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The Shoplifters

Page 3

by Morris Panych

Sure, admiring yourself in the mirror wearing somebody else’s fur coat.

  PHYLLIS

  I can’t lose that job.

  ALMA

  So, what else did you tell him?

  PHYLLIS

  I don’t remember.

  ALMA

  Phyllis, the whole key to our success is that we remember what we said and what we didn’t say.

  PHYLLIS

  I told him I was a Sagittarius.

  ALMA

  Why did you tell him that?

  PHYLLIS

  He wanted to know if I was a Capricorn.

  ALMA

  He’s getting you to say the right thing by telling you the wrong thing. I need you to focus here and stop going sideways all the time.

  PHYLLIS

  He said they would go easier on us if we confess.

  ALMA

  Let me tell you something: we have no position if we confess. Got it? Tell them anything, but do not sign a confession. We are not thieves. We are leaving here with our heads held high . . . and those steaks.

  OTTO enters with DOM behind him.

  OTTO

  Hello, ladies.

  Silence.

  Oh, the silent treatment. I get it. So. Who wants to start?

  No takers.

  Everybody co-operates, this shouldn’t take long.

  ALMA

  I sure hope not. We got a bus to catch.

  OTTO

  Did you hear that? They got a bus to catch.

  DOM

  I heard.

  OTTO

  Step back a little, give the ladies some room.

  PHYLLIS

  Are you going to call the police?

  OTTO

  What do you think?

  DOM

  What do you think?

  OTTO

  And try not to repeat what I say; it diminishes the effect.

  ALMA

  Maybe they don’t want to call the police. False arrest is serious business. Without a confession they’re living on borrowed time.

  OTTO

  There’s always the cameras.

  Beat as DOM struggles with the lie.

  ALMA

  He pulled a weapon on me, you know that?

  PHYLLIS

  He did?

  OTTO

  He tells a different story.

  DOM

  It was a pen.

  OTTO

  It’s his probationary period.

  ALMA

  So I hear.

  OTTO

  So which one of you here is the ringleader?

  DOM

  (points to ALMA) Her.

  OTTO

  (to DOM) Are you being questioned?

  ALMA

  We don’t know each other. Never met.

  OTTO

  And yet, you’re catching a bus together.

  ALMA

  Blame public transit.

  PHYLLIS cries.

  DOM

  Are you crying?

  ALMA

  No.

  OTTO

  Don’t ask if she’s crying.

  ALMA

  Stop crying.

  DOM

  What should I ask her?

  OTTO

  Just sign this statement, ladies, and we can wrap the whole thing up, right here, right now.

  ALMA

  There’s nothing on this paper.

  OTTO

  I’ll fill it out later. I know you got a bus to catch.

  ALMA

  If you had something on us, you wouldn’t need us to sign anything.

  DOM

  Is that right?

  ALMA

  You need to prove intent.

  OTTO

  That’s a very interesting reading of the law.

  ALMA

  The Supreme Court reading.

  DOM

  Yeah?

  OTTO

  In here, we’re the law.

  DOM

  The sword of justice.

  PHYLLIS

  Sword?

  ALMA

  I hope you’re familiar with the protocols of the Geneva Convention.

  OTTO leans in.

  OTTO

  You know what I’m familiar with?

  ALMA

  Not deodorant.

  PHYLLIS

  I’m from Bulgaria!

  ALMA

  And if that isn’t bad enough, we’ve been sitting in this room together for fifteen minutes, trying to figure out how we both ended up in here together.

  OTTO

  Serendipity, I guess.

  ALMA

  You’ll get those steaks to talk before you get us to.

  PHYLLIS

  What’s serendipity?

  DOM

  What do you think, Phyllis?

  OTTO

  (to DOM) Breathe, like I told you.

  PHYLLIS

  How did you know my name?

  ALMA

  By the way, it’s her birthday, just for the record.

  OTTO

  Oh. Congratulations. You hear that?

  PHYLLIS

  What’s he doing with his eyes?

  OTTO

  So, apparently you do know each other.

  ALMA

  We’ve been sitting in here for fifteen minutes. You think we’re not going to introduce ourselves?

  OTTO

  Serendipity is a kind of strange coincidence, Phyllis.

  PHYLLIS

  I thought you didn’t tell them my name.

  ALMA

  It’s not your name.

  OTTO

  Well, if she’s lying to us about your name, Phyllis, then I suppose she’s lying to us about everything else.

  ALMA

  That’s right.

  OTTO

  She can’t speak for herself?

  ALMA

  How should I know?

  OTTO

  You know what this is, madam?

  He pops open a holster on his belt, revealing a stun gun.

  PHYLLIS

  Is that a gun?

  ALMA

  Cops carry guns. These are security guards, which means they failed the cop exams. If they passed their cop exams, they wouldn’t be working the back of a grocery.

  DOM

  It’s a superstore!

  OTTO

  You’re right, Dom. He’s right, it’s an amalgamated enterprise now. This is no mom-and-pop operation here. They don’t give a shit about you, or anybody else; one theft, to them, one theft is just the same as any other.

  ALMA

  Is that his name? Dom? Is that your name, son?

  DOM

  Don’t call me son. I was found in a cardboard box!

