To Darkness and to Death

by Julia Spencer-Fleming

  Millie rolled from her side to her back, wincing, and rocked herself into a seated position. Her lower back twinged, and her stomach growled. Stones, bucket, blanket, floor. Nope, nothing had changed. The thinnest line of sunlight striped the floor beneath the western window. Must be past the noon hour.

  What if no one came?

  There was a scrape at the door. A bolt drawn back. A shock of amazement surged through her, and for a split second all she could do was stare. Then her head caught up with the rest of her senses, and she kicked against the floor furiously. She scooted across the planks, desperate to reach the wall and get on her feet. The door swung open.

  It was a man. The brilliant blue sky framed in the open gallery arches behind him cast him into shadow, making him hard to see. Boots, dark pants, a dark sweater, and a blaze-orange jacket. Face hidden by an olive green balaclava. All of it straight off the floor of an army-navy surplus or hunting supply store. In his hand, a dark backpack, just large enough to hold a lethal explosive. Weapons. Surgical tools. A video camera.

  He stooped over to set it on the floor. She thrust against the wooden planks once, twice, and fetched up hard against the solid stone. She raised her knees, planting her boots on the floor. With aching thighs, she heaved herself into a standing position.

  Her captor stood as well. He held up his hand, one finger raised, as if to ask, Can you wait just a moment? He reached into his pants pocket, pulled out a horn-handled knife, and unfolded it.

  Some remote part of her stood apart, amazed that she didn’t fall on the floor in a dead faint. Instead, Millie braced herself against the wall and let the iron hinge pin slide from between her wrists into her palm. She felt clearheaded, weirdly calm, like a shock victim before the pain sets in. She prepared to fight for her life with both hands tied beneath her back.

  The man paused. Looked behind him. Then she could hear it, too, a rhythmic creaking noise. She was utterly incapable of placing the sound until the man flipped his knife shut and ducked back out the door, closing it. Of course. The stairs. The winding stairs between the galleys were wooden, and old, and a memory fell into her head, entirely complete, of climbing them, her father’s big hand holding hers, letting her peep over the railing at the mountains rolling away on every side. Her father’s step made the stairs creak just like that.

  The man had gone. He had shut the door.

  But not locked it.

  Was it a trick? Was there a whole gang of them out there? Maybe arguing over what to do with her? She gripped the pin, her only weapon, more tightly. Swaying forward, she hobbled toward her cell’s single flat wall. Not toward the door itself. Next to the door. Where someone whose eyes were filled with the bright November sky would find it hard to see her, if only for a moment. She knew what she had to do.

  1:05 P.M.

  Shaun didn’t like the stairs. They were lit only by the residual light from the galleries, so that in the very middle of their wall-hugging curve, he climbed in darkness. The stone walls pressed suffocatingly close on either side, and decades of raw weather blowing in from the open arches had left far too many steps half rotten, the tread sagging beneath his weight.

  It was hard maintaining forward momentum under circumstances like that. The higher he got, the slower he climbed, at every turn wondering who—what—awaited him at the top. His head and shoulders felt hideously vulnerable. Every instinct for self-preservation shrieked at him to turn around and go home and never look back, but an imperfect, unarticulated thought kept him climbing. He couldn’t put it into words; it was more of an equation. Secret+van der Hoeven=leverage. Or perhaps IF van der Hoeven’s actions=illegal, THEN opportunity. Whatever it was, it was enough to spur him slowly upward, despite his skin shrieking that something bad was about to happen.

  “What the hell are you doing here?” The shape looming over him was much too big to be van der Hoeven, and Shaun knew a strangled instant of panic. Then the man yanked his balaclava over his head, and Shaun realized it was van der Hoeven’s angle, above him on the stairs, and his oversized sweatshirt that had made him appear larger than life.

  “This is private property,” Eugene hissed. “Get out now, before I call the police and have you arrested for trespassing.”

  Why was he whispering? Shaun’s glance flicked past van der Hoeven to the gallery just visible beyond his shoulder. What was he hiding? “This is a very interesting place you’ve got here,” Shaun said loudly.

  Eugene’s head whipped around to look behind him. That was all Shaun needed. He charged up the stairs, slamming bodily into van der Hoeven, and kept going.

