Hung Lou Meng, Book II dotrc-2

by Цао Сюэцинь

  So saying, he came with Ts'ui Mo into the Ch'iu Shuang study, where he discovered Pao-ch'ai, Tai-yue, Ying Ch'un and Hsi Ch'un already assembled. When they saw him drop in upon them, they all burst out laughing. "Here comes still another!" they exclaimed.

  "I'm not a boor," smiled T'an Ch'un, "so when the idea casually crossed my mind, I wrote a few notes to try and see who would come. But who'd have thought that, as soon as I asked you, you would all come."

  "It's unfortunately late," Pao-yue smilingly observed. "We should have started this society long ago."

  "You can't call this late!" Tai-yue interposed, "so why give way to regret! The only thing is, you must form your society, without including me in the number; for I daren't be one of you."

  "If you daren't," Ying Ch'un smiled, "who can presume to do so?"

  "This is," suggested Pao-yue, "a legitimate and great purpose; and we should all exert our energies. You shouldn't be modest, and I yielding; but every one of us, who thinks of anything, should freely express it for general discussion. So senior cousin Pao-ch'ai do make some suggestion; and you junior cousin Lin Tai-yue say something."

  "What are you in this hurry for?" Pao-ch'ai exclaimed. "We are not all here yet."

  This remark was barely concluded, when Li Wan also arrived. As soon as she crossed the threshold, "It's an excellent proposal," she laughingly cried, "this of starting a poetical society. I recommend myself as controller. Some time ago in spring, I thought of this, 'but,' I mused, 'I am unable to compose verses, so what's the use of making a mess of things?' This is why I dispelled the idea from my mind, and made no mention about it. But since it's your good pleasure, cousin Tertia, to start it, I'll help you to set it on foot."

  "As you've made up your minds," Tai-yue put in, "to initiate a poetical society, every one of us will be poets, so we should, as a first step, do away with those various appellations of cousin and uncle and aunt, and thus avoid everything that bears a semblance of vulgarity."

  "First rate," exclaimed Li Wan, "and why should we not fix upon some new designations by which to address ourselves? This will be a far more refined way! As for my own, I've selected that of the 'Old farmer of Tao Hsiang;' so let none of you encroach on it."

  "I'll then call myself the 'resident-scholar of the Ch'iu Shuang,' and have done," T'an Ch'un observed with a smile.

  "'Resident-scholar or master' is, in fact, not to the point. It's clumsy, besides," Pao-yue interposed. "The place here is full of dryandra and banana trees, and if one could possibly hit upon some name bearing upon the dryandra and banana, it would be preferable."

  "I've got one," shouted T'an Ch'un smilingly. "I'll style myself 'the guest under the banana trees.'"

  "How uncommon!" they unanimously cried. "It's a nice one!"

  "You had better," laughed Tai-yue, "be quick and drag her away and stew some slices of her flesh, for people to eat with their wine."

  No one grasped her meaning, "Ch'uang-tzu," Tai-yue proceeded to explain, smiling, "says: 'The banana leaves shelter the deer,' and as she styles herself the guest under the banana tree, is she not a deer? So be quick and make pieces of dried venison of her."

  At these words, the whole company laughed.

  "Don't be in a hurry!" T'an Ch'un remarked, as she laughed. "You make use of specious language to abuse people; but I've thought of a fine and most apposite name for you!" Whereupon addressing herself to the party, "In days gone by," she added, "an imperial concubine, Nue Ying, sprinkled her tears on the bamboo, and they became spots, so from olden times to the present spotted bamboos have been known as the 'Hsiang imperial concubine bamboo.' Now she lives in the Hsiao Hsiang lodge, and has a weakness too for tears, so the bamboos over there will by and bye, I presume, likewise become transformed into speckled bamboos; every one therefore must henceforward call her the 'Hsiao Hsiang imperial concubine' and finish with it."

  After listening to her, they one and all clapped their hands, and cried out: "Capital!" Lin Tai-yue however drooped her head and did not so much as utter a single word.

  "I've also," Li Wan smiled, "devised a suitable name for senior cousin, Hsueeh Pao-chai. It too is one of three characters."

