The chocolates are always round, made of dark chocolate, marzipan and nougat, covered in gold or silver foil with a portrait of the composer, and universally known as Mozartkugeln (Mozart balls).

  All of which would rather surprise Mozart, since he, like his father, loathed the city, and the city thoroughly disliked him.

  Not everyone approves of the way the city has used Mozart’s name to such overwhelming commercial effect. In 2007 Salzburg Council commissioned a local artist to create a temporary installation that could stand alongside the statue in the Mozartplatz.

  Instead of making a separate work of art, he created an installation covering the much revered statue – top to bottom – in shopping trolleys to protest against the commercialisation of the city and its heritage. His work did not find favour with Salzburgers. Such was the outcry at the defamation of the city’s famous son that the trolleys were removed six months prematurely.

  There is not a night of the year when Mozart’s music cannot be heard in the city of his birth, from the most exclusive setting of the annual Salzburg Festival to the humblest abode. The same is true in Vienna, where music students, dressed in Mozart wigs and his famous red jacket and breeches, hand out leaflets for the day’s performances; though only one building bears witness to his ten-year residency in the city.

  Ultimately, as the people of Salzburg, and indeed Vienna, will readily admit, Wolfgang Amadeus Mozart belongs to the world.

  1. The Travel Diaries of Vincent and Mary Novello, quoted in Glover, Jane, Mozart’s Women (London: Macmillan, 2005)

  2. Solomon, Maynard, Mozart, A Life (London: Hutchinson, 1995)

  3. My extracts from Leopold Mozart’s letters are from Anderson, Emily The Letters of Mozart and His Family (London: Macmillan, 1966)

  4. Gutman, Robert W., Mozart, A Cultural Biography (New York: Harcourt, 1999)

  5. ibid.

  6. ibid.

  7. Niemetschek, Franz, Life of Mozart, trans. Helen Mautner (London, 1956)

  8. ibid.

  9. Lever, Évelyne, Marie Antoinette: The Last Queen of France, trans. Catherine Temerson (London: Piatkus, 2001)

  10. Sadie, Stanley, Mozart: The Early Years 1756–1781 (Oxford: Oxford University Press, 2006)

  11. Eisen, Cliff, New Mozart Documents (London: Macmillan, 1991)

  12. Nannerl Mozarts Tagebuchblätter, ed. Geffray, Geneviève (ed.), with Angermüller, Rudolph, quoted in Sadie, Mozart: The Early Years

  13. The Leisure Hour (London 1882), quoted in Sadie, Mozart: The Early Years

  14. Diary of Father Beda Hübner, quoted in Sadie, Mozart: The Early Years

  15. From Friedrich Melchior’s La Correspondance littéraire, philosophique et critique, quoted in Glover, Mozart’s Women

  16. My extracts from Mozart’s letters are taken from Robert Spaethling’s Mozart’s Letters, Mozart’s Life, the first in which the translations attempt to reproduce in English Wolfgang’s often ungrammatical and misspelt German. See Acknowledgements.

  17. Solomon, Maynard, Mozart: A Life (London: Hutchinson, 1995)

  18. Burney, Charles, Music, Men and Manners in France and Italy, 1770, ed. H. Edmund Poole (London, 1974)

  19. Rousseau, Jean-Jacques, The Confessions, Book 7, trans. J. M. Cohen (London: Penguin, 1953)

  20. Johann Adolf Hasse, quoted in Sadie, Mozart: The Early Years

  21. Eisen, Cliff, New Mozart Documents

  22. Riesbeck, Caspar, Travels Through Germany in a Series of Letters (London, 1787)

  23. Reviews collected by Christian Daniel Schubart (1739–91), quoted in Gutman, Mozart, A Cultural Biography

  24. My extracts from Anna Maria Mozart’s letters are also from Anderson, Letters of Mozart and his Family

  25. Solomon, Mozart: A Life; Wolfgang Hildesheimer, Mozart, trans. by M. Faber (Oxford: Oxford University Press, 1985); Gutman, Mozart, A Cultural Biography

  26. Nissen, Georg Nikolaus von, Biographie W. A. Mozart’s (1828), quoted in Sadie, Mozart: The Early Years

  27. Gutman, Mozart, A Cultural Biography

  28. Nannerl Mozarts Tagebuchblätter, quoted in Glover, Mozart’s Women

  29. Landon, H.C. Robbins, Mozart and Vienna (London: Thames and Hudson, 1991)

  30. ibid.

