Book Read Free

Set the Boy Free

Page 37

by Johnny Marr


  Moss, Ivan 156–7

  Moss, Janet 156–7, 192; cottage in Marple Bridge 176–7, 196

  Moss, Joe: Johnny first meets 105–8; and Johnny’s plans for new band 114–15, 116; his philosophies and reminiscences 125–6, 287, 423; and The Smiths’ first gig 136, 139; manager of the band 139–40, 143, 149, 150–51, 333; encourages Johnny to open own shop 144, 148–9; Haçienda gig 149, 153, 155; Johnny moves into house of 155–8; recording of band’s first record 155, 158–9; first London gigs 155, 160, 172; record deal 155, 161; release of first single 166, 167; band’s TV debuts 183, 189, 190; and discussions on financial arrangements of band 185; resigns as manager 191–3, 198; Andy Rourke moves into house of 195–6; and Smiths’ High Court royalties case 333, 336; post-Smiths friendship and working life with Johnny 337, 338, 345, 362, 370–71, 379, 382, 384, 406, 415, 419; cultivation of new bands and establishment of Night & Day Café 338; death 422–3

  Moss, Sarah 422–3

  Moss Side, Manchester 86–7, 300, 330; Justin’s (clothes shop) 26

  Motown (record label) 101, 119, 126, 213

  Mott the Hoople (band) 63

  Move, The (band) 10

  Murphy family (Johnny’s uncle, aunt and cousins) 8, 17, 18

  Nelson, Bill 52

  New Order (band) 101, 146, 148, 196, 222, 298, 342, 371; ‘World in Motion’ 318

  New Romantics (subculture) 123

  New York 191, 192–6, 223–4, 289, 340–41; Brill Building 103; CBGB club 67, 191, 195; Danceteria club 193; Iroquois Hotel 194; Madison Square Garden 341, 384–5; We Buy Guitars (store) 194

  New York Dolls (band) 55, 79, 116

  New York Marathon (race) 399–400

  New Zealand 357–9

  Newcastle 183, 326; Red Wedge show 244–5

  Nicholson, Jack 106, 283

  Night & Day Café, Manchester (venue) 338, 371

  Nirvana (band) 387

  NME (New Musical Express) 116

  Nolan, Christopher: Inception 401–3, 418

  Nosebleeds, The (band) 45, 57, 68, 119

  Notting Hill, London: Portobello Hotel 250–51

  Nottingham 382

  Nugent, Ted 63

  Oakland, California 227, 282

  Oasis (band) 319–26, 342

  O’Brien, Ed 358, 359

  O’Connor, Tony 86, 140–41, 143

  Oldham, Andrew Loog 114, 158, 419

  Only Ones, The (band) 71, 74, 95

  Oregon City 394–5

  Oscars (Academy Awards) 418

  Ouspensky, P.D 344

  Oxford, Mississippi 372–3

  Page, Jimmy 342, 347

  Palmer, David 293

  Paris 273–5

  Paris Valentinos (Johnny’s first band) 55–7, 70–71, 72, 80–81, 135; see also White Dice

