Death's End
Page 36
“First, we know that in order to send this message, Yun Tianming had to do a lot of preparatory work. He created over a hundred fairy tales, and mixed in three containing secret intelligence. He told these stories and published them over a long period of time to familiarize the Trisolarans with them—no easy task. If the Trisolarans hadn’t discovered the secrets contained within them during that process, they’ll likely continue to treat these stories as harmless in the future. But even so, he tried to place yet another layer of protection around the stories.”
The chair turned to Cheng Xin. “I want to ask a question. Did you really know each other as kids, as Tianming said?”
Cheng Xin shook her head. “No. We met only in college. He and I did come from the same city, but we didn’t go to the same primary or secondary schools.”
“That bastard! His lie could have killed Cheng Xin!” yelled AA, who was sitting next to Cheng Xin. The others gave her angry looks. She wasn’t a member of the IDC, and was allowed to attend only at Cheng Xin’s insistence as her assistant. AA had once been an accomplished astronomer, but because her CV wasn’t very long, the others looked down on her. They all thought Cheng Xin ought to have someone more qualified to be her technical aide, and even Cheng Xin herself sometimes forgot that AA was a scientist.
A PIA officer said, “He didn’t take a great risk with the lie. Their childhoods predated the Crisis Era, before the sophons had even arrived on the Earth. And back then they couldn’t have been targets of sophon surveillance.”
“But they could check records from the Common Era.”
“It’s not so easy to get records of two children from before the Crisis Era. Even if they somehow managed to check the household registration records or school records and found out that they hadn’t gone to the same elementary school or middle school, they still couldn’t rule out the possibility that they did know each other. And there’s something else you aren’t thinking of.” The PIA officer didn’t bother hiding his contempt for AA’s lack of professional experience. “Tianming could direct the sophons. He must have checked the records already.”
The chair continued. “The risk had to be taken. By attributing the three stories to Cheng Xin, he further convinced the enemy that these tales were innocuous. During the hour it took to tell the stories, the yellow light never came on. We also found out that by the time Tianming finished telling the last story, the deadline set by Sophon had already elapsed. The Trisolarans had, as a gesture of compassion, extended the encounter by six minutes so that Tianming could finish his story. This confirms that they really thought the stories harmless. Tianming credited her for a specific reason: to show us that the three stories contained important intelligence.
“There’s not much else that we could get out of the conversation. We do all agree that Tianming’s final words are very important.” The chair waved his right hand in the air out of habit, in an attempt to invoke an information window. After noticing that there was no response, he went on awkwardly. “‘Then let’s pick a spot to meet, somewhere other than the Earth, somewhere in the Milky Way.’ He meant two things by this: One, he was hinting that he would never be able to return to the Solar System. Two—” The chair paused, and waved his hand again, as if trying to dispel something. “It’s not important. Let’s just go on.”
The air in the room grew heavier. Everyone knew what the chair was going to say: Yun Tianming had very little faith that the Earth would survive.
A document with a blue cover was distributed to the attendees. In this age, it was very rare to see paper documents. There was only a serial number, no title.
“The document can only be read in here. Do not bring it outside this room, and do not record it in any way. For most of you, this will be your first time reading it. Let’s begin.”
The room quieted. Everyone started to read these three fairy tales that might save human civilization.
The First Tale of Yun Tianming
“The New Royal Painter”
A long time ago, there was a kingdom called the Storyless Kingdom.
This kingdom had no stories. For a kingdom, not having any stories was a good thing. The people of such a kingdom were the happiest. Stories meant twists and catastrophes.
The Storyless Kingdom had a wise king, a kind queen, a group of just, capable ministers, and hardworking, honest common people. Life in the kingdom was as placid as a mirror: Yesterday was like today, and today is like tomorrow; last year was like this year, and this year is like next year. There were never any stories.
Until the princes and the princess grew up.
The king had two sons: Prince Deep Water and Prince Ice Sand. He also had a daughter: Princess Dewdrop.
As a child, Prince Deep Water had gone to Tomb Island in the middle of the Glutton’s Sea and never returned. As for why, that’s a story for later.
Prince Ice Sand grew up by the side of the king and queen, and they worried about him a great deal. The child was smart, but from a young age, he showed a cruel streak. He directed the servants to collect small animals from outside the palace, and he pretended he was the emperor of the animals. His “subjects” were his slaves, and if they disobeyed him even a little, he ordered them beheaded. Often, at the end of one of his play sessions, all the animals were dead, and he stood in a pool of blood, laughing hysterically.…
As he grew older, the prince became more restrained. He was a man of few words, and his gaze was somber. But the king knew that the wolf had only hidden his teeth, and in Prince Ice Sand’s heart was a hibernating poisonous snake, waiting for the right moment to emerge. Ultimately, the king decided to not make him the crown prince, instead designating Princess Dewdrop the heir apparent. The Storyless Kingdom would eventually have a queen regnant.
