The Complete Works of Henry James

by Henry James

  This was clear to him on several occasions when she recited or motioned or even merely looked something for him better than usual; then she quite carried him away, making him wish to ask no more questions, but only let her disembroil herself in her own strong fashion. In these hours she gave him forcibly if fitfully that impression of beauty which was to be her justification. It was too soon for any general estimate of her progress; Madame Carré had at last given her a fine understanding as well as a sore, personal, an almost physical, sense of how bad she was. She had therefore begun on a new basis, had returned to the alphabet and the drill. It was a phase of awkwardness, the splashing of a young swimmer, but buoyancy would certainly come out of it. For the present there was mainly no great alteration of the fact that when she did things according to her own idea they were not, as yet and seriously judged, worth the devil, as Madame Carré said, and when she did them according to that of her instructress were too apt to be a gross parody of that lady’s intention. None the less she gave glimpses, and her glimpses made him feel not only that she was not a fool—this was small relief—but that he himself was not.

  He made her stick to her English and read Shakespeare aloud to him. Mrs. Rooth had recognised the importance of apartments in which they should be able to receive so beneficent a visitor, and was now mistress of a small salon with a balcony and a rickety flower-stand—to say nothing of a view of many roofs and chimneys—a very uneven waxed floor, an empire clock, an armoire à glace, highly convenient for Miriam’s posturings, and several cupboard doors covered over, allowing for treacherous gaps, with the faded magenta paper of the wall. The thing had been easily done, for Sherringham had said: “Oh we must have a sitting-room for our studies, you know, and I’ll settle it with the landlady,” Mrs. Rooth had liked his “we”—indeed she liked everything about him—and he saw in this way that she heaved with no violence under pecuniary obligations so long as they were distinctly understood to be temporary. That he should have his money back with interest as soon as Miriam was launched was a comfort so deeply implied that it only added to intimacy. The window stood open on the little balcony, and when the sun had left it Peter and Miriam could linger there, leaning on the rail and talking above the great hum of Paris, with nothing but the neighbouring tiles and tall tubes to take account of. Mrs. Rooth, in limp garments much ungirdled, was on the sofa with a novel, making good her frequent assertion that she could put up with any life that would yield her these two conveniences. There were romantic works Peter had never read and as to which he had vaguely wondered to what class they were addressed—the earlier productions of M. Eugène Sue, the once-fashionable compositions of Madame Sophie Gay—with which Mrs. Rooth was familiar and which she was ready to enjoy once more if she could get nothing fresher. She had always a greasy volume tucked under her while her nose was bent upon the pages in hand. She scarcely looked up even when Miriam lifted her voice to show their benefactor what she could do. These tragic or pathetic notes all went out of the window and mingled with the undecipherable concert of Paris, so that no neighbour was disturbed by them. The girl shrieked and wailed when the occasion required it, and Mrs. Rooth only turned her page, showing in this way a great esthetic as well as a great personal trust.

  She rather annoyed their visitor by the serenity of her confidence—for a reason he fully understood only later—save when Miriam caught an effect or a tone so well that she made him in the pleasure of it forget her parent’s contiguity. He continued to object to the girl’s English, with its foreign patches that might pass in prose but were offensive in the recitation of verse, and he wanted to know why she couldn’t speak like her mother. He had justly to acknowledge the charm of Mrs. Rooth’s voice and tone, which gave a richness even to the foolish things she said. They were of an excellent insular tradition, full both of natural and of cultivated sweetness, and they puzzled him when other indications seemed to betray her—to refer her to more common air. They were like the reverberation of some far-off tutored circle.

  The connexion between the development of Miriam’s genius and the necessity of an occasional excursion to the country—the charming country that lies in so many directions beyond the Parisian banlieue—would not have been immediately apparent to a superficial observer; but a day, and then another, at Versailles, a day at Fontainebleau and a trip, particularly harmonious and happy, to Rambouillet, took their places in our young man’s plan as a part of the indirect but contributive culture, an agency in the formation of taste. Intimations of the grand manner for instance would proceed in abundance from the symmetrical palace and gardens of Louis XIV. Peter “adored” Versailles and wandered there more than once with the ladies of the Hôtel de la Garonne. They chose quiet hours, when the fountains were dry; and Mrs. Rooth took an armful of novels and sat on a bench in the park, flanked by clipped hedges and old statues, while her young companions strolled away, walked to the Trianon, explored the long, straight vistas of the woods. Rambouillet was vague and vivid and sweet; they felt that they found a hundred wise voices there; and indeed there was an old white chateau which contained nothing but ghostly sounds. They found at any rate a long luncheon, and in the landscape the very spirit of silvery summer and of the French pictorial brush.