  "What's it?" eagerly inquired the party.

  "I'll raise her to the rank of 'Princess of Heng Wu,'" Li Wan rejoined. "I wonder what you all think about this."

  "This title of honour," T'an Ch'un observed, "is most apposite."

  "What about mine?" Pao-yue asked. "You should try and think of one for me also!"

  "Your style has long ago been decided upon," Pao-ch'ai smiled. "It consists of three words: 'fussing for nothing!' It's most pat!"

  "You should, after all, retain your old name of 'master of the flowers in the purple cave,'" Li Wan suggested. "That will do very well."

  "Those were some of the doings of my youth; why rake them up again?" Pao-yue laughed.

  "Your styles are very many," T'an Ch'un observed, "and what do you want to choose another for? All you've got to do is to make suitable reply when we call you whatever takes our fancy."

  "I must however give you a name," Pao-ch'ai remarked. "There's a very vulgar name, but it's just the very thing for you. What is difficult to obtain in the world are riches and honours; what is not easy to combine with them is leisure. These two blessings cannot be enjoyed together, but, as it happens, you hold one along with the other, so that we might as well dub you the 'rich and honourable idler.'"

  "It won't do; it isn't suitable," Pao-yue laughed. "It's better that you should call me, at random, whatever you like."

  "What names are to be chosen for Miss Secunda and Miss Quarta?" Li Wan inquired.

  "We also don't excel in versifying; what's the use consequently of giving us names, all for no avail?" Ying Ch'un said.

  "In spite of this," argued T'an Ch'un, "it would be well to likewise find something for you!"

  "She lives in the Tzu Ling Chou, (purple caltrop Isle), so let us call her 'Ling Chou,'" Pao-ch'ai suggested. "As for that girl Quarta, she lives in the On Hsiang Hsieh, (lotus fragrance pavilion); she should thus be called On Hsieh and have done!"

  "These will do very well!" Li Wan cried. "But as far as age goes, I am the senior, and you should all defer to my wishes; but I feel certain that when I've told you what they are, you will unanimously agree to them. We are seven here to form the society, but neither I, nor Miss Secunda, nor Miss Quarta can write verses; so if you will exclude us three, we'll each share some special duties."

  "Their names have already been chosen," T'an Ch'un smilingly demurred; "and do you still keep on addressing them like this? Well, in that case, won't it be as well for them to have no names? But we must also decide upon some scale of fines, for future guidance, in the event of any mistakes."

  "There will be ample time to fix upon a scale of fines after the society has been definitely established." Li Wan replied. "There's plenty of room over in my place so let's hold our meetings there. I'm not, it is true, a good hand at verses, but if you poets won't treat me disdainfully as a rustic boor, and if you will allow me to play the hostess, I may certainly also gradually become more and more refined. As for conceding to me the presidentship of the society, it won't be enough, of course, for me alone to preside; it will be necessary to invite two others to serve as vice-presidents; you might then enlist Ling Chou and Ou Hsieh, both of whom are cultured persons. The one to choose the themes and assign the metre, the other to act as copyist and supervisor. We three cannot, however, definitely say that we won't write verses, for, if we come across any comparatively easy subject and metre, we too will indite a stanza if we feel so disposed. But you four will positively have to do so. If you agree to this, well, we can proceed with the society; but, if you don't fall in with my wishes, I can't presume to join you."

  Ying Ch'un and Hsi Ch'un had a natural aversion for verses. What is more, Hsueeh Pao-ch'ai and Lin Tai-yue were present. As soon therefore as they heard these proposals, which harmonised so thoroughly with their own views, they
both, with one voice, approved them as excellent. T'an Ch'un and the others were likewise well aware of their object, but they could not, when they saw with what willingness they accepted the charge insist, with any propriety, upon their writing verses, and they felt obliged to say yes.

  "Your proposals," she consequently said, "may be right enough; but in my views they are ridiculous. For here I've had the trouble of initiating this idea of a society, and, instead of my having anything to say in the matter, I've been the means of making you three come and exercise control over me."

  "Well then," Pao-yue suggested, "let's go to the Tao Hsiang village."

  "You're always in a hurry!" Li Wan remarked. "We're here to-day to simply deliberate. So wait until I've sent for you again."

