The Dominion Series Complete Collection

by Lund, S. E.

  Then I examine another victim's neck.

  "The scarring," I say, looking up to see if I've got it right. "It's a brand of some kind. Looks like a crusader cross."

  Michel doesn't even bother to suppress a smile – just looks up at me, beaming. I feel a rush of elation at his expression and can't help but smile back, feeling a little giddy.

  "Well done," Ed says and leans back. "What do you think a tattoo like that means?"

  I shrug. "A cult of some kind?"

  He nods. "Good job. Now, just a few words about our work. We track vampires, and do whatever we can to keep any information about them from the public. You'll be what we call a 'blood witness'. You'll help search for evidence on cases where a vampire might have been involved in an illegal kill, and if we get a suspect, you'll read them, use your telepathy to search their memory for kills. You'll be working nights from now on, and Michel will be your partner."

  I nod, trying to keep my expression professional, but of course, the notion of being Michel's partner makes my heart beat a little faster. He'd called me his 'Adept' and I wonder if there's a disconnect between what Ed thinks and what Michel thinks about my relationship to him.

  "During the summer, you'll work for us. In the fall, you'll study once more, and work only part-time. You can use our resources to help find who killed your mother. In fact, we're hoping you succeed because her case is still cold."

  Terri takes up the narrative. "Now, just a few things to get straight about the SCU," she says. "We rely on the utmost secrecy and work off the books. We're both clandestine and black. Our cases, if revealed, would cause widespread panic and threaten the very fragile truce between vampires and mortals. Now, to the difficult part," Terri says. She turns to Michel and nods. "Agent de Cernay has to read you, make sure that you're not working with or under the influence of any rogue element."

  "What?"

  "As representative of the Council, he has to certify that you're not in league with the enemy. Just let him read you, briefly and then he'll show you how to witness."

  Uh oh. He's going to read me?

  All I can think of is that he'll know I have a translated copy of the manuscript and he'll freak on me.

  "He's already read me," I say, hoping to prevent this. "He knows I'm not involved with anyone."

  "I know, Eve, but this is a formality. It won't take long. Just relax and follow his instructions."

  Michel pushes his chair back and panic rises in me as he leans over me, his hands on the armrests of my chair.

  "Do you have to do this?" I say and cringe, pulling away from him.

  "Relax Eve," he says softly. "You have nothing to fear from this or from me."

  With his face just inches from mine, I can smell his scent again – sandalwood. It reminds me of him being so close in his office, of the feel of his body against mine when he lay on top of me on my couch, of his kiss and already, my body warms from the thought. He takes one of my hands in his and of course, a thrill runs through me at his touch – a thrill of fear and of desire. I try to blank my mind, closing my eyes, pressing my lips together.

  "This won't take a minute," he says, his voice a little breathless, as if he's already felt my attraction for him. "Look at me, Eve." I open my eyes. "First, I'll check to see if you're compromised. Then you can read me, see my last illegal kill because that's what you'll do when you witness. Try to concentrate."

  Of course all I can think of is how beautiful his eyes are. I try to focus on the color – they're so blue – pure blue. Soft blue. I think to myself that he shouldn't be so beautiful, that a vampire should look feral, evil, dangerous. I think of anything but what I don't want to think about. But that just brings up exactly what I don't want to think about and my heart aches for him. I try to blot out the images that pop into my mind's eye but fail – I see him on the altar with the vampire above him, then him back in the castle, the women trying to undress him.

  His grip tightens on my hand and he blinks rapidly. When he inhales sharply, I know then that he knows. He releases my hand and stands up, his body stiff, his hands fisted.

  "Excuse me," he says and walks to the door.

  "What's the matter?" Ed says but Michel ignores him and leaves the room, closing the door behind him.

  Oh, damn…

  "Let me," Terri says and stands, removing her glasses and following Michel out the door, leaving me alone with Ed. He turns to me.

  "What happened?"

