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The Marlowe Papers: A Novel

Page 12

by Ros Barber


  My information fatally out of date,

  or set up to label me. Quick thinking due.

  ‘I’m glad to hear you’ve stronger loyalties,’

  I doubled back. ‘These are unsettled times.’

  He knelt now to undo the trunk, his hair

  all in a circle, monkish round his pate

  and prematurely grey from torture’s jolt.

  He fed the papers in, replaced the lock

  and turned the corded key around his neck.

  ‘Why are you here?’ he said again, like ice

  at the heart of sleet.

  ‘In truth, I have a message

  of some delicacy. And understood you might

  know a way to send it onwards.’

  ‘Oh? To whom?’

  ‘To Sir William Stanley.’

  ‘Ha!’ Baines gave contempt

  both vent and volume. ‘You are very young

  if you imagine I would commit myself

  to knowing the Queen of England’s enemy.’

  On this point, some years later, I’d agree.

  ‘I’m nearly twenty-eight.’

  ‘You are a babe.’

  He grimaced, approaching close until his breath

  assaulted me. ‘Do you know who I am?’

  ‘You’re Richard Baines.’

  ‘I’m Richard Baines,’ he echoed,

  glaring the broken vessels of his eyes,

  ‘who spent three years at Rheims to serve the Queen

  and took a punishment you’d not survive.’

  His lip curled back, trembling as if his teeth,

  filed by their rottenness to tiny points,

  had terrified it into revealing them.

  ‘I don’t take kindly to the implication

  I’m the Duke of Parma’s whore,’ he said, and spit

  fell softly, unintentionally, like rain

  upon my cheek.

  ‘Sir, I apologise,’

  I said sincerely. ‘I meant no such thing.

  Only, I understood you knew of ways

  to pass a message. If I was mistaken,

  forgive me.’

  ‘I don’t forgive,’ he breathed. ‘That job

  I leave to God.’

  But stepped away at last,

  if only to appraise the whole of me:

  if I were a joint, how long I’d take to cook.

  ‘If that is so, then I’ll be on my way’ –

  re-shouldering my knapsack with relief

  at the prospect of escaping his foul air,

  fair swap for failure. ‘Please, forget I called.

  So many rumours fly about my charge

  I would not wish to stir them.’

  ‘What? Your charge?’

  He pecked the words, half starving. ‘Who is that?’

  I confess, I used Arbella like a worm

  to jerk before that grasping mind. ‘Her name

  has caused great trouble to the bearers of it.

  If you don’t know, I’m glad not to expose her.

  I come on another matter.’

  Though her marriage

  to the Duke of Parma’s son was brokered there

  in Flushing – in that month.

  And when he knew,

  boiled down the stock of his deductive broth

  to the royal bones, he said, ‘Forgive my haste.

  It was un-Christian of me to suspect

  your motives. These are awkward times. And yet’ –

  drawing his hesitation on the air

  like an unsheathed sword across my exit door –

  ‘I might know ways to help you. You have money?’

  FISHERS

  Which of us had the net, I couldn’t tell.

  Both of us fishers, sounding out the depths

  of the other’s beliefs. I’d not declared a side

  and nor had he. He offered to make enquiries

  on condition – to keep the closest eye on me –

  that I shared his room and rent.

  No, not his bed,

  though I felt those pink grey eyes upon my back,

  like cold on my buttocks and my shoulder-blades

  undressing at night, conscious he never snuffed

  the candle till I was covered.

  No, not his bed,

  dear absent friend, whose ear these words address

  in the silent theatre of my empty head

  some two years since they brought the curtain down,

  and the cheering crowds dispersed to pick their teeth

  and the plague played kill-kick-jenny on the streets.

  A sea away, two countries’ width away,

  a war away, a mountain range away,

  each sentence that I form, I form for you.

  You are the love I tell my story to –

  who knew so much of it, and yet the truth

  eluded both of us. Yet, I’ve begun

  to understand.

  All histories are fictions,

  so if I skip the worst, forgive my fault.

  Though you would not condemn me: like the sun,

  my imagined perfect audience of one,

  your light seeps through this darkened, shuttered room

  somewhere in northern Italy. But grieve,

  and remain with me, as I return to Baines,

  confess my part as I reap the bleak remains

  of the game I played with him.

  No, not in bed.

  For even then my body’s touch was yours.

  A RESURRECTION

  The game was simple. It was not to lose.

  The game was complicated. It was this:

  If he was Catholic, I was Catholic too.

  If loyal Protestant, I mirrored him.

  Neither of us committed to a thing.

  I let slip nothing that was not my view.