  31. Nissen, Biographie W. A. Mozart’s, quoted in Glover, Mozart’s Women

  32. ibid.

  33. Nannerl Mozarts Tagebuchblätter, quoted in Glover, Mozart’s Women

  34. Solomon, Mozart: A Life

  35. Memoirs of Lorenzo Da Ponte, trans. Elisabeth Abbott, ed. Arthur Livingston (New York: Dover Publications, 1967)

  36. ibid.

  37. ibid.

  38. ibid.

  39. ibid.

  40. Glover, Mozart’s Women

  41. Memoirs of Lorenzo Da Ponte

  42. ibid.

  43. Glover, Mozart’s Women

  44. Solomon, Mozart: A Life

  45. ibid.

  46. ibid.

  47. Recounted in Otto Jahn: W.A. Mozart, 3rd ed. by H. Deiters, 1889-1891; Eng. trans. by P. D. Townsend, 1891

  48. Nissen, Biographie W. A. Mozart’s

  49. Friedrich Schlichtgroll, Mozarts Leben (Götha, 1793), facsimile edition of the reprint (Graz 1794), ed. Joseph Heinz Eibl (Kassel: Bärenreiter, 1974)

  50. Benyovszky, Karl, J. N. Hummel: Der Mensch und Künstler (1934), quoted in Solomon, Mozart: A Life

  51. Nissen, Biographie W. A. Mozart’s

  52. ibid.

  53. Jahn, Otto, The Life of Mozart (3 vols.), trans. Pauline D. Townsend (London: Novello, 1882)

  54. Solomon, Mozart, A Life

  55. Jahn, The Life of Mozart

  56. Niemetschek, Life of Mozart, trans. by Mautner

  57. ibid.

  58. ibid.

  59. Nissen, Biographie W. A. Mozart’s, quoted in Glover, Mozart’s Women
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  60. ibid.

  61. ibid.

  62. ibid.

  63. ibid.

  64. ibid.

  65. Gärntner, Heinz, Constanze Mozart: After the Requiem trans. by R. G. Pauly (Milwaukee: Amadeus Press, 1986)

  Page numbers in italic refer to illustrations

  A

  Adriatic Sea 84

  Allegri, Gregorio 79–80

  Alps 74, 86, 92, 101

  Amsterdam 53–54

  Ancaster, Duke of 78

  Antwerp 33, 54

  Arco, Count 166, 168, 170–172

  Asti von Asteburg, Madame d’ 88

  Augsburg 2, 3, 5, 29–30, 62, 104, 121–123, 125, 128–131, 140

  Austerlitz, Battle of 1

  B

  Bach, Johann Christian 46–47

  Baden 235–237, 240, 242, 243, 246–249

  Bäsle see Mozart, Maria Anna Thekla

  Bath 77

  Bavaria 1, 2, 15, 28, 108, 128, 131, 160

  Bedford, Duke of 39

  Beethoven, Johann van 45

  Beethoven, Ludwig van xi, 45, 54, 67, 74, 123, 195, 210, 223, 231, 240, 244, 253

  Belgium 32, 54

  Berlin 180, 221, 231

  Berne 54

  Black Forest 131

  Bohemia 62, 131

  Bologna 73, 76, 83–85, 87, 88, 120

  Bonn xi, 54, 74, 223, 244

  Bonnières, Adrien-Louis de, Duc de Guînes 151

  Bozen 100

  Brahms, Johannes 210

  Brenner Pass 92, 94, 100

  Britain 39, 80

  Brussels 32, 54

  Burney, Charles 85, 131

  C

  Calais 40, 49

  Cambrai 54

  Canterbury 50

  Casanova, Giacomo 213

  Catherine the Great 178

  Ceneda 213

  Ceseletti family 89

  Chabot, Duchesse de 143

  Channel 40, 44, 49

  Charlotte, Queen 41–42, 46, 47, 57

  China 62

  Clement XIV, Pope 79, 81

  Closset, Dr Thomas Franz 235, 250

  Colloredo, Count Hieronymus Franz de Paula Joseph 98–99, 99, 101, 105, 106, 109, 111, 113–114, 119–120, 150, 159, 160, 163, 165–168, 170–172, 177–178, 198–200

