The Complete Works of Henry James

by Henry James

  Of their licence to pursue it there to any extent whatever New Yorkers are, I think, a trifle too assertively proud; no court of approach, no interspace worth mention, ever forming meanwhile part of the ground-plan or helping to receive the force of the breaking public wave. New York pays at this rate the penalty of her primal topographic curse, her old inconceivably bourgeois scheme of composition and distribution, the uncorrected labour of minds with no imagination of the future and blind before the opportunity given them by their two magnificent water-fronts. This original sin of the longitudinal avenues perpetually, yet meanly intersected, and of the organized sacrifice of the indicated alternative, the great perspectives from East to West, might still have earned forgiveness by some occasional departure from its pettifogging consistency. But, thanks to this consistency, the city is, of all great cities, the least endowed with any blest item of stately square or goodly garden, with any happy accident or surprise, any fortunate nook or casual corner, any deviation, in fine, into the liberal or the charming. That way, however, for the regenerate filial mind, madness may be said to lie—the way of imagining what might have been and putting it all together in the light of what so helplessly is. One of the things that helplessly are, for instance, is just this assault of the street, as I have called it, upon any direct dealing with our caravansary. The electric cars, with their double track, are everywhere almost as tight a fit in the narrow channel of the roadway as the projectile in the bore of a gun; so that the Waldorf-Astoria, sitting by this absent margin for life with her open lap and arms, is reduced to confessing, with a strained smile, across the traffic and the danger, how little, outside her mere swing-door, she can do for you. She seems to admit that the attempt to get at her may cost you your safety, but reminds you at the same time that any good American, and even any good inquiring stranger, is supposed willing to risk that boon for her. “Un bon mouvement, therefore: you must make a dash for it, but you’ll see I’m worth it.” If such a claim as this last be ever justified, it would indubitably be justified here; the survivor scrambling out of the current and up the bank finds in the amplitude of the entertainment awaiting him an instant sense as of applied restoratives. The amazing hotel-world quickly closes round him; with the process of transition reduced to its minimum he is transported to conditions of extraordinary complexity and brilliancy, operating—and with proportionate perfection—by laws of their own and expressing after their fashion a complete scheme of life. The air swarms, to intensity, with the characteristic, the characteristic condensed and accumulated as he rarely elsewhere has had the luck to find it. It jumps out to meet his every glance, and this unanimity of its spring, of all its aspects and voices, is what I just now referred to as the essence of the loud New York story. That effect of violence in the whole communication, at which I thus hint, results from the inordinate mass, the quantity of presence, as it were, of the testimony heaped together for emphasis of the wondrous moral.

  The moral in question, the high interest of the tale, is that you are in presence of a revelation of the possibilities of the hotel—for which the American spirit has found so unprecedented a use and a value; leading it on to express so a social, indeed positively an aesthetic ideal, and making it so, at this supreme pitch, a synonym for civilization, for the capture of conceived manners themselves, that one is verily tempted to ask if the hotel-spirit may not just be the American spirit most seeking and most finding itself. That truth—the truth that the present is more and more the day of the hotel—had not waited to burst on the mind at the view of this particular establishment; we have all more or less been educated to it, the world over, by the fruit-bearing action of the American example: in consequence of which it has been opened to us to see still other societies moved by the same irresistible spring and trying, with whatever grace and ease they may bring to the business, to unlearn as many as possible of their old social canons, and in especial their old discrimination in favour of the private life. The business for them—for communities to which the American ease in such matters is not native—goes much less of itself and produces as yet a scantier show; the great difference with the American show being that in the United States every one is, for the lubrication of the general machinery, practically in everything, whereas in Europe, mostly, it is only certain people who are in anything; so that the machinery, so much less generalized, works in a smaller, stiffer way. This one caravansary makes the American case vivid, gives it, you feel, that quantity of illustration which renders the place a new thing under the sun. It is an expression of the gregarious state breaking down every barrier but two—one of which, the barrier consisting of the high pecuniary tax, is the immediately obvious. The other, the rather more subtle, is the condition, for any member of the flock, that he or she—in other words especially she—be presumably “respectable,” be, that is, not discoverably anything else. The rigour with which any appearance of pursued or desired adventure is kept down—adventure in the florid sense of the word, the sense in which it remains an euphemism—is not the least interesting note of the whole immense promiscuity. Protected at those two points the promiscuity carries, through the rest of the range, everything before it.

