Works of Charles Dickens (200+ Works) The Adventures of Oliver Twist, Great Expectations, A Christmas Carol, A Tale of Two Cities, Bleak House, David Copperfield & more (mobi)
Page 1461
The theatrical young gentleman is a great advocate for violence of emotion and redundancy of action. If a father has to curse a child upon the stage, he likes to see it done in the thorough-going style, with no mistake about it: to which end it is essential that the child should follow the father on her knees, and be knocked violently over on her face by the old gentleman as he goes into a small cottage, and shuts the door behind him. He likes to see a blessing invoked upon the young lady, when the old gentleman repents, with equal earnestness, and accompanied by the usual conventional forms, which consist of the old gentleman looking anxiously up into the clouds, as if to see whether it rains, and then spreading an imaginary tablecloth in the air over the young lady's head-soft music playing all the while. Upon these, and other points of a similar kind, the theatrical young gentleman is a great critic indeed. He is likewise very acute in judging of natural expressions of the passions, and knows precisely the frown, wink, nod, or leer, which stands for any one of them, or the means by which it may be converted into any other: as jealousy, with a good stamp of the right foot, becomes anger; or wildness, with the hands clasped before the throat, instead of tearing the wig, is passionate love. If you venture to express a doubt of the accuracy of any of these portraitures, the theatrical young gentleman assures you, with a haughty smile, that it always has been done in that way, and he supposes they are not going to change it at this time of day to please you; to which, of course, you meekly reply that you suppose not.
There are innumerable disquisitions of this nature, in which the theatrical young gentleman is very profound, especially to ladies whom he is most in the habit of entertaining with them; but as we have no space to recapitulate them at greater length, we must rest content with calling the attention of the young ladies in general to the theatrical young gentlemen of their own acquaintance.
THE POETICAL YOUNG GENTLEMAN
Time was, and not very long ago either, when a singular epidemic raged among the young gentlemen, vast numbers of whom, under the influence of the malady, tore off their neckerchiefs, turned down their shirt collars, and exhibited themselves in the open streets with bare throats and dejected countenances, before the eyes of an astonished public. These were poetical young gentlemen. The custom was gradually found to be inconvenient, as involving the necessity of too much clean linen and too large washing bills, and these outward symptoms have consequently passed away; but we are disposed to think, notwithstanding, that the number of poetical young gentlemen is considerably on the increase.
We know a poetical young gentleman-a very poetical young gentleman. We do not mean to say that he is troubled with the gift of poesy in any remarkable degree, but his countenance is of a plaintive and melancholy cast, his manner is abstracted and bespeaks affliction of soul: he seldom has his hair cut, and often talks about being an outcast and wanting a kindred spirit; from which, as well as from many general observations in which he is wont to indulge, concerning mysterious impulses, and yearnings of the heart, and the supremacy of intellect gilding all earthly things with the glowing magic of immortal verse, it is clear to all his friends that he has been stricken poetical.
The favourite attitude of the poetical young gentleman is lounging on a sofa with his eyes fixed upon the ceiling, or sitting bolt upright in a high-backed chair, staring with very round eyes at the opposite wall. When he is in one of these positions, his mother, who is a worthy, affectionate old soul, will give you a nudge to bespeak your attention without disturbing the abstracted one, and whisper with a shake of the head, that John's imagination is at some extraordinary work or other, you may take her word for it. Hereupon John looks more fiercely intent upon vacancy than before, and suddenly snatching a pencil from his pocket, puts down three words, and a cross on the back of a card, sighs deeply, paces once or twice across the room, inflicts a most unmerciful slap upon his head, and walks moodily up to his dormitory.