  Parker, Alan: Angel Heart 292

  Partnership Act (1890) 332–3

  Patton, Danny 75

  Paul, Les 384

  Pearl Jam (band) 358

  Peel, John 167–8, 180, 196

  Peloso, Tom 366, 367, 369

  Pentangle (band) 348

  Perry boys and girls (subculture) 86, 178

  Pet Shop Boys (band) 300, 306, 312, 342

  PETA (animal rights organisation) 284

  Petralia, Mickey 339

  Petty, Tom: ‘American Girl’ 56

  Philippe (Decibel Studios owner) 92, 129

  Philippines 308–9

  Phoenix Records, Manchester (record shop) 63

  Picasso, Pablo 211

  Piccadilly Gardens, Manchester 416

  Pickering, Mike 101, 189, 196, 286, 289

  Piering, Scott 166, 168, 170, 173, 189, 207, 208, 215, 229, 235

  Pips, Manchester (club) 123–4

  Playland (solo album) 415–16, 417; tour 422–3

  Plummer, Joe 367, 369, 382

  Pluto Studios, Manchester (recording studios) 184–5, 333

  politics 85, 86, 212–13, 214, 242–4, 317, 405–9, 416

  Polsky, Ruth 193, 207–8

  Polydor (record label) 173

  Pomfret, Steve ‘Pommy’ 117–18, 120, 128

  Pop, Iggy 79, 88, 154, 217, 281; see also The Stooges

  Porter, John 180–81, 182, 188, 209, 210, 217–18

  Portland, Oregon 362–3, 364–70, 377–8, 381, 420–21

  Portland Hotel, Manchester 217

  pot/hash (marijuana) 66–7, 80, 130, 234

  Powell, Phil 198, 228, 241, 245, 251, 261

  Pratt, Guy 255

  Presley, Elvis 14, 116, 276; birthplace 374–5, 383; ‘A Fool Such As I’ 269

  Pretenders, The (band) 280–85, 330, 346

  Prince (musician) 338

  prog rock 63–4

  Prokofiev, Sergei: ‘Montagues and Capulets’ 256

  Psychedelic Furs (band) 79, 112

  punk 53, 55, 64–5, 68, 84, 109, 186

  Pye (record label) 119

  Q Magazine: lifetime achievement award 386

  Quando Quango (band) 196

  quiff (hairstyle) 119, 177–8, 190, 204

  Quinlan, Mr (school teacher) 11–12

  Radiohead (band) 358, 359

  Rafters, Manchester (club) 153, 156

  RAK Studios, London (recording studios) 233

  Ramones, The (band) 65, 194

  Rare Records, Manchester (record shop) 62–3, 126

  Rattle and Hum (film) 281

  rave music 286–7

  Reading Festival 398

  Red Wedge shows 242–5

  Reed, Lou 237

  Reeder, Mark 326

  Reflex, Manchester (clothes shop) 110

  REM (band) 383–5

  Reno’s, Manchester (guitar shop) 29

  Richards, Keith 50, 202, 251–2, 344–5

  Riley, Christina 260

  Ritz, Manchester: Smiths’ first gig 132–3, 136–40

  Riviera, Jake 81–3

  Robertson, Clive 71

  Robinson, Smokey: ‘The Tracks of My Tears’ 107

  Robot, King’s Road, London (shoe shop) 88

  Rock Garden, Covent Garden, London 160–61, 172

  rockabilly 100, 128, 178

  Rodgers, Nile 64, 153, 314

  Rogan, Alan 341

  Rohde, Shelley 102–4, 120, 124, 155, 382

  Rolling Stone (magazine) 227

  Rolling Stones, The 52, 79, 107, 202, 232, 318, 345; ‘Jumpin’ Jack Flash’ 51, 56; ‘The Last Time’ 48; ‘Not Fade Away’ 149; The Rolling Stones No.2 113; Through the Past, Darkly 52

  Ronettes, The (group) 205

  Ronson, Mick 52

  Rossi, Mick 45, 46

  Rough Trade Records (record label) 123, 131, 155, 170; The Smiths signed to 161–4, 165–6, 168, 173–4, 185, 264; legal dispute 235–6, 239–40, 242, 245–6, 250, 254; sale of Smiths’ catalogue and bankruptcy 389

  Rourke, Andy: Johnny first meets 60; Johnny’s early friendship with 60–61, 69–70, 77–8, 80, 96, 100, 157; in Paris Valentinos/White Dice 71, 72, 81; in Freak Party 93–4, 96, 97; drug use 96–7, 195–6, 247–8, 254; joins The Smiths 130, 141–2, 177; rehearsal and recording sessions 151–2, 154, 158–9, 169, 209, 216, 218, 233, 240; accompanies Johnny to Rough Trade offices 161, 162, 163; first London gigs 170, 172; at signing of band’s recording contract 174; Johnny buys bass stack for 179; and financial arrangements of band 185–6; band’s first appearance on Top of the Pops 186–90; moves into Joe Moss’s house 195–6; GLC ‘Jobs for Change’ concert 213; Meat Is Murder American tour 223; moves into new flat 228–9; Red Wedge shows 244–5; temporarily leaves band 247–9; 1986 American tour 254–6, 258; final recording sessions 268–9; break up of the band 266–8, 270–72; in Morrissey’s post-Smiths band 276; Smiths’ High Court royalties case 333, 334, 336; reconnects with Johnny 370–71; plays with Johnny again 371–2, 420; and remastering of Smiths’ catalogue 391

