The Turn of the Key
Page 31
please please please don’t tell the police Rowan I don’t want to go to prison and I am so sorry but it isn’t fair for you to get told off for a thing I did so can you just say that it wasn’t you and that you know who did it but you can’t say who because it’s a secret but it wasn’t you
we are going away tomorrow to a new house daddy can’t come right now but I hope you can I love you please come back soon love Ellie elancourt age 5 goodbye
Acknowledgments
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Thank you so much to the tireless team of editors, publicists, marketers, designers, sales reps, rights people, production editors, and everyone who works behind the scenes. That the book you hold in your hands is beautiful, readable, and exists at all is largely down to their efforts.
To Alison, Liz, Jade, Sara, Jen, Aimée, Brita, Noor, Meagan, Bethan, Catherine, Nita, Kevin, Richard, Faye, Rachel, Sophie, Mackenzie, Christian, Chloe, Anabel, Abby, Mikaela, Tom, Christina, Monique, Jane, Jennifer, Chelsea, Kathy, Carolyn and everyone at Simon & Schuster and PRH, my heartfelt thanks.
Thanks also to Mason, Susi, and Stephanie for being the very best readers.
To Eve and Ludo, guardian ninjas, thank you for always having my back.
To my fabulous writer friends—online and off—thank you for keeping me sane and laughing.
And of course to my family—thank you for being there, and for not making me live in a smart house.
A Gallery Books Reading Group Guide
The Turn of the Key
Ruth Ware
This reader’s guide for The Turn of the Key includes an introduction, discussion questions, and ideas for enhancing your book club. The suggested questions are intended to help your reading group find new and interesting angles and topics for your discussion. We hope that these ideas will enrich your conversation and increase your enjoyment of the book
Introduction
When she stumbles across the ad, she’s looking for something else completely. But it seems like too good an opportunity to miss—a live-in nanny post, with a staggeringly generous salary. And when Rowan Caine arrives at Heatherbrae House, she is smitten—by the luxurious “smart” home fitted out with all modern conveniences, by the beautiful Scottish Highlands, and by this picture-perfect family.
What she doesn’t know is that she’s stepping into a nightmare—one that will end with a child dead and herself in prison awaiting trial for murder.
Writing to her lawyer from prison, she struggles to explain the unraveling events that led to her incarceration. It wasn’t just the constant surveillance from the cameras installed around the house, or the malfunctioning technology that woke the household with booming music, or turned the lights off at the worst possible time. It wasn’t just the girls, who turned out to be a far cry from the immaculately behaved model children she met at her interview. It wasn’t even the way she was left alone for weeks at a time, with no adults around apart from the enigmatic handyman, Jack Grant.
It was everything.
She knows she’s made mistakes. She admits that she lied to obtain the post, and that her behavior toward the children wasn’t always ideal. She’s not innocent, by any means. But, she maintains, she’s not guilty—at least not of murder. Which means someone else is.
Topics and Questions for Discussion
1. The book opens with Rowan Caine’s desperate plea for help from prison. If you received this letter as Mr. Wrexham, would you keep reading? Is there anything she could say that would persuade you to represent her?
2. Rowan describes the Elincourt estate in detail when she visits for her interview. What is your first impression of the house? What aspects were appealing or unappealing to you?
3. The interview with Sandra is standard but revealing. What do we learn about Rowan as she tries to come up with the perfect answers? Would you say Rowan is trustworthy? What do you learn about Sandra during this initial interaction?
4. Maddie, the second oldest girl, has an unexpected reaction to Rowan’s departure and makes a terrifying proclamation: “Don’t come here. It’s not safe” (p. 74). After everything Rowan saw and learned in the previous twenty-four hours, should she have heeded Maddie’s warning? Would you have listened to Maddie?
5. Rowan has a very negative first impression of Bill Elincourt and their relationship only gets worse from there. Why is her initial reaction so strong? How would you handle the ensuing harassment by an employer?
6. Sandra and Bill leave Rowan on her first day with the kids and she struggles to reign them all in. Discuss the kids’ behavior and how Sandra’s constant check-ins affect Rowan’s authority in the house. Look specifically at the interactions on page 131 and 158.
7. Rowan believes she is finally building a relationship with Maddie and Ellie when they show her their secret garden. But when their malicious intent is exposed, Rowan, Maddie, and Ellie all react intensely. Describe each of their reactions and the emotions behind them.