  The younger man let out an outraged cry and grabbed him by the shoulders. Shaun bent forward, breaking van der Hoeven’s grasp, and stumbled up another step. “What do you have up there?” he asked. “What’s going on, Eugene?”

  “Get out! Get out!” van der Hoeven’s voice was almost shrill. He lunged at Shaun, but the heavier man squared his shoulder and absorbed the blow before knocking van der Hoeven back. The younger man stumbled, caught himself, but retreated a step.

  Shaun almost smiled. Lightweight. This was what not having to work did to a man. “C’mon, Eugene,” he said, lowering his voice. “I want to be your friend. Just tell me. I won’t blab it around.”

  Eugene’s face was a stark divide: the unscarred half bright red, the scarred half ice white. He lunged for Shaun, who danced up three steps and avoided him. Eugene’s outstretched hands slapped against the wooden tread.

  “What’s going on, Eugene?” Shaun glanced over his shoulder. He was almost at the gallery. The light from the open arches showed, instead of the wide and empty circular rooms of the first and second floors, a wall. And a door. With a keyhole. “Is there something in there? Shall I take a peek?”

  “It’s my sister.”

  The voice was so low Shaun wasn’t sure he had heard what he thought he heard. “Your sister?”

  Eugene bent over, hands on his knees, nodding.

  “Bullshit,” Shaun said. “I spoke with one of the search and rescue team. Your sister’s been found.”

  Eugene shook his head. “No. That’s what I told him. To get rid of them.”

  “The ambulance passed me on the road! Don’t tell me the paramedics were hauling ass to the hospital because you told them to.”

  “I don’t know who they actually found! Somebody they mistook for my sister!”

  “There was another woman, hurt and unable to tell anybody who she is, who just happened to be found on your property. And you’ve got your sister, who everybody thinks is this injured woman, locked up in a tower.” Shaun stared at van der Hoeven, amazed that he had sweated bullets over pitching a partnership deal to this guy. “You are one sick freak,” he said, and strode up to the gallery.

  “Wait!” Eugene scrambled after him. “Goddammit, wait!”

  Shaun reached for the iron door handle. Eugene knocked him out of the way. Shaun stumbled back. The door swung open, and a blond battering ram exploded from out of nowhere, head-butting van der Hoeven in the gut, sending him flying into the next level of stairs.

  Shaun caught a glimpse of wild, panicked eyes and a mass of hair before the woman’s unchecked momentum sent her sprawling on the floor. Her hands and feet were bound, and she was squalling loudly, in a horrifyingly voiceless way that made him wonder if she was a deaf mute—or worse, if her tongue had been cut out.

  “Christ,” he said. “Holy Christ.” He turned, ready to hammer van der Hoeven into the floor. The younger man’s blow caught him by surprise and sent him reeling. He clawed at thin air, desperate for a purchase to stop him from a fatal tumble backward down the stairs. He twisted, grabbed the edge of the archway, and stumbled forward.

  Eugene pounced on the woman, seizing her ankles and dragging her back into the room. Shaun lurched toward them, knocking into van der Hoeven, but the other man was ready for him this time and rolled back with the blow, sending Shaun sprawling onto the floor inside the room. Eugene tried to grab th
e woman’s ankles again, but she twisted and kicked so violently that he gave up and shoved his hands beneath her torso instead, shoving her with enough force to flip her over.

  Shaun staggered to his hands and knees, shaking his head to clear it. The woman—the girl, she looked young enough to be his daughter—grunted and groaned as van der Hoeven shoved her even farther away from the door, but he could see the gag preventing her voice from spilling out. She was still fully dressed, so the bastard hadn’t molested her yet—

  Van der Hoeven straightened. Dug a long iron key out of his pocket. Sprang for the door. The door with the decorative lock that must, Shaun realized, be fully functional. The bastard was going to lock him in.

  It had been over thirty years, but by God he still remembered how to tackle. Eugene went down, half in and half out of the doorway. The key thunked on wood somewhere beyond his head, but as soon as Shaun loosened his hold to climb off the floor, van der Hoeven kicked him in the face. Shaun howled, clutching at his nose, blood spurting from between his fingers. Eugene was all over him, punching, clawing, shrieking, “Leave her alone! I’m protecting her! Leave her alone!”