  I have said that in these days Sherringham wondered about many things, and by the time his leave of absence came this practice had produced a particular speculation. He was surprised that he shouldn’t be in love with Miriam Rooth and considered at moments of leisure the causes of his exemption. He had felt from the first that she was a “nature,” and each time she met his eyes it seemed to come to him straighter that her beauty was rare. You had to get the good view of her face, but when you did so it was a splendid mobile mask. And the wearer of this high ornament had frankness and courage and variety—no end of the unusual and the unexpected. She had qualities that seldom went together—impulses and shynesses, audacities and lapses, something coarse, popular, and strong all intermingled with disdains and languors and nerves. And then above all she was there, was accessible, almost belonged to him. He reflected ingeniously that he owed his escape to a peculiar cause—to the fact that they had together a positive outside object. Objective, as it were, was all their communion; not personal and selfish, but a matter of art and business and discussion. Discussion had saved him and would save him further, for they would always have something to quarrel about. Sherringham, who was not a diplomatist for nothing, who had his reasons for steering straight and wished neither to deprive the British public of a rising star nor to exchange his actual situation for that of a yoked impresario, blessed the beneficence, the salubrity, the pure exorcism of art. At the same time, rather inconsistently and feeling that he had a completer vision than before of that oddest of animals the artist who happens to have been born a woman, he felt warned against a serious connexion—he made a great point of the “serious”—with so slippery and ticklish a creature. The two ladies had only to stay in Paris, save their candle-ends and, as Madame Carré had enjoined, practise their scales: there were apparently no autumn visits to English country-houses in prospect for Mrs. Rooth. Peter parted with them on the understanding that in London he would look as thoroughly as possible into the question of an engagement. The day before he began his holiday he went to see Madame Carré, who said to him, “Vous devriez bien nous la laisser.”

  “She has something then–-?”

  “She has most things. She’ll go far. It’s the first time in my life of my beginning with a mistake. But don’t tell her so. I don’t flatter her. She’ll be too puffed up.”

  “Is she very conceited?” Sherringham asked.

  “Mauvais sujet!” said Madame Carré.

  It was on the journey to London that he indulged in some of those questionings of his state that I have mentioned; but I must add that by the time he reached Charing Cross—he smoked a cigar deferred till after the Channel in a compartment by himself—it had suddenly come over him that they were futile. Now that he had left
the girl a subversive, unpremeditated heart-beat told him—it made him hold his breath a minute in the carriage—that he had after all not escaped. He was in love with her: he had been in love with her from the first hour.

  BOOK THIRD

  XIII

  The drive from Harsh to the Place, as it was called thereabouts, could be achieved by swift horses in less than ten minutes; and if Mrs. Dallow’s ponies were capital trotters the general high pitch of the occasion made it all congruous they should show their speed. The occasion was the polling-day an hour after the battle. The ponies had kept pace with other driven forces for the week before, passing and repassing the neat windows of the flat little town—Mrs. Dallow had the complacent belief that there was none in the kingdom in which the flower-stands looked more respectable between the stiff muslin curtains—with their mistress behind them on her all but silver wheels. Very often she was accompanied by the Liberal candidate, but even when she was not the equipage seemed scarce less to represent his easy, friendly confidence. It moved in a radiance of ribbons and hand-bills and hand-shakes and smiles; of quickened commerce and sudden intimacy; of sympathy which assumed without presuming and gratitude which promised without soliciting. But under Julia’s guidance the ponies pattered now, with no indication of a loss of freshness, along the firm, wide avenue which wound and curved, to make up in large effect for not undulating, from the gates opening straight on the town to the Palladian mansion, high, square, grey, and clean, which stood among terraces and fountains in the centre of the park. A generous steed had been sacrificed to bring the good news from Ghent to Aix, but no such extravagance was after all necessary for communicating with Lady Agnes.

  She had remained at the house, not going to the Wheatsheaf, the Liberal inn, with the others; preferring to await in privacy and indeed in solitude the momentous result of the poll. She had come down to Harsh with the two girls in the course of the proceedings. Julia hadn’t thought they would do much good, but she was expansive and indulgent now and had generously asked them. Lady Agnes had not a nice canvassing manner, effective as she might have been in the character of the high, benignant, affable mother—looking sweet participation but not interfering—of the young and handsome, the shining, convincing, wonderfully clever and certainly irresistible aspirant. Grace Dormer had zeal without art, and Lady Agnes, who during her husband’s lifetime had seen their affairs follow the satisfactory principle of a tendency to defer to supreme merit, had never really learned the lesson that voting goes by favour. However, she could pray God if, she couldn’t make love to the cheesemonger, and Nick felt she had stayed at home to pray for him. I must add that Julia Dallow was too happy now, flicking her whip in the bright summer air, to say anything so ungracious even to herself as that her companion had been returned in spite of his nearest female relatives. Besides, Biddy had been a rosy help: she had looked persuasively pretty, in white and blue, on platforms and in recurrent carriages, out of which she had tossed, blushing and making people feel they would remember her eyes, several words that were telling for their very simplicity.