  I cover my eyes for a moment, horrified that this happened. I had no idea that he'd be expected to use his telepathy on me and would find out I'd read the manuscript.

  "Eve, what happened?" he says again. I take my hands away and bite my cheek to keep control over my emotions.

  "I don't know."

  Ed frowns and leaves the room as well. I sit alone in the boardroom, facing an empty table.

  Oh, no, oh no, oh no…

  * * *

  In about ten minutes, Terri returns to the room alone. I've managed to get a grip on my emotions, and I've tried to think of how to respond to their questions. The manuscript was mine. I had every right to read it. But I know it's a betrayal of Michel's trust and here I was going on to him about how he had to prove he was trustworthy and yet I'm the one who betrayed his.

  "Michel's not feeling well so we have to postpone this part of the interview. You should go home now, Eve. We'll contact you when the interview's rescheduled."

  "OK," I say and gather my things up. "Tell Michel I'm sorry."

  "For what?" she says, frowning. "He's just ill."

  I nod, trying to recover. "That's what I mean. I'm sorry he's not feeling well. Tell him I hope he feels better."

  She nods as if she understands and smiles politely.

  I gather up my coat and backpack and leave.

  When I hit the street, I stand for a moment on the corner and try to catch my breath. Michel knows I have the translation. He'll be by to take it from me.

  I walk to the bus stop and check my cell to see when the next bus is due. Just then, a car drives up and the passenger window rolls down.

  It's Julien.

  "Get in. Let me take you home."

  "I can take the bus," I say, not sure I want to be alone with him.

  "I insist. Consider this part of the security arrangements you're going to have to get used to from now on."

  I glance around the darkened streets. Even with streetlights and a few businesses that are still open, it's pretty creepy in this neighborhood. I'll be home in under ten minutes if Julien drives me. If I take the bus, it will be at least thirty minutes.

  I get in, buckling up. The car is an old GTO, royal blue, with a leather interior. The radio is tuned to some jazz station. There's a police scanner and computer system hooked up as if Julien monitors the police calls.

  "That was short. Tell me what happened."

  I don't say anything. Julien takes my hand for a moment. I try to pull it back, but he persists, his grip strong. I feel him at the edges of my mind, and wish I could learn how to block him and Michel out. That way, this mess with the translation wouldn't have happened.

  "Eve, I know what happened. Tell me."

  "If you already know, why do I have to tell you?"

  "I want your side of the story."

  I exhale and he finally releases my hand. We drive off, the car's engine rumbling.

  "I found a translation in another file box. I read the part about Michel being made into a vampire."

  "Ohh," Julien says and nods. "That explains it." He's silent for a moment, watching the streets, checking the rear-view mirror. "That would upset him. Poor Michel. He's very sensitive about his fall from grace."

  "He shouldn't be. It wasn't his fault."

  Julien shrugs. "I know that and you know that, but to Michel, it feels like God's punishment."

  "That's crazy. It was Marguerite being a nasty vampire. It wasn't Michel's fault."

  He turns and watches me for a moment. I glance away f
rom his too piercing gaze.

  "You're very forgiving."

  "Why do you say that?" I say, frowning. "He's done nothing that I have to forgive."

  "Eve," Julien says. "We've all done things for which we need to be forgiven. Michel just has a lot more guilt than most. More of a need to atone. Keep that in mind…"

  "What does that mean?"

  "Take it whatever way you want, but if you want to understand Michel, remember that he feels a lot of guilt for things that have happened, even if they weren't his fault. And they weren't his fault, but he bears the guilt regardless."

  We drive through the streets towards my apartment block and I'm happy once we arrive. I hop out and am upset when I hear him turn off his engine.

  He gets out and follows me to the door to my building. "Let me come up," he says, taking my arm. "I'd like to see your place."

  "I don't think so, Julien."

  "Why not? Fix me a cup of that chai tea you like so much."

  "Julien!" I say, angered that he knows things about me. "This is complicated enough without you trying to get involved in my life."

