The Complete Works of Henry James

by Henry James

  To what measureless extent he does this on occasion one was to learn, in due course, from his magnificent Lincoln at Chicago—the lesson there being simply that of a mystery exquisite, the absolute inscrutable; one of the happiest cases known to our time, known doubtless to any time, of the combination of intensity of effect with dissimulation, with deep disavowal, of process. After seeing the Lincoln one consents, for its author, to the drop of questions—that is the lame truth; a truth in the absence of which I should have risked another word or two, have addressed perhaps even a brief challenge to a certain ambiguity in the Sherman. Its idea, to which I have alluded, strikes me as equivocal, or more exactly as double; the image being, on the one side, and splendidly rendered, that of an overwhelming military advance, an irresistible march into an enemy’s country—the strain forward, the very inflation of drapery with the rush, symbolizing the very breath of the Destroyer. But the idea is at the same time—which part of it is also admirably expressed—that the Destroyer is a messenger of peace, with the olive branch too waved in the blast and with embodied grace, in the form of a beautiful American girl, attending his business. And I confess to a lapse of satisfaction in the presence of this interweaving—the result doubtless of a sharp suspicion of all attempts, however glittering and golden, to confound destroyers with benefactors. The military monument in the City Square responds evidently, wherever a pretext can be found for it, to a desire of men’s hearts; but I would have it always as military as possible, and I would have the Destroyer, in intention at least, not docked of one of his bristles. I would have him deadly and terrible, and, if he be wanted beautiful, beautiful only as a war-god and crested not with peace, but with snakes. Peace is a long way round from him, and blood and ashes in between. So, with a less intimate perversity, I think, than that of Mr. Saint-Gaudens’s brilliant scheme, I would have had a Sherman of the terrible march (the “immortal” march, in all abundance, if that be the needed note), not irradiating benevolence, but signifying, by every ingenious device, the misery, the ruin and the vengeance of his track. It is not one’s affair to attempt to teach an artist how such horrors may be monumentally signified; it is enough that their having been perpetrated is the very ground of the monument. And monuments should always have a clean, clear meaning.

  IV

  I must positively get into the gate of the Park, however—even at the risk of appearing to have marched round through Georgia to do so. I found myself, in May and June, getting into it whenever I could, and if I spoke just now of the loud and inexpensive charm (inexpensive in the aesthetic sense) of the precinct of approach to it, that must positively have been because the Park diffuses its grace. One grasped at every pretext for finding it inordinately amiable, and nothing was more noteworthy than that one felt, in doing so, how this was the only way to play the game in fairness. The perception comes quickly, in New York, of the singular and beautiful but almost crushing mission that has been laid, as an effect of time, upon this limited territory, which has risen to the occasion, from the first, so consistently and bravely. It is a case, distinctly, in which appreciation and gratitude for a public function admirably performed are twice the duty, on the visitor’s part, that they may be in other such cases. We may even say, putting it simply and strongly, that if he doesn’t here, in his thought, keep patting the Park on the back, he is guilty not alone of a failure of natural tenderness, but of a real deviation from social morality. For this mere narrow oblong, much too narrow and very much too short, had directly prescribed to it, from its origin, to “do,” officially, on behalf of the City, the publicly amiable, and all the publicly amiable—all there could be any question of in the conditions: incurring thus a heavier charge, I respectfully submit, than one has ever before seen so gallantly carried. Such places, the municipally-instituted pleasure-grounds of the greater and the smaller cities, abound about the world and everywhere, no doubt, agreeably enough play their part; but is the part anywhere else as heroically played in proportion to the difficulty? The difficulty in New York, that is the point for the restless analyst; conscious as he is that other cities even in spite of themselves lighten the strain and beguile the task—a burden which here on the contrary makes every inch of its weight felt. This means a good deal, for the space comprised in the original New York scheme represents in truth a wonderful economy and intensity of effort. It would go hard with us not to satisfy ourselves, in other quarters (and it is of the political and commercial capitals we speak), of some such amount of “general” outside amenity, of charm in the town at large, as may here and there, even at widely-scattered points, relieve the o’erfraught heart. The sense of the picturesque often finds its account in strange and unlikely matters, but has none the less a way of finding it, and so, in the coming and going, takes the chance. But the New York problem has always resided in the absence of any chance to take, however one might come and go—come and go, that is, before reaching the Park.

