The Deep Dark Sleep

by Craig Russell

  THE DEEP DARK SLEEP

  Also by Craig Russell

  The Lennox Series:

  Lennox

  The Long Glasgow Kiss

  The Jan Fabel Series:

  Blood Eagle

  Brother Grimm

  Eternal

  The Carnival Master

  The Valkyrie Song

  THE DEEP DARK SLEEP

  Craig Russell

  First published in Great Britain in 2011 by

  Quercus

  21 Bloomsbury Square

  London

  WC1A 2NS

  Copyright © 2011 by Craig Russell

  The moral right of Craig Russell to be

  identified as the author of this work has been

  asserted in accordance with the Copyright,

  Designs and Patents Act, 1988.

  All rights reserved. No part of this publication

  may be reproduced or transmitted in any form

  or by any means, electronic or mechanical,

  including photocopy, recording, or any

  information storage and retrieval system,

  without permission in writing from the publisher.

  A CIP catalogue reference for this book is available from

  the British Library

  ISBN 978 0 85738 180 4 (TPB)

  ISBN 978 0 85738 181 1 (HB)

  This book is a work of fiction. Names, characters,

  businesses, organizations, places and events are

  either the product of the author’s imagination

  or are used fictitiously. Any resemblance to

  actual persons, living or dead, events or

  locales is entirely coincidental.

  10 9 8 7 6 5 4 3 2 1

  Typeset in Swift by Ellipsis Digital Limited, Glasgow

  Printed and bound in Great Britain by Clays Ltd, St Ives plc

  For my mother, Helen

  PROLOGUE

  Gentleman Joe Strachan, it would seem, had slept the deep, dark sleep for a long time.

  Gentleman Joe had slept the deep dark sleep while I had been up to my knees in mud and blood in Italy; while the Luftwaffe had growled high above him on its way to rearrange Clydebank’s town planning; while Stalin, Roosevelt and Churchill had carved up Europe between them and had given an idea to Glasgow’s crime bosses, the Three Kings, about how they could do pretty much the same kind of carve-up with the Second City of the British Empire. The fireworks at Dresden, Hiroshima and Nagasaki had also done nothing to disturb Joe’s slumber.

  Even the constant toing and froing above him – the propeller churning of the vast Clyde-built ships or insolent tugs – had failed to stir him.

  For the deep, dark sleep that Gentleman Joe slept was the undisturbed rest one only found at the bottom of the Clyde after somebody lullabied you to your final slumber with a solo for blunt instrument, tucked you up nice and cosy in some shipyard chains, and slipped you over the side of a midnight rowboat in the middle of the river’s deep channel.

  But, as I say, I spent the war years as ignorant as everyone else about Joe’s repose. I just wish I had stayed that way.

  CHAPTER ONE

  I, for one, was someone for whom the whole idea of dredging up the past was particularly unappealing: being of that generation given especially colourful pasts courtesy of the little party thrown for our benefit in Europe and the Far East. My own history had been particularly gaudy, and I had to admit to adding more than a dash or two of extra colour myself over the years. I had once seen a movie about some guy who woke up in the middle of nowhere and couldn’t remember who he was or where he was from and this lack of autobiography troubled him immensely. Me, I would have given a lot to have had that kind of amnesia.

  The dredging up of Joe Strachan’s past had been literal rather than metaphorical. The River Clyde must have been about the busiest waterway in the world, mainly because – wherever you were on the world’s seas – any luxury liner, cargo ship, warship, tub or rust bucket you saw bobbing past carried the mathematical probability that it had been conceived and born on the Clyde. And that meant that the riverbed along the navigation channels had continuously to be kept wide and deep by a constant grime-dark procession of scouring dredgers.

  So when a tangle of skull, bones, a few rags and a gold cigarette case were hauled up in a conveyor bucket through roiled waters to the surface of the Clyde, then it really had been a literal dredging up of the past; a past that would have been best left exactly where it was.