  Mrs. Dallow was really too glad for any definite reflexion, even for personal exultation, the vanity of recognising her own large share of the work. Nick was in and was now beside her, tired, silent, vague, beflowered and beribboned, and he had been splendid from beginning to end, beautifully good-humoured and at the same time beautifully clever—still cleverer than she had supposed he could be. The sense of her having quickened his cleverness and been repaid by it or by his gratitude—it came to the same thing—in a way she appreciated was not assertive and jealous: it was lost for the present in the general happy break of the long tension. So nothing passed between them in their progress to the house; there was no sound in the park but the pleasant rustle of summer—it seemed an applausive murmur—and the swift roll of the vehicle.

  Lady Agnes already knew, for as soon as the result was declared Nick had despatched a mounted man to her, carrying the figures on a scrawled card. He himself had been far from getting away at once, having to respond to the hubbub of acclamation, to speak yet again, to thank his electors individually and collectively, to chaff the Tories without cheap elation, to be carried hither and yon, and above all to pretend that the interest of the business was now greater for him than ever. If he had said never a word after putting himself in Julia’s hands to go home it was partly perhaps because the consciousness had begun to glimmer within him, on the contrary, of some sudden shrinkage of that interest. He wanted to see his mother because he knew she wanted to fold him close in her arms. They had been open there for this purpose the last half-hour, and her expectancy, now no longer an ache of suspense, was the reason of Julia’s round pace. Yet this very impatience in her somehow made Nick wince a little. Meeting his mother was like being elected over again.

  The others had not yet come back, and Lady Agnes was alone in the large, bright drawing-room. When Nick went in with Julia he saw her at the further end; she had evidently been walking up and down the whole length of it, and her tall, upright, black figure seemed in possession of the fair vastness after the manner of an exclamation-point at the bottom of a blank page. The room, rich and simple, was a place of perfection as well as of splendour in delicate tints, with precious specimens of French furniture of the last century ranged against walls of pale brocade, and here and there a small, almost priceless picture. George Dallow had made it, caring for these things and liking to talk about them—scarce ever about anything else; so that it appeared to represent him still, what was best in his kindly, limited nature, his friendly, competent, tiresome insistence on harmony—on identity of “period.” Nick could hear him yet, and could see him, too fat and with a congenital thickness in his speech, lounging there in loose clothes with his eternal cigarette. “Now my dear fellow, that‘s what I call form: I don’t know what you call it”—that was the way he used to begin. All round were flowers in rare vases, but it looked a place of which the beauty would have smelt sweet even without them.

  Lady Agnes had taken a white rose from one of the clusters and was holding it to her face, which was turned to the door as Nick crossed the threshold. The expression of her figure instantly told him—he saw the creased card he had sent her lying on one of the beautiful bare tables—how she had been sailing up and down in a majesty of satisfaction. The inflation of her long plain dress and the brightened dimness of her proud face were still in the air. In a moment he had kissed her and was being kissed, not in quick repetition, but in tender prolongation, with which the perfume of the white rose was mixed. But there was something else too—her sweet smothered words in his ear: “Oh my boy, my boy—oh your father, your father!” Neither the sense of pleasure nor that of pain, with Lady Agnes—as indeed with most of the persons with whom this history is concerned—was a liberation of chatter; so that for a minute all she said again was, “I think of Sir Nicholas and wish he were here”; addressing the words to Julia, who had wandered forward without looking at the mother and son.

  “Poor Sir Nicholas!” said Mrs. Dallow vaguely.

  “Did you make another speech?” Lady Agnes asked.

  “I don’t know. Did I?” Nick appealed.

  “I don’t know!”—and Julia spoke with her back turned, doing something to her hat before the glass.

  “Oh of course the confusion, the bewilderment!” said Lady Agnes in a tone rich in political reminiscence.

  “It was really immense fun,” Mrs. Dallow went so far as to drop.

  “Dearest Julia!” Lady Agnes deeply breathed. Then she added: “It was you who made it sure.”

  “There are a lot of people coming to dinner,” said Julia.

  “Perhaps you’ll have to speak again,” Lady Agnes smiled at her son.

  “Thank you; I like the way you talk about it!” cried Nick. “I’m like Iago: ‘from this time forth I never will speak word!’”

  “Don’t say that, Nick,” said his mother gravely.

  “Don’t be afraid—he’l
l jabber like a magpie!” And Julia went out of the room.

  Nick had flung himself on a sofa with an air of weariness, though not of completely extinct cheer; and Lady Agnes stood fingering her rose and looking down at him. His eyes kept away from her; they seemed fixed on something she couldn’t see. “I hope you’ve thanked Julia handsomely,” she presently remarked.