  Cologne 45

  Copenhagen 256

  D

  Da Ponte, Lorenzo 196, 213, 214, 215–218, 220–222

  Danube River 18, 19, 25, 63

  Donaueschingen 54

  Dover 40–41

  Dresden 231–232

  Duschek, Josepha 232, 234

  E

  Emilian, Pater 125

  England 42, 45, 46, 78

  Eslinger, Joseph Richard 17

  Eugen, Duke Karl 30

  Eyck, Count van 35, 36

  F

  Farinelli 76

  Ferdinand, Archduke 95, 96, 97, 100, 101

  Firmian, Count Karl Joseph von 74–75

  Florence 64, 73, 76–78, 83, 85

  France 20, 38, 39, 140

  Frankfurt 27, 31, 237, 244

  Franz, Emperor 20, 57, 63, 64

  G

  Geneva 54, 60

  George III, King 41–42, 47, 57

  Gerl, Barbara 241

  Germany 1, 27, 31, 32, 38, 54, 131

  Glover, Jane 217

  Gluck, Christoph Willibald 19, 68, 69, 141, 189, 195, 221, 224

  Goethe, Johann Wolfgang von 27, 32

  Gottlieb, Anna xii, 241

  Grimm, Friedrich Melchior 36, 143, 149

  Gutman, Robert 129

  H

  Hagenauer, Johann Lorenz 9, 16–19, 24–25, 28, 29, 31–33, 35, 49, 54–56, 63, 64, 67, 69, 89, 93, 19

  The Hague 49–51, 53–54, 62

  Hamilton, William 80

  Handel, George Frideric 41

  Haydn, Joseph 26, 108, 206, 207, 210, 211, 237, 238

  Haydn, Michael 26, 60

  Heidelberg 31, 131

  Herberstein, Count 18, 19

  Hildesheimer, Wolfgang 129

  Hofdemel, Franz and Magdalena 230, 241

  Holy Roman Empire 1, 2, 16, 32, 57, 81

  Hummel, Johann Nepomuk 235

  Hungary 62

  I

  Innsbruck 92

  Italy 59, 62, 68, 73, 74, 84, 88–89, 91, 94, 96, 102, 103, 118, 120, 137, 140

  J

  Jahn, Otto 235, 241

  Joseph II, Emperor 18, 19, 63, 163, 220–224, 236, 237, 253, 254

  K

  Karl Theodor, Elector 131, 133, 160

  Klosterneuberg 212

  Koblenz 31

  Köchel, Ludwig von 14

  L

  Lange, Joseph 157, 159, 173, 177, 234, 258

  Lausanne 54

  Leipzig 231–232, 234

  Leopold, Emperor 19, 237–238

  Lichnowsky, Count 231

  Ligniville, Eugenio Marquess of 76

  Lille 50

  Lincolnshire 78

  Linley, Thomas 77, 77, 78, 85

  Linz 18, 19, 202, 212

  Lodi 76

  Lombardy 74

  London 32, 38–43, 43, 44–47, 47, 48–50, 60–62, 78, 80, 85, 94, 222, 238

  Loreto 84

  Lothringen, Prince Karl Alexander von 32–33

  Louis Philippe, Duc d’Orléans 36

  Louis XV 35, 36, 222

  Luxembourg 32

  Lyons 54, 97

  M

  Mainz 31

  Mannheim 121, 126, 128, 130–132, 132–133, 135, 137–140, 156

  Mannheim-Munich orchestra 181

  Mantua 73, 74

  Maria Elizabeth, Archduchess 64, 66

  Maria Theresa, Empress 18–20, 21, 25, 38, 57, 63, 65, 70, 92, 95–96, 102, 106, 163, 189, 247

  Marie Antoinette 20, 222

  Maximilian III of Bavaria 16, 108, 118, 119, 120

  Mechelen 54

  Melk 63

  Milan 73, 74–76, 83, 86, 88, 92–95, 97, 99–102, 109, 259

  Teatro Regio Ducal 75, 92, 95, 99

  Modena, Duke of 75

  Modena, Princess Maria Beatrice of 95

  Moravia 66

  Mozart, Anna Maria 6, 7, 7, 8, 19, 25, 27, 43, 50, 53, 79, 80, 93, 95, 101, 106, 107, 115–118, 121, 126, 129–135, 139–151, 154, 155, 158, 161, 227

  Mozart, Anna Maria Thekla (Bäsle) 6, 121–123, 124, 125–130, 132, 155–156, 158, 234

  Mozart, Constanze xi, xii, 157, 174, 175, 176, 177, 178–189, 196–204, 206, 208, 209, 211, 212, 219, 221, 223, 227, 228, 231–236, 238, 240, 242, 243, 245–251, 253, 254, 256–259, 259

