Andre Norton: The Essential Collection

by Andre Norton

  "Gentlemen, I give you another successful trading trip!"

  "Saw Johnny ride in," one of the men returned. "Kid seems to be settlin' down, ain't he? That ought to be good news for Rennie."

  "One believes in reformations when they are proven by time, Señor Cahill," the man wearing rich but somber Spanish clothing replied.

  "It sure must go hard with a man to have his son turn out a wild one," commented the third.

  Drew's cup was at his lips, but he did not drink. Whose son? Rennie's?

  "No son by blood, that much comfort Don Cazar has. But foster ties are also strong. And the boy is still very young—"

  "A rattler with only one button on the tail carries as much poison as a ten-button one. Rennie ought to cut losses and give that kid the boot. The way he's going he could involve Hunt in a real mess," Cahill said.

  "You are Don Cazar's good friend, Don Reese, his compadre of many years. Can you not do something?"

  "Don Lorenzo, all men have blind spots. And Johnny Shannon is Rennie's. Bob Shannon helped free Hunt out of Mex prison in the war and was killed doing it. Soon as Hunt set up here he sent for the boy and tried to give him a father."

  "It is a great pity he has no child of his own blood. I have seen him stand here in Tubacca giving toys and candy to the little ones. Yet he has only this wild one under his roof, and perhaps that Juanito will break his heart in the end...."

  Drew put down his cup. It was very hard not to turn and ask questions. Dropping some coins on the table, he rose and started back to the stable, to the world of Shiloh and Shadow where he was unable to betray Drew Rennie. But there was so much Drew Kirby must learn—and soon!

  2

  Two lighted lanterns hung from pegs along the center of the stable, and Callie had mounted a barrel to put up a third as Drew entered. There were the soft peaceful sounds of horses crunching fodder, hoofs rustling in straw. Shadow turned her head and nickered as Drew came up to her box stall. She was answered by a blowing from Shiloh, a bray out of Croaker.

  "It's all right, girl—pretty lady—" Drew fondled her mane, stroked the satin-smooth arch of neck. Callie dropped from his barrel perch.

  "She sure is right purty, Mister Kirby. Mister Kells said as to tell you he's sleepin' on a cot in th' tack room over there, should you be needin' him." Callie pointed. "Me, I'm beddin' down in the last stall. I put your gear up right over here, so's you can hear if she gits to movin'—"

  "Thanks." Drew felt in a pocket, tossed Callie the coin his fingers found.

  The boy caught the piece, his eyes round as he looked at it. "Lordy! Thanks, Mister Kirby! You must be near as shiny as Don Cazar—or Mister Topham!"

  "Shiny?"

  Callie laughed. "Silver-shiny! Ain't too many men as goes round Tubacca throwin' out good money thataway. 'Less it's ringin' down on th' bar, or slidin' 'cross some table 'cause they found out as how they was holdin' Jacks against some other fella's Kings. You want anything—you jus' holler, Mister Kirby!"

  "Mister?" Drew thought he did not have the advantage of Callie by more than four or five years.

  "Oh—Captain Kirby, maybe? Or Lieutenant? Johnny Shannon—now he was a lieutenant with Howard's Rangers." Callie gave Drew a shrewd measuring look.

  "Sergeant." Drew corrected automatically and then asked: "How did you know I'd been in the army?"

  "Well, you wear them two shootin' irons army style, belted high an' butt to front. Must use a flip-hand draw as do all th' hoss soldiers. Listen, Mister Kirby, iffen you rode with th' Rebs, you better keep your lip buttoned up when th' Blue Bellies hit town. There's been a pile of fightin' an' folks is gittin' mad 'bout it—"

  "Blue Bellies?" Drew was wrenched back months, a year, by that old army slang. "Union troops stationed here?" He had unconsciously tensed, his body responding nerve and muscle to past training and alarms. But there were no Yanks or Rebs any more, no riders or marchers in blue and gray—just United States troops.

  "There's a garrison out to the Mesa camp. An' Cap'n Bayliss, he don't take kindly to Rebs. You see, it's this way.... Out in th' breaks there's a bunch of Rebs-leastways they claim as how they's Rebs—still holdin' out. They hit an' run, raidin' ranches an' mines; they held up a coach a while back. An' so far they've ridden rings round th' cap'n. Now he thinks as how any Reb blowin' in town could be one of 'em, comin' to sniff out some good pickin's. So anyone as can't explain hisself proper to th' cap'n gits locked up out at camp till he can—"

  "Trifle highhanded, ain't he?"