  Roaring, Shaun surged to his feet, using his weight to slam van der Hoeven backward. “Give me the goddam key!” he snarled.

  Van der Hoeven rolled, faster than Shaun would have thought possible, his hand closing over the key. He continued to roll, evading Shaun’s lunge, scrambling to his feet. He kicked up, like a kid playing soccer, and connected with Shaun’s breastbone. His air rushed out so fast Shaun thought a lung was collapsing, and his heart—he clutched at his chest. Jesus Christ, was he having a heart attack?

  “I told you to leave!” Eugene rushed him. Shaun, still flailing and airless, feebly warded off the blow. “I told you!” He slammed into Shaun again, sending him tottering through the open door.

  Shaun tried to demand van der Hoeven let the girl go, but he was wheezing so hard, what emerged was “Let . . . girl . . .” and a series of gasps.

  “She’s here for her own protection,” Eugene said, and his hand closed over the edge of the door, and Shaun saw what was going to happen, saw himself imprisoned by this lunatic, this fucking rich man’s son who hid out in the woods so no one knew he had gone insane, and his rage and fear filled him up until it stretched his skin and then even the bounds of his body couldn’t hold it back and he was surging, up, forward, plowing into van der Hoeven with all the force his seventeen-year-old self had used plowing into a row of defensive linebackers and the key arched out of van der Hoeven’s hand and Shaun roared and they thudded against something hard and unyielding and van der Hoeven tilted—

  —and there was a moment, before gravity caught him, his eyes wild with fear, looking at Shaun, begging him, begging him—

  Shaun slammed forward. Eugene fell over the gallery rail, screaming, screaming until there was a wet thud and the scream cut short.

  1:15 P.M.

  Shaun stared at the unmoving figure that used to be Eugene van der Hoeven. There was noise around him: the rattle and rustle of the wind in the November trees, the cawing of crows, a rhythmic muffled whine behind him. But he was staring down into a well of silence, into a place where noise and movement and life were swallowed and went still.

  He stared and stared, waiting for an arm to twitch, for a chest to heave upward, knowing as he did so that it wasn’t going to happen. The rhythmic noise wormed its way into his frozen brain, first as a whine, then as an annoyance, and then, as his brain unfroze and the living world closed over the well, as a fear.

  He whirled. The blonde in the room had squirmed across the floor and was inching her way into a standing position against the far wall. She met his eyes, and he could see she was terrified.

  “It’s okay,” he said, approaching her. She shrank against the wall in a way that made him feel like a loathsome worm. “Really. It’s okay. He can’t hurt you.” He reached for her duct-tape gag. She flinched away, her eyes flooding with tears. “I’m going to take this off. I’m sorry, but it’s going to hurt.” He pried off a tiny edge while she stood, trembling, and then yanked as hard as he could.

  She made a noise he would never forget as long as he lived—half scream, half wail. “You killed my brother,” she said, her heart breaking in her voice. “You killed my brother. I saw you.”

  Shaun stood there, the duct tape dangling stupidly from his fingers, while the young woman sobbed. “Your . . . brother.”

  She nodded.

  “You’re Millie van der Hoeven?”

  She nodded.

  He was utterly lost. What was going on? Were they into some sick bondage fantasy? “What the hell was he doing with you up here?” he asked.

  Her lunge took him by surprise. He fell heavily backward, Millie thudding on top of him. With her hands held behind her back, she tried to hit him with her head. He shoved her away roughly and scrambled to his feet.

  “He was trying to rescue me,” she said, her voice twisted by grief and rage.

  “What the hell are you talking about?” Shaun’s confusion was settling into his stomach as an ache and an anger. He had rescued this girl, goddammit. She should at least show him some gratitude. Not try to club him unconscious with her skull. “You were the one who knocked him on his ass when he came through the door! Don’t tell me that’s how you get rescued.”

  She pressed her cheek flat on the floor. Tears ran over her nose and dripped onto the wood. “He hid his face,” she said more quietly. “He hid his face and he had a knife and I didn’t recognize him.”

