Park Avenue Prince

by Louise Bay

  Published by Louise Bay 2017

  Copyright © 2017 Louise Bay. All rights reserved

  ISBN: 978-1-910747-42-1

  This is a work of fiction. Names, characters, businesses, places, events and incidents are either the products of the author’s imagination or used in a fictitious manner. Any resemblance to actual persons, living or dead, or actual events is purely coincidental. The author acknowledges the trademarked status and trademark owners referenced in this work of fiction, which have been used without permission. The publication/use of these trademarks is not authorized, associated with or sponsored by the trademark owners.

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  Books by Louise Bay

  Park Avenue Prince

  King of Wall Street

  love unexpected

  Indigo Nights

  Promised Nights

  Parisian Nights

  The Empire State Series

  Hopeful

  Faithful

  Read more at www.louisebay.com

  Table of Contents

  Chapter One

  Chapter Two

  Chapter Three

  Chapter Four

  Chapter Five

  Chapter Six

  Chapter Seven

  Chapter Eight

  Chapter Nine

  Chapter Ten

  Chapter Eleven

  Chapter Twelve

  Chapter Thirteen

  Chapter Fourteen

  Chapter Fifteen

  Chapter Sixteen

  Chapter Seventeen

  Chapter Eighteen

  Chapter Nineteen

  Chapter Twenty

  Chapter Twenty-One

  Chapter Twenty-Two

  Chapter Twenty-Three

  Chapter Twenty-Four

  Epilogue

  Books by Louise Bay

  Let’s Connect!

  Acknowledgements

  Chapter One

  Sam

  “It’s huge, Sam,” Angie said as she walked into the empty living space with high ceilings and views of Central Park and across the city. The sun was so bright I had to shield my eyes as I looked out the windows on the west side. I sucked in a deep breath as I took it all in. Did I really own this place? I knew it was my signature on the paperwork but sometimes it felt as though I were leading someone else’s life.

  “That’s what they all tell me.” I chuckled. Like most men, I still had the puerile sense of humor of a fifteen-year-old boy. But after fifteen years of friendship, Angie expected nothing more.

  “You’re disgusting. I’m not talking about your penis, for crying out loud.”

  “Who said anything about my penis?” I held my arms out wide. “I’m talking about this place. As usual, your mind is in the gutter.”

  Angie shook her head, but there was no denying the size of the new apartment I’d just bought. It was seven thousand, two hundred eighty-six square feet of the Upper East Side and I lived here now. “The view will ensure it keeps its value,” I said, looking out at the Manhattan skyline.

  “The location alone will make sure that happens. It’s 740 Park Avenue, Sam.” She was shaking her head, incredulous. I didn’t blame her.

  The address had been important. One of the most sought after listings in New York made my purchase one of the safest real estate transactions in America. A victory for me, but also a good place to put my money, or some of it, anyway.

  “Do you ever think this isn’t your life at all?”

  “Sometimes.” I’d made every dollar it took to buy this apartment in the last decade. When I’d graduated high school, I’d left the group children’s home where I’d spent the previous six years with nothing but two pairs of jeans, two tshirts, a sweatshirt and some underwear. For me, leaving my old life behind, getting to start again, had been liberating. The only thing that’d tagged along from those days was Angie. We’d met the first day in my new school after I went to the home. She was in the girls’ home nearby and must have recognized a fellow orphan. We’d been best friends ever since.

  In fifteen years, I’d not managed to shake her off. All the odds had been stacked against me. But here I was, standing in my apartment on Park Avenue overlooking the whole of the city. I’d always known, even when I wasn’t sure where my next meal was coming from, that if I was in control of my life, things would get better.

  And they had.

  “You thinking about Hightimes?” Angie asked.

  I shoved my hands into my pockets. “How could I not be?” The group home where I’d spent the last part of my childhood couldn’t have been further from Park Avenue. And it was where I’d developed the drive and determination that had me standing right where I was.

  Just under a decade ago I’d graduated high school on a Friday and started my job at a sportswear retailer Saturday morning—the same day I’d moved out of Hightimes and into a rat-infested New Jersey studio. I’d never gone to college, but I was pretty sure today counted as my graduation.

  “How many bedrooms?” Angie asked as I followed her through the apartment. The place was bare, but the old moldings, the mix of refinished hardwoods and brand-new marble managed to make it feel warm somehow. The real estate agent had been quick to point out the original details and high-end finishes. But what had made me say yes was the tile in the main kitchen. It had reminded me of my mother—she’d loved to bake and I’d sit on the counter next to her, passing her utensils and tasting as she came up with peanut butter cookies and carrot cake. Her bread was my favorite—even now going by a bakery would conjure up my mother’s smile in my memory.

  “Five. And two kitchens. Why would anyone want two kitchens?”

  “One is for staff,” Angie replied. “Come on, keep up. You’ll need people to help you with this place.”

  I snorted. “Don’t be ridiculous.” I wasn’t about to pay someone to cook for me when I could make the best PB&J sandwiches in the state of New York.

