Works of Charles Dickens (200+ Works) The Adventures of Oliver Twist, Great Expectations, A Christmas Carol, A Tale of Two Cities, Bleak House, David Copperfield & more (mobi)

by Charles Dickens

  "And to speak as plainly," she returns with the same studied carelessness, "so should I. Do I understand that you will take her with you?"

  The iron gentleman makes an iron bow.

  "Sir Leicester, will you ring?" Mr. Tulkinghorn steps forward from his window and pulls the bell. "I had forgotten you. Thank you." He makes his usual bow and goes quietly back again. Mercury, swift-responsive, appears, receives instructions whom to produce, skims away, produces the aforesaid, and departs.

  Rosa has been crying and is yet in distress. On her coming in, the ironmaster leaves his chair, takes her arm in his, and remains with her near the door ready to depart.

  "You are taken charge of, you see," says my Lady in her weary manner, "and are going away well protected. I have mentioned that you are a very good girl, and you have nothing to cry for."

  "She seems after all," observes Mr. Tulkinghorn, loitering a little forward with his hands behind him, "as if she were crying at going away."

  "Why, she is not well-bred, you see," returns Mr. Rouncewell with some quickness in his manner, as if he were glad to have the lawyer to retort upon, "and she is an inexperienced little thing and knows no better. If she had remained here, sir, she would have improved, no doubt."

  "No doubt," is Mr. Tulkinghorn's composed reply.

  Rosa sobs out that she is very sorry to leave my Lady, and that she was happy at Chesney Wold, and has been happy with my Lady, and that she thanks my Lady over and over again. "Out, you silly little puss!" says the ironmaster, checking her in a low voice, though not angrily. "Have a spirit, if you're fond of Watt!" My Lady merely waves her off with indifference, saying, "There, there, child! You are a good girl. Go away!" Sir Leicester has magnificently disengaged himself from the subject and retired into the sanctuary of his blue coat. Mr. Tulkinghorn, an indistinct form against the dark street now dotted with lamps, looms in my Lady's view, bigger and blacker than before.

  "Sir Leicester and Lady Dedlock," says Mr. Rouncewell after a pause of a few moments, "I beg to take my leave, with an apology for having again troubled you, though not of my own act, on this tiresome subject. I can very well understand, I assure you, how tiresome so small a matter must have become to Lady Dedlock. If I am doubtful of my dealing with it, it is only because I did not at first quietly exert my influence to take my young friend here away without troubling you at all. But it appeared to me--I dare say magnifying the importance of the thing--that it was respectful to explain to you how the matter stood and candid to consult your wishes and convenience. I hope you will excuse my want of acquaintance with the polite world."

  Sir Leicester considers himself evoked out of the sanctuary by these remarks. "Mr. Rouncewell," he returns, "do not mention it. Justifications are unnecessary, I hope, on either side."

  "I am glad to hear it, Sir Leicester; and if I may, by way of a last word, revert to what I said before of my mother's long connexion with the family and the worth it bespeaks on both sides, I would point out this little instance here on my arm who shows herself so affectionate and faithful in parting and in whom my mother, I dare say, has done something to awaken such feelings-- though of course Lady Dedlock, by her heartfelt interest and her genial condescension, has done much more."

  If he mean this ironically, it may be truer than he thinks. He points it, however, by no deviation from his straightforward manner of speech, though in saying it he turns towards that part of the dim room where my Lady sits. Sir Leicester stands to return his parting salutation, Mr. Tulkinghorn again rings, Mercury takes another flight, and Mr. Rouncewell and Rosa leave the house.

  Then lights are brought in, discovering Mr. Tulkinghorn still standing in his window with his hands behind him and my Lady still sitting with his figure before her, closing up her view of the night as well as of the day. She is very pale. Mr. Tulkinghorn, observing it as she rises to retire, thinks, "Well she may be! The power of this woman is astonishing. She has been acting a part the whole time." But he can act a part too--his one unchanging character--and as he holds the door open for this woman, fifty pairs of eyes, each fifty times sharper than Sir Leicester's pair, should find no flaw in him.

