The Complete Works of Henry James

by Henry James

  “Oh, Flora’s by no means on her back!” my interlocutress laughed.

  “She’s not on her back because she’s on yours. Have you got her for the rest of your life?”

  Once more my hostess genially glared at me. “Did she tell you how much the Hammond Synges have kindly left her to live on? Not quite eighty pounds a year.”

  “That’s a good deal, but it won’t pay the oculist. What was it that at last induced her to submit to him?”

  “Her general collapse after that brute of an Iffield’s rupture. She cried her eyes out—she passed through a horror of black darkness. Then came a gleam of light, and the light appears to have broadened. She went into goggles as repentant Magdalens go into the Catholic Church.”

  “Yet you don’t think she’ll be saved?”

  “She thinks she will—that’s all I can tell you. There’s no doubt that when once she brought herself to accept her real remedy, as she calls it, she began to enjoy a relief that she had never known. That feeling, very new and in spite of what she pays for it most refreshing, has given her something to hold on by, begotten in her foolish little mind a belief that, as she says, she’s on the mend and that in the course of time, if she leads a tremendously healthy life, she’ll be able to take off her muzzle and become as dangerous again as ever. It keeps her going.”

  “And what keeps you? You’re good until the parties begin again.”

  “Oh, she doesn’t object to me now!” smiled Mrs. Meldrum. “I’m going to take her abroad; we shall be a pretty pair.” I was struck with this energy and after a moment I inquired the reason of it. “It’s to divert her mind,” my friend replied, reddening again, I thought, a little. “We shall go next week: I’ve only waited, to start, to see how your mother would be.” I expressed to her hereupon my sense of her extraordinary merit and also that of the inconceivability of Flora’s fancying herself still in a situation not to jump at the chance of marrying a man like Dawling. “She says he’s too ugly; she says he’s too dreary; she says in fact he’s ‘nobody,’” Mrs. Meldrum pursued. “She says above all that he’s not ‘her own sort.’ She doesn’t deny that he’s good, but she insists on the fact that he’s grotesque. He’s quite the last person she would ever dream of.” I was almost disposed on hearing this to protest that if the girl had so little proper feeling her noble suitor had perhaps served her right; but after a while my curiosity as to just how her noble suitor had served her got the better of that emotion, and I asked a question or two which led my companion again to apply to him the invidious epithet I have already quoted. What had happened was simply that Flora had at the eleventh hour broken down in the attempt to put him off with an uncandid account of her infirmity and that his lordship’s interest in her had not been proof against the discovery of the way she had practised on him. Her dissimulation, he was obliged to perceive, had been infernally deep. The future in short assumed a new complexion for him when looked at through the grim glasses of a bride who, as he had said to some one, couldn’t really, when you came to find out, see her hand before her face. He had conducted himself like any other jockeyed customer—he had returned the animal as unsound. He had backed out in his own way, giving the business, by some sharp shuffle, such a turn as to make the rupture ostensibly Flora’s, but he had none the less remorselessly and basely backed out. He had cared for her lovely face, cared for it in the amused and haunted way it had been her poor little delusive gift to make men care; and her lovely face, damn it, with the monstrous gear she had begun to rig upon it, was just what had let him in. He had in the judgment of his family done everything that could be expected of him; he had made—Mrs. Meldrum had herself seen the letter—a “handsome” offer of pecuniary compensation. Oh, if Flora, with her incredible buoyancy, was in a manner on her feet again now, it was not that she had not for weeks and weeks been prone in the dust. Strange were the humiliations, the prostrations it was given to some natures to survive. That Flora had survived was perhaps after all a sort of sign that she was reserved for some final mercy. “But she has been in the abysses at any rate,” said Mrs. Meldrum, “and I really don’t think I can tell you what pulled her through.”

  “I think I can tell you,” I said. “What in the world but Mrs. Meldrum?”