  “You can’t just eat peanut butter and jelly sandwiches now that you live here.”

  I grinned, amused at how Angie could read my mind. “What, like there’s a rule? I like them.”

  “You can’t still like them. You ate nothing but for two years.”

  After I’d started working, I’d saved every penny I made. I’d begun with buying and selling everything from knock-off sneakers to small pieces of electrical equipment in the hours I wasn’t at the store. I’d since moved on to real estate. From my perspective, just because I could buy whatever I wanted didn’t mean I would. As far as I was concerned, there was no point in putting money into something that didn’t make money. So, no staff. And no more rent checks.

  But all the PB&J I wanted.

  “But now that you have a home, things can be different,” Angie said.

  Home. Images of my childhood bedroom—before my parents died—flashed into my mind. It was the last time I’d ever thought of the place I slept as home. I spun, taking in the space. Would this place ever feel like home?

  Angie ran her hands along the creamy gold wall opposite the windows. “Even this wallpaper feels like it cost a million bucks. You’re going to need to spend some money. I think Ikea stuff is going to look a little weird in this place. I don’t even know where you’d shop for things for a place like this.” She spun around, her arms out wide. “What are you going to do for furniture?”

  “I have my couch being delivered tomorrow. And I bought a mattress and some kitchen stuff from Ikea. I’m done.”

  I glanced at Angie when she didn’t say anything. “That disgusting couch you got on Craigslist a hundred years ago?” she asked, staring at me blankly. “You’re bringing it here?”

  “W
ell, your husband wouldn’t help me move it, so no, I’m not bringing it here. It’s being delivered tomorrow morning.”

  “Unbelievable.” Angie threw her hands in the air.

  “What?” I could tell she was about to lose her shit, but I didn’t know why.

  “This place must have cost you ten million.”

  She was out by eight figures, but I wasn’t about to tell her that and make myself sound like a total douchebag. “And you’re buying an Ikea bed and having a fifty-year-old Craigslist sofa delivered? What the fuck?”

  Angie was always telling me to enjoy my wealth, and I did … kinda. I just didn’t need expensive stuff.

  “Furniture doesn’t make me money. This place is an investment—one I can live in so I don’t have to pay rent.” I shrugged. I wasn’t being entirely honest. I could rent this place out and live somewhere a lot smaller, but there was something about that tile in the kitchen, about the way the sun came through the huge living room windows in the afternoon, something about the sheer amount of space that made me want to stay. It was almost as if living here would lead to something better, something happier.

  Angie had her hands on her hips. “Seriously, you need some stuff. Like vases. Or pillows. Something to make the place …”

  “If it makes you feel any better, I’ve hired an art consultant and we’re going to a gallery this evening.”

  Angie scrunched up her face. “A what consultant?”

  “Someone who’s going to find some pictures for the walls.” I nodded once as if I’d just presented her with a royal flush in poker. She couldn’t complain about that.

  “Because art is an investment, right?” She rolled her eyes.

  “So?” I shrugged. “Doesn’t mean it won’t look nice.”

  “I think it’s a good idea, but you can’t just sit on your beat-up sofa in this huge apartment with expensive art on the walls. If you’re going to do it, go for it.”

  “I don’t care if it looks weird.” Angie was being a little hypocritical. She was notoriously careful with her paycheck. “Surely all that matters is that I have what I need.”

  “Need? You don’t need an apartment on Park Avenue or five bedrooms or two kitchens. But that’s okay. All I’m saying is relax a little.” She pushed me out of the way and I followed her into the kitchen where she began opening and closing cupboard doors. “You’ve earned it. You don’t have to be overly indulgent, but get some things that will make your life more comfortable. This is New York fucking City. If such a thing as an art consultant exists, there must be someone who buys furniture for rich dudes like you.”

  “My life is very comfortable.” Was she serious? “This is Park Avenue, for Christ’s sake.”

  “Okay, what about when you bring women back? You can’t fuck them on a mattress you threw on the floor,” she said as she hopped up onto the counter.

  “I’ve never brought a woman back to my place. Why would that change now?”

  “That’s because you’ve always lived in a hovel,” Angie said, staring up at the ceiling as if she were checking for cracks. “Now you don’t have to be ashamed of where you live.”

  “Hey, I’ve never been ashamed of where I live. I’ve always paid my rent—that’s nothing to be ashamed of. And I don’t bring women back to my place because it means I can get up and leave any time I want. There’s no way that’s going to change.”

  “Just think about it. Please,” she said.

  I would, but only because I trusted Angie. Still, I wasn’t planning on changing my mind anytime soon. I didn’t need things to make my life better.

  The more you had, the more you had to lose.

  Chapter Two

  Grace

  Glancing around the gallery, I couldn’t help but grin. There was a lot of preparation still to be done before guests started arriving tonight, but things were shaping up and I was so proud and excited that my gallery was holding its first exhibition.