  Lady Dedlock dines alone in her own room to-day. Sir Leicester is whipped in to the rescue of the Doodle Party and the discomfiture of the Coodle Faction. Lady Dedlock asks on sitting down to dinner, still deadly pale (and quite an illustration of the debilitated cousin's text), whether he is gone out? Yes. Whether Mr. Tulkinghorn is gone yet? No. Presently she asks again, is he gone YET? No. What is he doing? Mercury thinks he is writing letters in the library. Would my Lady wish to see him? Anything but that.

  But he wishes to see my Lady. Within a few more minutes he is reported as sending his respects, and could my Lady please to receive him for a word or two after her dinner? My Lady will receive him now. He comes now, apologizing for intruding, even by her permission, while she is at table. When they are alone, my Lady waves her hand to dispense with such mockeries.

  "What do you want, sir?"

  "Why, Lady Dedlock," says the lawyer, taking a chair at a little distance from her and slowly rubbing his rusty legs up and down, up and down, up and down, "I am rather surprised by the course you have taken."

  "Indeed?"

  "Yes, decidedly. I was not prepared for it. I consider it a departure from our agreement and your promise. It puts us in a new position, Lady Dedlock. I feel myself under the necessity of saying that I don't approve of it."

  He stops in his rubbing and looks at her, with his hands on his knees. Imperturbable and unchangeable as he is, there is still an indefinable freedom in his manner which is new and which does not escape this woman's observation.

  "I do not quite understand you."

  "Oh, yes you do, I think. I think you do. Come, come, Lady Dedlock, we must not fence and parry now. You know you like this girl."

  "Well, sir?"

  "And you know--and I know--that you have not sent her away for the reasons you have assigned, but for the purpose of separating her as much as possible from--excuse my mentioning it as a matter of business--any reproach and exposure that impend over yourself."

  "Well, sir?"

  "Well, Lady Dedlock," returns the lawyer, crossing his legs and nursing the uppermost knee. "I object to that. I consider that a dangerous proceeding. I know it to be unnecessary and calculated to awaken speculation, doubt, rumour, I don't know what, in the house. Besides, it is a violation of our agreement. You were to be exactly what you were before. Whereas, it must be evident to yourself, as it is to me, that you have been this evening very different from what you were before. Why, bless my soul, Lady Dedlock, transparently so!"

  "If, sir," she begins, "in my knowledge of my secret--" But he interrupts her.

  "Now, Lady Dedlock, this is a matter of business, and in a matter of business the ground cannot be kept too clear. It is no longer your secret. Excuse me. That is just the mistake. It is my secret, in trust for Sir Leicester and the family. If it were your secret, Lady Dedlock, we should not be here holding this conversation."

  "That is very true. If in my knowledge of THE secret I do what I can to spare an innocent girl (especially, remembering your own reference to her when you told my story to the assembled guests at Chesney Wold) from the taint of my impending shame, I act upon a resolution I have taken. Nothing in the world, and no one in the world, could shake it or could move me." This she says with great deliberation and distinctness and with no more outward passion than himself. As for him, he methodically discusses his matter of business as if she were any insensible instrument used in business.

  "Really? Then you see, Lady Dedlock," he returns, "you are not to be trusted. You have put the case in a perfectly plain way, and according to the literal fact; and that being the case, you are not to be trusted."

  "Perhaps you may remember that I expressed some anxiety on this same point when we spoke at night at Chesney Wold?"

  "Yes," says Mr. Tulkinghorn, coolly getting up and standing on t
he hearth. "Yes. I recollect, Lady Dedlock, that you certainly referred to the girl, but that was before we came to our arrangement, and both the letter and the spirit of our arrangement altogether precluded any action on your part founded upon my discovery. There can be no doubt about that. As to sparing the girl, of what importance or value is she? Spare! Lady Dedlock, here is a family name compromised. One might have supposed that the course was straight on--over everything, neither to the right nor to the left, regardless of all considerations in the way, sparing nothing, treading everything under foot."

  She has been looking at the table. She lifts up her eyes and looks at him. There is a stern expression on her face and a part of her lower lip is compressed under her teeth. "This woman understands me," Mr. Tulkinghorn thinks as she lets her glance fall again. "SHE cannot be spared. Why should she spare others?"

