Works of Charles Dickens (200+ Works) The Adventures of Oliver Twist, Great Expectations, A Christmas Carol, A Tale of Two Cities, Bleak House, David Copperfield & more (mobi)

by Charles Dickens

  'By all means,' returned Clennam. 'I should have preferred the request, if your kindness had not anticipated me.'

  Upon this Mr Casby rose up in his list shoes, and with a slow, heavy step (he was of an elephantine build), made for the door. He had a long wide-skirted bottle-green coat on, and a bottle-green pair of trousers, and a bottle-green waistcoat. The Patriarchs were not dressed in bottle-green broadcloth, and yet his clothes looked patriarchal.

  He had scarcely left the room, and allowed the ticking to become audible again, when a quick hand turned a latchkey in the house- door, opened it, and shut it. Immediately afterwards, a quick and eager short dark man came into the room with so much way upon him that he was within a foot of Clennam before he could stop.

  'Halloa!' he said.

  Clennam saw no reason why he should not say 'Halloa!' too.

  'What's the matter?' said the short dark man.

  'I have not heard that anything is the matter,' returned Clennam.

  'Where's Mr Casby?' asked the short dark man, looking about. 'He will be here directly, if you want him.'

  '_I_ want him?' said the short dark man. 'Don't you?' This elicited a word or two of explanation from Clennam, during the delivery of which the short dark man held his breath and looked at him. He was dressed in black and rusty iron grey; had jet black beads of eyes; a scrubby little black chin; wiry black hair striking out from his head in prongs, like forks or hair-pins; and a complexion that was very dingy by nature, or very dirty by art, or a compound of nature and art. He had dirty hands and dirty broken nails, and looked as if he had been in the coals; he was in a perspiration, and snorted and sniffed and puffed and blew, like a little labouring steam-engine.

  'Oh!' said he, when Arthur told him how he came to be there. 'Very well. That's right. If he should ask for Pancks, will you be so good as to say that Pancks is come in?' And so, with a snort and a puff, he worked out by another door.

  Now, in the old days at home, certain audacious doubts respecting the last of the Patriarchs, which were afloat in the air, had, by some forgotten means, come in contact with Arthur's sensorium. He was aware of motes and specks of suspicion in the atmosphere of that time; seen through which medium, Christopher Casby was a mere Inn signpost, without any Inn--an invitation to rest and be thankful, when there was no place to put up at, and nothing whatever to be thankful for. He knew that some of these specks even represented Christopher as capable of harbouring designs in 'that head,' and as being a crafty impostor. Other motes there were which showed him as a heavy, selfish, drifting Booby, who, having stumbled, in the course of his unwieldy jostlings against other men, on the discovery that to get through life with ease and credit, he had but to hold his tongue, keep the bald part of his head well polished, and leave his hair alone, had had just cunning enough to seize the idea and stick to it. It was said that his being town-agent to Lord Decimus Tite Barnacle was referable, not to his having the least business capacity, but to his looking so supremely benignant that nobody could suppose the property screwed or jobbed under such a man; also, that for similar reasons he now got more money out of his own wretched lettings, unquestioned, than anybody with a less nobby and less shining crown could possibly have done. In a word, it was represented (Clennam called to mind, alone in the ticking parlour) that many people select their models, much as the painters, just now mentioned, select theirs; and that, whereas in the Royal Academy some evil old ruffian of a Dog-stealer will annually be found embodying all the cardinal virtues, on account of his eyelashes, or his chin, or his legs (thereby planting thorns of confusion in the breasts of the more observant students of nature), so, in the great social Exhibition, accessories are often accepted in lieu of the internal character.

  Calling these things to mind, and ranging Mr Pancks in a row with them, Arthur Clennam leaned this day to the opinion, without quite deciding on it, that the last of the Patriarchs was the drifting Booby aforesaid, with the one idea of keeping the bald part of his head highly polished: and that, much as an unwieldy ship in the Thames river may sometimes be seen heavily driving with the tide, broadside on, stern first, in its own way and in the way of everything else, though making a great show of navigation, when all of a sudden, a little coaly steam-tug will bear down upon it, take it in tow, and bustle off with it; similarly the cumbrous Patriarch had been taken in tow by the snorting Pancks, and was now following in the wake of that dingy little craft.