  And yet I bathed in contradiction, sharp

  to each shade of his behaviour. Faith, we were

  chameleons trying to conceal ourselves

  in the ever-changing colours of the other,

  so standing out against the barren hues

  of that bitter coastal town. And like a scene

  unravelling before me on a stage,

  my mind’s eye conjures up the day it changed.

  Baines is as bony as a beaten hound.

  And me? Cocksure, bright-eyed, ridiculous.

  Our pie has just arrived.

  And spying us,

  across the tavern, munching gristled beef,

  is a dead man.

  Gilbert Gifford.

  ‘4,’ I breathe,

  and his jaw falls open as he reads my lips,

  then fiercely resumes its chewing, eyesight dropped

  to read the grain of the table.

  ‘For? For what?’

  Baines is intrigued to read the shock on me.

  Six years before. My first assignment. 4

  was the spy we most admired. As slick as wax,

  and warming the kirtle of the Queen of Scots

  as he passed her coded letters. Ordained at Rheims

  the year I left Cambridge. Later caught in bed

  with a whore. Jailed by his Catholic friends. And dead.

  ‘For pity’s sake,’ I say, ‘that meat is tough.

  Look at him chewing. Do you know that man?’

  (My God! What was he doing in a port

  so full of spies, when Poley had fixed his death

  in a Paris prison not three months before?)

  But Baines is in the dark. ‘I’ve seen his face

  these last few days but don’t possess his name.

  I’ll ask.’

  ‘No—’

  As he leaps up, deathly keen

  to inflict a meeting, I forget myself.

  ‘He may be offended,’ I explain, ‘by me.

  That I was staring.’

  ‘Tush. Don’t be a mouse.’

  Baines stride-hops over like
a half-chewed goose

  and stops at the other’s table. Though I strain

  to catch their conversation, it is lost

  in the songs of a dozen soldiers at the bar

  comparing wives to liquor. Gifford laughs;

  they both glance over.

  Then the dead man nods,

  abandons his bowl of stew, picks up his beer,

  and follows Baines towards me.

  Baines is pleased.

  What odds, two former bogus Catholic priests –

  one rumoured to be dead, one broken-kneed –

  have come this way to sift me?

  ‘Since his beef

  was inhumanely tough, I said he might

  share some of our rabbit pie.’ Baines stands aside

  for the weathered man who once looked like a child

  to introduce himself. 4 has a skill

  more powerful than Ned’s. The lie is steel.

  ‘It’s Gilbert. Gifford Gilbert.’ He gives his hand

  as though I’d never taken from its clutch

  the notes to Walsingham that laid the trail

  one Queen of Scotland followed to the block.

  An oddly bloodless hand, and glacial look.

  ‘Gilbert,’ I echo, as if the name reversed

  has turned him inside out. ‘I’m Morley, sir.

  Called Christopher.’ So begins another game.

  ‘What brings you to Flushing?’

  Not a hint of sly,

  deception’s signature not in his voice,

  no hint of recognition in his eye.

  ‘I come as a messenger.’

  ‘Ah, Mercury.

  My favourite of all the Roman gods.’

  Had I imagined that some Paris brick

  had knocked all memory clean from his skull,

  his use of my codename clarified the rules.

  ‘Are you staying long?’

  ‘Not long.’

  Just long enough

  to ascertain Dick’s contact. And to play

  another round of Who’s In Catholic Pay?

  ‘And on what business do you pass this way?’

  I ask the handsome corpse.

  ‘Oh, for my trade.’

  ‘What is your trade?’

  ‘A goldsmith,’ Gifford lies,

  audaciously demanding my belief.

  ‘I give shape to the precious. What of you?’

  ‘For my sins, I’m a scholar,’ I reply.

  ‘I give shape to the precious also, but the gold

  flees to the hands of others.’

  ‘And your trade?’

  he asks of Baines.

  ‘I trade in human souls,’

  Baines mutters without blinking. ‘I’m employed

  to find good men wherever they may be.’

  ‘Is that a trade?’

  ‘Recruitment? Possibly

  it’s more of a vocation.’

  Baines has sliced

  a section of pie and hands it to our guest

  on my empty trencher.

  ‘Who do you work for?’

  Gifford’s pretence at innocence demands

  he asks such forward questions. Baines, exposed

  by a twitch on his cheek, replies, ‘Whoever pays.’

  We laugh at the sour joke, and make a toast

  to the paymasters, whoever they may be,

  that feed this poet, crippled spy, and ghost.

  A COUNTERFEIT PROFESSION

  So we became a threesome, thick with spells

  we might cast on each other. Gifford made

  some sad excuse of homelessness: some bill

  for a phantom signet ring due any day –

  was grateful to lodge his body in that room

  where we might frisk each other’s souls, unheard.