  For a little while they are silent. Lady Dedlock has eaten no dinner, but has twice or thrice poured out water with a steady hand and drunk it. She rises from table, takes a lounging-chair, and reclines in it, shading her face. There is nothing in her manner to express weakness or excite compassion. It is thoughtful, gloomy, concentrated. "This woman," thinks Mr. Tulkinghorn, standing on the hearth, again a dark object closing up her view, "is a study."

  He studies her at his leisure, not speaking for a time. She too studies something at her leisure. She is not the first to speak, appearing indeed so unlikely to be so, though he stood there until midnight, that even he is driven upon breaking silence.

  "Lady Dedlock, the most disagreeable part of this business interview remains, but it is business. Our agreement is broken. A lady of your sense and strength of character will be prepared for my now declaring it void and taking my own course."

  "I am quite prepared."

  Mr. Tulkinghorn inclines his head. "That is all I have to trouble you with, Lady Dedlock."

  She stops him as he is moving out of the room by asking, "This is the notice I was to receive? I wish not to misapprehend you."

  "Not exactly the notice you were to receive, Lady Dedlock, because the contemplated notice supposed the agreement to have been observed. But virtually the same, virtually the same. The difference is merely in a lawyer's mind."

  "You intend to give me no other notice?"

  "You are right. No."

  "Do you contemplate undeceiving Sir Leicester to-night?"

  "A home question!" says Mr. Tulkinghorn with a slight smile and cautiously shaking his head at the shaded face. "No, not to- night."

  "To-morrow?"

  "All things considered, I had better decline answering that question, Lady Dedlock. If I were to say I don't know when, exactly, you would not believe me, and it would answer no purpose. It may be to-morrow. I would rather say no more. You are prepared, and I hold out no expectations which circumstances might fail to justify. I wish you good evening."

  She removes her hand, turns her pale face towards him as he walks silently to the door, and stops him once again as he is about to open it.

  "Do you intend to remain in the house any time? I heard you were writing in the library. Are you going to return there?"

  "Only for my hat. I am going home."

  She bows her eyes rather than her head, the movement is so slight and curious, and he withdraws. Clear of the room he looks at his watch but is inclined to doubt it by a minute or thereabouts. There is a splendid clock upon the staircase, famous, as splendid clocks not often are, for its accuracy. "And what do YOU say," Mr. Tulkinghorn inquires, referring to it. "What do you say?"

  If it said now, "Don't go home!" What a famous clock, hereafter, if it said to-night of all the nights that it has counted off, to this old man of all the young and old men who have ever stood before it, "Don't go home!" With its sharp clear bell it strikes three quarters after seven and ticks on again. "Why, you are worse than I thought you," says Mr. Tulkinghorn, muttering reproof to his watch. "Two minutes wrong? At this rate you won't last my time." What a watch to return good for evil if it ticked in answer, "Don't go home!"

  He passes out into the streets and walks on, with his hands behind him, under the shadow of the lofty houses, many of whose mysteries, difficulties, mortgages, delicate affairs of all kinds, are treasured up within his old black satin waistcoat. He is in the confidence of the very bricks and mortar. The high chimney-stacks telegraph family secrets to him. Yet there is not a voice in a mile of them to whisper, "Don't go home!"

  Through the stir and motion of the commoner streets; through the roar and jar of many vehicles, many feet, many voices; with the blazing shop-lights lighting him on, the west wind blowing him on, and the crowd pressing him on, he is pitilessly urged upon his way, and nothing meets him murmuring, "Don't go home!" Arrived at last in his dull room to light his candles, and look round and up, and see the Roman pointing from the ceiling, there is no new significance in the Roman's hand to-night or in the flutter of the attendant groups to give him the late warning, "Don't come here!"

  It is a moonlight night, but the moon, being past the full, is only now rising over the great wilderness of London. The stars are shining as they shone above the turret-leads at Chesney Wold. This woman, as he has of late been so accustomed to call her, looks out upon them. Her soul is turbulent within her; she is sick at heart and restless. The large rooms are too cramped and close. She cannot endure their restraint and will walk alone in a neighbouring garden.