  Rourke, John 80, 96

  Rourke, Phil 61, 70, 96

  Roxy Music (band) 27, 123, 181, 253, 288

  Royal Albert Hall, London 296, 3
46, 382

  Royal Festival Hall, London 364

  running, Johnny’s 360–61, 369, 381, 395–7; New York Marathon 399–400

  Russ (X-Clothes assistant) 99, 101

  Russell, Marcus 291, 324–5

  Ryder, Mitch 281

  Sad Cafe (band) 46

  sailing 306–7

  St John’s Wood, London: RAK Studios 233

  St Mary’s Hospital, Manchester 330

  Salford, Manchester 246–7

  Salford University: Johnny’s honorary degrees 419

  San Francisco 191, 224–7, 264, 288

  Sassoon’s see Vidal Sassoon (hairdressers)

  Saturday Night and Sunday Morning (film) 203

  Saville, Peter 101, 288, 291

  Scala Cinema, London (venue) 349–50

  Scott, Jimmy 280, 284

  Section 25 (band) 101; ‘Looking from a Hilltop’ 196–7

  Selway, Phil 358

  Seven Worlds Collide (musical project) 357–9

  Sex Pistols (band) 53

  S’Express (dance music group) 305

  Shangri-Las, The (group) 103, 106, 114, 116, 120

  Shaw, Sandie 120, 123, 202, 232; ‘Message Understood’ 119

  Sheffield 101

  Shepherd’s Bush, London 251

  Shirelles, The (group) 120

  Shoreditch, London 292, 315

  Showbiz, Grant 172–3, 190, 195, 254, 268

  Silver Jubilee (1977) 56

  Simple Minds (band) 109

  Sinatra, Frank 101

  Siouxsie and the Banshees (band) 79, 88, 109

  Sire Records (record label) 194, 257, 264

  Sister Ray (band) 70–72, 130, 170

  Sisters of Mercy, The (band) 170–71

  Slaughter and the Dogs (band) 42, 45–6, 68

  sleeves, Smiths’ records’ 165, 166, 202, 246–7, 255

  Smith, Elliott 363, 377

  Smith, Mark E. 170

  Smith, Patti 67–8, 71, 194, 363–4, 414; ‘Kimberly’ 121

  Smiths, The: formation and line-up 127–35, 140, 141–2, 364; name 128; demos and early promotion 130–32, 140–41, 142–3, 155; first gig 132–3, 136–40; Joe Moss becomes manager 139–40, 149, 333; second gig 140, 145–7; rehearsal sessions 151–2, 154; first Haçienda gig 149, 153; supporting Richard Hell 153, 156; recording of first record 155, 158–9; first London gig 155, 160–61; record deal with Rough Trade 155, 161–4, 165, 166, 168, 173–4; release of first single 165–7; The John Peel Show sessions 167–9, 180–81; more London gigs 170–72; development of image and style of band 170, 177–8, 187, 190, 199–200, 203, 204, 247, 262–3; writing and recording of first album and next singles 174–5, 179–83, 184, 201–2, 205–7, 208–211, 265; TV debut 183; discussions on financial arrangements 184–6, 207, 333; second single enters charts 186; first appearance on Top of the Pops 186–90; Joe Moss resigns as manager 191–3, 198; first American tour 192–6; American record deal 194; first UK headline tour 195, 198–200; GLC ‘Jobs for Change’ concert 212–13, 215, 243; Glastonbury Festival 213–15; recording and release of second album 216–21, 250, 379; Meat Is Murder American tour 222–7, 229; writing and recording of third album 231–40; legal dispute with Rough Trade 235–6, 239–40, 242, 245–6, 250, 254; Red Wedge show 243, 244–5; Andy Rourke temporarily leaves 247–9; Craig Gannon temporarily joins 248–9, 256, 259; release of third album 250; signed to EMI 254, 257; 1986 American and UK tours 254–9; last ever show 262, 371; writing and recording of last album 263–6; break up of the band 265–72, 276, 280; High Court royalties case 332–7; sale of catalogue and reissue of albums 389–91; possibility of reformation? 392, 416–17