  "Well, th' cap'n's for law an' order, an' he's army. But folks ain't likin' it too much. So far he's been doin' it though."

  Drew frowned. So even this far away from the scene of old battles the war still smoldered; the black bitterness of defeat was made harder by the victor. Drew's hand rubbed across the bulge beneath his shirt. In one pocket of the money belt were his papers, among them the parole written out in Gainesville which could prove he had ridden with General Forrest's command, far removed from any Arizona guerrilla force. But to produce that would change Drew Kirby to Drew Rennie, and that he did not want to do.

  "I rode with General Forrest, attached to General Buford's Scouts," he said absently.

  "General Forrest!" Callie glowed. "Lordy, Mister Kirby, that's sure somethin', it sure is! Only don't be sayin' that round Cap'n Bayliss neither. He has him a big hate for General Forrest—seems like Bayliss was a colonel once till th' General outsmarted him back east. An' there was a big smoke-up 'bout it. They cut th' cap'n's spurs for him, an' he ended th' war out here. Now he ain't no patient man; he's th' kind as uses his hooks hard when he's ridin'.

  "You know, you sure can tell a lot 'bout a man when you give a look at his hoss after he's come off th' trail. That there Shiloh colt o' yours, an' this here lady hoss, an' that old mule ... anyone can see as how they's always been handled nice an' easy. They ain't got no spite 'gainst nobody as wants to rub 'em down an' give 'em a feed. But some hosses what git brung in here—they's white-eyed an' randy, does you give 'em a straight stare. For that there's always a reason. Mostly you can see what it is when you look good an' steady at th' men who was ridin' 'em!"

  Drew laughed. "Glad I passed your test, Callie. Guess I'll turn in now. Been a long day travelin'—"

  "Sure thing. An' from up there you can hear this little old mare, does she need you."

  The Kentuckian's pack had been hoisted into the mow, and Callie had even humped up the fragrant hay to mattress his bedroll. A window was open to the night, and as Drew stretched out wearily, he could hear the distant tinkle of a guitar, perhaps from the Four Jacks. Somewhere a woman began to sing, and the liquid Spanish words lulled him asleep.

  He roused suddenly, his hand flashing under his head before he returned to full consciousness, fingers tightening on the Colt he had placed there. Not the mare—no—rather the pound of running feet and then a cry....

  "No, señor, no! No es verdad—it is not true! Teodoro, he meant no harm—!"

  Drew scrambled to the window. Out in the alley below, three figures reeled in the circle of light afforded by the door lantern. The Kentuckian marked the upward swing of a quirt lash, saw a smaller shape fling up an arm in a vain attempt to ward off the blow. Another, the one who cried out, was belaboring the flogger with empty fists, and the voice was that of a girl!

  To slide down the loft ladder was again nearer instinct than planned action. Shiloh snorted as Drew's boots rapped on the stable floor. The Kentuckian had no idea of the reason for that fight, but he ran out with the vague notion that an impartial referee was needed.

  "You there—what's goin' on!" Sergeant Rennie came to life again in the snapped demand.

  The one who fled the quirt came up against the side of the building almost shoulder to shoulder with Drew. And he was only a boy, about Callie's age, his black hair flopping over eyes wide with shock and fright. Drew's hand moved, and the lantern light glinted plainly on the barrel of the Colt. For a moment they were all still as if sight of the
weapon had frozen them.

  The attacker faced Drew directly. He was young and handsome, if you discounted a darkening bruise already puffing under one eye, a lip cut and swelling, a scowl twisting rather heavy brows and making an ugly square of his mistreated mouth.

  "An' who th' devil are you?"

  His voice was thick and slurred. Drew guessed that he had not only been in a fight but that he was partly drunk. Yet, as he faced the stranger eye to eye, the Kentuckian was as wary as he had been when bellying down a Tennessee ridge crest to scout a Yankee railroad blockhouse. He knew what he fronted; this was more than a drunken bully—a really dangerous man.

  That queer little moment of silence lengthened, shutting the two of them up—alone. Drew could not really name the emotion he felt. Deliberately he tried to subdue the sensation as he turned to the girl.

  "What's the matter?"

  At first glance he might have thought her a boy, for she wore hide breeches and boots, a man's shirt now hanging loosely about her hips. She jerked her head, and a thick braid flopped from under her wide-brimmed hat.