If the good character the king and queen passed on to their children was a fixed quantity, then Princess Dewdrop must have inherited the portion Prince Ice Sand lacked. She was smart, kind, and beautiful beyond measure. When she walked about during the day, the sun dimmed its light, shamed by the comparison; when she took a stroll at night, the moon opened its eyes wide to get a better look; when she spoke, the birds stopped twittering to listen; and when she traipsed over barren ground, flowers bloomed. The people loved the thought of having her as their queen, and the ministers were certain to dedicate themselves to helping her. Even Prince Ice Sand voiced no objections, though his gaze became even more somber and cold.
And so, story came to the Storyless Kingdom.
The king made his announcement about the new plan of succession on his sixtieth birthday. On that night, the kingdom celebrated: Fireworks turned the sky into a splendid garden, and the brilliant lights everywhere transformed the palace into a crystalline, magical place. There was laughter and joyful conversation everywhere, and wine flowed like rivers.…
Everyone was happy, and even Prince Ice Sand’s cold heart seemed to have melted. Contrary to his typical moody silence, he humbly wished his father a happy birthday, and expressed his desire that the king live as long as the sun, bathing the kingdom with his light. He also declared his support for the king’s decision, saying that Dewdrop really was better suited to be the monarch than he. He congratulated his little sister and said he hoped that she would learn more of the skills for ruling a kingdom from their father so that she could discharge her future duties well. His sincerity and generosity moved everyone present.
“My son, I’m greatly pleased to see you like this,” the king said, and caressed the prince’s head. “I want it to be like this moment, always.”
A minister suggested that a large painting of the scene should be made and hung in the palace to help remember this night.
The king shook his head. “The royal painter is old. The world is shrouded by a fog in his eyes, and his hands tremble so much that he can no longer capture the joy in our faces.”
“I was just about to get to that.” Prince Ice Sand bowed deeply. “Father, allow me to present you with a new painter.�
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The prince turned and nodded, and the new painter came in. He was an older boy, about fourteen or fifteen years of age. Wrapped in a friar’s gray hooded mantle, he resembled a terrified mouse among the bejeweled guests standing in the splendor of the palace. As he approached, he huddled and compressed his already-thin body to be even smaller, as though he were trying to avoid invisible brambles all around him.
The king was a bit disappointed by the sight. “He’s so young! Does he have enough skill?”
The prince bowed again. “Father, this is Needle-Eye, from He’ershingenmosiken. He’s the best student of the great painter Master Ethereal. He began studying with the master at the age of five, and after ten years, has learned everything the great man can teach him. He is as sensitive to the colors and shapes of the world as we are to a red-hot branding iron. This sensitivity is then fixed and expressed by his paintbrush. Other than Master Ethereal himself, there is none with such skill in the world.” The prince turned to Needle-Eye. “As the royal painter, you may look at the king directly without a breach in etiquette.”
Needle-Eye looked up at the king, and then lowered his eyes again.
The king was surprised. “Child, your gaze is as piercing as a sword unsheathed next to a roaring fire. It’s at odds with your youth.”
Needle-Eye spoke for the first time. “Your Majesty, dread sovereign, please excuse a lowly painter if he has given offense. My eyes are a painter’s eyes. A painter must paint first in the heart. I have already drawn in my heart an image of you, and of your dignity and wisdom. These I will transfer to the painting.”
“You may also look at the queen,” the prince said.
Needle-Eye looked at the queen, then lowered his eyes. “Your Majesty, most honored queen, please forgive a lowly painter’s breach of decorum. I have already drawn in my heart an image of you, and of your nobility and elegance. These I will transfer to the painting.”
“Look at the princess, the future queen regnant. You must paint her as well.”
Needle-Eye took even less time to look at the princess. After the briefest of glances, he lowered his head and said, “Your Royal Highness, beloved princess of the people, please condone my lapse in courtly habits. Your beauty pains me like the midday sun, and I will, for the first time, feel the inadequacy of my paintbrush. But I have already drawn in my heart an image of you, and of your nonpareil loveliness. These I will transfer to the painting.”
Then the prince asked Needle-Eye to look at each minister. He did, resting his gaze only briefly on each face. He lowered his eyes. “Your Honors, please excuse a lowly painter’s offenses. I have already drawn in my heart an image of you, and of your talents and intellects. These I will transfer to the painting.”
The celebration continued, and Prince Ice Sand pulled Needle-Eye into a corner. In a whisper, he asked, “Have you memorized all of them?”
Needle-Eye kept his head low, his face entirely hidden within the shadow of his hood. The cape appeared empty, containing only shadows and no substance. “Yes, my king.”
“Everything?”
“Everything, my king. I can now paint a picture of each strand of hair on their bodies and head, and it will be an exact replica of the original.”
* * *
The celebration ended after midnight. The lights in the palace went out, one after another. It was the darkest hour before dawn: The moon had already set, and dark clouds, like a curtain, veiled the sky from west to east. The earth was submerged in ink. A chill wind blew through, and birds shivered in their nests, while terrified flowers folded their petals together.