  "It would be well," Pao-ch'ai interposed, "that we should also decide every how many days we are to meet."

  "If we meet too often," argued T'an Ch'un, "there won't be fun in it. We should simply come together two or three times in a month."

  "It will be ample if we meet twice or thrice a month," Pao-ch'ai added. "But when the dates have been settled neither wind nor rain should prevent us. Exclusive, however, of these two days, any one in high spirits and disposed to have an extra meeting can either ask us to go over to her place, or you can all come to us; either will do well enough! But won't it be more pleasant if no hard-and-fast dates were laid down?"

  "This suggestion is excellent," they all exclaimed.

  "This idea was primarily originated by me," T'an Ch'un observed, "and I should be the first to play the hostess, so that these good spirits of mine shouldn't all go for nothing."

  "Well, after this remark," Li Wan proceeded, "what do you say to your being the first to convene a meeting to-morrow?"

  "To-morrow," T'an Ch'un demurred, "is not as good as to-day; the best thing is to have it at once! You'd better therefore choose the subjects, while Ling Chou can fix the metre, and Ou Hsieh act as supervisor."

  "According to my ideas," Ying Ch'un chimed in, "we shouldn't yield to the wishes of any single person in the choice of themes and the settlement of the rhythm. What would really be fair and right would be to draw lots."

  "When I came just now," Li Wan pursued, "I noticed them bring in two pots of white begonias, which were simply beautiful; and why should you not write some verses on them?"

  "Can we write verses," Ying Ch'un retorted, "before we have as yet seen anything of the flowers?"

  "They're purely and simply white begonias," Pao-chai answered, "and is there again any need to see them before you put together your verses? Men of old merely indited poetical compositions to express their good cheer and conceal their sentiments; had they waited to write on things they had seen, why, the whole number of their works would not be in existence at present!"

  "In that case," Ying Ch'un said, "let me fix the metre."

  With these words, she walked up to the book-case, and, extracting a volume, she opened it, at random, at some verses which turned out to be a heptameter stanza. Then handing it round for general perusal, everybody had to compose lines with seven words in each. Ying Ch'un next closed the book of verses and addressed herself to a young waiting-maid. "Just utter," she bade her, "the first character that comes to your mouth."

  The waiting-maid was standing, leaning against the door, so readily she suggested the word "door."

  "The rhyme then will be the word 'door,'" Ying Ch'un smiled, "under the thirteenth character 'Yuan.' The final word of the first line is therefore 'door'."

  Saying this, she asked for the box with the rhyme slips, and, pulling out the thirteenth drawer with the character "Yuan," she directed a young waiting-maid to take four words as they came under her hand. The waiting-maid complied with her directions, and picked out four slips, on which were written "p'en, hun, hen and hun," pot, spirit, traces and dusk.

  "The two characters pot and door," observed Pao-yue, "are not very easy to rhyme with."

  But Shih Shu then got ready four lots of paper and pens, share and share alike, and one and all quietly set to work, racking their brains to perform their task, with the exception of Tai-yue, who either kept on rubbing the dryandra flowers, or looking at the autumnal weather, or bandying jokes as well with the servant-girls; while Ying Ch'un ordered a waiting-maid to light a "dream-sweet" incense stick.

  This "dream-sweet" stick was, it must be explained, made only about three inches long and about the thickness of a lamp-wick, in order to easily burn down. Setting therefore her choice upon one of these as a limit of time, any one who failed to accomplish the allotted task, by the time the stick was consumed, had to pay a penalty.

  Presently, T'an Ch'un was the first to think of some verses, and, taking up her pen, she wrote them down; and, after submitting them to several alterations, she handed them up to Ying Ch'un.

  "Princess of Heng Wu," she then inquired of Pao-ch'ai, "have you finished?"

  "As for finishing, I have finished," Pao-ch'ai rejoined; "but they're worth nothing."

  Pao-yue paced up and down the verandah with his hands behind his back. "Have you heard?" he thereupon said to Tai-yue, "they've all done!"

  "Don't concern yourself about me!" Tai-yue returned for answer.