  "Señor, por favor—please—we have done no wrong. We are the Trinfans—Teodoro and me. Teodoro, he finds Señor Juanito's purse in the road, he follows to give it back. He is not a bandido—he is not espía, a spy one. We are mustangers. Ask of Don Reese, of Señor Kells. Why, Señor Juanito, do you say Teodoro spy on you, why you hit him with the whip?"

  "Not thief, not spy!" The boy beside Drew dropped a wealed hand from his face. "The man who says Teodoro Trinfan is ladrón—bad one—him I kill!"

  Drew's left arm swept out across the boy's chest, pinning him back against the stable.

  "Now, what's your story?" the Kentuckian asked the man he fronted.

  "An' jus' what's all this smokin' 'bout?" Kells came out. "You, Shannon, what're you doin' here? Been drinkin' again, fightin', too, by th' look of you."

  "Señor Kells." The girl caught at the older man's arm. "Por favor, señor, we are not thieves, not spies. We come after Señor Juanito because he dropped his purse. Then he see Teodoro coming, he not listen—he beat on him with quirt. You know, we are honest peoples!"

  "Now then, Faquita, don't you git so upset, gal!" She was wailing aloud, making no effort to wipe away the tears running down her cheeks. "Johnny, what kinda game you tryin'? You know these kids are straight; them an' their ol' man's come to work th' Range for wild ones on Rennie's own askin'. Takin' a quirt to th' kid, eh?" Kells' voice slid up the scale. "You sure have yourself a snootful tonight! Now you jus' walk yourself outta here on th' bounce. I'm doin' th' sayin' of what goes on, on my own property."

  "You do a lotta sayin', Kells." The scowl was gone; Shannon's battered mouth was actually smiling. But, Drew decided, he liked the scowl better than the smile and the tone of the voice accompanying it. "Some men oughtta put a hobble on their tongues. Sure, I know these young whelps an' their pa too. Sniffin' round where they ain't wanted. An' mustangers ain't above throwin' a sticky loop when they see a hoss worth it. We ain't blind on th' Range." His head swung a little so he was looking at the girl. "You'd better hold that in mind, gal. Double R hosses have come up missin' lately. It's easy to run a few prime head south to do some moonlight tradin' at th' border. An' we don't take kindly to losin' good stock!"

  The boy lunged against Drew's pinioning arm. "Now he says we are horse thieves! Tell that to us before the Don Cazar!"

  Shannon curled the quirt lash about his wrist. "Don't think I won't, Mex! He don't like havin' his colt crop whittled down. You—" Those blue eyes, brilliant, yet oddly shallow and curtained, met Drew's for the second time. "Don't know who you are, stranger, but you had no call to mix in. I'll be seein' you. Kinda free with a gun, leastwise at showin' it. As quick to back up your play?"

  "Try me!" The words came out of Drew before he thought.

  Why had he said that? He had never been one to pick a fight or take up a challenge. What was there about Shannon that prodded Drew this way? He'd met the gamecock breed before and had never known the need to bristle at their crowing. Now he was disturbed that Shannon could prick him so.

  Odd, the other had been successfully turned from his purpose here. Yet now as he swung around and walked away down the alley Drew was left with a nagging doubt, a feeling that in some way or other Shannon had come off even in this encounter.... But how and why?

  Teodoro spat. His sister tugged at Kells' sleeve. "It is not true what he said. Why does he wish to make trouble?"

  "Lissen, gal, an' you, too, Teodoro—jus' keep clear of Johnny Shannon when he's on th' prod that way. I've knowed that kid since he didn't have muscle enough to pull a gun 'less he took both hands to th' job. But he's not needin' any two hands to unholster now. An' he's drinkin' a lot—mean, ugly drunk, he is. Somethin' must have riled him good tonight—"

  "In the cantina there was a soldier from the camp," Faquita volunteered. "They call names. He and Señor Juanito fight. Don Reese, he put them both out in the street. Señor Juanito he falls, drops purse. Teodoro picks it up, and we follow. When we try to give it back Señor Juanito yell, 'spy,' hit with whip. That is the truth, por Dios, the truth!"

  "Yeah, sounds jus' like Johnny these days. Him with a snootful an' somebody yellin' Reb and Yank. Some men can't forgit an' don't seem to want to. Johnny sure takes it hard bein' on th' losin' side—turned him dirt mean. Now, you kids, you stayin' in town?"

  "Sí." Faquita nodded vigorously. "With Tía María."

  "Then you git there an' stay clear of Johnny Shannon, sabe? No more trouble."