  Dredger crews on the Clyde were a pretty phlegmatic lot; they had to be. Their haul was mainly the oily, silty muck that clogged the bottom of the channels and had an odour to offend a dung beetle; but it also included everything from fossilized tree trunks and giant elk antlers from a long-inundated ancient forest, to bedsteads, pieces of ship’s engine, aborted babies in weighted Gladstone bags, dumped murder weapons, and anything else that could be jettisoned from a passing craft.

  The late Mr Strachan’s were by no means the first mortal remains to be recovered from the Clyde and they certainly would not be the last. But there was a significant difference between the floating corpses retrieved from the surface by the Glasgow Humane Society and the City of Glasgow Harbour Police, and those brought up from the river bottom by the dredger crews; and that difference was all about intent. For a body to sink and stay sunk involved ballast, usually pockets filled with stones or a wrapping of chains. The bodies the dredgers brought up were the bodies that had been meant to stay lost.

  Like Gentleman Joe’s.

  I could imagine the scene: the dredger’s crew taking a moment to decide what to do as the still anonymous Joe beamed a bright skull grin at them from the greasy black mud of the bucket. There had probably been a debate about whether to toss the bones back into the river; there would certainly have been a tussle over the gold cigarette case. But my guess is that someone on that tub had been long enough in the tooth and had enough sense about him to think that the initials JS on a hunk of gold might just spell a lot of trouble. In any case, the decision was made to inform the City of Glasgow Police.

  The initial discovery of the remains was something that had passed me by; me, and the vast majority of Glasgow’s population. It had only warranted a couple of lines of red print in a late news column of the Glasgow Evening Citizen. Significance, you see, is something that tends to attach itself to things or events after the fact. To accrue. The significance of the bones, their resting place, and the monogrammed cigarette case remained disconnected for a few days. After all, it wasn’t uncommon for human remains to be found in the Clyde. More than a few tipsy fishermen or smog-blinded patrolling coppers had misjudged the long walk/short pier equation; capsized tugs and the odd shipyard launch disaster had also helped populate the river’s currents. And, of course, the city’s enterprising underworld made full use of the river’s capacity for concealment.

  As for me, I had a lot of other things on my mind in that September of Nineteen fifty-five. It was the end of the hottest Glasgow summer on record which, admittedly, isn’t a big claim – like being Yorkshire’s greatest lover, the cheeriest person in Edinburgh, or Aberdeen’s most generous philanthropist – but the summer of Fifty-five had literally outshone the previous summer and temperatures had, according to the bemused local press, become hot enough to melt tarmac. Whatever the statistical truth about the temperature, I remember that Glasgow summer as sticky and acrid: the thick viscous air smelling like hot metal and the bright sky black-streaked with the dense granular smoke from the factories and shipyards. Whatever the weather, Glasgow’s element was carbon, and in the open street you felt like you were walking through the hall of a foundry.

  And now the season was changing. Summer was bec
oming autumn, which it rarely did in Glasgow: the climate of the West of Scotland was famously mitigated by the Gulf Stream and the weather generally varied only from slightly warmer and wet in the summer to slightly cooler and wet in the winter. Glasgow’s smoke-belching heavy industry also lent the city a unique, season-fudging urban climate, and autumn normally confined itself to the calendar and sodden, adhesive, grey-brown clumps of leaves clotted over street drains. But this year, because it had been preceded by a summer to notice, autumn was a presence felt.

  Glasgow’s founding city fathers had been a benevolent bunch, deciding to alleviate the cramped tenement squalor to which they had condemned the majority of Glaswegians with large, open parks. This had been the first year that I had noticed a blaze of autumn reds and golds in the trees.

  There again, a lot of things were different that year.