Like ghosts, two horses emerged from the palace and sped west. The riders were Needle-Eye and Prince Ice Sand. They came to an underground bunker a few miles from the palace. It seemed sunken into the deepest sea of night: dank, gloomy, like the belly of a cold-blooded beast in deep slumber. Their two shadows swayed and flickered in torchlight, and their bodies were but two dark spots at the end of the long shadows. Needle-Eye took a scroll out of a canvas bag and unrolled it: a painting, about as long as a man was tall. It was the portrait of an old man. White hair and beard surrounded his face like silver flames, and his piercing gaze was very similar to Needle-Eye’s, though endowed with more depth. The portrait showed off the skill of the painter—lifelike, with every detail captured.
“My king, this is—was—my teacher, Master Ethereal.”
The prince nodded. “Excellent. It was a smart decision to paint him first.”
“Yes, I had to, so that he would not paint me first.” With great care, Needle-Eye hung the portrait on the damp wall. “All right, now I can get to work on the new pictures for you.”
From a corner of the bunker, Needle-Eye retrieved a roll of something snowy white. “My king, this is a section of the trunk of a snow-wave tree of He’ershingenmosiken. When the tree reaches a hundred years of age, the trunk can be unrolled like paper—the perfect medium for painting. My magic is only effective when I paint on snow-wave paper.” He placed the roll on a stone table, unrolled a section, and pressed it under an obsidian slab. Then he took a sharp knife and cut the paper against the edge of the slab. When he lifted off the slab, the section of cut paper was pressed flat against the table. The pure white surface seemed to glow by itself.
The painter retrieved his implements from the canvas bag and laid them out. “My king, look at these brushes, made from the ear tufts of the wolves found in He’ershingenmosiken. The paints are also from there: The red is made from the blood of giant bats; the black is the ink of squids caught in the deep sea; the blue and the yellow are extracted from meteorites.… All the paints must be mixed with the tears of a species of giant bird called the moon-blanket bird—”
“Just get on with it,” the prince said.
“Of course, of course. Who should I paint first?”
“The king.”
Needle-Eye picked up his brush. He worked casually, a dab here, a streak there. Gradually, various colors appeared on the paper, but no shape could be discerned. It was as if the paper had been laid out in a multicolored rain, and drops of all hues continuously fell onto the paper. Over time, the paper was filled with colors—a chaotic swirl, like a garden trampled by rampaging horses. The brush continued to glide through this maze of colors, as though the painter’s hand no longer guided it, but it was leading the painter’s hand. Puzzled, the prince watched from the side. He wanted to ask questions, but the movements of the colors emerging and gathering had a hypnotic effect, and he was mesmerized.
Then, in a moment, as though a rippling surface suddenly froze, all the random spots connected to each other, and all the colors had meaning. Shapes appeared, and quickly turned crystal clear.
The prince saw a portrait of the king. The king was dressed like he had been earlier at the palace: a golden crown on his head and a magnificent ceremonial robe draped over his body. But the expression on his face was different: There was no longer dignity and wisdom in his eyes. Instead, a complex mixture of emotions could be detected: awakening from a dream, confusion, shock, sorrow … and behind them all was a terror that couldn’t be fully expressed, as though his closest companion was attacking him with a sword.
“The portrait of the king is finished,” said Needle-Eye.
“Very good.” The prince nodded at the portrait. The torches reflected in his irises, as though his soul burned in deep wells.
* * *
Miles away in the palace, the king disappeared from his bedchamber. In his bed, held up by posts carved into the shapes of four gods, the blankets still retained his body heat, and the sheets still retained the impression of his weight. But of his body, there was no trace.
* * *
The prince picked up the finished painting and threw it on the floor. “I will have this mounted and framed and hang it on the wall here. I’ll come here from time to time to look at it. Paint the queen next.”
Needle-Eye flattened another sheet of snow-wave paper with the obsidian sla
b, and began to paint the queen’s portrait. This time, the prince did not stand to the side to observe, but paced around in the bunker. The empty space echoed with his repetitive footsteps. This time, the painting was done in only half the time it took to do the first.
“My king, the portrait of the queen is finished.”
“Very good.”
* * *
In the palace, the queen disappeared from her bedchamber. In her bed, held up by posts carved into the shapes of four angels, the blankets still retained her body heat, and the sheets still retained the impression of her weight. But of her body, there was no trace.
In the garden outside the palace, a hound seemed to detect something and barked loudly a few times. But the sounds were instantaneously swallowed up by the boundless darkness, and it fell silent in fear. Trembling as it shrank into seclusion, it melded with the night.
* * *
“Is the princess next?” asked Needle-Eye.
“No, paint the ministers first. They are more dangerous. Of course, paint only those ministers who are loyal to my father. Do you remember them?”
“Of course, I remember everything. I can paint a picture of each strand of hair on their bodies and head—”
“Just do it. Hurry. You must finish before sunrise.”
“That will not be a problem, my king. Before dawn, I will paint a portrait of each minister loyal to the old king, and the princess.”
Needle-Eye flattened several sheets of snow-wave paper and began to paint like mad. Every time he finished a portrait, the subject disappeared from his or her bed. As the night flew by, the enemies of Prince Ice Sand turned one by one into pictures on the wall of the bunker.
* * *
Princess Dewdrop was awakened by insistent, loud knocks. No one had ever dared to knock on her door like this before. She got up and came to the door, which had just been opened by Auntie Wide.