  The return of Mr Casby with his daughter Flora, put an end to these meditations. Clennam's eyes no sooner fell upon the subject of his old passion than it shivered and broke to pieces.

  Most men will be found sufficiently true to themselves to be true to an old idea. It is no proof of an inconstant mind, but exactly the opposite, when the idea will not bear close comparison with the reality, and the contrast is a fatal shock to it. Such was Clennam's case. In his youth he had ardently loved this woman, and had heaped upon her all the locked-up wealth of his affection and imagination. That wealth had been, in his desert home, like Robinson Crusoe's money; exchangeable with no one, lying idle in the dark to rust, until he poured it out for her. Ever since that memorable time, though he had, until the night of his arrival, as completely dismissed her from any association with his Present or Future as if she had been dead (which she might easily have been for anything he knew), he had kept the old fancy of the Past unchanged, in its old sacred place. And now, after all, the last of the Patriarchs coolly walked into the parlour, saying in effect, 'Be good enough to throw it down and dance upon it. This is Flora.'

  Flora, always tall, had grown to be very broad too, and short of breath; but that was not much. Flora, whom he had left a lily, had become a peony; but that was not much. Flora, who had seemed enchanting in all she said and thought, was diffuse and silly. That was much. Flora, who had been spoiled and artless long ago, was determined to be spoiled and artless now. That was a fatal blow.

  This is Flora!

  'I am sure,' giggled Flora, tossing her head with a caricature of her girlish manner, such as a mummer might have presented at her own funeral, if she had lived and died in classical antiquity, 'I am ashamed to see Mr Clennam, I am a mere fright, I know he'll find me fearfully changed, I am actually an old woman, it's shocking to be found out, it's really shocking!'

  He assured her that she was just what he had expected and that time had not stood still with himself.

  'Oh! But with a gentleman it's so different and really you look so amazingly well that you have no right to say anything of the kind, while, as to me, you know--oh!' cried Flora with a little scream, 'I am dreadful!'

  The Patriarch, apparently not yet understanding his own part in the drama under representation, glowed with vacant serenity.

  'But if we talk of not having changed,' said Flora, who, whatever she said, never once came to a full stop, 'look at Papa, is not Papa precisely what he was when you went away, isn't it cruel and unnatural of Papa to be such a reproach to his own child, if we go on in this way much longer people who don't know us will begin to suppose that I am Papa's Mama!'

  That must be a long time hence, Arthur considered.

  'Oh Mr Clennam you insincerest of creatures,' said Flora, 'I perceive already you have not lost your old way of paying compliments, your old way when you used to pretend to be so sentimentally struck you know--at least I don't mean that, I--oh I don't know what I mean!' Here Flora tittered confusedly, and gave him one of her old glances.

  The Patriarch, as if he now began to perceive that his part in the piece was to get off the stage as soon as might be, rose, and went to the door by which Pancks had worked out, hailing that Tug by name. He received an answer from some little Dock beyond, and was towed out of sight directly.

  'You mustn't think of going yet,' said Flora--Arthur had looked at his hat, being in a ludicrous dismay, and not knowing what to do: 'you could never be so unkind as to think of going, Arthur--I mean Mr Arthur--or I suppose Mr Clennam would be far more proper--but I am sure I d
on't know what I am saying--without a word about the dear old days gone for ever, when I come to think of it I dare say it would be much better not to speak of them and it's highly probable that you have some much more agreeable engagement and pray let Me be the last person in the world to interfere with it though there was a time, but I am running into nonsense again.'

  Was it possible that Flora could have been such a chatterer in the days she referred to? Could there have been anything like her present disjointed volubility in the fascinations that had captivated him?

  'Indeed I have little doubt,' said Flora, running on with astonishing speed, and pointing her conversation with nothing but commas, and very few of them, 'that you are married to some Chinese lady, being in China so long and being in business and naturally desirous to settle and extend your connection nothing was more likely than that you should propose to a Chinese lady and nothing was more natural I am sure than that the Chinese lady should accept you and think herself very well off too, I only hope she's not a Pagodian dissenter.'

