The Fourth Ghost Story MEGAPACK: 25 Classic Haunts!

by Wildside Press

  There was no sign of any other person about the field gate, which he climbed readily enough, and he was soon standing in the highest part of the meadow and peering into the darkness on every side.

  It was possible to see a distance of about thirty yards; beyond that it was too dark to distinguish anything. Mr. Batchel designed a zig-zag course about the meadow, which would allow of his examining it systematically and as rapidly as possible, and along this course he began to walk briskly, looking straight before him as he went, and pausing to look well about him when he came to a turn. There were no beasts in the meadow—their owners had taken the precaution of removing them; their absence was, of course, of great advantage to Mr. Batchel.

  In about ten minutes he had finished his zig-zag path and arrived at the other corner of the meadow; he had seen nothing resembling a man. He then retraced his steps, and examined the field again, but arrived at his starting point, knowing no more than when he had left it. He began to fear the return of the policeman as he faced the wind and set upon a third journey.

  The third journey, however, rewarded him. He had reached the end of his second traverse, and was looking about him at the angle between that and the next, when he distinctly saw what looked like Richpin crossing his circle of vision, and making straight for the sluice. There was no gate on that side of the field; the hedge, which seemed to present no obstacle to the other, delayed Mr. Batchel considerably, and still retains some of his clothing, but he was not long through before he had again marked his man. It had every appearance of being Richpin. It went down the slope, crossed the plank that bridged the lock, and disappeared round the corner of the cottage, where the entrance lay.

  Mr. Batchel had had no opportunity of confirming the gruesome observation of Selina Broughton, but had seen enough to prove that the others had not been romancing. He was not a half-minute behind the figure as it crossed the plank over the lock—it was slow going in the darkness—and he followed it immediately round the corner of the house. As he expected, it had then disappeared.

  Mr. Batchel knocked at the door, and admitted himself, as his custom was. The sluice-keeper was in his kitchen, charring a gate post. He was surprised to see Mr. Batchel at that hour, and his greeting took the form of a remark to that effect.

  “I have been taking an evening walk,” said Mr. Batchel. “Have you seen Richpin lately?”

  “I see him last Saturday week,” replied the sluice-keeper, “not since.”

  “Do you feel lonely here at night?”

  “No,” replied the sluice-keeper, “people drop in at times. There was a man in on Monday, and another yesterday.”

  “Have you had no one to-day?” said Mr. Batchel, coming to the point.

  The answer showed that Mr. Batchel had been the first to enter the door that day, and after a little general conversation he brought his visit to an end.

  It was now ten o’clock. He looked in at Richpin’s cottage, where he saw a light burning, as he passed. Richpin had tired himself early, and had been in bed since half-past eight. His wife was visibly annoyed at the rumours which had upset him, and Mr. Batchel said such soothing words as he could command, before he left for home.

  He congratulated himself, prematurely, as he sat before the fire in his study, that the day was at an end. It had been cold out of doors, and it was pleasant to think things over in the warmth of the cheerful fire his housekeeper never failed to leave for him. The reader will have no more difficulty than Mr. Batchel had in accounting for the resemblance between Richpin and the man in the meadow. It was a mere question of family likeness. That the ancestor had been seen in the meadow at some former time might perhaps be inferred from its traditional name. The reason for his return, then and now, was a matter of mere conjecture, and Mr. Batchel let it alone.

  The next incident has, to some, appeared incredible, which only means, after all, that it has made demands upon their powers of imagination and found them bankrupt.

  Critics of story-telling have used severe language about authors who avail themselves of the short-cut of coincidence. “That must be reserved, I suppose,” said Mr. Batchel, when he came to tell of Richpin, “for what really happens; and that fiction is a game which must be played according to the rules.”

  “I know,” he went on to say, “that the chances were some millions to one against what happened that night, but if that makes it incredible, what is there left to believe?”

  It was thereupon remarked by someone in the company, that the credible material would not be exhausted.

  “I doubt whether anything happens,” replied Mr. Batchel in his dogmatic way, “without the chances being a million to one against it. Why did they choose such a word? What does ‘happen’ mean?”

  There was no reply: it was clearly a rhetorical question.

  “Is it incredible,” he went on, “that I put into the plate last Sunday the very half-crown my uncle tipped me with in 1881, and that I spent next day?”

  “Was that the one you put in?” was asked by several.

  “How do I know?” replied Mr. Batchel, “but if I knew the history of the half-crown I did put in, I know it would furnish still more remarkable coincidences.”

  All this talk arose out of the fact that at midnight on the eventful day, whilst Mr. Batchel was still sitting by his study fire, he had news that the cottage at the sluice had been burnt down. The thatch had been dry; there was, as we know, a stiff east-wind, and an hour had sufficed to destroy all that was inflammable. The fire is still spoken of in Stoneground with great regret. There remains only one building in the place of sufficient merit to find its way on to a postcard.