  For the first time since I rented my Gordon Street office, I was using it as my main place of business. I had just tied up three divorce and one missing person cases, and I provided security on a weekly wages run for one of the shipyards. I was particularly pleased with this last contract. Jock Ferguson, my contact at the City of Glasgow Police, had vouched for me; which was quite something, given that he was aware that I had been known to associate with the likes of Handsome Jonny Cohen or Hammer Murphy, both leading lights of the balaclava-wearing set. But Ferguson and I were part of that grim post-bellum freemasonry who recognized each other as having gone through the mincer in the war. I didn’t know what Jock’s history was – and would never ask, as he would never ask me – but I knew it was more Dark Ages than Enlightenment.

  Like mine.

  I also knew that Jock Ferguson reckoned me to be straight – well, comparatively speaking. There had been a time when I would have vouched for Jock with similar confidence. I had taken him as one Glasgow copper I could be sure wasn’t on the take or otherwise double-dealing; but my faith in him had taken a knock a year or so back and anyway, even at the best of times, I wasn’t the most likely to see the good in people.

  The most important thing in landing the wages-run contract was that I had made a real effort to stay out of the way of the Three Kings: Cohen, Murphy and Sneddon, the triumvirate of gang bosses who ran everything worth running in the city, even if the peace between them was as tenuous as a showgirl’s chastity. The jobs I had done for the Three Kings had been more than a few and often less than legal. But it had gotten me started in Glasgow after I had been demobbed and the work had suited me more back then, still under the shadow of the mountain of crap that had built up behind me during the war.

  But now, I hoped, things were beginning to change. I was beginning to change.

  I had, however, made a point of making it known to those to whom it should be made known that I was running the security for a particular company’s particular wages run, and that I could develop a particularly good memory for faces if anyone tried to stick us up. So my message was hands off my run. Or else.

  I’m sure my warning had Glasgow’s three most feared crime bosses quaking in their handmade Loake semi-brogues. I had actually half expected, and dreaded, a proposition of the blind-eye-turning sort, but none had been forthcoming. Like Jock Ferguson, each of the Three Kings knew I was straight. Comparatively speaking.

  Anyway, like I said, the original discovery of a pile of bones in a dredging bucket didn’t raise a ripple on the pond of Glasgow’s collective consciousness. But a week later, it made a splash. A big splash. And the papers were full of it:

  RIVER BODY IDENTIFIED AS WANTED

  EMPIRE EXHIBITION ROBBER.

  MYSTERY OF JOSEPH STRACHAN

  DISAPPEARANCE SOLVED AFTER 18 YEARS.

  PROCEEDS OF DARING 1938 EXHIBITION ROBBERY

  STILL UNRECOVERED.

  *

  Now Gentleman Joe Strachan was before my time. But so were Zeus and Odin and I had heard of all three. The Glasgow underworld had more myths and legends than ancient Greece, and Gentleman Joe had become a towering figure in the folklore of those trying to turn a dishonest buck.

  Reading the article reminded me that I had heard the name mentioned with hushed reverence over the years; but because my acquaintance with the Second City of the British Empire had only begun when I was demobbed after the war, Strachan had never been a visible figure in my landscape. However, I did know that there had been a spate of pre-war robberies, the biggest in Glasgow history, culminating in the Empire Exhibition job in Nineteen thirty-eight. All of which had been attributed to Gentleman Joe. Attributed but never proved.

  What I had also heard was that if Strachan had hung around – and not at the end of a rope for a policeman’s murder – then he probably would have been the Fourth King of Glasgow. Or maybe even the One True King of Glasgow; with Cohen, Murphy and Sneddon having to settle for fiefdoms. But then there had been the spectacularly daring robbery, a copper lying dead, and Gentleman Joe was suddenly nowhere to be found. Nor was the fifty thousand pounds.

  No one at the time had thought Strachan would be dead: rather that, in keeping with his now mythical-heroic status, he had entered the Glasgow gangster version of Valhalla. Which many took to be a luxury bungalow on the Bourne-mouth coast or somewhere similar. Probably called Dunrobbin.