  'I am not,' returned Arthur, smiling in spite of himself, 'married to any lady, Flora.'

  'Oh good gracious me I hope you never kept yourself a bachelor so long on my account!' tittered Flora; 'but of course you never did why should you, pray don't answer, I don't know where I'm running to, oh do tell me something about the Chinese ladies whether their eyes are really so long and narrow always putting me in mind of mother-of-pearl fish at cards and do they really wear tails down their back and plaited too or is it only the men, and when they pull their hair so very tight off their foreheads don't they hurt themselves, and why do they stick little bells all over their bridges and temples and hats and things or don't they really do it?' Flora gave him another of her old glances. Instantly she went on again, as if he had spoken in reply for some time.

  'Then it's all true and they really do! good gracious Arthur!-- pray excuse me--old habit--Mr Clennam far more proper--what a country to live in for so long a time, and with so many lanterns and umbrellas too how very dark and wet the climate ought to be and no doubt actually is, and the sums of money that must be made by those two trades where everybody carries them and hangs them everywhere, the little shoes too and the feet screwed back in infancy is quite surprising, what a traveller you are!'

  In his ridiculous distress, Clennam received another of the old glances without in the least knowing what to do with it.

  'Dear dear,' said Flora, 'only to think of the changes at home Arthur--cannot overcome it, and seems so natural, Mr Clennam far more proper--since you became familiar with the Chinese customs and language which I am persuaded you speak like a Native if not better for you were always quick and clever though immensely difficult no doubt, I am sure the tea chests alone would kill me if I tried, such changes Arthur--I am doing it again, seems so natural, most improper--as no one could have believed, who could have ever imagined Mrs Finching when I can't imagine it myself!'

  'Is that your married name?' asked Arthur, struck, in the midst of all this, by a certain warmth of heart that expressed itself in her tone when she referred, however oddly, to the youthful relation in which they had stood to one another. 'Finching?'

  'Finching oh yes isn't it a dreadful name, but as Mr F. said when he proposed to me which he did seven times and handsomely consented I must say to be what he used to call on liking twelve months, after all, he wasn't answerable for it and couldn't help it could he, Excellent man, not at all like you but excellent man!'

  Flora had at last talked herself out of breath for one moment. One moment; for she recovered breath in the act of raising a minute corner of her pocket-handkerchief to her eye, as a tribute to the ghost of the departed Mr F., and began again.

  'No one could dispute, Arthur--Mr Clennam--that it's quite right you should be formally friendly to me under the altered circumstances and indeed you couldn't be anything else, at least I suppose not you ought to know, but I can't help recalling that there was a time when things were very different.'

  'My dear Mrs Finching,' Arthur began, struck by the good tone again.

  'Oh not that nasty ugly name, say Flora!'

  'Flora. I assure you, Flora, I am happy in seeing you once more, and in finding that, like me, you have not forgotten the old foolish dreams, when we saw all before us in the light of our youth and hope.'

  'You don't seem so,' pouted Flora, 'you take it very coolly, but however I know you are disappointed in me, I suppose the Chinese ladies--Mandarinesses if you call them so--are the cause or perhaps I am the cause myself, it's just as likely.'

  'No, no,' Clennam entreated, 'don't say that.'

  'Oh I must you know,' said Flora, in a positive tone, 'what nonsense not to, I know I am not what you expected, I know that very well.'

  In the midst of her rapidity, she had found that out with the quick perception of a cleverer woman. The inconsistent and profoundly unreasonable way in which she instantly went on, nevertheless, to interweave their long-abandoned boy and girl relations with their present interview, made Clennam feel as if he were light-headed.

  'One remark,' said Flora, giving their conversation, without the slightest notice and to the great terror of Clennam, the tone of a love-quarrel, 'I wish to make, one explanation I wish to offer, when your Mama came and made a scene of it with my Papa and when I was called down into the little breakfast-room where they were looking at one another with your Mama's parasol between them seated on two chairs like mad bulls what was I to do?'

