The Girl in the Water
Page 1
Copyright
Killer Reads an imprint of
HarperCollinsPublishers
1 London Bridge Street
London SE1 9GF
www.harpercollins.co.uk
First published in Great Britain by Killer Reads 2019
Copyright © A J Grayson 2019
Cover design © HarperCollinsPublishers Ltd 2019
A J Grayson asserts the moral right to be identified as the author of this work.
A catalogue record for this book is available from the British Library
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Source ISBN: 9780008321024
Ebook Edition © July 2019 ISBN: 9780008321031
Version: 2019-03-04
Dedication
To those who have suffered:
A tribute
For David who didn’t make it: the fondest of memories.
And for Rachael, once again.
Don’t give up.
Contents
Cover
Title Page
Copyright
Dedication
He’s hiding something …
Prologue
Part One
Beginnings
Chapter 1. Amber
Chapter 2. Amber
Chapter 3. David
Chapter 4. Amber
Chapter 5. David
Chapter 6. Amber
Chapter 7. David
Chapter 8. Amber
Chapter 9. Amber
Chapter 10. David
Chapter 11
Chapter 12. Amber
Chapter 13. David
Chapter 14. Amber
Chapter 15. Amber
Chapter 16. David
Chapter 17. Amber
Chapter 18
Chapter 19. Amber
Chapter 20
Chapter 21. Amber
Chapter 22. Amber
Part Two
Twenty-Three Years Ago
Chapter 23. David, Aged 17 With The Counsellor
Chapter 24. David With The Admissions Officer
Chapter 25. David
Part Three
The Present
Chapter 26
Chapter 27. Amber
Chapter 28. Amber
Chapter 29. David
Chapter 30
Chapter 31. Amber
Chapter 32. Amber
Chapter 33
Chapter 34. Amber
Chapter 35. Amber
Chapter 36. Amber
Chapter 37. Amber
Part Four
Two-and-a-Half Years Ago
Chapter 38. David
Chapter 39. David
Chapter 40. David
Chapter 41. David
Chapter 42. David
Part Five
The Present
Chapter 43. Amber
Chapter 44. Amber
Chapter 45
Chapter 46. Amber
Chapter 47. Amber
Chapter 48. Amber
Chapter 49. Amber
Chapter 50. David
Chapter 51
Chapter 52
Chapter 53. Amber
Chapter 54. Amber
Chapter 55. Amber
Chapter 56. Amber
Part Six
New Lives
Chapter 57. David
Chapter 58. David
Chapter 59. David
Chapter 60. Emma Fairfax
Chapter 61. Amber
Chapter 62. David
Part Seven
Finale
Chapter 63. Amber
Chapter 64. David
Chapter 65. Amber
Chapter 66. Amber
Chapter 67. Amber
Chapter 68. Amber
Chapter 69. Amber
Chapter 70. David
Chapter 71. Amber
Epilogue
Acknowledgements
About the Author
Also by AJ Grayson
About the Publisher
He’s hiding something from me. I know he is. He’s hiding something, and it’s going to change everything.
There’s nothing I can pinpoint; no concrete, indisputable fact that makes this a certainty, but I’m certain all the same.
He’s lying. And he’s never done that before.
I’m not sure what to make of it. It could be nothing. Could even be good. Men hide things, usually because they’re cowards, but sometimes because they think we want them to. They consider it wit. Maybe he’s hiding a necklace. Or earrings. Or tickets for a surprise holiday, maybe back to the coast again. He knows I always like the coast, especially in the springtime.
But I don’t really think it’s any of those, not if I’m honest. My skin is a pepper of fire and suspicion.
His briefcase is in the walk-in closet of our little bedroom. I know it’s always locked, off limits, but he never holes it away or tries to conceal it. Yet today I found it, unprompted – a pair of synthetically shiny gym shorts slung over the top, as if this would somehow mask its shape. As if I wouldn’t be able to see.
He’s lying. He’s lying.
My beautiful man is lying …
Prologue
The first body in the water was a woman’s. She was a beautiful creature, despite her unfortunate condition. Her black hair was cropped short. Her cheeks were soft. She had rose-painted lips. Above her body, stranded forever in place, the clouds floated smoothly across the sky.
The river, by all accounts, received her body with reverence. It seemed, through some wordless comprehension of nature, to know this was the arrangement and would, for a time, continue to be. ‘Everything in its appointed place,’ it seemed to affirm, and that, perhaps, made things a little more right in the world. Or wrong.
It’s sometimes hard to know the difference.
The last body in the water would be mine.
That’s a hard thing to admit, and harder to accept, but it’s the way things go. The vision, crystal and clear. My golden hair, swaying in the motion that water always has near the shore. My clothes untorn. An altogether different appearance in death than that girl. A stripe in my flesh, bleeding crimson into the water around me. My fingertips, as always, with their nails nibbled down to the skin. My blue eyes open.