  Albums: Meat Is Murder 216–21, 250, 379; The Queen Is Dead 231–40, 245–7, 250, 277, 326, 407; The Smiths 174–5, 181, 265; Strangeways, Here We Come 263–6

  Songs: ‘Accept Yourself’ 156; ‘Back to the Old House’ 347; ‘Bigmouth Strikes Again’ 233, 244–5; ‘The Boy with the Thorn in His Side’ 236; ‘Cemetery Gates’ 250; ‘Death of a Disco Dancer’ 264–5; ‘Don’t Blow Your Own Horn’ 120; ‘Frankly, Mr Shankly’ 232; ‘Girl Afraid’ 194; ‘Hand in Glove’ 153–4, 155, 158–9, 165–7, 202, 390; ‘The Hand That Rocks the Cradle’ 121, 130–31, 132, 134–5; ‘Handsome Devil’ 132, 135, 139, 142, 143, 166; ‘The Headmaster Ritual’ 218; ‘Heaven Knows I’m Miserable Now’ 194, 202, 407–8; ‘How Soon Is Now?’ 205–7, 209, 211, 220–21, 288, 371; ‘I Keep Mine Hidden’ 269; ‘I Know It’s Over’ 232, 239; ‘Last Night I Dreamt That Somebody Loved Me’ 263–4, 265; ‘London’ 325; ‘Miserable Lie’ 142, 169, 407; ‘Never Had No One Ever’ 239; ‘Panic’ 256, 325; ‘Please, Please, Please, Let Me Get What I Want’ 205–7, 209, 414; ‘The Queen Is Dead’ 237–8, 250; ‘Reel Around the Fountain’ 179; ‘A Rush and a Push and the Land is Ours’ 265;

  ‘Shakespeare’s Sister’ 244; ‘Shoplifters of the World Unite’ 262, 266; ‘Some Girls Are Bigger Than Others’ 250; ‘Still Ill’ 179; ‘Stop Me If You Think You’ve Heard This One Before’ 264–5; ‘Suffer Little Children’ 121–2, 130, 132; ‘That Joke Isn’t Funny Anymore’ 219; ‘There Is a Light That Never Goes Out’ 232, 233–4, 250, 359, 414, 423; ‘This Charming Man’ 180, 181–3, 186, 188, 202; ‘Unhappy Birthday’ 264–5, 347; ‘Well I Wonder’ 219; ‘What Difference Does It Make?’ 142, 143, 146, 184, 200, 235; ‘What Do You See in Him?’ 147; ‘What She Said’ 219; ‘William, It Was Really Nothing’ 205–7, 209, 212; ‘Work is a Four-Letter Word’ 268–9; ‘You’ve Got Everything Now’ 179

  snowboarding 353–4

  Sonic Youth (band) 387

  soul boys (subculture) 49, 85–6

  Soul Coughing (band) 358

  South Bank Show (TV programme) 116

  South Kensington, London 315

  Spector, Phil 101, 158

  Spencer, Lee 345, 353

  Spinetti, Henry 276–7

  Spirit Studios, Manchester (recording studios) 134

  Springfield, Dusty 63; ‘Little by Little’ 119

  Springsteen, Bruce 283; Born in the USA 220

  Starkey, Zak 340–42, 344, 345, 359

  Starr, Ringo 341

  Status Quo (band) 245

  Stein, Seymour 194

  Steinberg, Sebastian 358

  Sterling, Linder 146

  Stewart, Rod 32

  Stolen From Ivor, Manchester (clothes shop) 85–6, 87, 100

  Stoller, Mike 116

  Stone Roses, The (band) 300

  Stooges, The (band) 71, 101, 191, 285; ‘1969’ 285; Raw Power 54–5, 154, 255

  Strawberry Studios, Manchester (recording studios) 155, 158–9

  Strawbs (band): ‘Lay Down’ 364

  Stray Cats (band) 88, 89

  Streatham, London 268

  Street, Stephen 218, 233, 237

  Stretford, Manchester 116; 384 Kings Road 117–18

  Sue and Jeremy (X-Clothes owners) 98–9

  Suicide (band) 157

  Summerbee, Mike 34

  Sumner, Bernard 177, 196–7, 217, 306–7, 318, 420; formation of Electronic with Johnny 288–9, 291; first album 297–310; second album 319, 326–7, 332, 337–8; final album 343