  It was just at midnight that the sluice-keeper rung at Mr. Batchel’s door. His errand required no apology. The man had found a night-fisherman to help him as soon as the fire began, and with two long sprits from a lighter they had made haste to tear down the thatch, and upon this had brought down, from under the ridge at the South end, the bones and some of the clothing of a man. Would Mr. Batchel come down and see?

  Mr. Batchel put on his coat and returned to the place. The people whom the fire had collected had been kept on the further side of the water, and the space about the cottage was vacant. Near to the smouldering heap of ruin were the remains found under the thatch. The fingers of the right hand still firmly clutched a sheep bone which had been gnawed as a dog would gnaw it.

  “Starved to death,” said the sluice-keeper, “I see a tramp like that ten years ago.”

  They laid the bones decently in an outhouse, and turned the key, Mr. Batchel carried home in his hand a metal cross, threaded upon a cord. He found an engraved figure of Our Lord on the face of it, and the name of Pierre Richepin upon the back. He went next day to make the matter known to the nearest Priest of the Roman Faith, with whom he left the cross. The remains, after a brief inquest, were interred in the cemetery, with the rites of the Church to which the man had evidently belonged.

  Mr. Batchel’s deductions from the whole circumstances were curious, and left a great deal to be explained. It seemed as if Pierre Richepin had been disturbed by some premonition of the fire, but had not foreseen that his mortal remains would escape; that he could not return to his own people without the aid of his map, but had no perception of the interval that had elapsed since he had lost it. This map Mr. Batchel put into his pocket-book next day when he went to Thomas Richpin for certain other information about his surviving relatives.

  Richpin had a father, it appeared, living a few miles away in Jakesley Fen, and Mr. Batchel concluded that he was worth a visit. He mounted his bicycle, therefore, and made his way to Jakesley that same afternoon.

  Mr. Richpin was working not far from home, and was soon brought in. He and his wife shewed great courtesy to their visitor, whom they knew well by repute. They had a well-ordered house, and with a natural and dignified hospital
ity, asked him to take tea with them. It was evident to Mr. Batchel that there was a great gulf between the elder Richpin and his son; the former was the last of an old race, and the latter the first of a new. In spite of the Board of Education, the latter was vastly the worse.

  The cottage contained some French kickshaws which greatly facilitated the enquiries Mr. Batchel had come to make. They proved to be family relics.

  “My grandfather,” said Mr. Richpin, as they sat at tea, “was a prisoner—he and his brother.”

  “Your grandfather was Pierre Richepin?” asked Mr. Batchel.

  “No! Jules,” was the reply. “Pierre got away.”

  “Shew Mr. Batchel the book,” said his wife.

  The book was produced. It was a Book of Meditations, with the name of Jules Richepin upon the title-page. The fly-leaf was missing. Mr. Batchel produced the map from his pocket-book. It fitted exactly. The slight indentures along the torn edge fell into their place, and Mr. Batchel left the leaf in the book, to the great delight of the old couple, to whom he told no more of the story than he thought fit.

  THE EASTERN WINDOW

  It may well be that Vermuyden and the Dutchmen who drained the fens did good, and that it was interred with their bones. It is quite certain that they did evil and that it lives after them. The rivers, which these men robbed of their water, have at length silted up, and the drainage of one tract of country is proving to have been achieved by the undraining of another.

  Places like Stoneground, which lie on the banks of these defrauded rivers, are now become helpless victims of Dutch engineering. The water which has lost its natural outlet, invades their lands. The thrifty cottager who once had the river at the bottom of his garden, has his garden more often in these days, at the bottom of the river, and a summer flood not infrequently destroys the whole produce of his ground.

  Such a flood, during an early year in the 20th century, had been unusually disastrous to Stoneground, and Mr. Batchel, who, as a gardener, was well able to estimate the losses of his poorer neighbours, was taking some steps towards repairing them.

  Money, however, is never at rest in Stoneground, and it turned out upon this occasion that the funds placed at his command were wholly inadequate to the charitable purpose assigned to them. It seemed as if those who had lost a rood of potatoes could be compensated for no more than a yard.

  It was at this time, when he was oppressed in mind by the failure of his charitable enterprise, that Mr. Batchel met with the happy adventure in which the Eastern window of the Church played so singular a part.

  The narrative should be prefaced by a brief description of the window in question. It is a large painted window, of a somewhat unfortunate period of execution. The drawing and colouring leave everything to be desired. The scheme of the window, however, is based upon a wholesome tradition. The five large lights in the lower part are assigned to five scenes in the life of Our Lord, and the second of these, counting from the North, contains a bold erect figure of St. John Baptist, to whom the Church is dedicated. It is this figure alone, of all those contained in the window, that is concerned in what we have to relate.

  It has already been mentioned that Mr. Batchel had some knowledge of music. He took an interest in the choir, from whose practices he was seldom absent; and was quite competent, in the occasional absence of the choirmaster, to act as his deputy. It is customary at Stoneground for the choirmaster, in order to save the sexton a journey, to extinguish the lights after a choir-practice and to lock up the Church. These duties, accordingly, were performed by Mr. Batchel when the need arose.

