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AgathaChristie-TheReggataMystery

Page 11

by The Regatta Mystery (lit)


  is something here very curious."

  In

  the doorway of the Jardin des Cygnes, fat Luigi

  hurried forward.

  "Buona

  sera, M. Poirot. You desire a table--yes?"

  "No,

  no,

  my good Luigi. I seek here for some friends. I

  will look round--perhaps they are not here yet.

  Ah, let me see, that table there in the cor-ner with the

  yellow irises--a little question by the way, if it

  is not indiscreet. On all the other tables there are

  tulips--pink tulips--why on that one

  YELLOW IRIS

  107

  table do you have yellow iris?"

  Luigi shrugged his expressive shoulders.

  "A command, Monsieur! A. special order!

  Without doubt, the favorite flowers of one of the

  ladies. That table, it is the table of Mr. Barton

  Russell--an American--immensely rich."

  "Aha, one must study the whims of the ladies,

  must one not, Luigi?"

  "Monsieur has said it," said LLfigi.

  "I see at that table an acquaintance of mine. I

  must go and speak to him."

  Poirot skirted his way delicately round the

  dancing floor on which couples were revolving.

  The table in question was set for six, but it had at

  the moment only one occupant, a young man who

  was thoughtfully, and it seemed pessimistically,

  drinking champagne.

  He was not at all the person that Poirot had ex-pected

  to see. It seemed impossible to associate the

  idea of danger or melodrama with any party of

  which Tony Chapell was a member.

  Poirot paused delicately by the table.

  "Ah, it is, is it not, my friend Anthony Chap-ell?"

  "By all that's wonderful--Poirot the police

  hound!" cried the young man. "Not Anthony, my

  dear fellow--Tony to friends!"

  He drew out a chair.

  "Come, sit with me. Let us discourse of crime!

  Let us go further and drink to crime." He poured

  champagne into an empty glass. "But what are

  you doing in this haunt of song and dance and

  merriment, my dear Poirot? We have no bodies

  here, positively not a single body to offer you."

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  Agatha Christie

  Poirot sipped the champagne.

  "You seem very gay, man cher?"

  "Gay? I am steeped in miserymwallowing in

  gloom. Tell me, you hear this tune they are playing.

  You recognize it?"

  Poirot lazarded cautiously:

  "Something perhaps to do with your baby having

  left you?"

  "Not a bad guess," said the young man, "but

  wrong for once. 'There's nothing like love for

  making you miserable!' That's what it's called."

  "Aha?"

  "My favorite tune,." said Tony Chapell mournfully.

  "And my favorite restaurant and my favorite

  band--and my favorite girl's here and she's

  dancing it with somebody else."

  "Hence the melancholy?" said Poirot.

  "Exactly. Pauline and I, you see, have had what

  the vulgar call words. That is to say, she's had

  ninety-five words to five of mine out of every hundred.

  My five are: 'But darling--I can explain.' --Then she starts in on her ninety-five again and

  we get no further. I think," added Tony sadly,

  "that I shall poison myself."

  "Pauline?" murmured Poirot.

  "Pauline Weatherby. Barton Russell's young

  sister-in-law. Young, lovely, disgustingly rich. Tonight

  Barton Russell gives a party. You know

  him? Big Business, clean-shaven American--full

  of pep and personality. His wife was Pauline's

  sister."

  "And who else is there at this party?"

  "You'll meet 'em in a minute when the music

  stops. There's Lola Valdez--you know, the South

  YELLOW IRIS

  109

  American dancer in the new show at the Metro-pole,

  and there's Stephen Carter. D'you know

  Carter--he's in the diplomatic service. Very hush-hush.

  Known as silent Stephen. Sort of man who

  says, 'I am not at liberty to state, etc., etc.' Hullo,

  here they come."

  Poirot rose. He was introduced to Barton

  Russell, to Stephen Carter, to Sefiora Lola Valdez,

  a dark and luscious creature, and to Pauline

  Weatherby, very young, very fair, with eyes like

  cornflowers.

  Barton Russell said:

  "What, is this the great M. Hercule Poirot? I

  am indeed pleased to meet you, sir. Won't you sit

  down and join us? That is, unless--"

  Tony Chapell broke in.

  "He's got an appointment with a body, I be-lieve,

  or is it an absconding financier, or the Rajah

  of Borrioboolagah's great ruby?"

  "Ah, my friend, do you think I am never off

  duty? Can I not, for once, seek only to amuse

  myself?"

  "Perhaps you've got an appointment with

  Carter here. The latest from Geneva. Interna-tional

  situation now acute. The stolen plans must

  be found or war will be declared tomorrow!"