  At the end of an hour Flora had not come in, and I was obliged to announce that I should have but time to reach the station, where, in charge of my mother’s servant, I was to find my luggage. Mrs. Meldrum put before me the question of waiting till a later train, so as not to lose our young lady; but I confess I gave this alternative a consideration less profound than I pretended. Somehow I didn’t care if I did lose our young lady. Now that I knew the worst that had befallen her it struck me still less as possible to meet her on the ground of condolence; and with the melancholy aspect she wore to me what other ground was left? I lost her, but I caught my train. In truth she was so changed that one hated to see it; and now that she was in charitable hands one didn’t feel compelled to make great efforts. I had studied her face for a particular beauty; I had lived with that beauty and reproduced it; but I knew what belonged to my trade well enough to be sure it was gone for ever.

  XII

  I was soon called back to Folkestone; but Mrs. Meldrum and her young friend had already left England, finding to that end every convenience on the spot and not having had to come up to town. My thoughts however were so painfully engaged there that I should in any case have had little attention for them: the event occurred that was to bring my series of visits to a close. When this high tide had ebbed I returned to America and to my interrupted work, which had opened out on such a scale that, with a deep plunge into a great chance, I was three good years in rising again to the surface. There are nymphs and naiads moreover in the American depths: they may have had something to do with the duration of my dive. I mention them to account for a grave misdemeanour—the fact that after the first year I rudely neglected Mrs. Meldrum. She had written to me from Florence after my mother’s death and had mentioned in a postscript that in our young lady’s calculations the lowest numbers were now Italian counts. This was a good omen, and if in subsequent letters there was no news of a sequel I was content to accept small things and to believe that grave tidings, should there be any, would come to me in due course. The gravity of what might happen to a featherweight became indeed with time and distance less appreciable, and I was not without an impression that Mrs. Meldrum, whose sense of proportion was not the least of her merits, had no idea of boring the world with the ups and downs of her pensioner. The poor girl grew dusky and dim, a small fitful memory, a regret tempered by the comfortable consciousness of how kind Mrs. Meldrum would always be to her. I was professionally more preoccupied than I had ever been, and I had swarms of pretty faces in my eyes and a chorus of high voices in my ears. Geoffrey Dawling had on his return to England written me two or three letters: his last information had been that he was going into the figures of rural illiteracy. I was delighted to receive it and had no doubt that if he should go into figures they would, as they are said to be able to prove anything, prove at least that my advice was sound and that he had wasted time enough. This quickened on my part another hope, a hope suggested by some roundabout rumour—I forget how it reached me—that he was engaged to a girl down in Hampshire. He turned out not to be, but I felt sure that if only he went into figures deep enough he would become, among the girls down in Hampshire or elsewhere, one of those numerous prizes of battle whose defences are practically not on the scale of their provocations. I nursed in short the thought that it was probably open to him to become one of the types as to which, as the years go on, frivolous and superficial spectators lose themselves in the wonder that they ever succeeded in winning even the least winsome mates. He never alluded to Flora Saunt; and there was in his silence about her, quite as in Mrs. Meldrum’s, an element of instinctive tact, a brief implication that if you didn’t happen to have been in love with her she was not an inevitable topic.

