Rosie Coloured Glasses

by Brianna Wolfson

  SEEING THE WORLD THROUGH ROSIE COLORED GLASSES

  Just as opposites attract, they can also cause friction, and no one feels that friction more than Rex and Rosie’s daughter, Willow. Rex is serious and unsentimental and tapes checklists of chores on Willow’s bedroom door. Rosie is sparkling and enchanting and meets Willow in their treehouse in the middle of the night to feast on candy.

  After Rex and Rosie’s divorce, Willow finds herself navigating their two different worlds. She is clearly under the spell of her exciting, fun-loving mother. But as Rosie’s behavior becomes more turbulent, the darker underpinnings of her manic love are revealed.

  Rex had removed his Rosie colored glasses long ago, but will Willow do the same?

  Whimsical, heartbreaking and uplifting, this is a novel about the many ways love can find you. Rosie Colored Glasses triumphs with the most endearing examples of how mothers and fathers and sons and daughters bend for one another.

  Dear Reader,

  There was a time in my life when writing this book, telling this story, would not have been possible. It wasn’t that I was waiting on my writing technique to mature or the time to put fingers to keyboard. I was waiting for the combination of curiosity and recklessness and confidence and energy required to explore a little voice inside of me that said, “What really happened back then with Mom?”

  The start of that journey into my past was the start of this novel.

  The mother I remember growing up with was fabulous. She is nearly identical to the main character, Rosie, that you will read about. She wore bright colours and wacky earrings. She let me skip school and drink coffee. I casually told a close friend about the coffee thing once and she winced. “Really?” she asked, earnestly concerned. “That doesn’t sound like a good idea for a kid.”

  It stuck with me. There were other things like the coffee. Cake for dinner. Skipping out on homework to play. Watching South Park together until the sun rose. They seemed fun and refreshing at the time, but looking back on it now, they were also almost certainly irresponsible. Especially because there were also other less fun or refreshing things that came to mind when I thought about my mother. The smell of cigarettes in the bathroom. The stretches of time during which my father told me Mom was “away.” Once, my mother picked me up from school with an eyepatch on. She had injured her eye in a car accident, but it was no big deal because now we could play pirates. Even at six years old, those excuses didn’t sit right with me. Young Willow, the other protagonist of the novel, wrestles with these same feelings.

  My mother died in a car accident when I was nine years old. Her death was, of course, a tragedy. I later learned that it was also the outcome of yet another opiate binge.

  I have spent a lot of time in my life coping with the loss of my mother. But until I sat down to write this novel, I had not spent a lot of time thinking about what my mother’s death must have been like for my father. What my mother’s life must have been like for my father. What it must have been like for my mother to live the life she lived.

  Rosie Coloured Glasses is my imagined look at what happened, from all sides. It is a work of fiction, but still, to me, this novel is told from my perspective, which will forever be that of a little girl trying to understand the thoughts, feelings and choices of her parents.

  Thanks for reading it, and I hope you enjoy it.

  BRIANNA WOLFSON is part of the writing community in San Francisco and has published some stories online. Rosie Coloured Glasses is her first novel.

  Copyright

  An imprint of HarperCollins Publishers Ltd.

  1 London Bridge Street

  London SE1 9GF

  First published in Great Britain by HQ in 2018

  Copyright © Brianna Wolfson 2018

  Brianna Wolfson asserts the moral right to be identified as the author of this work.

  A catalogue record for this book is available from the British Library.

  This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

  All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

  Ebook Edition © February 2018 ISBN: 9781474058445

  To my mad and moonly mama,

  whom I still think about each day.

  Contents

  Cover

  Back Cover Text

  Dear Reader

  About the Author

  Title Page

  Copyright

  Dedication

  PROLOGUE

  CHAPTER 1

  CHAPTER 2

  CHAPTER 3

  CHAPTER 4

  CHAPTER 5

  CHAPTER 6

  CHAPTER 7

  CHAPTER 8

  CHAPTER 9

  CHAPTER 10

  CHAPTER 11

  CHAPTER 12

  CHAPTER 13

  CHAPTER 14

  CHAPTER 15

  CHAPTER 16

  CHAPTER 17

  CHAPTER 18

  CHAPTER 19

  CHAPTER 20

  CHAPTER 21

  CHAPTER 22

  CHAPTER 23

  CHAPTER 24

  CHAPTER 25

  CHAPTER 26

  CHAPTER 27

  CHAPTER 28

  CHAPTER 29

  CHAPTER 30

  CHAPTER 31

  CHAPTER 32

  CHAPTER 33

  CHAPTER 34

  CHAPTER 35

  CHAPTER 36

  CHAPTER 37

  CHAPTER 38

  CHAPTER 39

  CHAPTER 40

  CHAPTER 41

  CHAPTER 42

  CHAPTER 43

  CHAPTER 44

  CHAPTER 45

  CHAPTER 46

  CHAPTER 47

  CHAPTER 48

  CHAPTER 49

  CHAPTER 50

  CHAPTER 51

  CHAPTER 52

  CHAPTER 53

  CHAPTER 54

  CHAPTER 55

  CHAPTER 56

  CHAPTER 57

  EPILOGUE

  PROLOGUE

  Willow Thorpe knew friction. The heat it created when one thing rubbed against another. When one world rubbed against another.