  To the Park, accordingly, and to the Park only, hitherto, the aesthetic appetite has had to address itself, and the place has therefore borne the brunt of many a peremptory call, acting out year after year the character of the cheerful, capable, bustling, even if overworked, hostess of the one inn, somewhere, who has to take all the travel, who is often at her wits’ end to know how to deal with it, but who, none the less, has, for the honour of the house, never once failed of hospitality. That is how we see Central Park, utterly overdone by the “run” on its resources, yet also never having had to make an excuse. When once we have taken in thus its remarkable little history, there is no endearment of appreciation that we are not ready to lay, as a tribute, on its breast; with the interesting effect, besides, of our recognizing in this light how the place has had to be, in detail and feature, exactly what it is. It has had to have something for everybody, since everybody arrives famished; it has had to multiply itself to extravagance, to pathetic little efforts of exaggeration and deception, to be, breathlessly, everywhere and everything at once, and produce on the spot the particular romantic object demanded, lake or river or cataract, wild woodland or teeming garden, boundless vista or bosky nook, noble eminence or smiling valley. It has had to have feature at any price, the clamour of its customers being inevitably for feature; which accounts, as we forgivingly see, for the general rather eruptive and agitated effect, the effect of those old quaint prints which give in a single view the classic, gothic and other architectural wonders of the world. That is its sole defect—its being inevitably too self-conscious, being afraid to be just vague and frank and quiet. I should compare her again—and the propriety is proved by this instinctively feminine pronoun—to an actress in a company destitute, through an epidemic or some other stress, of all other feminine talent; so that she assumes on successive nights the most dissimilar parts and ranges in the course of a week from the tragedy queen to the singing chambermaid. That valour by itself wins the public and brings down the house—it being really a marvel that she should in no part fail of a hit. Which is what I mean, in short, by the sweet ingratiation of the Park. You are perfectly aware, as you hang about her in May and June, that you have, as a travelled person, beheld more remarkable scenery and communed with nature in ampler or fairer forms; but it is quite equally definite to you that none of those adventures have counted more to you for experience, for stirred sensibility—inasmuch as you can be, at the best, and in the showiest countries, only thrilled by the pastoral or the awful, and as to pass, in New York, from the discipline of the streets to this so different many-smiling presence is to be thrilled at every turn.

  The strange thing, moreover, is that the crowd, in the happiest seasons, at favouring hours, the polyglot Hebraic crowd of pedestrians in particular, has, for what it is, none but the mildest action on the nerves. The nerves are too grateful, the intention of beauty everywhere too insistent; it “places” the superfluous figures with an art of its own, even when placing them in heavy masses, and they become for you practically as your fellow-spectators of the thea
tre, whose proximity you take for granted, while the little overworked cabotine we have hypothesized, the darling of the public, is vocalizing or capering. I recall as singularly contributive in all this sense the impression of a splendid Sunday afternoon of early summer, when, during a couple of hours spent in the mingled medium, the variety of accents with which the air swarmed seemed to make it a question whether the Park itself or its visitors were most polyglot. The condensed geographical range, the number of kinds of scenery in a given space, competed with the number of languages heard, and the whole impression was of one’s having had but to turn in from the Plaza to make, in the most agreeable manner possible, the tour of the little globe. And that, frankly, I think, was the best of all impressions—was seeing New York at its best; for if ever one could feel at one’s ease about the “social question,” it would be surely, somehow, on such an occasion. The number of persons in circulation was enormous—so great that the question of how they had got there, from their distances, and would get away again, in the so formidable public conveyances, loomed, in the background, rather like a skeleton at the feast; but the general note was thereby, intensely, the “popular,” and the brilliancy of the show proportionately striking. That is the great and only brilliancy worth speaking of, to my sense, in the general American scene—the air of hard prosperity, the ruthlessly pushed-up and promoted look worn by men, women and children alike. I remember taking that appearance, of the hour or two, for a climax to the sense that had most remained with me after a considerable previous moving about over the land, the sense of the small quantity of mere human sordidness of state to be observed.