  It sat there, it walked and talked, and ate and drank, and listened and danced to music, and otherwise revelled and roamed, and bought and sold, and came and went there, all on its own splendid terms and with an encompassing material splendour, a wealth and variety of constituted picture and background, that might well feed it with the finest illusions about itself. It paraded through halls and saloons in which art and history, in masquerading dress, muffled almost to suffocation as in the gold brocade of their pretended majesties and their conciliatory graces, stood smirking on its passage with the last cynicism of hypocrisy. The exhibition is wonderful for that, for the suggested sense of a promiscuity which manages to be at the same time an inordinate untempered monotony; manages to be so, on such ground as this, by an extraordinary trick of its own, wherever one finds it. The combination forms, I think, largely, the very interest, such as it is, of these phases of the human scene in the United States—if only for the pleasant puzzle of our wondering how, when types, aspects, conditions, have so much in common, they should seem at all to make up a conscious miscellany. That question, however, the question of the play and range, the practical elasticity, of the social sameness, in America, will meet us elsewhere on our path, and I confess that all questions gave way, in my mind, to a single irresistible obsession. This was just the ache of envy of the spirit of a society which had found there, in its prodigious public setting, so exactly what it wanted. One was in presence, as never before, of a realized ideal and of that childlike rush of surrender to it and clutch at it which one was so repeatedly to recognize, in America, as the note of the supremely gregarious state. It made the whole vision unforgettable, and I am now carried back to it, I confess, in musing hours, as to one of my few glimpses of perfect human felicity. It had the admirable sign that it was, precisely, so comprehensively collective—that it made so vividly, in the old phrase, for the greatest happiness of the greatest number. Its rare beauty, one felt with instant clarity of perception, was that it was, for a “mixed” social manifestation, blissfully exempt from any principle or possibility of disaccord with itself. It was absolutely a fit to its conditions, those conditions which were both its earth and its heaven, and every part of the picture, every item of the immense sum, every wheel of the wondrous complexity, was on the best terms with all the rest.

  The sense of these things became for the hour as the golden glow in which one’s envy burned, and through which, while the sleet and the slosh, and the clangorous charge of cars, and the hustling, hustled crowds held the outer world, one carried one’s charmed attention from one chamber of the temple to another. For that is how the place speaks, as great constructed and achieved harmonies mostly speak—as a temple builded, with clustering chapels and shrines, to an idea. The hundreds and hundreds of people in circulation, the innumerable huge-hatte
d ladies in especial, with their air of finding in the gilded and storied labyrinth the very firesides and pathways of home, became thus the serene faithful, whose rites one would no more have sceptically brushed than one would doff one’s disguise in a Mohammedan mosque. The question of who they all might be, seated under palms and by fountains, or communing, to some inimitable New York tune, with the shade of Marie Antoinette in the queer recaptured actuality of an easy Versailles or an intimate Trianon—such questions as that, interesting in other societies and at other times, insisted on yielding here to the mere eloquence of the general truth. Here was a social order in positively stable equilibrium. Here was a world whose relation to its form and medium was practically imperturbable; here was a conception of publicity as the vital medium organized with the authority with which the American genius for organization, put on its mettle, alone could organize it. The whole thing remains for me, however, I repeat, a gorgeous golden blur, a paradise peopled with unmistakable American shapes, yet in which, the general and the particular, the organized and the extemporized, the element of ingenuous joy below and of consummate management above, melted together and left one uncertain which of them one was, at a given turn of the maze, most admiring. When I reflect indeed that without my clue I should not have even known the maze—should not have known, at the given turn, whether I was engulfed, for instance, in the vente de charite of the theatrical profession and the onset of persuasive peddling actresses, or in the annual tea-party of German lady-patronesses (of I know not what) filling with their Oriental opulence and their strange idiom a playhouse of the richest rococo, where some other expensive anniversary, the ball of a guild or the carouse of a club, was to tread on their heels and instantly mobilize away their paraphernalia—when I so reflect I see the sharpest dazzle of the eyes as precisely the play of the genius for organization.