  All of which really had nothing to do with me and was of less interest.

  Until I got a visit from Isa and Violet.

  CHAPTER TWO

  You never see it coming. Or at least it always seems to be that I never see it coming. Right up until Isa and Violet brought their shapely similitude into my office, my year had been going well. Very well.

  I had a client list and a set of matching, balanced books that I could wave in front of the taxman and the occasional inquisitive copper to prove that my business was legitimate. Well, at least a lot more legitimate than it had been a year or two before. And the kind of cases I was working on made more demands on my wits – and not even many demands on them – and fewer on getting handy with some low rent Teddy Boy in an alley somewhere.

  Which was good. Of late, I had been making a real effort not to get heated.

  You pick up different things in war. A lot of men came back with venereal diseases caught from whores in Germany or the Far East, which they passed on unselfishly to their waiting wives, while others came back with trophies stolen from bodies. I came back with a hair-trigger temper and a tendency to express myself with great physical eloquence. Truth was, there had been times when I’d gotten more than a little carried away. Once I got started, it was difficult to stop. It was something that, when I’d been serving in the First Canadian Army in Europe, had been positively encouraged; but the authorities were decidedly sniffy about you using the skills they had taught you, now you were back in civilian life. The truth was that it was another good reason for curtailing my involvement with the Three Kings. It had involved me in a world I could understand at a time I could understand practically nothing else. Where everybody talked the same language: violence. And I was fluent.

  So, whereas Sherlock Homes had used intellect and deerstalker to crack cases, I had tended to employ muscle and blackjack. And to be honest I had enjoyed it just that little bit too much and I wanted away from it. Something had gotten broken during the war and I knew that if I wanted to fix it, I was going to have to steer clear of the kind of crap I’d been wading about in. The problem was, when someone like the Three Kings got a hold of you, they didn’t like to let go.

  But I had been making a pretty good fist of it; then Isa and Violet came to see me at my office.

  Isa and Violet were identically petite, identically pretty, with identically large, blue eyes. Which was not surprising: they were identical twins. I worked that out as soon as I saw them. It’s the kind of detail people expect you to notice when you’re a detective.

  And now Isa and Violet sat earnestly, and a little primly, opposite me.

  I had, once before in my career, professionally encountered twins; but that had been an altogether differe
nt business. The last matching pair I’d come across had been Tam and Frankie McGahern. It had been an encounter that I had barely survived, so I had developed something of a superstitious aversion to matching siblings. But as Isa and Violet had come in and taken their seats, I had stolen a look at their identically peachy rears and had decided to become more pragmatic in my approach.

  They introduced themselves, simultaneously, as Isa and Violet but had different surnames and I guessed there were wedding rings beneath the grey gloves. The twins shared the same pale, heart-shaped faces, small noses, bright blue eyes and full mouths, both of which had been encrimsoned in exactly the same shade of lipstick. They had their dark hair short and demiwaved, coming halfway down delicate ears that supported large domes of faux pearl. They even wore identical expensive grey suits, with tight-waisted jackets and pencil skirts that squeezed where I would have liked to do a bit of squeezing myself.

  And, when they spoke, they finished each other’s sentences without breaking the rhythm of what they were saying and without looking at each other.

  ‘We heard you was …’ began Isa. Or maybe it was Violet.

  ‘… a private detective,’ concluded Violet, or Isa, seamlessly.

  ‘We need your help …’

  ‘… about our father.’

  ‘I suppose you’ve read all about him …’

  ‘… in the papers …’

  I smiled, a little confused. The truth was I had been a little discomfited by their arrival. They were both very pretty. Well, exactly as pretty as each other. And they were twins. The usual lustful scenario that would lurch unbidden into my imaginings when faced with a set of curves was subject to multiplication and I had to snap out of my speculation about what other tasks they might be disposed to take in turns.

  ‘Your father?’ I asked with a professional frown.