  "Sí, Señor Kells. You, señor," she spoke to Drew, "to you we owe a big debt. Come, Teodoro!" She caught at her brother and pulled him away.

  "What makes a kid go sour?" Kells asked of the shadows beyond rather than of Drew. "Johnny warn't no real trouble 'fore he skinned off to ride with Howard. Sure he was always a wild one, but no more'n a lotta kids. An' he'd answer th' lead rein. 'Course we don't know what happened to him in Texas after th' big retreat th' Rebs made outta here. Could be he larned a lot what was no good. Now he sops up whisky when he hits town an' picks fights, like he didn't git his belly full of that in th' war. You can't never tell how a kid's gonna turn out."

  "Hey! Mister Kirby, you better git in here!" Callie hailed from the stable. "Th' mare ... she's...."

  Drew jammed the Colt under his belt and ran.

  The scent of hay, of grain, of horse.... Drew's head rolled on the pillow improvised from hay and blanket as sun lay hot across his face. He rubbed the back of his hand over his eyes and then came fully awake to remember the night before.

  It took only a minute to get down the ladder into Shadow's stall where a broom tail jiggled up and down above absurdly long baby legs and small rounded haunches. Shadow's small daughter breakfasted. Callie squatted on his heels near-by watching the process benignly.

  "Ain't she 'bout th' best-favored filly you ever saw?" he asked. "How come all your hosses is grays? Shiloh her pa?"

  Drew shook his head. "No, her sire's Storm Cloud. But all that line are grays."

  "This Storm Cloud, he's a runnin' hoss?"

  "About the runnin'est horse in his part of the country, Callie. This filly ought to pick up her heels some, if she takes after her dam and sire."

  "What you namin' her?"

  Up to that moment Drew had not really thought about it. The crisp air blowing into the stable, carrying something beside the scents of the town, gave him a suggestion.

  "How about Sage, Callie?"

  The boy thought seriously and then nodded. "Yeah—Sage. That's gray an' it's purty, smells good, too."

  Drew pulled up his shirt, dug into the pocket of the money belt for the horse papers. "Got a pencil—or better—pen and ink around here anywhere?"

  "Mister Kells, he keeps ledgers over in th' tack room. Got some ink an' a pen there. How come you need that? You ain't makin' out no bill of sale on her already, are you?" Callie was shocked.

  "Hardly. Just want to put her down right and
proper on the tally sheet."

  The boy followed to watch Drew make the record on the margin of Shadow's papers. As the Kentuckian explained, Callie was deeply interested.

  "You mean as how you can tell way back jus' what hosses bred your hosses? That's sure somethin'! Round here we knows a good hoss, but we ain't always sure of his pa, not if he's wild stuff."

  "Lots of wild horses hereabouts then?"

  "Sure. Some're jus' mustangs; other's good stuff gone wild—run off by th' 'Paches an' broke loose, or got away from a 'wet hoss' band—"

  "'Wet horse' band?"

  Callie glanced at him a little sharply. "How come you ain't knowin' 'bout 'wet hosses'? Heard tell as how they have 'em that same trouble down Texas way—"

  "But I don't come from the border country."

  "Well, Texas sure is a great big piece o' country, so maybe you don't know 'bout them river tricks. Wet hosses—they's hosses what is run off up here, driven down to th' border where they's swapped for hosses what some Mex bandidos have thrown a sticky loop over. Then th' Mexes take them Anglo hosses south an' sell 'em, where their brands ain't gonna git nobody into noose trouble. An' th' stolen Mex hosses, they's drove up here an' maybe sold to some of th' same fellas what lost th' others. Hosses git themselves lost 'long them back-country trails, specially if they's pushed hard. So them strays join up with th' wild ones. Iffen a mustanger can rope him one an' bring it in ... well, if it's a good one, maybe so he'll git a reward from th' man what's lost him. Heard tell that Don Cazar, he's set some good rewards on a coupla studs as was run off th' Range this summer."

  "Don Cazar has good horses?"

  "'Bout th' best in these here parts. He runs 'em on th' Range th' old style—stud an' twenty—twenty-five mares together in a manada, all one color to a band. They sure is a grand sight: band o' roans, then one o' duns, an' some blacks. He's got one manada all of grullas. Sells some to th' army, drives more clear to Californy. An' th' old Dons down in Sonora come up once in a while to pick them out some fancy saddle stock. He sure would enjoy seem' these grays o' yours. Iffen you ever want to sell, Don Cazar'd give you top price."