  Willow felt it every time she got into the back seat of her mother’s car, buckled her seat belt, grabbed her brother’s hand and prepared to return to her father’s house. Every time she stared out the window of her mother’s car, and traced the familiar turns of the street on her way to her father’s. Every time her father opened the big heavy front door and grumbled, “Late again, Rosie.” Every time her mother casually responded with a smirk and a “Catch you later, Rex.”

  Every time she looked up at her father and became self-conscious of the way her knees knocked together. Every time she went from art-covered walls to plain white ones. Every time she went from Mango Tango crayons to yellow #2 pencils.

  Willow had a sense that the children of other divorced pa
rents fantasized about what it might be like for their mother and father to be in love again. For their mother to tighten their father’s tie in the morning before work. For their father to zip up their mother’s dress in the evening before dinner. For their mother and father to share a casual kiss on the lips when they thought their children weren’t looking. For every picture frame around the house to display an image of a whole family: mother, father, and brother and sister tangled around one another.

  But Willow didn’t think about any of that.

  She thought about her tough and serious father in one world, and her warm and glimmering mother in the other. And the three times a week when one world grated up against the other.

  But that grating of worlds, all that friction and heat, was worth it for Willow whenever she could return to her mother’s world.

  Because in that world, her mother’s love was magical and it was fierce. Willow felt this kind of love could crystallize inside of her and fortify her. That it could fulfill her in the truest, realest sense. That it could keep her safe and happy forever.

  But Willow was wrong.

  In her life there would soon be confusion and sadness and pain and loss. And her mother’s manic love for her daughter could not protect Willow from any of these things. In fact, it might have even caused them.

  1

  Twelve Years Ago

  At twenty-four, Rosie Collins believed that love was both specific and all-consuming. She believed that true love accessed the back of the earlobe as much as it accessed the heart. She believed that there was one, special, nuanced way one human being could love another human being. And she thought of those nuanced, invisible, loving forces whenever she saw lovers together in the park or the subway or on a bench. She imagined the names they called each other before bed. His favorite place to put his hand. Her favorite shirt of his to wear to bed. The silly thing she said that made him laugh and laugh. The ugly painting he bought for their apartment that she loved seeing on the living room wall.

  Rosie took the job at Blooms Flower Shop on 22nd Street and 8th Avenue as soon as she moved to Manhattan in part for the money, in part because she liked the idea of someone named Rosie working in a flower shop. But mostly she took the job so she could gain access to those loving forces. Like all of her other petty jobs, she would have to perform certain mundane tasks—this time, arranging flowers, manning the register and transcribing messages onto cards. But Rosie thought she might be able to keep this job for longer than the usual six weeks because at Blooms Flower Shop, she saw the greater meaning in her work.

  She saw herself facilitating love. She fantasized about the thousands of love stories of which she would witness the tiniest glimpse, as patron after patron would call her up and share a little piece of themselves. They would tell her about their girlfriend’s favorite flower. Their fiancée’s favorite poem. How they wanted the perfect bouquet to show up at their wife’s desk for her birthday. How they wanted the perfect arrangement to say Happy Anniversary. Or to send something just because.

  She was so excited that she spent the entire Sunday before her first day of work practicing her calligraphy. Rosie wanted to ensure that each letter was original and ornate enough to reflect the beauty and originality of the love behind the note. She barely slept that first night with the anticipation of her access to the authentic, naked, unabashed voice of love. It was a voice she loved so much, even though it wasn’t a part of her own life yet.

  But Rosie’s heart broke the first week at Blooms when, day after day, men called in requesting a dozen red roses be sent to their girlfriend or wife or lover with a card that simply read “Love, Jim” or “From Tom,” or just “Harry.”

  Didn’t some women prefer hydrangeas or chrysanthemums or lilies? Wouldn’t some of these flowers go to women who preferred pink or white or a mix of colors? Didn’t men in love know these sorts of things about their lovers? Hadn’t they wanted to fill that tiny card accompanying the arrangement with the kindest, truest, most perfect words?

  When you sent flowers to your wife, didn’t you want it to mean “This is the way I still feel when I look into your eyes”? When you loved someone, didn’t you want to tell them in the most perfect, specific, unconcealed way? How did all of these men love women in the same twelve-red-roses-and-a–“Love, John” or “From Rob,” or just plain “Colin” way?

  It broke Rosie’s heart to think that love could ever, ever, ever be that banal.