  Pauline Weatherby said cuttingly:

  "Must you be so completely idiotic, Tony?"

  "Sorry, Pauline."

  Tony Chapell relapsed into crestfallen silence.

  "How severe you are, Mademoiselle."

  "I hate people who play the fool all the time?

  "I must be careful, I see. I must converse only

  of serious matters."

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  Agatha Christie

  "Excuse me, must just speak to a fellow I know

  over there. Fellow I was with at Eton."

  Stephen Ca-ter got up and walked to a table a

  few places away.

  Tony said gloomily:

  "Somebody ought to drown old Etonians at

  birth."

  Hercule Poirot was still being gallant to the

  dark beauty beside him.

  He murmured:

  "I wonder, may I ask, what are the favorite

  flowers of Mademoiselle?"

  "Ah, now, why ees eet you want to know?"

  Lola was arch.

  "Mademoiselle, if I send flowers to a lady, I am

  particular that they should be flowers she likes."

  "That ees very charming of you, M. P0irot. I

  weel tell you--I adore the big dark red carnations

  --or the dark red roses."

  "Superb--yes, SUperb! You do not, then, like

  yellow fiowersyellow irises?"

  "Yellow flowers--no--they do not accord with

  my temperament."

  "How wise .... Tell me, Mademoiselle, did you

  ring up a friend tonight, since you arrived here?"

  "I? Ring up a friend? No, what a curious question!''

  "Ah, but I, I am a very curious man."

  "I'm sure yoo are." She rolled her dark eyes at

  him. "A vairy dangerous man."

  "No, no, not dangerous; say, a man who may

  be useful--in danger! You understand?"

  Lola giggled. She showed white even teeth.

  "No, no," she laughed. "You are dangerous."

  Hercule Poirot sighed.

  YELLOW IRIS

  1 13

  "I see that you do not understand. All this is

  very strange."

  Tony came out of a fit of
abstraction and said

  suddenly:

  "Lola, what about a spot of swoop and dip?

  Come along."

  "I weel come--yes. Since M. Poirot ecs not

  brave enough I"

  Tony put an arm round her and remarked over

  his shoulder to Poirot as they glided off:

  "You can meditate on crime yet to come, old

  boy!"

  Poirot said: "It is profound what you say there.

  Yes, it is profound .... "

  He sat meditatively for a minute or two, then he

  raised a finger. Luigi came promptly, his wide

  Italian face wreathed in smiles.

  "Mon vieux," said Poirot. "I need some information."

  "Always at your service, Monsieur."

  "I desire to know how many of these people at

  this table here have used the telephone tonight?"

  "I can tell you, Monsieur. The young lady, the

  one in white, she telephoned at once when she got

  here. Then she went to leave her cloak and while

  she was doing that the other lady came out of the

  cloakroom and went into the telephone box."

  "So the Sefiora did telephone! Was that before

  she came into the restaurant?"

  "Yes, Monsieur."

  "Anyone else?"

  "No, Monsieur."

  "All this, Luigi, gives me furiously to think!"

  "Indeed, Monsieur."

  "Yes. I think, Luigi, that tonight of all nights, I

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  Agatha Christie

  must have my wits about me! Something is going

  to happen, Luigi, and I am not at all sure what it

  is."

  "Anything I can do, Monsieur--"

  Poirot made a sign. Luigi.slipped discreetly

  away. Stephen Carter was returning to the table.

  "We are still deserted, Mr. Carter," said Poirot.

  "Oh--er--quite," said the other.

  "You know Mr. Barton Russell well?"

  "Yes, known him a good while."

  "His sister-in-law, little Miss Weatherby, is very

  charming."

  "Yes, pretty girl."

  "You know her well, too?"

  "Quite."

  "Oh, quite, quite," said Poirot.

  Carter stared at him.

  The music stopped and the others returned.

  Barton Russell said to a waiter:

  "Another bottle of champagne--quickly."

  Then he raised his glass.

  "See here, folks. I'm going to ask you to drink

  a toast. To tell you the truth, there's an idea back

  of this little party tonight. As you know, I'd

  ordered a table for six. There were only five of us.

  That gave us an empty place. Then, by a very

  strange coincidence, M. Hercule Poirot happened

  to pass by and I asked him to join ourarty.

  "You don't know yet what an apt coincidence

  that was. You see that empty seat tonight represents

  a lady--the lady in whose memory this party

  is being given. This party, ladies and gentlemen, is

  being held in memory of my dear wife--Iris--who

  died exactly four years ago on this very date!"

  YELLOW IRIS

  1 15

  There was a startled movement round the table.

  Barton Russell, his face quietly impassive, raised

  his glass.