  Mozart, Franz Alois 121

  Mozart, Franz Xaver Wolfgang xi, 190, 245, 255, 257, 260

  Mozart, Karl Thomas xi, 204–205, 209, 228, 231, 240, 245, 255, 259

  Mozart, Leopold xi, 2–3, 5, 5, 6–9, 11–14, 15–22, 24–26, 27–28, 30–33, 35–36, 38–54, 56–71, 73–81, 83–86, 88–92, 100–118, 120–121, 129, 131–138, 140–147, 149–153, 155, 158, 160–164, 166–170, 172–175, 177, 179, 181, 184–186, 196–201, 204, 207–212, 215, 224, 225, 227, 237, 260

  Mozart, Maria Anna (Nannerl) xii, 6–9, 11–12, 14–19, 23, 23, 24, 27, 28, 37, 38, 40, 41, 45, 47, 50–51, 52, 54, 55, 60, 63, 66–67, 71, 74–76, 84, 87, 95, 96, 100, 101, 106, 107, 110, 111, 115, 116, 118, 143, 158, 160, 162, 190, 199, 200–201, 208, 209, 210, 224, 225, 226, 227, 258

  Mozart, Raimund Leopold 197–202

  Mozart, Wolfgang Amadeus x, 52, 72, 82, 144, 147, 191–193, 223, 234

  Andante and Allegro in C major for clavier 14

  Apollo et Hyacinthus 59, 67

  Ascanio in Alba 92, 95, 97

  Ave verum corpus 240

  Bastien und Bastienne 70

  birth 8–9, 10

  childhood 11–14, 15–26, 27–38, 39–48, 49–58, 59–70, 71–82, 83–92, 93–102

  Clarinet Concerto in A 248

  Clarinet Quintet in A 236

  Concerto for Flute and Harp 151

  Coronation Mass 159

  Cosí fan
tutte 221, 236

  death 251–252, 251–251; 254, 256, 259

  Die Zauberflöte (The Magic Flute) xii, 214, 242, 243, 245, 246, 246–247, 249

  Die Entführung aus dem Serail 180–181, 181, 183, 216

  Die Schuldigkeit des ersten Gebots 61

  Don Giovanni 218, 219, 219–222, 232, 258

  Eine kleine Nachtmusik 222

  Exsultate, jubilate 101

  funeral 253, 254

  Grabmusik 61

  Haffner Serenade 112

  Haffner Symphony 185, 188

  Haydn Quartets 210

  Idomeneo, rè di Creta 160–162, 163, 178, 200

  Jupiter Symphony 228–229

  La clemenza di Tito 244, 245, 246, 247, 250

  La finta giardiniera 108, 110

  La finta semplice 69, 108

  ‘Laudate Dominum’ 159

  Le nozze di Figaro (The Marriage of Figaro) xii, 217, 218, 220, 222, 232

  ‘Little’ Symphony in G minor 108

  Linz Symphony 202

  Lucio Silla 100–101

  marriage to Constanze 175–188

  Mass in C minor 200

  Mitridate, rè di Ponto 84–85, 88, 93

  Paris Symphony 151–153, 153, 158

  Piano Concerto No. 11 191

  Piano Concerto No. 12 191

  Piano Concerto No. 13 191

  Piano Concerto No. 14 204

  Piano Concerto No. 15 204

  Piano Concerto No. 16 204

  Piano Concerto No. 17 204

  Piano Concerto No. 18 204

  Piano Concerto No. 19 204

  Piano Concerto No. 20 in D minor 210

  Piano Concerto No. 25 in C 229

  Piano Concerto No. 27 in B flat 239

  Piano Concerto No. 9 in E flat major 112

  Piano Sonata No. 11 in A major 180

  Requiem 243–245, 245, 248, 249–250

  scatology 122, 126, 135, 198

  Sinfonia concertante in E flat 159–160

  String Quintet No. 3 in C 222

  String Quartet No. 19 in C major 211

  String Quartet in D minor 197

  Symphony in F 67

  Symphony No. 39 228

  Symphony No. 40 228

  Vesperae solennes de confessore 159

  Munich 15, 16, 28, 29, 30, 54, 57, 104, 108–110, 116, 117, 117, 118, 120–121, 131, 156, 157, 160–163, 168, 173, 177, 198, 206

  Mannheim-Munich orchestra 181

  N

  Naples 62, 64, 73, 80, 81, 83, 84

  Nardini, Pietro 77

  Nassau-Weilburg, Princess Caroline of 50–51

  Nelson, Horatio 80

  Netherlands 32, 54

 

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