  Too capricious and imperious in all she does to be the cause of much surprise in those about her as to anything she does, this woman, loosely muffled, goes out into the moonlight. Mercury attends with the key. Having opened the garden-gate, he delivers the key into his Lady's hands at her request and is bidden to go back. She will walk there some time to ease her aching head. She may be an hour, she may be more. She needs no further escort. The gate shuts upon its spring with a clash, and he leaves her passing on into the dark shade of some trees.

  A fine night, and a bright large moon, and multitudes of stars. Mr. Tulkinghorn, in repairing to his cellar and in opening and shutting those resounding doors, has to cross a little prison-like yard. He looks up casually, thinking what a fine night, what a bright large moon, what multitudes of stars! A quiet night, too.

  A very quiet night. When the moon shines very brilliantly, a solitude and stillness seem to proceed from her that influence even crowded places full of life. Not only is it a still night on dusty high roads and on hill-summits, whence a wide expanse of country may be seen in repose, quieter and quieter as it spreads away into a fringe of trees against the sky with the grey ghost of a bloom upon them; not only is it a still night in gardens and in woods, and on the river where the water-meadows are fresh and green, and the stream sparkles on among pleasant islands, murmuring weirs, and whispering rushes; not only does the stillness attend it as it flows where houses cluster thick, where many bridges are reflected in it, where wharves and shipping make it black and awful, where it winds from these disfigurements through marshes whose grim beacons stand like skeletons washed ashore, where it expands through the bolder region of rising grounds, rich in cornfield wind-mill and steeple, and where it mingles with the ever-heaving sea; not only is it a still night on the deep, and on the shore where the watcher stands to see the ship with her spread wings cross the path of light that appears to be presented to only him; but even on this stranger's wilderness of London there is some rest. Its steeples and towers and its one great dome grow more ethereal; its smoky house-tops lose their grossness in the pale effulgence; the noises that arise from the streets are fewer and are softened, and the footsteps on the pavements pass more tranquilly away. In these fields of Mr. Tulkinghorn's inhabiting, where the shepherds play on Chancery pipes that have no stop, and keep their sheep in the fold by hook and by crook until they have shorn them exceeding close, every noise is merged, this moonlight night, into a distant ringing hum, as if the city were a vast glass, vibrating.

  What's that? Who fired a gun or pistol? Where was it?

&nb
sp; The few foot-passengers start, stop, and stare about them. Some windows and doors are opened, and people come out to look. It was a loud report and echoed and rattled heavily. It shook one house, or so a man says who was passing. It has aroused all the dogs in the neighbourhood, who bark vehemently. Terrified cats scamper across the road. While the dogs are yet barking and howling--there is one dog howling like a demon--the church-clocks, as if they were startled too, begin to strike. The hum from the streets, likewise, seems to swell into a shout. But it is soon over. Before the last clock begins to strike ten, there is a lull. When it has ceased, the fine night, the bright large moon, and multitudes of stars, are left at peace again.

  Has Mr. Tulkinghorn been disturbed? His windows are dark and quiet, and his door is shut. It must be something unusual indeed to bring him out of his shell. Nothing is heard of him, nothing is seen of him. What power of cannon might it take to shake that rusty old man out of his immovable composure?

  For many years the persistent Roman has been pointing, with no particular meaning, from that ceiling. It is not likely that he has any new meaning in him to-night. Once pointing, always pointing--like any Roman, or even Briton, with a single idea. There he is, no doubt, in his impossible attitude, pointing, unavailingly, all night long. Moonlight, darkness, dawn, sunrise, day. There he is still, eagerly pointing, and no one minds him.

  But a little after the coming of the day come people to clean the rooms. And either the Roman has some new meaning in him, not expressed before, or the foremost of them goes wild, for looking up at his outstretched hand and looking down at what is below it, that person shrieks and flies. The others, looking in as the first one looked, shriek and fly too, and there is an alarm in the street.

  What does it mean? No light is admitted into the darkened chamber, and people unaccustomed to it enter, and treading softly but heavily, carry a weight into the bedroom and lay it down. There is whispering and wondering all day, strict search of every corner, careful tracing of steps, and careful noting of the disposition of every article of furniture. All eyes look up at the Roman, and all voices murmur, "If he could only tell what he saw!"