  Pao-yue also perceived that Pao-ch'ai had already copied hers out. "Dreadful!" he exclaimed. "There only remains an inch of the stick and I've only just composed four lines. The incense stick is nearly burnt out," he continued, speaking to Tai-yue, "and what do you keep squatting on that damp ground like that for?"

  But Tai-yue did not again worry her mind about what he said.

  "Well," Pao-yue added, "I can't be looking after you! Whether good or bad, I'll write mine out too and have done."

  As he spoke, he likewise drew up to the table and began putting his lines down.

  "We'll now peruse the verses," Li Wan interposed, "and if by the time we've done, you haven't as yet handed up your papers, you'll have to be fined."

  "Old farmer of Tao Hsiang," Pao-yue remarked, "you're not, it is true, a good hand at writing verses, but you can read well, and, what's more, you're the fairest of the lot; so you'd better adjudge the good and bad, and we'll submit to your judgment."

  "Of course!" responded the party with one voice.

  In due course, therefore, she first read T'an Ch'un's draft. It ran as follows:-

  Verses on the Begonia.

  What time the sun's rays slant, and the grass waxeth cold, close the

  double doors.

  After a shower of rain, green moss plenteously covers the whole pot.

  Beauteous is jade, but yet with thee in purity it cannot ever vie.

  Thy frame, spotless as snow, from admiration easy robs me of my wits

  Thy fragrant core is like unto a dot, so full of grace, so delicate!

  When the moon reacheth the third watch, thy comely shade begins to

  show itself.

  Do not tell me that a chaste fairy like thee can take wings and pass

  away.

  How lovely are thy charms, when in thy company at dusk I sing my lay!

  After she had read them aloud, one and all sang their praise for a time. She then took up Pao-ch'ai's, which consisted of:

  If thou would'st careful tend those fragrant lovely flowers, close of

  a day the doors,

  And with thine own hands take the can and sprinkle water o'er the

  mossy pots.

  Red, as if with cosmetic washed, are the shadows in autumn on the

  steps.

  Their crystal snowy bloom invites the dew on their spirits to heap

  itself.

  Their extreme whiteness mostly shows that they're more comely than all

  other flowers.

  When much they grieve, how can their jade-like form lack the traces of

  tears?

  Would'st thou the god of those white flowers repay? then purity

  need'st thou observe.

  In silence plunges their fine bloom, now that once mor
e day yields to

  dusk.

  "After all," observed Li Wan, "it's the Princess of Heng Wu, who expresses herself to the point."

  Next they bestowed their attention on the following lines, composed by Pao-yue:-

  Thy form in autumn faint reflects against the double doors.

  So heaps the snow in the seventh feast that it filleth thy pots.

  Thy shade is spotless as Tai Chen, when from her bath she hails.

  Like Hsi Tzu's, whose hand ever pressed her heart, jade-like thy soul.

  When the morn-ushering breeze falls not, thy thousand blossoms grieve.

  To all thy tears the evening shower addeth another trace.

  Alone thou lean'st against the coloured rails as if with sense imbued.

  As heavy-hearted as the fond wife, beating clothes, or her that sadly

  listens to the flute, thou mark'st the fall of dusk.

  When they had perused his verses, Pao-yue opined that T'an Ch'un's carried the palm. Li Wan was, however, inclined to concede to the stanza, indited by Pao-ch'ai, the credit of possessing much merit. But she then went on to tell Tai-yue to look sharp.

  "Have you all done?" Tai-yue asked.

  So saying, she picked up a pen and completing her task, with a few dashes, she threw it to them to look over. On perusal, Li Wan and her companions found her verses to run in this strain:-

  Half rolled the speckled portiere hangs, half closed the door.

  Thy mould like broken ice it looks, jade-like thy pot.

  This couplet over, Pao-yue took the initiative and shouted: "Capital." But he had just had time to inquire where she had recalled them to mind from, when they turned their mind to the succeeding lines:

  Three points of whiteness from the pear petals thou steal'st;

  And from the plum bloom its spirit thou borrowest.

  "Splendid!" every one (who heard) them conned over, felt impelled to cry. "It is a positive fact," they said, "that her imagination is, compared with that of others, quite unique."