  'My dear Mrs Finching,' urged Clennam--'all so long ago and so long concluded, is it worth while seriously to--'

  'I can't Arthur,' returned Flora, 'be denounced as heartless by the whole society of China without setting myself right when I have the opportunity of doing so, and you must be very well aware that there was Paul and Virginia which had to be returned and which was returned without note or comment, not that I mean to say you could have written to me watched as I was but if it had only come back with a red wafer on the cover I should have known that it meant Come to Pekin Nankeen and What's the third place, barefoot.'

  'My dear Mrs Finching, you were not to blame, and I never blamed you. We were both too young, too dependent and helpless, to do anything but accept our separation.--Pray think how long ago,' gently remonstrated Arthur. 'One more remark,' proceeded Flora with unslackened volubility, 'I wish to make, one more explanation I wish to offer, for five days I had a cold in the head from crying which I passed entirely in the back drawing-room--there is the back drawing-room still on the first floor and still at the back of the house to confirm my words--when that dreary period had passed a lull succeeded years rolled on and Mr F. became acquainted with us at a mutual friend's, he was all attention he called next day he soon began to call three evenings a week and to send in little things for supper it was not love on Mr F.'s part it was adoration, Mr F. proposed with the full approval of Papa and what could I do?'

  'Nothing whatever,' said Arthur, with the cheerfulest readiness, 'but what you did. Let an old friend assure you of his full conviction that you did quite right.'

  'One last remark,' proceeded Flora, rejecting commonplace life with a wave of her hand, 'I wish to make, one last explanation I wish to offer, there was a time ere Mr F. first paid attentions incapable of being mistaken, but that is past and was not to be, dear Mr Clennam you no longer wear a golden chain you are free I trust you may be happy, here is Papa who is always tiresome and putting in his nose everywhere where he is not wanted.'

  With these words, and with a hasty gesture fraught with timid caution--such a gesture had Clennam's eyes been familiar with in the old time--poor Flora left herself at eighteen years of age, a long long way behind again; and came to a full stop at last.

  Or rather, she left about half of herself at eighteen years of age behind, and grafted the rest on to the relict of the late Mr F.; thus making a moral mermaid of herself, which her once boy-lover contemplated with feelings wherein his sense of the sorrowful and his sense of the comica
l were curiously blended.

  For example. As if there were a secret understanding between herself and Clennam of the most thrilling nature; as if the first of a train of post-chaises and four, extending all the way to Scotland, were at that moment round the corner; and as if she couldn't (and wouldn't) have walked into the Parish Church with him, under the shade of the family umbrella, with the Patriarchal blessing on her head, and the perfect concurrence of all mankind; Flora comforted her soul with agonies of mysterious signalling, expressing dread of discovery. With the sensation of becoming more and more light-headed every minute, Clennam saw the relict of the late Mr F. enjoying herself in the most wonderful manner, by putting herself and him in their old places, and going through all the old performances--now, when the stage was dusty, when the scenery was faded, when the youthful actors were dead, when the orchestra was empty, when the lights were out. And still, through all this grotesque revival of what he remembered as having once been prettily natural to her, he could not but feel that it revived at sight of him, and that there was a tender memory in it.

  The Patriarch insisted on his staying to dinner, and Flora signalled 'Yes!' Clennam so wished he could have done more than stay to dinner--so heartily wished he could have found the Flora that had been, or that never had been--that he thought the least atonement he could make for the disappointment he almost felt ashamed of, was to give himself up to the family desire. Therefore, he stayed to dinner.

  Pancks dined with them. Pancks steamed out of his little dock at a quarter before six, and bore straight down for the Patriarch, who happened to be then driving, in an inane manner, through a stagnant account of Bleeding Heart Yard. Pancks instantly made fast to him and hauled him out.

  'Bleeding Heart Yard?' said Pancks, with a puff and a snort. 'It's a troublesome property. Don't pay you badly, but rents are very hard to get there. You have more trouble with that one place than with all the places belonging to you.'