It’s an odd thing, to play the observer at one’s own death. Part of me is ashamed, certain I should feel more emotion. There should be anger. Grief. But then, how can I feel those things, really? Of course the shore must be the end. Of course there is water and silence. My story was probably always going to end like this. Like most, the final page was presumably written long before the first, the conclusion the one sturdy fixture towards which everything before it was always going to lead. However they begin, there’s no story that doesn’t finish with the end.
So I see it. Real. Certain. I float in the water, my light blouse transparent against my body, suggestive in ways that, in life, would be provocative but which in death evokes only pity. I’m dead, and I’m quiet, and I’m scream
ing. My lips are stalled a lifeless pale, but I’m screaming. Screaming with all the breath that is no longer there.
PART ONE
BEGINNINGS
1
Amber
Every morning, as I stand in the bathroom and gaze into the mirror, my eyes look back and taunt me. The fact that their colour doesn’t match my name has always disappointed me, and it’s like they know this, and are so prominent on my slightly freckled face purely as a way to rub it in.
They should be amber, and they should be magnificent. Instead I possess the name, feminine and graceful, forever without the matching gaze. Amber on the tongue, but in the eyes, cursed with blue.
This is overstatement, of course. Something I’m prone to. I don’t genuinely consider my blue eyes a curse, and others have sometimes even found them beautiful. ‘They’re gorgeous, Amber, like twin pools of the sea’ – a splendid compliment, though more than they deserve. They’re not the deep blue of royal porcelain or a navy blazer, but something softer. Just light enough, just bright enough to mark themselves out.
David loves them, too, and for that alone I suppose I shouldn’t complain. Maybe if my face had been punctuated by some other colour the first time we met, he wouldn’t have noticed me, wouldn’t have collided into ‘hello’ and that catchy smile, and all the romance that followed. Maybe, if I had the amber eyes I’ve always craved, I’d have ended up all alone.
I shrug, seeing them in the mirror now, and go about my familiar routine. Morning is morning, and every step is practised. The mascara shade is a light brown, harder to find than a person might think, and it complements a soft brush of Clinique’s cleverly named ‘Almost Powder’ in Neutral Fair. Understated, but just enough polish to let me feel like a well-cared-for piece of art, pleasing without being showy, which is what my mother taught me always to aim for. And mothers, as no one but mothers ever suggest, always know best.
But there’s a headache forming behind my eyes – and I can almost see it in the mirror, too, with the rest that’s visible there. A strange pulsing at the sides of my face, as if the pain has shape and can be caught in the reflection in the glass.
I blink twice, the blue orbs of my eyes disappearing and then reappearing before me. I can’t dwell on the pain in my head. It has long since become a customary feature of my days, and work starts in forty-five minutes. There’s no use dwelling on what can’t be changed.
Just keep going. And I do.
The routine concludes a few minutes later. My face is done, my hair brushed, and my teeth are the glistening off-white of Rembrandt Extra’s best efforts for a heavy coffee and tea drinker.
My feet, seemingly registering all this even ahead of my brain, are already moving me out of our teal-tiled bathroom towards the kitchen.
Like they’ve lives of their own.
By disposition, I’m not a morning eater. A cup of tea, I’ve always thought, is a perfectly complete meal before midday. Add milk and it’s two courses, and entirely satisfying. Recently, though, David has been trying to change my habits of a lifetime.
Because it’s good for you, Amber. It’s healthier. Trust me, you’ll grow to like it.
Sweetest of men, David, though on this front, at least, disastrously wrong.
A tall glass of the monstrosity he calls a ‘smoothie’ has been left on our kitchen’s Formica countertop. It’s his latest effort, fitted nicely into the current trends of our health-conscious West-Coast culture. Its shade is something close to the purple of a badly overripe plum, and he’s probably got plum in there, the ass, along with banana, and berries, and spinach and Christ in heaven knows what else. ‘The flavours mix together so well, you don’t even know what you’re drinking.’ The fact that this is a lie has never stopped him from saying it. The drinks taste exactly like what they are. Reality can’t be masked, not that well. What’s in the mix always makes itself known.
I take a single sip. It’s enough. I know David wants me to take at least two, to give it the honest college try, but I can’t bring myself to do it. Won’t. It’s simply beyond my strength to stomach the stuff, so the rest of the smoothie is down the drain in a colourful swirl, and I’m comforted by the fact that blended breakfasts flow out of existence so cleanly. If David were to cook me, say, eggs (something I loathe with an almost equal fervour to smoothies), the uneaten remains would be harder to conceal. We don’t have a disposal in the sink – the landlord suggests installing one would raise our rent $75 per month, which is simply shit – and the trash can would be obvious. Maybe I’d have to dig a hole out in the garden in which to conceal the evidence, but it seems like 365 days of uneaten eggs would get noticed some time before day 366.