  But Rosie was also not the type to sit around with a broken heart for long. Especially when it threatened her worldview. If the men of Manhattan could not express love properly, she would help them along. She would infuse their gestures with nuance and specificity whether it was authentic or not.

  So Rosie took it upon herself to ensure that no card left Blooms Flower Shop with a generically and heartbreakingly boring signature. She replaced all requests for dull notes with ones she deemed more appropriate for a gesture of love. “You looked beautiful last night. Love, Alex.” “I was just thinking about how charming you looked when you had that piece of food stuck in your teeth. Love, Ryan.” “I’m better with you around. Love, Charlie.” “I hope we hang out so many more times. Love, Ian.” And she would smile wholly as she tied each card around a stem and sent it out the door.

  These were the love stories Rosie wanted to be a part of. Even if they weren’t real, Rosie still believed them in some way to be true.

  For weeks and weeks no one ever mentioned her love nudges. No one until Rex Thorpe called and requested that a dozen red roses be sent to his girlfriend at 934 Columbus Avenue.

  “And what would you like the card to say?” Rosie asked dully.

  Rosie had talked on the phone to this type with the Upper West Side girlfriend before. Brash. Probably had a high-paying job. Probably handsome but also deeply jerky. Probably had a pretty girlfriend to whom he seldom said, “I love you.”

  “The card? What card?” Rex responded curtly.

  “The card that will accompany the dozen red roses.”

  A momentary pause.

  “Sir?” she added as she rolled her eyes and pressed her condescension through the phone.

  “I don’t fucking know.”

  Silence. And then the repulsive chomping sound of gum-chewing came through the phone.

  “To Anabel. Love, Rex. I guess.”

  Click.

  Rosie found Rex and the whole interaction to be entirely and maddeningly insulting to her and to the verb love. Again.

  And so Rosie filled out the card in the manner that she felt appropriate, with her favorite e. e. cummings poem:

  love is more thicker than forget

  more thinner than recall

  more seldom than a wave is wet

  more frequent than to fail

  it is most mad and moonly

  and less it shall unbe

  than all the sea which only

  is deeper than the sea

  love is less always than to win

  less never than alive

  less bigger than the least begin

  less littler than forgive

  it is most sane and sunly

  and more it cannot die

  than all the sky which only

  is higher than the sky

  And then she signed it on his behalf: “I love you, Rex.”

  This was the first time Rosie had ever used anyone’s words besides her own on these notes. She had never invoked any of her favorite poets. But this time, with Rex Thorpe’s supreme jerkiness to counterbalance, it felt just right.

  Even to Rosie, it was unclear whether she was trying to rescue Rex’s girlfriend in some small way, or whether she was tacitly trying to tell Rex something about how love ought to be. Either way, now her effort was written in ink and it would be showing up on Anabel’s doorstep in thirty-six hours.


  And Rosie was happy.

  * * *

  When Rex arrived at his girlfriend’s doorstep to receive credit for the flowers he had sent, Anabel immediately and energetically threw her arms around him. Unbeknownst to Rosie, Anabel was a literature student and a great fan of e. e. cummings.

  “Your note is perfect,” Anabel told her boyfriend.

  “I will treasure it always. I love you too,” she said.

  Rex knew Anabel felt sure they would get married and Rex hadn’t yet thought of any reasons why she wouldn’t be correct.

  Rex received his undeserved hug without a word in response. But when he saw the card on that bouquet, he was furious. Because he was not interested in flowery language and he was definitely not interested in anybody doing anything without his explicit permission.

  At thirty-one years old, Rex Thorpe was both serious and particular about the things in his life. About his Brooks Brothers pants and steamed, button-down shirts. About the Eames furniture in his apartment. About the Upper West Side restaurants he frequented and the academic degrees of the people he interacted with. About the whiskey he drank and the shape of the glass it came in. About the brand of black ink in his ballpoint pen. About his vision of himself as a respected and successful man. About being a man of authenticity.

  Rex focused his attention so meticulously and intensely on all of these things that he never felt it logical or worthwhile to spare any energy on Anabel DeGette. He never cared enough about her to go out of his way even though she was both pleasant and beautiful enough. Rex, himself, was acutely aware that if a pleasant and beautiful woman were not part of his idea of what a “successful” life looked like, he probably would not concern himself with women at all. But since it was, Rex knew he needed occasionally to express some sentiment of affection while simultaneously ignoring his girlfriend and spending all of his time at work. And a bouquet of a dozen roses with a note that said “Love, Rex” was what he had decided on.

  “What the fuck did you do?” Rex shouted rhetorically at Rosie that next day even before he had both feet in the door of Blooms. “I gave you very clear instructions for my note. And nowhere did those instructions include a poem from fucking e. e. cummings. Who the fuck are you to interfere and manipulate my words?”