  I whipped my head around at the tinkle of the bell that sounded every time anyone came into the gallery. My best friend walked through the door, ignoring the people buzzing about everywhere, and came straight over to me.

  “You know you’re not the painter, right?” Harper asked, looking me up and down.

  “I’m touching up the walls where they’re scuffed,” I said, holding a can of white paint and a paintbrush. “And I don’t want you resting on your laurels.” I nodded toward a broom in the corner. “We don’t have long. Get busy.”

  I needed the first exhibition in my newly opened gallery to go well. I was prepared, but the adrenaline racing through my veins had me jumpy. I glanced around the large white space. The catering staff were in the process of setting up and two pictures still rested against the walls.

  “I need to decide where to hang those,” I said, putting down the paint by the door and pointing at the two paintings. “But I can’t decide where they should go.” Yesterday, the order had seemed so obvious. Today I kept changing my mind—I wanted everything to be perfect.

  “Does it matter?” Harper asked, her face totally blank. “We don’t want his shitty work to sell anyway, do we?”

  I chuckled and a layer of stress lifted from my body. Harper was right, part of me wanted this exhibition to bomb. The artist I was featuring this evening had been my boyfriend up until about four weeks ago, when I’d returned to the gallery to find him fucking his assistant. In my office. He was no longer my boyfriend. Unfortunately, I was still going to have to spend the evening telling everyone how special his art was.

  It wasn’t the first time I’d been disappointed by a boyfriend. I liked men with talent. Painters, musicians, writers. At school, I’d always done work for extra credit, and as an adult dating struggling artists was the same. Being a girlfriend came with additional responsibility—encourage and support your man until he makes it big. The upside was supposed to be I’d be there when he did. Except they never made it big. Until Steve. He was the first guy who, when I told him how talented and amazing he was, there was no voice at the back of my head saying, “Really? Is he good or do you just like banging him?” Steve was going to have a glittering career.

  I hated that his exhibition at my gallery would be the start of it.

  Unfortunately, opening Grace Astor Fine Art had taken more money than I’d expected and I couldn’t afford to take a craft knife to his canvases and kick his cheating ass out of my life.

  The bell tinkled again and Harper’s sister-in-law, Scarlett, stepped into the gallery. “This is so exciting,” she said as she hugged me and then Harper. “Shame about the artist.”

  “Hey,” I said. “You can’t say that. I need the place to be a sellout. I have this quarter’s rent to pay next week.”

  It didn’t matter that Steve was a dick. I still had to make a splash with this exhibition. I’d already sold a Renoir my grandfather had left me to open this gallery. It had broken my heart; he’d often told me stories of the girl in the painting as if it were me, off having adventures of my own in Paris. Letting go of it had nearly killed me, but my grandfather had left me a letter in his will that said the Renoir should be used for my own adventures, whether they be in my imagination or in real life. So I’d sold it with his blessing but a heavy heart. Still, this gallery was my real-life adventure and something I’d been working toward since college. I wasn’t about to let me or my grandfather down.

  “You can always ask your dad,” Scarlett said. “If it gets too much.”

  Things were tight, but not that tight. I just needed tonight to be a success.

  “She’s not asking her father,” Harper replied for me. “She’s doing this on her own.”

  I’d been so determined to prove to my parents and to myself that I could do this without help, I’d taken out a loan rather than ask my father for money. He wasn’t an ATM—even though my mother thought differently—and I’d fail before I treated him like one.

  “I just have to separate how I feel about Steve personally from
my business goals. I’m not going to like every client I have.” I had to cling to that thought and focus on how Steve was going to make me money and attract other artists to the gallery.

  I just had to push aside the memory of his pants around his ankles while he fucked an eighteen-year-old against the cabinet in my office.

  I put on my white cotton gloves, drew a deep breath, and picked up the canvas in front of me. “This needs to go here.” I moved it so it would be one of the first pieces people saw as they came in. “It’s the most expensive.” I was going to turn on my charm, maybe even exaggerate the little bit of an English accent I had from being born across the ocean, and sell the shit out of these paintings. The sooner I wasn’t dependent on Steve, the better.

  “And this,” I said, picking up the piece I was replacing, “should go over here.”

  I just needed to get through the next few hours and everything would be fine.

  “Are you shutting off the back?” Scarlett asked.

  The back of the gallery had works by other artists that I’d acquired and a small section, hidden behind a false wall, of my particular favorites. People would have to come right to the end of the gallery to see it. It wasn’t that I didn’t want anyone to know they were there, but that little collection didn’t really belong with the rest of the work. They were more traditional drawings and paintings—portraits and nudes and a pair of photographs of Central Park by a completely unknown photographer. My favorite, the La Touche I’d bought at auction five years ago, had hung in my bedroom before I opened the gallery. It was of a woman sitting at her desk writing a letter. So simple, but I wanted to know who she was writing to, why she seemed to be hiding her paper. It was art like this and my Renoir that had made me want to have my own gallery in the first place. But none of it was “hot” and I needed to go where the money was, at least for now.