  I'll ask you to drink to her memory. Iris!"

  "Iris?" said Poirot sharply.

  He looked at the flowers. Barton Russell caught

  his glance and gently nodded his head.

  There were little murmurs round the table.

  "Iris--Iris "

  Everyone

  looked startled and uncomfortable. Barton

  Russell went on, speaking with his slow monotonous

  American intonation, each word coming

  out weightily.

  "It

  may seem odd to you all that I should celebrate

  the anniversary of a death in this way--by a supper

  party in a fashionable restaurant. But I have

  a reason--yes, I have a reason. For M. Poirot's

  benefit, I'll explain."

  He

  turned his head towards Poirot.

  "Four

  years ago tonight, M. Poirot, there was a supper

  party held in New York. At it were my wife and

  myself, Mr. Stephen Carter who was attached to

  the Embassy in Washington, Mr. Anthony Chapell

  who had been a guest in our house for some

  weeks, and Sefiora Valdez who was at that time

  enchanting New York City with her dancing. Little

  Pauline here"--he patted her shoulder--"was only

  sixteen but she came to the supper party as a

  special treat. You remember, Pauline?"

  "I remember--yes."

  Her voice shook a little. "M. Poirot,

  on that night a tragedy happened. There was

  a roll of drums and the cabaret started.

  · The

  lights

  went down--all but a spotlight in the middle of

  the floor. When the lights went up

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  Agatha Christie

  again, M. Poirot, my wife was seen to have fallen

  forward on the table. She was dead--stone dead.

  There was potassium cyanide found in the dregs of

  her wine-glass, and the remains of the packet was

  discovered in her handbag."

  "She had committed suicide?" said Poirot.

  "That was the accepted verdict .... It broke me

  up, M. Poirot. There was, perhaps, a possible

  reason for such an action--the police thought so. I

  accepted their decision."

  He pounded suddenly on the table.

  "But I was not satisfied .... No, for four years

  I've been thinking and broodingwand I'm not

  satisfied: I don't believe Iris killed herself. I believe,

  M. Poirot, that she was murdered--by one

  of those people at the table."

  "Look here, sir--"

  Tony Chapell half sprung to his feet.

  "Be quiet, Tony," said Russell. "I haven't

  finished. One of them did it--I'm sure of that

  now. Someone who, under cover of the darkness,

  slipped the half emptied packet of cyanide into her

  handbag. I think I know which of them it was. I

  mean to know the truth--"

  Lola's voice rose sharply.

  "You are mad--crazeemwho would have

  harmed her? No, you are mad. Me, I will not

  stay--"

  She broke off. There was a roll of drums.

  Barton Russell said:

  "The cabaret. Afterwards we will go on with

  this. Stay where you are, all of you. I've got to go

  and speak to the dance band. Little arrangement

  I've made with them."

  YELLOW IRIS

  117

  He got up and left the table.

  "Extraordinary business," commented Carter.

  "Man's mad."

  "He ees crazee, yes," said Lola.

  The lights were lowered.

  "For two pins I'd clear out," said Tony.

  "No!" Pauline spoke sharply. Then she mur-mured,

  "Oh, dear--oh, dear--"

  "What is it, Mademoiselle?" murmured Poirot.

  She answered almost in a whisper.

  "It's horrible! It's just like it was that night--"

  "Sh! Sh!" said several people.

  Poirot lowered his voice.

  "A little word in your ear." He whispered, then

  patted her shoulder. "All will be well," he as
sured

  her.

  "My God, listen," cried Lola.

  "What is it, Sefiora?"

  "It's the same tune--the same song that they

  played that night in New York. Barton Russell

  must have fixed it. I don't like this."

  "Courage--courage--"

  There was a fresh hush.

  A girl walked out into the middle of the floor, a

  coal black girl with rolling eyeballs and white

  glistening teeth. She began to sing in a deep hoarse

  voice--a voice that was curiously moving.

  I've forgotten you

  I never think of you

  The way you walked

  The way you talked

  The things you used to say

  I've forgotten you

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  Agatha Christie

  I never think of you

  I couldn't say

  For sure today

  Whether your eyes were blue or gray

  I've forgotten you

  I never think of you.

  I'm through

  Thinking of you

  I tell you I'm through

  Thinking of you...

  You... you.., you ....

  The sobbing tune, the deep golden negro voice

  had a powerful effect. It hypnotized--cast a spell.

  Even the waiters felt it. The whole room stared at

  her, hypnotized by the thick cloying emotion she

  distilled.

  A waiter passed softly round the table filling up

  glasses, murmuring "champagne" in an under-tone

  but all attention was on the one glowing spot

 

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