  “Yeah? Well, when a masked man with a knife comes after you, it doesn’t commonly mean that he’s here to save you.” He strode to the backpack lying near the door. It was the same one van der Hoeven had been carrying earlier. “Let’s just see what he had in store for you, shall we?” He unzipped the bag and upended it.

  A Thermos fell out, clanging dully on the wooden floor. Two sandwiches followed. An apple rolled out, landing on the sandwiches. He shook it again, numbly, and a roll of toilet paper bounced to the floor. A slim thermal blanket slithered out after it.

  Shaun stared at the young woman sprawled on the floor. She looked at the food and supplies, then at him. “You killed my brother,” she said.

  He backed out of the room and slammed the door. The key. The key. He scrabbled around the base of the stairs where he had seen the thing fall. When his hand closed over it, he sagged with relief before turning to the door and locking it. He pocketed the key, and then, without being conscious of descending, he was outside the tower.

  It was the same day it had been when he went inside. The sun had hardly budged in the sky. The trees, the ruined house, the forest closing in all around—it was all the same as when he set foot in the tower.

  Except that he had killed a man.

  Okay. He wasn’t going to panic.

  He was a smart man. He was going to figure out what to do, and in what order to do it. He tried on the idea of heading for his house and calling the police. Who would then arrive and take Millie van der Hoeven’s statement that he had killed her brother before locking her in a tower room. No.

  He considered calling his lawyer first. No, calling his lawyer and getting her to give him the name of a good criminal attorney. Who would stand beside him when the police asked him how Eugene van der Hoeven had toppled from the tower. And why he had shut the man’s sister up instead of freeing her, as any innocent person would have done. Oh, yes, having an attorney there would certainly reassure the police that Eugene’s death had been an accident.

  Hadn’t it?

  He thought about that moment, about van der Hoeven’s expression, about the rage and frustration that had been coursing through his body, pounding in his head. He sucked in a breath. Of course it had been an accident. He had no motive to wish van der Hoeven dead. Not one.

  Of course, now he knew for sure that one of the three owners of Haudenosaunee wasn’t going to be signing anything over to GWP tonight.

  And
the second of the three owners was trapped in a tower. No one knew she was there. Except Shaun.

  What if Millie van der Hoeven didn’t show up for the ceremony tonight? The sale of the land would be, if not voided, at least delayed. Eugene’s estate would have to be settled. There would be time for Shaun to unearth alternate financing. Buy back-stock. Maybe tender his offer of partnership to Louisa van der Hoeven.

  Admittedly, she wouldn’t be likely to be receptive if he had been arrested for her brother’s death in the interim. But he could cross that bridge when he came to it.

  Meanwhile, his thoughts circled around to tonight’s ceremony. To Millie van der Hoeven. The person who had walked into the tower, the man who hadn’t ever caused anyone’s death, was horrified. What are you thinking of? Just keeping her?

  The old nursery rhyme sang in his head. Peter, Peter, pumpkin eater. Had a wife and couldn’t keep her. Put her in a pumpkin shell. He looked up at the tower. And there he kept her very well.

  He was thinking what to do with the body as he walked around the tower. He wasn’t cocky, but he was rather pleased by his composure and rationality—until he stepped around a birch tree and finally saw Eugene van der Hoeven up close. There was something wrong about the way Eugene’s limbs lay. As if he were a mannequin put together in a hurry. Or a marionette doll flung aside by a careless child. Shaun started shaking. His breath sawed in and out, too fast, until black spots swam in front of his eyes. Eugene wasn’t a person anymore; he was a broken thing. And Shaun had done it to him.

  He bent over and lost his lunch.

  He staggered back around the base of the tower until the corpse was out of sight. He bent over, breathing deeply, willing the light-headed, spots-in-front-of-his-eyes feeling to go away. Okay, he thought. Okay. Eugene is dead. He was not going to touch Eugene. But he had Millie. He had to see the opportunity in it. Everything was an opportunity, if you were gutsy enough to take it. He would get Millie out of the tower, take her . . . someplace. A motel. The van der Hoevens don’t show at the signing ceremony tonight. Haudenosaunee keeps producing cheap pulpwood for Reid-Gruyn.