  Sunday Night at the London Palladium (TV programme) 10

  Supremes, The (group) 32

  Sutcliffe, Stuart 150, 163, 178

  Sweeneys, The (band) 15–16

  Sweet, The (band) 27, 32, 47

  Sylvester: ‘You Make Me Feel (Mighty Real)’ 288

  Sztumpf, Matthew 229–30

  Talking Heads (band) 67, 92, 109, 194; Johnny records with 273–5, 276, 277, 365

  Tamla Motown (record label) 119

  Tangier 360–61

  ‘Tanner, Elsie’ (Coronation Street character) 247

  Taste of Honey, A (film) 203

  Tate, Troy 174–5, 265

  Teardrop Explodes, The (band) 174, 293

  Television (band) 67

  Temptations, The (group): ‘My Girl’ 106, 107

  Tennant, Neil 300, 304, 312

  Thatcher, Margaret 73, 85, 212,
243, 291, 416

  The The (band) 113, 164, 342; Johnny as member 290–96, 309, 315–18

  Albums: Dusk 315–17; Infected 263, 290, 293; Mind Bomb 293–5, 317; Soul Mining 290

  Songs: ‘Armageddon Days Are Here Again’ 317; ‘The Beat(en) Generation’ 293; ‘Dogs of Lust’ 316; ‘Good Morning, Beautiful’ 293–4; ‘Heartland’ 292; ‘Helpline Operator’ 316; ‘I Saw the Light’ 317; ‘Infected’ 317; ‘Love Is Stronger Than Death’ 316; ‘Perfect’ 164, 292; ‘Slow Emotion Replay’ 316–17; ‘Sweet Bird of Truth’ 317; ‘This Is the Day’ 164; ‘This Is the Night’ 316; ‘Uncertain Smile’ 164

  The The Versus the World (concert film) 296

  Thin Lizzy (band): ‘Don’t Believe a Word’ 56

  Thin Red Line, The (film) 402

  Thompson, Richard 52

  Thompson Twins, The (band) 188

  Throbbing Gristle (band) 101

  Thunders, Johnny 55, 71, 79, 88

  Tibet 419–20

  T. J. Davidson Rehearsal Rooms, Manchester 83

  Toni & Guy, Manchester (hairdressers) 111

  Tony (school friend) 43–5

  Top of the Pops (TV programme) 29; Smiths’ appearances 186–90, 200, 236

  Toronto 255, 351

  Townshend, Pete 52, 325, 418

  Toys, The (group) 119

  Travis, Geoff 162–3, 165, 166, 173–4, 180, 185, 214, 235, 239–40

  T.Rex (band) 27–9, 186; ‘Ballrooms of Mars’ 61; ‘Children of the Revolution’ 32; ‘Jeepster’ 27–8; ‘Life’s a Gas’ 29; ‘Metal Guru’ 29; ‘Ride a White Swan’ 32

  Trinity College, Dublin: Philosophical Society 419

  True Romance (film) 402

  Tube, The (TV programme) 183

  Tueart, Dennis 34

  Tupelo Honey, Manchester (clothes shop) 106

  Tupelo, Mississippi 374–5

  Twigg, Carl 126

  U2 (band) 281–2, 283

  Union Jack (flag) 41

  university tuition fees, protests against 408–9

  Upsetters, The (band) 345

  Valentinos (band) see Paris Valentinos

  Van Halen (band) 338–9

  Vedder, Eddie 358

  vegetarianism and veganism 219–20, 277, 284, 381

  Velvet Underground, The (band) 101, 129, 191, 217, 232, 413–14; ‘I Can’t Stand It’ 237

  Verve, The (band) 321–2

  Victim (band) 134, 137

  Vidal, Gore 291

 

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