  "In case you were under some misunderstanding, I'm already involved in your life."

  "Well, no more that you already are, then."

  I put my key in the lock and open the door. Julien stays on the step as if he can't cross the threshold. At least I can keep him out. I let the door close and smile at him through the glass.

  "Sorry. Can't let you in."

  "That's OK," he says and shrugs. "I'll just compel someone from the building to let me in. Eve, you can't keep me out. You might as well let me in. We need to talk."

  "We've already talked enough." I turn and start up the stairs to my apartment. I glance back and see him bending down to check the names on the buzzer outside the door.

  "I can answer your questions, Eve," he shouts at me through the mail slot. "Michel won't because he has a conflict of interest, but I will. Ask me anything and I'll tell you what I know. No funny business. I promise."

  I stop at the top of the landing. I can see his feet on the step outside the door.

  "Go away, Julien," I say. I climb the other flight of stairs to my apartment.

  Chapter 8

  "It's not a death that man should fear, but he should fear not ever beginning to live."

  Marcus Aurelius.

  I hide the manuscript under a pile of dishtowels in my linen closet, determined not to read on until I know how Michel responds. I think of ways to make a copy and keep it so I can continue reading in case he comes for it, but am at a loss. He can always just touch me and discover where I hide any copy I might make. I can't deceive him as long as I have no ability to put up mental walls against his telepathy.

  I could send a copy to someone I know and get them to put it somewhere safe, but he'd be able to compel anyone and force them to tell him where it was…

  There's just no way out of this except to give him the copy.

  I've been home for less than an hour and have just had a warm bath and am in my nightgown and fuzzy socks when I hear a knock at my door. I've been searching my mother's work trying to find something on how to block others from reading my mind, but so far, no luck. I put down one of her files and tiptoe to the door and peer through the peephole.

  Of course, it's Michel, staring straight at me, his beautiful blue eyes just inches from the door.

  I panic, my heart starting to speed up at the thought he's here to take the translation from me to prevent me reading any further. He was so upset back at the SCU. I tiptoe back to my bedroom. I'm not sure if Michel can enter my apartment in some strange vampire way or whether he has to enter the normal human way but whatever the case, I want to hide. I suspect he left the conference room earlier because he was angry. I've been waiting for him to come and demand the translation. I don't want to give it to him.

  I take one of the swords off my wall and hide in the corner of my armoire, pulling the door shut behind me, holding the sword straight up in front of my face. Maybe he'll get sick of waiting outside and leave. I'm determined to wait here all night if I have to. Unless he can resolve into a fog and creep in under the door, he'll have to break it down to get in and then at least I'll hear him coming.

  Besides, he'll have to go before dawn…

  Then I hear a key in the lock and the latch clicks open. Damn. Where'd he get a key?

  "Thank you," I hear Michel say in a soft voice. "Now, give me the duplicate and forget that you gave this one to me. Tomorrow, you'll go and make another one. Do you understand?"

  I hear the building Super reply, kindly old Mr. Williams, his voice monotone.

  "I understand."

  Oh, hell. Now Michel has a duplicate key to my apartment? At least that tells me he can't actually become a fog and vaporize into my place through an open window…

  The door closes, and I sit in the darkness of my closet, the sword grasped between my hands, anxiety building inside me. He'll find me by smell alone. Vampires are like bloodhounds, able to track humans long distances by scent – especially one whose blood they've tasted. Which just happens to apply to me and Michel.

  I grip the sword more tightly. Can I attack him? If he threatens me, I will. I know I can kill him if I get a chance.

  I hear his boots on my hardwood floor as he paces around my apartment, hear the rustling of papers, the opening and closing of drawers.

  "Where's the translation?" he says, and his voice is so angered.

  I don't say anything, my heart thumping in my chest. I can't help it – fear engulfs me and my throat chokes up. Tears bite at the corners of my eyes.