  Within a week
after my return to London I went to the opera, of which I had always been much of a devotee. I arrived too late for the first act of “Lohengrin,” but the second was just beginning, and I gave myself up to it with no more than a glance at the house. When it was over I treated myself, with my glass, from my place in the stalls, to a general survey of the boxes, making doubtless on their contents the reflections, pointed by comparison, that are most familiar to the wanderer restored to London. There was a certain proportion of pretty women, but I suddenly became aware that one of these was far prettier than the others. This lady, alone in one of the smaller receptacles of the grand tier and already the aim of fifty tentative glasses, which she sustained with admirable serenity—this single exquisite figure, placed in the quarter furthest removed from my stall, was a person, I immediately felt, to cause one’s curiosity to linger. Dressed in white, with diamonds in her hair and pearls on her neck, she had a pale radiance of beauty which even at that distance made her a distinguished presence and, with the air that easily attaches to lonely loveliness in public places, an agreeable mystery. A mystery however she remained to me only for a minute after I had levelled my glass at her: I feel to this moment the startled thrill, the shock almost of joy with which I suddenly encountered in her vague brightness a rich revival of Flora Saunt. I say a revival because, to put it crudely, I had on that last occasion left poor Flora for dead. At present perfectly alive again, she was altered only, as it were, by resurrection. A little older, a little quieter, a little finer and a good deal fairer, she was simply transfigured by recovery. Sustained by the reflection that even recovery wouldn’t enable her to distinguish me in the crowd, I was free to look at her well. Then it was it came home to me that my vision of her in her great goggles had been cruelly final. As her beauty was all there was of her, that machinery had extinguished her, and so far as I had thought of her in the interval I had thought of her as buried in the tomb her stern specialist had built. With the sense that she had escaped from it came a lively wish to return to her; and if I didn’t straightway leave my place and rush round the theatre and up to her box it was because I was fixed to the spot some moments longer by the simple inability to cease looking at her.

  She had been from the first of my seeing her practically motionless, leaning back in her chair with a kind of thoughtful grace and with her eyes vaguely directed, as it seemed to me, to one of the boxes on my side of the house and consequently over my head and out of my sight. The only movement she made for some time was to finger with an ungloved hand and as if with the habit of fondness the row of pearls on her neck, which my glass showed me to be large and splendid. Her diamonds and pearls, in her solitude, mystified me, making me, as she had had no such brave jewels in the days of the Hammond Synges, wonder what undreamt-of improvement had taken place in her fortunes. The ghost of a question hovered there a moment: could anything so prodigious have happened as that on her tested and proved amendment Lord Iffield had taken her back? This could not have occurred without my hearing of it; and moreover if she had become a person of such fashion where was the little court one would naturally see at her elbow? Her isolation was puzzling, though it could easily suggest that she was but momentarily alone. If she had come with Mrs. Mel-drum that lady would have taken advantage of the interval to pay a visit to some other box—doubtless the box at which Flora had just been looking. Mrs. Meldrum didn’t account for the jewels, but the refreshment of Flora’s beauty accounted for anything. She presently moved her eyes over the house, and I felt them brush me again like the wings of a dove. I don’t know what quick pleasure flickered into the hope that she would at last see me. She did see me: she suddenly bent forward to take up the little double-barrelled ivory glass that rested on the edge of the box and, to all appearance, fix me with it. I smiled from my place straight up at the searching lenses, and after an instant she dropped them and smiled as straight back at me. Oh, her smile: it was her old smile, her young smile, her peculiar smile made perfect! I instantly left my stall and hurried off for a nearer view of it; quite flushed, I remember, as I went, with the annoyance of having happened to think of the idiotic way I had tried to paint her. Poor Iffield with his sample of that error, and still poorer Dawling in particular with his! I hadn’t touched her, I was professionally humiliated, and as the attendant in the lobby opened her box for me I felt that the very first thing I should have to say to her would be that she must absolutely sit to me again.

