Upgraded to Serious
Page 3
the breeder called nonshedding. . .
It’s a dog’s life I myself must lead,
day in, day out—with never a Sunday edition—
while they lie around on their couches like poets,
and study the human condition.
Glass House
Everything obeyed our laws and
we just went on self-improving
till a window gave us pause and
there the outside world was, moving.
Five apartment blocks swept by,
the trees and ironwork and headstones
of the next town’s cemetery.
Auto lots. Golf courses. Rest homes.
Blue-green fields and perishable vistas
wars had underscored in red
were sweeping past,
with cloudscapes, just
as if the living room were dead.
Which way to look? Nonnegative?
Nonplussed? (Unkilled? Unkissed?)
Look out, you said; the sight’s on us:
If we don’t move, we can’t be missed.
From the Tower
Insanity is not a want of reason.
It is reason’s overgrowth, a calculating kudzu.
Explaining why, in two-ton manifesti, thinkers sally forth
with testaments and pipe bombs. Heaven help us:
spare us all your meaningful designs. Shine
down or shower forth, but for our earthling sakes
ignore all prayers followed by against, or for.
Teach us to bear life’s senselessness, and our
own insignificance. Let’s call that sanity.
The terrifying prospect isn’t some poor
sucker in a La-Z-Boy, inclined to jokes,
remotes, or sweets. It is the busy hermeneut,
so serious he’s sour, intent on making
meaning of us all —
and bursting from the tower to the streets.
Man in the Street
He claps a hand
Across the gaping hole—
Or else the sight
Might well inside to
Melt the mind—if any
Thinking spoke
Were in the wheel,
Or any real
Fright-fragments broke
Out of the gorge to
Soak the breast, the meaning might
Incite a stroke. Best
Press against it, close
The clawhole, stand
In stupor, petrified. The dream
Be damned, the deeps defied.
(The hand’s to keep
The scream inside.)
Mary’s Reminder
An oddity of war
(among the many) is:
it has to educate attackers
in the ones attacked, incurring, as war does,
some counterswells abroad and then at home —
two sides on every side. Our young
are learning Arabic, and wrapping up
their heads: hair-trigger in a Supercut.
We’re struck and then
instructed by our strife: the shades
of difference between eleven, say, and twelve —
trousers and trusses, toys and knives,
a handshake and a landmine.
God, you were a boy
for all your life.
Creature Crush
I
Dear God, if you ever were
(and I have to go on being) alive,
at least don’t make me have to see
(forever in my mind as now on my TV)
the likes of this poor
furred familiar, hauled by neckchain
to be eyeballed there in the public square in Kathmandu—
this miserable monkey, made alert
with a yank toward the knife of his keeper.
Riveted, misgiving, every morning he is made
to cry—nicked at the neck, so onlookers will register
how sharp the situation is. But that’s just foreplay,
because then the knife-arm does (what must inform his nightmares
endlessly while other monkeys sleep) the drama of a three-foot thrust
directly at the creature’s gut—so he recoils, of course,
and has to freeze in that unthinkable contortion (neck hauled close
to his tormentor’s gaze). They stay like that for an eternity. A minute,
more or less.
II
The monkey’s quivering. Today his quick responses mean
he’ll live to do another show. (Someday, like every
other animal, he’s going
to be sick, or sore, or slow—
no sweat. Another monkey can be got
with coins this monkey’s agony has bought.)
III
The people crane to see,
not necessarily because they’re cruel—I hope
they’re horrified—they do avert their gazes, now
and then, but cannot keep
from gawking once again. Myself,
I wince from here. I am as apt to stare
as any of my fellow men.
IV
Eventually the monkey is required
to walk among the humans,
pass a hat. Those who have cried
give extra. (What’s the worse
perverseness of this plan,
the helplessness or the complicity?)
Apparently I neither can
release the monkey
nor assassinate the man.
NOCEBO
Rather than this,
I would gladly feel nothing.
Give me some more
anesthetic thing.
My zoom control is set,
it seems, on oversmall: all Hamlets
and gloomlets. It’s a sin to hold
unhappiness so dear, or dearness
to a price, I know. Well-being ought
to counterbalance misery, in all the universe’s
mass. By Heraclitus and by God, across
the range of states, the contraries should
balance out, so suffering and satisfaction mark
a single spectrum’s sore extremities. (The mind’s
designed, declared De Vries, to keep the ears
from grating on each other.) Oh but you, you
screw the balance up, you human animal:
of names the only caller and dropper, making
scapegoats out of badgers, snakes, and grouse —
they’re answering for you. And where’s my fabled
freedom, if I cannot liberate
the creatures of my word, the eye
of my TV, the wiring of my house? What sense
might the excruciated make, whose ravenous receptors
(over veldts of happy elephants)
flock to the one shocked mouse?
Dark View
The sun that puts its spokes in every
Wheel of manhandle and tree
Derives its path of seashines
(Spiritual centrality) from my
Regard. I sent it
My regards. Some yards
Of lumen from the fabrika
Have come unbolted in the likes
Of it, or maybe
In the likes of me—a long
Unweaving or recarding I
Cannot recall begun—and there
Before my eyes the palm
Puts lashes round the sun.
Tree Farm
Tempted by restive night to make
a festive figure, given each
an ax and hour there,
an hour before the evening
news, the human beings flock to this
still-living stand of minded pine.
The shapes are perfect
triangles. The range
has been arranged to hide the wild.
(But every old saw has a human child.)
T
he little trees are planted from
the blacktop to the fence. They can’t
escape the blinking Santas or
the hundred Rudolphs
on the looping tape...
Manned by some unsteady creature,
one Dodge truck has backed into the crèche;
and thanks to pigeons, several wise men are defiled.