  Then he enters the bedroom and stands across from the armoire. I can see him through the gap between the two doors and he's wearing his cassock coat and his hair is mussed, and he's breathing fast, his jaw clenched.

  A long moment of silence passes.

  Finally, I hear a heavy sigh from him – it sounds of exasperation. It's not the sound a vampire hell-bent on torturing and killing me would make. I wipe my nose, which is running due to my tears.

  Stupid stupid… I should never have read that manuscript.

  "Are you that afraid of me?" he says in a voice edged with frustration.

  Finally, he sits on the bed across from me and watches the armoire, his elbows resting on his knees. It's as if he's staring right at me. He can't see me, can he?

  "I'll wait all night, Eve. I'm a very patient man."

  "Wait for what?" I say and I think how stupid it must sound for me to be speaking to him through the closed doors of the armoire.

  Oh, damn… this is a nightmare.

  "For you to bring me the translation."

  I should do what he says, because this stand-off is stupid and I know it.

  "How do I know that you won't go all vampire on me and kill me once I give it to you?"

  "What?" he says and I can see him shaking his head, his frown resolving into a look of disbelief. "Why on Earth would you think I'd want to kill you? Jesus, Eve. Are you that unaware?"

  "I don't know what you'd want, Michel," I say, feeling a bit foolish now. "I don't even know you."

  "Eve, right now, I'm more in danger from you than you are from me. In case you forgot, you can beat me. If you had real weapons when we fought, if you'd have had a stake, you could have killed me."

  "You can kill me as well," I say and sniff. "All you have to do is get close enough to mesmerize me."

  He smiles at that and rubs his eyes.

  "Well, then I think we're evenly matched. I promise not to mesmerize you," he says, a grin on his face, "if you promise not to try to decapitate me with that Samurai sword."

  "How did you know I have a sword?"

  "There's one missing from your wall."

  I scrunch up my face. Of course. He knows about the swords because I told him, pointedly.

  "The manuscript's in the linen closet in the bathroom," I say. "It's under some tea towels."

  He nods but doesn't
get up.

  "Thank you," he says and waits, watching. "Are you coming out now?"

  I don't say anything for a while. I can't face him.

  "No," I say, wiping my eyes. "Just go get it and leave."

  He runs a hand through his hair and makes a face of some kind. I can't quite see it because he moves briefly out of my field of vision.

  "But I want to talk to you," he says.

  "I'm listening," I say after a moment.

  "Sacristy…" he says, hitting his forehead with his fist. "Eve, I want to kiss you."

  Oh, God…

  That admission sends a rush of warmth through my body, right to the deepest part of me. I close my eyes and try to breathe, my face hot. Here I thought he was going to kill me or torture me. Now, he wants to kiss me?

  "You can't," I say, barely able to speak over my breathlessness, my heart fluttering.

  "Why not?" he says, his own voice soft.

  "Because my nose is all red from crying."

  And then he's at the armoire opening the door, and he reaches for me, taking the sword out of my hands, throwing it onto the floor so that it skitters across the hardwood. He takes my arms and pulls me up, restraining my hands behind me, holding them firmly so that I can't resist. With the other hand, he wipes tears off my face with gentle fingers, his expression all concerned, his brow creased.

  "Eve…" He doesn't kiss me. Just looks at me, his gaze moving over my face. "I don't want you to be afraid of me." And then he leans down and kisses me. Softly. When he pulls away, he examines my face, touches my cheek with a finger, running the tip through my tears.

  He seemed so angry when he came into my room, but now, he seems sad. I do fear him, despite the knowledge that I could kill him. The thing is, I feel far too much desire for him, far too much empathy for him, far too much admiration for him after reading the manuscript.

  I want him – so much. I don't think I've ever felt this way for any man and I barely know him. I've never felt this much desire, this much lust, this much human sympathy, and it chokes me. But he's far too old and experienced and powerful and I feel like a small child compared to him. Like he could just overwhelm me and I'd lose myself, drown under his power like a swimmer caught in a riptide.