  XIII

  She gave me the smile once more as over her shoulder, from her chair, she turned her face to me. “Here you are again!” she exclaimed with her disgloved hand put up a little backward for me to take. I dropped into a chair just behind her and, having taken it and noted that one of the curtains of the box would make the demonstration sufficiently private, bent my lips over it and impressed them on its finger-tips. It was given me however, to my astonishment, to feel next that all the privacy in the world couldn’t have sufficed to mitigate the start with which she greeted this free application of my moustache: the blood had jumped to her face, she quickly recovered her hand and jerked at me, twisting herself round, a vacant, challenging stare. During the next few instants several extraordinary things happened, the first of which was that now I was close to them the eyes of loveliness I had come up to look into didn’t show at all the conscious light I had just been pleased to see them flash across the house: they showed on the contrary, to my confusion, a strange, sweet blankness, an expression I failed to give a meaning to until, without delay, I felt on my arm, directed to it as if instantly to efface the effect of her start, the grasp of the hand she had impulsively snatched from me. It was the irrepressible question in this grasp that stopped on my lips all sound of salutation. She had mistaken my entrance for that of another person, a pair of lips without a moustache. She was feeling me to see who I was! With the perception of this and of her not seeing me I sat gaping at her and at the wild word that didn’t come, the right word to express or to disguise my stupefaction. What was the right word to commemorate one’s sudden discovery, at the very moment too at which one had been most encouraged to count on better things, that one’s dear old friend had gone blind? Before the answer to this question dropped upon me—and the moving moments, though few, seemed many—I heard, with the sound of voices, the click of the attendant’s key on the other side of the door. Poor Flora heard also, and with the hearing, still with her hand on my arm, she brightened again as I had a minute since seen her brighten across the house: she had the sense of the return of the person she had taken me for—the person with the right pair of lips, as to whom I was for that matter much more in the dark than she. I gasped, but my word had come: if she had lost her sight it was in this very loss that she had found again her beauty. I managed to speak while we were still alone, before her companion had appeared. “You’re lovelier at this day than you have ever been in your life!” At the sound of my voice and that of the opening of the door her excitement broke into audible joy. She sprang up, recognising me, always holding me, and gleefully cried to a gentleman who was arrested in the doorway by the sight of me: “He has come back, he has come back, and you should have heard what he says of me!” The gentleman was Geoffrey Dawling, and I thought it best to let him hear on the spot. “How beautiful she is, my dear man—but how extraordinarily beautiful! More beautiful at this hour than ever, ever before!”

  It gave them almost equal pleasure and made Dawling blush up to his eyes; while this in turn produced, in spite of deepened astonishment, a blessed snap of the strain that I had been under for some moments. I wanted to embrace them both, and while the opening bars of another scene rose from the orchestra I almost did embrace Dawling, whose first emotion on beholding me had visibly and ever so oddly been a consciousness of guilt. I had caught him somehow in the act, though that was as yet all I knew; but by the time we had sunk noiselessly into our chairs again (for the music was supreme, Wagner passed first) my demonstration ought pretty well to have given him the limit of the
criticism he had to fear. I myself indeed, while the opera blazed, was only too afraid he might divine in our silent closeness the very moral of my optimism, which was simply the comfort I had gathered from seeing that if our companion’s beauty lived again her vanity partook of its life. I had hit on the right note—that was what eased me off: it drew all pain for the next half-hour from the sense of the deep darkness in which the stricken woman sat there. If the music, in that darkness, happily soared and swelled for her, it beat its wings in unison with those of a gratified passion. A great deal came and went between us without profaning the occasion, so that I could feel at the end of twenty minutes as if I knew almost everything he might in kindness have to tell me; knew even why Flora, while I stared at her from the stalls, had misled me by the use of ivory and crystal and by appearing to recognise me and smile. She leaned back in her chair in luxurious ease: I had from the first become aware that the way she fingered her pearls was a sharp image of the wedded state. Nothing of old had seemed wanting to her assurance; but I hadn’t then dreamed of the art with which she would wear that assurance as a married woman. She had taken him when everything had failed; he had taken her when she herself had done so. His embarrassed eyes confessed it all, confessed the deep peace he found in it. They only didn’t tell me why he had not written to me, nor clear up as yet a minor obscurity. Flora after a while again lifted the glass from the ledge of the box and elegantly swept the house with it. Then, by the mere instinct of her grace, a motion but half conscious, she inclined her head into the void with the sketch of a salute, producing, I could see, a perfect imitation of a response to some homage. Dawling and I looked at each other again: the tears came into his eyes. She was playing at perfection still, and her misfortune only simplified the process.