A city father and his son, who had
to sit all day, have come
from officework and school; they know the ways
of pencil sharpeners: they press against their tools.
Alas, the saw is dull, or bent; they dent the tree,
they pull; it must submit. They drag it off
against its grain, and up the stairs
toward a gaping living room. There is the table,
with its tethered bird. There is the woodstove where
Thanksgiving’s trees were burned. The evergreen has
got its hackles up, as otherwise it couldn’t mean to
— spreads its arms across the jamb, and will and will
and will not budge. That’s how a little grudge
can shake enormous premises: one minute
you are celebrating, and the next —
your Christmas a catastrophe,
your condo just a lean-to.
Which Is Given for You
A carnation the crux
of the matter, heart
close-read. The head
not only minded: minding.
Participles hot, thoughts in-
sufficiently wooden: flow
in the flesh. See notes
on hand (the human being
moving). Feelings aflutter:
falls afoot: all healing
failed, all hanging fought.
They nailed him and
they nailed him good.
The River Overflows the Rift
From every reach of field to come
to gather in a clump, stock-still,
as rain begins to fall to fill
the hole where he is being
lowered, lovers
are allotted
two feet each, whereon to stand,
withstand, or just stand by
the place he’s placed,
here in the woods,
in the world, in the
moon-rid solar system.
Humans do seem dim.
But later little lights will rise,
to float on something we can’t see,
and pinpoints may be
angels. (Or else hell has fireflies.)
Before a human face
a glance could light without
alighting, gleams meander through
the untagged trees, a stream into the pattern
lend its thread. But then we came affixing
barbs and snags, and until all of us
are done away, a million lilies will be stilled
by some arranger’s hands, a billion stones
be hauled and heaped by heart, to stand
for words, where words aren’t going
to be kept. The word
must move: the minute does.
Its starred expanses dazzle
humankind (wherever there’s a mind
for wonderment). In time
the glimmers of the uncontained
outcourse even a lover’s frozen frown,
the silver wave revives the mower. Glowers
by glow are overcome, flowers by flow.
The Gift
From underwater you can’t see
a thing above: a sun, or a cloud,
or a man in a boat. You see
the bottom of the boat.
And everywhere below it—
flocks of glitter, brilliantly
communicating schools.
You see the calm
translucencies in groves, a sway
of peaceful flags. Above is silver
impassivity—reflective lid.
So why look out?
No out exists.
The sky, each time it’s wounded,
heals at once. A zippering across it
instantly dissolves. A wet suit’s foot
or a long black line behind a plummet,
or the sudden angling boomerang
(murre in a hurry to
zigzag down) all come
as pure surprises, passing thoughts
that leave no afterimage.
But we have lived above it all instead,
our feet on the ground, our heads
in the clouds, where there’s
no ceiling sealing us from heaven.
Drawn into every storybook of stars—the spark-lit
universes, countlessness of dust—we think along
those phosphorescent ways there must (the brain
lights up a schoolroom rule) live others
like ourselves—in worlds
as mirror-mesmerized.
As mine, let’s say, or hers. And so it was
around the fifty-seventh month
of her life’s underlife (a mindless blind
metastasis of cells) we sent each other
messages by e-mail, sudden, simultaneous,
because of dreams. In hers, the ancestors
were waiting, just across a lake, but she
found no equipment in her
circumstances of canoe.
The paddle on the water
drifted far and
farther off.
She saw it
touch my boat, she said.
She saw me shove it back, across the surface,
safely to her hand, so she could get
where she’d be found.
Dear god, give me
a faith like that.
In my dream we both drowned.
Not to Be Dwelled On
Self-interest cropped up even there,
the day I hoisted three, instead
of the ceremonially called-for two,
spadefuls of loam on top
of the coffin of my friend.
Why shovel more than anybody else?
What did I think I’d prove? More love
(mud in her eye)? More will to work?
(Her father what, a shirker?) Christ,
what wouldn’t anybody give
to get that gesture back?
She cannot die again; and I
do nothing but re-live.
Practice Practice Practice
I know it’s unseemly
to keep on grieving, go on
sorrowing this way.
It’s a presumption, some might say
(since everybody loses someone,
why should anybody claim
to bear them all, all
over, all at once,
each day?).
Unseemly to obsess
on suffering, in such
milieus, the top five
tourist destinations full
of dogs in hot cars, birds abandoned,
toddlers come to understand they can’t
be coddled from now on, and grown men,
lovelorn, throwing up in bushes near the dance...
(Even the King is lonely: the Enquirer’s lucre
has seduced the page. Alas, he loved
that bobbed, that bobbing
head.) And in the under-
funded hospice, there’s an only
irritable night-nurse. In a home with a
capital H, in daily and unfettered joys
an idiot appears advanced. We wish
we could, ourselves, slow down. Instead
we get on with the show. Rehearse
means Quick now, bring those big
black limos back around.
Both Sided Snipe at the Holy Ghost
Jesus with a joke rifle. Cockiness before
the cannonade. Do we feel
better after? Feel
which way?r />
Are we not
hard of hearing, who discharge
so many rounds of laughter?
Are we not ridden with it—riddled with it—
friendly fire? Thank God we doze
a couple hundred hours a month
and dozens of those hours
add up to make a better
balanced life. (The all-or-nothings
kill you after all—the shooter and the shot
are kissing cousins. Respire, expire.
You learn more than you earn. The only
old gold is regret.) Instead,
let’s lure the nestlings back, what do you say?
Not blast each second thing to smithereens.
Otherwise, active or passive, wired
or winging (“live” or live) something
escapes us—tertium quid, rarest of birds:
our buckshot evanescence.
There it is!—in every fray
of oppositions, singing thirds.