I rinse out the glass and set it in the rack. There’s a note on the counter, next to a ring of condensation. ‘Morning, hon. Enjoy, and have a good one. Love you, -D.’ The blue ink of the ballpoint pen has met the moisture where the glass had stood, the lower curve of the ‘D’ blurring like a watercolour.
The note warms me. I’ve never particularly cared for ‘hon’ as a term of endearment, but from David’s lips, or his pen, the word is a little embrace. I’m smiling without really noticing the change in my face that produces it, and I’m thankful, too, because I have someone who can have this effect on me – who can make my cheeks bend and turn as if he were physically connected to the muscles beneath my skin, provoking my body to move in its most intimate of gestures.
Even if he does make smoothies.
There’s coffee left in the carafe – David makes a fresh pot every morning and always leaves me some – and I pour out half a cup to gulp down before I head for the door. Not tea, but it’ll do. Sadie’s already been walked and fed and is lolling with typical canine disinterest in the corner near the fridge.
‘Bye, Sades,’ I say, my first vocalised words of the morning. I’m nibbling a nail as I say them and the words come out misformed, but my girl knows her name. No children in our little family, though we’ve been casually trying for the past year at least, and Sadie does her best to fill that void. We’re no longer spring chickens, David and I – though I won’t hit forty for another two years, so I refuse yet to be labelled middle aged – but it’s starting to feel like our efforts in this area just aren’t going to lead anywhere. I suspect, sometimes, that Sadie may be as close to a child as I’m ever going to get, though in dog years she could easily be my mother.
She acknowledges my presence with a slightly lifted head and a huff, then lets her nose flop back to the ground. Her pink tongue is askew in her teeth. Her morning walk with David is enough to last her until I get home, and I’m certain she plans to nap for the bulk of the interim. The laziest dog in creation, and I love her.
A few moments later, I’m outside. The front door to our apartment building closes with a click, and I take in a deep breath of the morning air. The sun is already well over the hills, and the flowers that line the sidewalk are glowing. Gardenias fill my nostrils – a heavy, tactile scent, perfume and honey colliding at the back of my throat. A water feature chortles gently in the corner of the lot.
The day is beautiful. The sort of day we sometimes wonder if we’ll ever see, and usually don’t appreciate when we do. I try to soak it all in. Absorb it.
It’s almost enough to make me forget the throbbing that pulses at the side of my face, and the fire that threatens to burn away the edges of my vision.
2
Amber
I’m at the bookshop by 8.25 a.m., a full five minutes ahead of schedule. There was little traffic between Windsor, the quirkily British-sounding, northern California suburb town where David and I have set down our roots, and Santa Rosa, and I’ve got a heavy foot when there’s not a mass of stop-and-go cars before me. It’s an all too frequent occurrence on this tenmile stretch of Highway 101. My little ‘put-put’, as David calls it, might only have 104 horsepower beneath its hood, but I like to put every last one of them to work. Nothing says Modern Woman of Determination like a floored car maxing ou
t its power at 77 miles per hour and getting passed by delivery vans and teens on mopeds.
The shop is already starting to bustle with the customary movements of the morning. A few customers are perusing the racks of new arrivals. The espresso counter has a line of eager attendees. The morning delivery of periodicals and papers has just been brought inside, the boxes waiting to be opened and sorted onto their shelves.
I love the place. I know that book sales are declining and paper going the way of the digital dodo, that Kindle reigns supreme and that there is a whole generation of people who’ve never held a physical book in their hands, but there is a romanticism to the bookshop that I can’t believe will ever truly disappear. The scent of the fresh pages mingled with the thick aroma of coffee, the beautiful hush punctuated by the subtle tones of friendly chatter. It’s a paradise. A little refuge from the noise of the world outside, with a thousand stories to tell and mental universes to expand.
Of course, it’s traditionally more of a young person’s milieu, or at least it was until young meant digital and books meant old-fashioned. There are more grey-haired heads in here these days than brown or blonde, though I haven’t yet spotted the first white streak on my own. Can’t be long until I do, though. I don’t feel a day over thirty – hell, I don’t really feel different to how I did when I was in my twenties – but there are going to be forty candles on my cake soon enough, and I can’t play the child forever. Forty. One of those round numbers nobody appreciates: no longer young, not yet venerable. And you have to live with it for a few years, since ‘the forties’ are much the same as forty itself, until you hit the edge of fifty and suddenly you’re catapulted from ‘in her prime’ to ‘middle aged’. Damn, if the categories aren’t a bitch.
But whatever age may be or mean, work in the bookshop is a joy. Enough in the way of responsibilities and activities to keep me busy, without becoming crushing. Stress isn’t something I crave, nor the ‘fast-paced action’ of a more pressing grind. Leave the mad rush to others. I crave the quiet. The solitude. The rhythm of a nicely patterned life.
The solitude, of course, is relative. One is never alone, even in the dim lighting of a small bookshop. I talk with the customers now and then, though the conversations are usually brief and rarely terribly personal. And I have colleagues, some of whom have become friends – an extension of the little family that David and I constitute at home.