  There are a thousand forms of this ubiquitous American force, the most ubiquitous of all, that I was in no position to measure; but there was often no resisting a vivid view of the form it may take, on occasion, under pressure of the native conception of the hotel. Encountered embodiments of the gift, in this connection, master-spirits of management whose influence was as the very air, the very expensive air, one breathed, abide with me as the intensest examples of American character; indeed as the very interesting supreme examples of a type which has even on the American ground, doubtless, not said its last word, but which has at least treated itself there to a luxury of development. It gives the impression, when at all directly met, of having at its service something of that fine flame that makes up personal greatness; so that, again and again, as I found, one would have liked to see it more intimately at work. Such failures of opportunity and of penetration, however, are but the daily bread of the visionary tourist. Whenever I dip back, in fond memory, none the less, into the vision I have here attempted once more to call up, I see the whole thing overswept as by the colossal extended arms, waving the magical baton, of some high-stationed orchestral leader, the absolute presiding power, conscious of every note of every instrument, controlling and commanding the whole volume of sound, keeping the whole effect together and making it what it is. What may one say of such a spirit if not that he understands, so to speak, the forces he sways, understands his boundless American material and plays with it like a master indeed? One sees it thus, in its crude plasticity, almost in the likeness of an army of puppets whose strings the wealth of his technical imagination teaches him innumerable ways of pulling, and yet whose innocent, whose always ingenuous agitation of their members he has found means to make them think of themselves as delightfully free and easy. Such was my impression of the perfection of the concert that, for fear of its being spoiled by some chance false note, I never went into the place again.

  It might meanwhile seem no great adventure merely to walk the streets; but (beside the fact that there is, in general, never a better way of taking in life), this pursuit irresistibly solicited, on the least pretext, the observer whose impressions I note—accustomed as he had ever been conscientiously to yield to it: more particularly with the relenting year, when the breath of spring, mildness being really installed, appeared the one vague and disinterested presence in the place, the one presence not vociferous and clamorous. Any definite presence that doesn’t bellow and bang takes on in New York by that simple fact a distinction practically exquisite; so that one goes forth to meet it as a guest of honour, and that, for my own experience, I remember certain aimless strolls as snatches of intimate communion with the spirit of May and June—as abounding, almost to enchantment, in the comparatively still condition. Two secrets, at this time, seemed to profit by that influence to tremble out; one of these to the effect that New York would really have been “meant” to be charming, and the other to the effect that the restless analyst, willing at the lightest persuasion to let so much of its ugliness edge away unscathed from his analysis, must have had for it, from far back, one of those loyalties that are beyond any reason.