The poetical young gentleman is apt to acquire peculiar notions of things too, which plain ordinary people, unblessed with a poetical obliquity of vision, would suppose to be rather distorted. For instance, when the sickening murder and mangling of a wretched woman was affording delicious food wherewithal to gorge the insatiable curiosity of the public, our friend the poetical young gentleman was in ecstasies-not of disgust, but admiration. 'Heavens!' cried the poetical young gentleman, 'how grand; how great!' We ventured deferentially to inquire upon whom these epithets were bestowed: our humble thoughts oscillating between the police officer who found the criminal, and the lock-keeper who found the head. 'Upon whom!' exclaimed the poetical young gentleman in a frenzy of poetry, 'Upon whom should they be bestowed but upon the murderer!'-and thereupon it came out, in a fine torrent of eloquence, that the murderer was a great spirit, a bold creature full of daring and nerve, a man of dauntless heart and determined courage, and withal a great casuist and able reasoner, as was fully demonstrated in his philosophical colloquies with the great and noble of the land. We held our peace, and meekly signified our indisposition to controvert these opinions-firstly, because we were no match at quotation for the poetical young gentleman; and secondly, because we felt it would be of little use our entering into any disputation, if we were: being perfectly convinced that the respectable and immoral hero in question is not the first and will not be the last hanged gentleman upon whom false sympathy or diseased curiosity will be plentifully expended.
This was a stern mystic flight of the poetical young gentleman. In his milder and softer moments he occasionally lays down his neckcloth, and pens stanzas, which sometimes find their way into a Lady's Magazine, or the 'Poets' Corner' of some country newspaper; or which, in default of either vent for his genius, adorn the rainbow leaves of a lady's album. These are generally written upon some such occasions as contemplating the Bank of England by midnight, or beholding Saint Paul's in a snow-storm; and when these gloomy objects fail to afford him inspiration, he pours forth his soul in a touching address to a violet, or a plaintive lament that he is no longer a child, but has gradually grown up.
The poetical young gentleman is fond of quoting passages from his favourite authors, who are all of the gloomy and desponding school. He has a great deal to say too about the world, and is much given to opining, especially if he has taken anything strong to drink, that there is nothing in it worth living for. He gives you to understand, however, that for the sake of society, he means to bear his part in the tiresome play, manfully resisting the gratification of his own strong desire to make a premature exit; and consoles himself with the reflection, that immortality has some chosen nook for himself and the other great spirits whom earth has chafed and wearied.
When the poetical young gentleman makes use of adjectives, they are all superlatives. Everything is of the grandest, greatest, noblest, mightiest, loftiest; or the lowest, meanest, obscurest, vilest, and most pitiful. He knows no medium: for enthusiasm is the soul of poetry; and who so enthusiastic as a poetical young gentleman? 'Mr. Milkwash,' says a young lady as she unlocks her album to receive the young gentleman's original impromptu contribution, 'how very silent you are! I think you must be in love.' 'Love!' cries the poetical young gentleman, starting from his seat by the fire and terrifying the cat who scampers off at full speed, 'Love! that burning, consuming passion; that ardour of the soul, that fierce glowing of the heart. Love! The withering, blighting influence of hope misplaced and affection slighted. Love did you say! Ha! ha! ha!'
With this, the poetical young gentleman laughs a laugh belonging only to poets and Mr. O. Smith of the Adelphi Theatre, and sits down, pen in hand, to throw off a page or two of verse in the biting, semi-atheistical demoniac style, which, like the poetical young gentleman himself, is full of sound and fury, signifying nothing.
THE 'THROWING-OFF' YOUNG GENTLEMAN
There is a certain kind of impostor-a bragging, vaunting, puffing young gentleman-against whom we are desirous to warn that fairer part of the creation, to whom we more peculiarly devote these our labours. And we
are particularly induced to lay especial stress upon this division of our subject, by a little dialogue we held some short time ago, with an esteemed young lady of our acquaintance, touching a most gross specimen of this class of men. We had been urging all the absurdities of his conduct and conversation, and dwelling upon the impossibilities he constantly recounted-to which indeed we had not scrupled to prefix a certain hard little word of one syllable and three letters-when our fair friend, unable to maintain the contest any longer, reluctantly cried, 'Well; he certainly has a habit of throwing-off, but then-' What then? Throw him off yourself, said we. And so she did, but not at our instance, for other reasons appeared, and it might have been better if she had done so at first.