  One is liable to observe it in any best of all possible worlds, and I had not, in truth, gone out of my way either to avoid it or to look for it; only I had met it enough, in other climes, without doing so, and had, to be veracious, not absolutely and utterly missed it in the American. Images of confirmed (though, strangely, of active, occupied and above all “sensitive”) squalor had I encountered in New Hampshire hills; also, below the Southern line, certain special, certain awful examples, in Black and White alike, of the last crudity of condition. These spots on the picture had, however, lost themselves in the general attestation of the truth most forced home, the vision of the country as, supremely, a field for the unhampered revel, the unchecked essor, material and moral, of the “common man” and the common woman. How splendidly they were making it all answer, for the most part, or to the extent of the so rare public collapse of the individual, had been an observation confirmed for me by a rapid journey to the Pacific coast and back; yet I had doubtless not before seen it so answer as in this very concrete case of the swarming New York afternoon. It was little to say, in that particular light, that such grossnesses as want or tatters or gin, as the unwashed face or the ill-shod, and still less the unshod, foot, or the mendicant hand, became strange, unhappy, far-off things—it would even have been an insult to allude to them or to be explicitly complacent about their absence. The case was, unmistakably, universally, of the common, the very common man, the very common woman and the very common child; but all enjoying what I have called their promotion, their rise in the social scale, with that absence of acknowledging flutter, that serenity of assurance, which marks, for the impressed class, the school-boy or the school-girl who is accustomed, and who always quite expects, to “move up.” The children at play, more particularly the little girls, formed the characters, as it were, in which the story was written largest; frisking about over the greenswards, grouping together in the vistas, with an effect of the exquisite in attire, of delicacies of dress and personal “keep-up,” as through the shimmer of silk, the gloss of beribboned hair, the gleam of cared-for teeth, the pride of varnished shoe, that might well have created a doubt as to their “popular” affiliation. This affiliation was yet established by sufficiencies of context, and might well have been, for that matter, by every accompanying vocal or linguistic note, the swarm of queer sounds, mostly not to be interpreted, that circled round their pretty heads as if they had been tamers of odd, outlandish, perching little birds. They fell moreover into the vast category of those ubiquitous children of the public schools who occupy everywhere, in the United States, so much of the forefront of the stage, and at the sight of whose so remarkably clad and shod condition the brooding analyst, with the social question never, after all, too much in abeyance, could clap, in private, the most reactionary hands.

  The brooding analyst had in fact, from the first of his return, recognized in the mere detail of the testimony everywhere offered to the high pitch of the American shoe-industry, a lively incentive to cheerful views; the population showing so promptly, in this connection, as the best equipped in the world. The impression at first had been irresistible: two industries, at the most, seemed to rule the American scene. The dentist and the shoe-dealer divided it between them; to that degree, positively, that in public places, in the perpetual electric cars which seem to one’s desperation at times (so condemned is one to live in them) all there measurably is of the American scene, almost any other typical, any other personal fact might be neglected, for consideration, in the interest of the presentable foot and the far-shining dental gold. It was a world in which every one, without exception, no matter how “low” in the social scale, wore the best and the newest, the neatest and the smartest, boots; to be added to which (always for the brooding analyst) was the fascination, so to speak, of noting how much more than any other single thing this may do for a possibly compromised appearance. And if my claim for the interest of this exhibition seems excessive, I refer the objector without hesitation to a course of equivalent observation in other countries, taking an equally miscellaneous show for his basis. Nothing was more curious than to trace, on a great ferry-boat, for instance, the effect of letting one’s eyes work up, as in speculation, from the lower to the higher extremities of some seated row of one’s fellow passengers. The testimony of the lower might preponderantly have been, always, to their comparative conquest of affluence and ease; but this presumption gave way, at successive points, with the mounting vision, and was apt to break down entirely under the evidence of face and head. When I say “head,” I mean more particularly, where the men were, concerned, hat; this feature of the equipment being almost always at pains, and with the oddest, most inveterate perversity, to defeat and discredit whatever might be best in the others. Such are the problems in which a restless analysis may land us.

  Why should the general “feeling” for the boot, in the United States, be so mature, so evolved, and the feeling for the hat lag at such a distance behind it? The standard as to that article of dress struck me as, everywhere, of the lowest; governed by no consensus of view, custom or instinct, no sense of its “vital importance” in the manly aspect. And yet the wearer of any loose improvisation in the way of a head-cover will testify as frankly, in his degree, to the extreme consideration given by the community at large, as I have intimated, to the dental question. The terms in which this evidence is presented are often, among the people, strikingly artless, but they are a marked advance on the omnipresent opposite signs, those of a systematic detachment from the chair of anguish, with which any promiscuous “European” exhibition is apt to bristle. I remember to have heard it remarked by a French friend, of a young woman who had returned to her native land after some years of domestic service in America, that she had acquired there, with other advantages, le sourire Californien, and the “Californian” smile, indeed, expressed, more or less copiously, in undissimulated cubes of the precious metal, plays between lips that render scant other tribute to civilization. The greater interest, in this connection, however, is that impression of the state and appearance of the teeth viewed among the “refined” as supremely important, which the restored absentee, long surrounded elsewhere with the strangest cynicisms of indifference on this article, makes the subject of one of his very first notes. Every one, in “society,” has good, handsome, pretty, has above all cherished and tended, teeth; so that the of
fered spectacle, frequent in other societies, of strange irregularities, protrusions, deficiencies, fangs and tusks and cavities, is quite refreshingly and consolingly absent. The consequences of care and forethought, from an early age, thus write themselves on the facial page distinctly and happily, and it is not too much to say that the total show is, among American aspects, cumulatively charming. One sees it sometimes balance, for charm, against a greater number of less fortunate items, in that totality, than one would quite know how to begin estimating.