  “It’s all very well,” the voice of the air seemed to say, if I may so take it up; “it’s all very well to ‘criticize,’ but you distinctly take an interest and are the victim of your interest, be the grounds of your perversity what they will. You can’t escape from it, and don’t you see that this, precisely, is what makes an adventure for you (an adventure, I admit, as with some strident, battered, questionable beauty, truly some ‘bold bad’ charmer), of almost any odd stroll, or waste half-hour, or other promiscuous passage, that results for you in an impression? There is always your bad habit of receiving through almost any accident of vision more impressions than you know what to do with; but that, for common convenience, is your eternal handicap and may not be allowed to plead here against your special responsibility. You care for the terrible town, yea even for the ‘horrible,’ as I have overheard you call it, or at least think it, when you supposed no one would know; and you see now how, if you fly such fancies as that it was conceivably meant to be charming, you are tangled by that weakness in some underhand imagination of its possibly, one of these days, as a riper fruit of time, becoming so. To do that, you indeed sneakingly provide, it must get away from itself; but you are ready to follow its hypothetic dance even to the mainland and to the very end of its tether. What makes the general relation of your adventure with it is that, at bottom, you are all the while wondering, in presence of the aspects of its genius and its shame, what elements or parts, if any, would be worth its saving, worth carrying off for the fresh embodiment and the better life, and which of them would have, on the other hand, to face the notoriety of going first by the board. I have literally heard you qualify the monster as ‘shameless’—though that was wrung from you, I admit, by the worst of the winter conditions, when circulation, in any fashion consistent with personal decency or dignity, was merely mocked at, when the stony-hearted ‘trolleys,’ cars of Juggernaut in their power to squash, triumphed all along the line, when the February blasts became as cyclones in the darkened gorges of masonry (which down-town, in particular, put on, at their mouths, the semblance of black rat-holes, holes of gigantic rats, inhabited by whirlwinds;) when all the pretences and impunities and infirmities, in fine, had massed themselves to be hurled at you in the fury of the elements, in the character of the traffic, in the unadapted state of the place to almost any dense movement, and, beyond everything, in that pitch of all the noises which acted on your nerves as so much wanton provocation, so much conscious cynicism. The fury of sound took the form of derision of the rest of your woe, and thus it might, I admit, have struck you as brazen that the horrible place should, in such confessed collapse, still be swaggering and shouting. It might have struck you that great cities, with the eyes of the world on them, as the phrase is, should be capable either of a proper form or (failing this) of a proper compunction; which tributes to propriety were, on the part of New York, equally wanting. This made you remark, precisely, that nothing was wanting, on the other hand, to that analogy with the character of the bad bold
beauty, the creature the most blatant of whose pretensions is that she is one of those to whom everything is always forgiven. On what ground ‘forgiven’? of course you ask; but note that you ask it while you’re in the very act of forgiving. Oh yes, you are; you’ve as much as said so yourself. So there it all is; arrange it as you can. Poor dear bad bold beauty; there must indeed be something about her –-!”

  Let me grant then, to get on, that there was doubtless, in the better time, something about her; there was enough about her, at all events, to conduce to that distinct cultivation of her company for which the contemplative stroll, when there was time for it, was but another name. The analogy was in truth complete; since the repetition of such walks, and the admission of the beguiled state contained in them, resembled nothing so much as the visits so often still incorrigibly made to compromised charmers. I defy even a master of morbid observation to perambulate New York unless he be interested; so that in a case of memories so gathered the interest must be taken as a final fact. Let me figure it, to this end, as lively in every connection—and so indeed no more lively at one mild crisis than at another. The crisis—even of observation at the morbid pitch—is inevitably mild in cities intensely new; and it was with the quite peculiarly insistent newness of the upper reaches of the town that the spirit of romantic inquiry had always, at the best, to reckon. There are new cities enough about the world, goodness knows, and there are new parts enough of old cities—for examples of which we need go no farther than London, Paris and Rome, all of late so mercilessly renovated. But the newness of New York—unlike even that of Boston, I seemed to discern—had this mark of its very own, that it affects one, in every case, as having treated itself as still more provisional, if possible, than any poor dear little interest of antiquity it may have annihilated. The very sign of its energy is that it doesn’t believe in itself; it fails to succeed, even at a cost of millions, in persuading you that it does. Its mission would appear to be, exactly, to gild the temporary, with its gold, as many inches thick as may be, and then, with a fresh shrug, a shrug of its splendid cynicism for its freshly detected inability to convince, give up its actual work, however exorbitant, as the merest of stop-gaps. The difficulty with the compromised charmer is just this constant inability to convince; to convince ever, I mean, that she is serious, serious about any form whatever, or about anything but that perpetual passionate pecuniary purpose which plays with all forms, which derides and devours them, though it may pile up the cost of them in order to rest a while, spent and haggard, in the illusion of their finality.