The throwing-off young gentleman has so often a father possessed of vast property in some remote district of Ireland, that we look with some suspicion upon all young gentlemen who volunteer this description of themselves. The deceased grandfather of the throwing-off young gentleman was a man of immense possessions, and untold wealth; the throwing-off young gentleman remembers, as well as if it were only yesterday, the deceased baronet's library, with its long rows of scarce and valuable books in superbly embossed bindings, arranged in cases, reaching from the lofty ceiling to the oaken floor; and the fine antique chairs and tables, and the noble old castle of Ballykillbabaloo, with its splendid prospect of hill and dale, and wood, and rich wild scenery, and the fine hunting stables and the spacious court-yards, 'and-and-everything upon the same magnificent scale,' says the throwing-off young gentleman, 'princely; quite princely. Ah!' And he sighs as if mourning over the fallen fortunes of his noble house.
The throwing-off young gentleman is a universal genius; at walking, running, rowing, swimming, and skating, he is unrivalled; at all games of chance or skill, at hunting, shooting, fishing, riding, driving, or amateur theatricals, no one can touch him-that is COULD not, because he gives you carefully to understand, lest there should be any opportunity of testing his skill, that he is quite out of practice just now, and has been for some years. If you mention any beautiful girl of your common acquaintance in his hearing, the throwing-off young gentleman starts, smiles, and begs you not to mind him, for it was quite involuntary: people do say indeed that they were once engaged, but no-although she is a very fine girl, he was so situated at that time that he couldn't possibly encourage the-'but it's of no use talking about it!' he adds, interrupting himself. 'She has got over it now, and I firmly hope and trust is happy.' With this benevolent aspiration he nods his head in a mysterious manner, and whistling the first part of some popular air, thinks perhaps it will be better to change the subject.
There is another great characteristic of the throwing-off young gentleman, which is, that he 'happens to be acquainted' with a most extraordinary variety of people in all parts of the world. Thus in all disputed questions, when the throwing-off young gentleman has no argument to bring forward, he invariably happens to be acquainted with some distant person, intimately connected with the subject, whose testimony decides the point against you, to the great-may we say it-to the great admiration of three young ladies out of every four, who consider the throwing-off young gentleman a very highly-connected young man, and a most charming person.
Sometimes the throwing-off young gentleman happens to look in upon a little family circle of young ladies who are quietly spending the evening together, and then indeed is he at the very height and summit of his glory; for it is to be observed that he by no means shines to equal advantage in the presence of men as in the society of over-credulous young ladies, which is his proper element. It is delightful to hear the number of pretty things the throwing-off young gentleman gives utterance to, during tea, and still more so to observe the ease with which, from long practice and study, he delicately blends one compliment to a lady with two for himself. 'Did you ever see a more lovely blue than this flower, Mr. Caveton?' asks a young lady who, truth to tell, is rather smitten with the throwing-off young gentleman. 'Never,' he replies, bending over the object of admiration, 'never but in your eyes.' 'Oh, Mr. Caveton,' cries the young lady, blushing of course. 'Indeed I speak the truth,' replies the throwing-off young gentleman, 'I never saw any approach to them. I used to think my cousin's blue eyes lovely, but they grow dim and colourless beside yours.' 'Oh! a beautiful cousin, Mr. Caveton!' replies the young lady, with that perfect artlessness which is the distinguishing characteristic of all young ladies; 'an affair, of course.' 'No; indeed, indeed you wrong me,' rejoins the throwing-off young gentleman with great energy. 'I fervently hope that her attachment towards me may be nothing but the natural result of our close intimacy in childhood, and that in change of scene and among new faces she may soon overcome it. _I_ love her! Think not so meanly of me, Miss Lowfield, I beseech, as to suppose that title, lands, riches, and beauty, can influence MY choice. The heart, the heart, Miss Lowfield.' Here the throwing-off young gentleman sinks his voice to a still lower whisper; and the young lady duly proclaims to all the other young ladies when they go up-stairs, to put their bonnets on, that Mr. Caveton's relations are all immensely rich, and that he is hopelessly beloved by title, lands, riches, and beauty.