  A week went by, during which time we stuck

  so closely to each other’s sides, we stank;

  needing the privy all at once, like girls,

  so as not to miss a whisper. What we lacked

  we held in common: the coppers to pay our chits

  and the knowledge that might furnish us with gold.

  Grief! The pretence we made, of being friends,

  began to wear in like a favourite cloak,

  and I relaxed into that dangerous state

  as though too deaf to understand the joke

  that every one of us was counterfeit,

  and more in need of truth than we’d admit.

  THE FATAL LABYRINTH OF MISBELIEF

  Money was almost all we spoke about.

  Baines wanted more.

  Unsummoned comes his voice,

  edged like an axe. ‘A crown is just enough

  to pass your message. A reply costs two.’

  And again the past comes vividly alive:

  that room, my younger self, and Richard Baines

  limping this way and that to warm his bones.

  I weigh him up. ‘I’ll pay you when it comes.

  I’m clipped at the minute.’

  ‘I will need it first.’

  He shakes his head at the floorboards. Cold, so cold,

  and I back against the warmth of a chimney breast

  fed by the heat from someone’s fire below.

  Baines fidgets at the window. ‘Here he comes.

  Back from the docks, I see. Not looking well.

  He’s ill-clad for a goldsmith, don’t you think?’

  ‘His cuffs are a little worn.’

  ‘Yes. And his shoes,

  two seasons old at least.’

  ‘Your point is what?’

  ‘Our friend may not be all he seems to be.

  Or more. You know this town is full of spies.’

  His eyes on me.

  ‘If you suspect him so,

  then why invite him to come in with us?’

  I ask. He limps to the bed to relieve his bones

  from the stress of standing. ‘What you do not know,

  young scholar, could be stretched between the stars

  and hang the world’s washing. There’s great benefit

  in keeping close those folk you do not trust.

  Though half a wheel keeps stiller than a whole,

  only the wheel that turns is immune to rust.

  Gilbert!’ he greets him. ‘What a nice surprise.’

  (Leaving me to decode his homilies.)

  ‘I thought you would be gone two hours at least.

  You have your money?’

  ‘No.’ The boyish face

  that, legend has it, charmed a dozen nuns

  into breaking their vows to Christ, is sour with age.

  He throws his jacket off. ‘The boat has sailed.’

  Had coinage passed between us quite as freely

  as talk of it, we would all three be rich.

  Over some broth: ‘Stanley’s in want of funds.’

  Baines offers common knowledge like a gift

  I should be grateful for. ‘That is well known,’

  I answer.

  Did the slight lead me astray?

  Why would I add, ‘And more in want of funds

  since the man who pressed his coins was put away.’

  ‘What man?’

  ‘John Poole,’ I say. ‘I met him once.

  In Newgate.’ This news ignites our Richard Baines

  as a spark strikes out of flint. Here is the key,

  I think to myself, engaging with the lock

  of Baines and turning him. ‘And did he speak?’

  The veins of his eyes are like faint trails of blood

  across some week-old snow. I make him wait.

  Gifford is leaning inwards, though he feigns

  to pick dirt from his nails.

  ‘So? Did he speak?’

  ‘Yes, a most prodigious speaker.’

  ‘That is he,’

  Baines nods and sits back, coldly satisfied.

  ‘If words were food, he’
d vomit himself skeletal.

  You spent long with him, did you? Dear John Poole.

  How was he?’

  A sudden rush of chilly air.

  ‘Alive,’ I say. ‘Grateful to be alive.

  Look smart. The drink is coming.’

  We put coins

  in the wench’s hand; Baines takes no pleasure in it;

  remarks, ‘How quickly money runs away.’

  ‘Yet how many ways to make it,’ Gifford muses,

  sipping a drowsy beer. ‘If we but knew.’

  ‘You are a goldsmith,’ Baines says, ‘surely you

  could press a coin or two.’ Gifford’s awake

  immediately to the danger. ‘Do you ask

  could I commit a treason? No, I couldn’t.’

  But Baines’s smile is serpentine. ‘Not tried?

  Even for fun? To see if you’ve the skill

  to make a coin that’s passable.’

  ‘I’ve not,’

  Gifford says firmly, his conviction melded

  with the fact he’s never handled molten metal.

  An opportunity to whip away

  my former contact’s cover; bond with Baines

  in his unmasking. And in doing so,

  remove his complication. Sorry, 4.

  ‘Why, Gilbert,’ I say, ‘what treason could there be

  in testing a goldsmith’s talents?’

  Baines concurs.

  ‘Should anyone find out – and how would they?

  we’d vouch for you. That it was just a game,

  and not in earnest. Why, we’d not strike coins

  in any quantity. And not in gold.’

  ‘But pressing coins? That is a specialist skill.

  My talents lie in crafting jewellery.’

  Yet mutinous pearls of sweat had broken out

 

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