  It will be of use to the reader to have the procedure in detail. The large gas-meter stood in an aisle of the Church, and it was Mr. Batchel’s practice to go round and extinguish all the lights save one, before turning off the gas at the meter. The one remaining light, which was reached by standing upon a choir seat, was always that nearest the door of the chancel, and experience proved that there was ample time to walk from the meter to that light before it died out. It was therefore an easy matter to turn off the last light, to find the door without its aid, and thence to pass out, and close the Church for the night.

  Upon the evening of which we have to speak, the choir had hurried out as usual, as soon as the word had been given. Mr. Batchel had remained to gather together some of the books they had left in disorder, and then turned out the lights in the manner already described. But as soon as he had extinguished the last light, his eye fell, as he descended carefully from the seat, upon the figure of the Baptist. There was just enough light outside to make the figures visible in the Eastern Window, and Mr. Batchel saw the figure of St. John raise the right arm to its full extent, and point northward, turning its head, at the same time, so as to look him full in the face. These movements were three times repeated, and, after that, the figure came to rest in its normal and familiar position.

  The reader will not suppose, any more than Mr. Batchel supposed, that a figure painted upon glass had suddenly been endowed with the power of movement. But that there had been the appearance of movement admitted of no doubt, and Mr. Batchel was not so incurious as to let the matter pass without some attempt at investigation. It must be remembered, too, that an experience in the old library, which has been previously recorded, had pre-disposed him to give attention to signs which another man might have wished to explain away. He was not willing, therefore, to leave this matter where it stood. He was quite prepared to think that his eye had been deceived, but was none the less determined to find out what had deceived it. One thing he had no difficulty in deciding. If the movement had not been actually within the Baptist’s figure, it had been immediately behind it. Without delay, therefore, he passed out of the church and locked the door after him, with the intention of examining the other side of the window.

  Every inhabitant of Stoneground knows, and laments, the ruin of the old Manor House. Its loss by fire some fifteen years ago was a calamity from which the parish has never recovered. The estate was acquired, soon after the destruction of the house, by speculators who have been unable to turn it to any account, and it has for a decade or longer been “let alone,” except by the forces of Nature and the wantonness of trespassers. The charred remains of the house still project above the surrounding heaps of fallen masonry, which have long been overgrown by such vegetation as thrives on neglected ground; and what was once a stately house, with its garden and park in fine order, has given place to a scene of desolation and ruin.

  Stoneground Church was built, some 600 years ago, within the enclosure of the Manor House, or, as it was anciently termed, the Burystead, and an excellent stratum of gravel such as no builder would wisely disregard, brought the house and Church unusually near together. In more primitive days, the nearness probably caused no inconvenience; but when change and progress affected the popular idea of respectful distance, the Churchyard came to be separated by a substantial stone wall, of sufficient height to secure the privacy of the house.

  The change was made with necessary regard to economy of space. The Eastern wall of the Church already projected far into the garden of the Manor, and lay but fifty yards from the south front of the house. On that side of the Churchyard, therefore, the new wall was set back. Running from the north to the nearest corner of the Church, it was there built up to the Church itself, and then continued from the southern corner, leaving the Eastern wall and window within the garden of the Squire. It was his ivy that clung to the wall of the Church, and his trees that shaded the window from the morning sun.

  Whilst we have been recalling these facts, Mr. Batchel has made his way out of the Church and through the Churchyard, and has arrived at a small door in the boundary wall, close to the S.E. corner of the chancel. It was a door which some Squire of the previous century had made, to give convenient access to the Church for himself and his household. It has no present use, and Mr. Batchel had some difficult
y in getting it open. It was not long, however, before he stood on the inner side, and was examining the second light of the window. There was a tolerably bright moon, and the dark surface of the glass could be distinctly seen, as well as the wirework placed there for its protection.

  A tall birch, one of the trees of the old Churchyard, had thrust its lower boughs across the window, and their silvery bark shone in the moonlight. The boughs were bare of leaves, and only very slightly interrupted Mr. Batchel’s view of the Baptist’s figure, the leaden outline of which was clearly traceable. There was nothing, however, to account for the movement which Mr. Batchel was curious to investigate.

  He was about to turn homewards in some disappointment, when a cloud obscured the moon again, and reduced the light to what it had been before he left the Church. Mr. Batchel watched the darkening of the window and the objects near it, and as the figure of the Baptist disappeared from view there came into sight a creamy vaporous figure of another person lightly poised upon the bough of the tree, and almost coincident in position with the picture of the Saint.

  It could hardly be described as the figure of a person. It had more the appearance of half a person, and fancifully suggested to Mr. Batchel, who was fond of whist, one of the diagonally bisected knaves in a pack of cards, as he appears when another card conceals a triangular half of the bust.

  There was no question, now, of going home. Mr. Batchel’s eyes were riveted upon the apparition. It disappeared again for a moment, when an interval between two clouds restored the light of the moon; but no sooner had the second cloud replaced the first than the figure again became distinct. And upon this, its single arm was raised three times, pointing northwards towards the ruined house, just as the figure of the Baptist had seemed to point when Mr. Batchel had seen it from within the Church.