We have seen a throwing-off young gentleman who, to our certain knowledge, was innocent of a note of music, and scarcely able to recognise a tune by ear, volunteer a Spanish air upon the guitar when he had previously satisfied himself that there was not such an instrument within a mile of the house.
We have heard another throwing-off young gentleman, after striking a note or two upon the piano, and accompanying it correctly (by dint of laborious practice) with his voice, assure a circle of wondering listeners that so acute was his ear that he was wholly unable to sing out of tune, let him try as he would. We have lived to witness the unmasking of another throwing-off young gentleman, who went out a visiting in a military cap with a gold band and tassel, and who, after passing successfully for a captain and being lauded to the skies for his red whiskers, his bravery, his soldierly bearing and his pride, turned out to be the dishonest son of an honest linen-draper in a small country town, and whom, if it were not for this fortunate exposure, we should not yet despair of encountering as the fortunate husband of some rich heiress. Ladies, ladies, the throwing-off young gentlemen are often swindlers, and always fools. So pray you avoid them.
THE YOUNG LADIES' YOUNG GENTLEMAN
This young gentleman has several titles. Some young ladies consider him 'a nice young man,' others 'a fine young man,' others 'quite a lady's man,' others 'a handsome man,' others 'a remarkably good-looking young man.' With some young ladies he is 'a perfect angel,' and with others 'quite a love.' He is likewise a charming creature, a duck, and a dear.
The young ladies' young gentleman has usually a fresh colour and very white teeth, which latter articles, of course, he displays on every possible opportunity. He has brown or black hair, and whiskers of the same, if possible; but a slight tinge of red, or the hue which is vulgarly known as SANDY, is not considered an objection. If his head and face be large, his nose prominent, and his figure square, he is an uncommonly fine young man, and worshipped accordingly. Should his whiskers meet beneath his chin, so much the better, though this is not absolutely insisted on; but he must wear an under-waistcoat, and smile constantly.
There was a great party got up by some party-loving friends of ours last summer, to go and dine in Epping Forest. As we hold that such wild expeditions should never be indulged in, save by people of the smallest means, who have no dinner at home, we should indubitably have excused ourself from attending, if we had not recollected that the projectors of the excursion were always accompanied on such occasions by a choice sample of the young ladies' young gentleman, whom we were very anxious to have an opportunity of meeting. This determined us, and we went.
We were to make for Chigwell in four glass coaches, each with a trifling company of six or eight inside, and a little boy belonging to the projectors on the box-and to start from the residence of the projectors, Woburn-place, Russell-s
quare, at half-past ten precisely. We arrived at the place of rendezvous at the appointed time, and found the glass coaches and the little boys quite ready, and divers young ladies and young gentlemen looking anxiously over the breakfast-parlour blinds, who appeared by no means so much gratified by our approach as we might have expected, but evidently wished we had been somebody else. Observing that our arrival in lieu of the unknown occasioned some disappointment, we ventured to inquire who was yet to come, when we found from the hasty reply of a dozen voices, that it was no other than the young ladies' young gentleman.
'I cannot imagine,' said the mamma, 'what has become of Mr. Balim- always so punctual, always so pleasant and agreeable. I am sure I can-NOT think.' As these last words were uttered in that measured, emphatic manner which painfully announces that the speaker has not quite made up his or her mind what to say, but is determined to talk on nevertheless, the eldest daughter took up the subject, and hoped no accident had happened to Mr. Balim, upon which there was a general chorus of 'Dear Mr. Balim!' and one young lady, more adventurous than the rest, proposed that an express should be straightway sent to dear Mr. Balim's lodgings. This, however, the papa resolutely opposed, observing, in what a short young lady behind us termed 'quite a bearish way,' that if Mr. Balim didn't choose to come, he might stop at home. At this all the daughters raised a murmur of 'Oh pa!' except one sprightly little girl of eight or ten years old, who, taking advantage of a pause in the discourse, remarked, that perhaps Mr. Balim might have been married that morning-for which impertinent suggestion she was summarily ejected from the room by her eldest sister.