8. After the house goes haywire in the middle of the night, Rowan is sleep-deprived, on edge, and paranoid, and she jumps to several rash conclusions. Are these thoughts reasonable possibilities or delusions based in fear? Imagine how you might respond in her situation.
9. The Elincourts’ housekeeper, Jean McKenzie, immediately dislikes Rowan, but it seems to run deeper than their negative first encounter. Why? Could Jean be the one tormenting Rowan at night, as she suspects?
10. Rowan is deeply disturbed by the girl in Maddie’s drawing. “Tears were streaming down her face, her mouth was open in a despairing wail, and there were red scribbles of blood on her face and on her dress” (p. 228). What do you think it represents? Do you think Rowan should have addressed this directly?
11. When Jack and Rowan break into the attic, it is much worse than they expected. Discuss their ensuing conversation. What answers does Rowan have now and what questions remain? How do you think the doll head came to be in Rowan’s lap?
12. Rowan’s opinion of Jack changes repeatedly in her short time at Heatherbrae. He began as her confidant, became her lead suspect, and finally seemed to earn her trust. Do you think he is trustworthy? Why or why not?
13. We finally learn who Rachel Gerhardt is and of her personal connection to the family. Were there any clues that led you to suspect this before the big reveal? Do you believe Rachel’s version of events as she explains them to Mr. Wrexham?
14. In the last chapter, the truth of what happened to Maddie is finally revealed. How does Ellie’s letter align with Rachel’s retelling of that night? What, if any, questions remain?
Enhance Your Book Club
1. The entire book is written as a letter to a defense attorney from prison. Discuss how this adds to or detracts from the story. How did you feel knowing a child would die from the beginning? Did it ruin the element of surprise or elevate the feeling of suspense?
2. We see Rachel in many high-pressure, stressful situations during her time at Heatherbrae House. How would you have described her character before learning the truth about her father? Did learning the truth change what you thought of her? Discuss.
3. Discuss Heatherbrae House and its many “amenities”. What it would be like to live in a house dependent on technology? Could you live there?
4. The story jumps from 2017 to 2019, when the letters to Mr. Wrexham and those from Jean McKenzie and Ellie are discovered. The man who found them reveals two important details. First, that Rachel never sent her pleas for help and second, that the truth they reveal no longer matters. Discuss why the letters never posted and what happened to Rachel in those two years.
More from the Author
The Death of Mrs.…
The Lying Game
The Woman in Cabin 10
In a Dark, Dark Wood
About the Author
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RUTH WARE worked as a waitress, a bookseller, a teacher of English as a foreign language, and a press officer before settling down as a full-time writer.
She now lives with her family in Sussex, on the south coast of England. She is the #1 New York Times bestselling author of In a Dark, Dark Wood, The Woman in Cabin 10, The Lying Game, and The Death of Mrs. Westaway. Visit her at RuthWare.com or follow her on Twitter and Instagram @RuthWareWriter.
FOR MORE ON THIS AUTHOR:
Authors.SimonandSchuster.com/Ruth-Ware
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ScoutPressBooks.com
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Scout Press
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This book is a work of fiction. Any references to historical events, real people, or real places are used fictitiously. Other names, characters, places, and events are products of the author’s imagination, and any resemblance to actual events or places or persons, living or dead, is entirely coincidental.
Copyright © 2019 by Ruth Ware
All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information, address Scout Press Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020.
First Scout Press hardcover edition August 2019
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Interior design by Jaime Putorti
Jacket Art and design by Alan Dingman
Author photograph © Gemma Day Photography
Library of Congress Cataloging-in-Publication Data
Names: Ware, Ruth, author.
Title: The turn of the key / Ruth Ware.
Description: First Scout Press hardcover edition. | New York : Scout Press, 2019.
Identifiers: LCCN 2019021733| ISBN 9781501188770 (hardback) | ISBN 9781501188787 (trade paperback) | ISBN 9781501188794 (ebook)
Subjects: LCSH: Domestic fiction. | Psychological fiction. | BISAC: FICTION / Suspense. | FICTION / Literary. | GSAFD: Mystery fiction. | Suspense fiction.
Classification: LCC PR6123.A745 T87 2019 | DDC 823/.92—dc23
LC record available at https://lccn.loc.gov/2019021733
ISBN 978-1-5011-8877-0
ISBN 978-1-5011-8879-4 (ebook)