  OTTO

  Do we need to know that right now?

  ALMA

  I’m glad you finally told us his name, because you were supposed to identify yourselves when you first apprehended us.

  OTTO

  This here, Phyllis, is an electro-muscular disruption device. It puts out a high-voltage, low-amperage shock, jumping from one probe through the body and back out to the other probe, causing pain and electrical disruption to the assailant. Like so.

  He picks up one of the steaks and zaps it, but drops it almost immediately and flexes his hand, which absorbed more of the shock than he anticipated.

  PHYLLIS

  Ah!

  ALMA

  You plan to use that on us?

  OTTO

  I’d sure hate to.

  DOM

  If Otto doesn’t, I will.

  OTTO

  Jesus.

  ALMA

  Is that your name? Otto? Like a car going nowhere?

  Beat.

  OTTO

  I wonder if you ladies would excuse us for a moment.

  DOM

  What are we doing?

  OTTO

  Come with me.

  He exits quickly, pulling DOM out with him.

&nb
sp; PHYLLIS

  What is that thing?

  ALMA

  Forget about that thing.

  PHYLLIS

  They’re going to kill us.

  ALMA

  Not if we keep talking.

  PHYLLIS

  I thought we weren’t talking.

  ALMA

  We’re talking; we’re just not saying anything.

  PHYLLIS

  Imagine what could happen in here, and who would know? We could just disappear. We’d be like those people who just don’t exist anymore.

  ALMA

  What people?

  PHYLLIS

  I don’t know, they don’t exist anymore.

  ALMA

  Is there anything you don’t believe?

  PHYLLIS

  They have a sword!

  OTTO returns, with DOM following behind.

  OTTO

  Sorry for the interruption, ladies.

  ALMA

  That’s all right, Otto.

  Beat.

  OTTO

  Right. Since we’re all on a first-name basis here, Dom, why don’t you take Phyllis to the other room for a moment.

  PHYLLIS

  I can’t go back in there.

  OTTO

  Just to cool down a little. Me and Alma here are going to have a chat.

  DOM

  Can I borrow the you-know-what?

  OTTO

  No.

  PHYLLIS

  I have to be at work in fifteen minutes! And she has cancer!

  ALMA

  No I don’t.

  OTTO

  Just leave her there and come back.

  Beat.

  DOM

  Let’s go!

  ALMA

  Don’t say anything.

  PHYLLIS

  I’m a vegetarian!

  They go. A long beat of considered silence.

  OTTO

  So.

  ALMA

  So.

  OTTO

  Steaks?

  ALMA

  It’s a special occasion.

  OTTO

  It is now.

  ALMA

  Your partner threatened me with a ballpoint pen.

  OTTO

  Overzealous.

  ALMA

  Not like you.

  OTTO

  I take the broader view.

  ALMA

  Intellectual, are you?

  OTTO

  Looks like we got ourselves a situation here, Alma.

  ALMA

  Looks like.

  OTTO

  Just how, exactly, are we going to get ourselves out of it?

  ALMA

  You could let us go for a start.

  OTTO

  I’m inclined to.

  ALMA

  What’s standing in your way?

  OTTO

  You are.

  ALMA

  Me?

  OTTO

  I feel like maybe it’s time we had a real conversation.

  ALMA

  What about?

  OTTO

  I don’t know, the nature and the meaning of theft, maybe.

  ALMA

  I got a bus to catch.

  OTTO

  Or how about, instead, we go for a little walk over to the meat department? I got a butcher there who needs to ID you.

  ALMA

  Okay, let’s pretend, for a moment, that she was stealing a steak.

  OTTO

  Who?

  ALMA

  Her.

  OTTO

  What about you? What were you doing?

  ALMA

  We can talk about me later. I’m setting up a hypothetical situation here. It’s difficult to do that, objectively, if I’m involved.

  OTTO

  So, you’re saying that she stole a steak, but you didn’t.

  ALMA

  I’m not saying anything. I’m creating a context for our conversation about theft, the nature and meaning of.

  OTTO

  Okay.

  ALMA

  Say she had a reason to steal.

  OTTO

  What reason?

  ALMA

  Pick one. There are reasons for things. But you don’t see that reason, because you’re too busy applying the law.

  OTTO

  Let’s go for that walk.

  ALMA

  I hear you’re stepping down.

  Beat.

  OTTO

  All right. So, let’s say she stole the steak, for a reason.

  ALMA

  Hypothetically.

  OTTO

  Hypothetically.

  ALMA

  What are the actual consequences of her action?

  OTTO

  How would you feel if somebody stole something from you?

  ALMA

  I think you’re trying to compare me to a large supermarket chain. I’m just a person, with feelings.

  OTTO

  Me too.

  ALMA

  I didn’t steal from you.

  OTTO

  You did, you did steal from me.

  ALMA

  How did I do that?

  OTTO

  Because I am this supermarket.

  ALMA

  Oh yeah?

  OTTO

  What? You think I’m just a little cog in the big wheel of corporate enterprise? You think a rearrangement of company priorities is going to affect who I am one iota?

  ALMA

  Is that why you’re quitting?

  OTTO

  Let me tell you something, just so I can create a different context for this conversation. You’re not talking to some little guy, just like every other little guy, who’s going through the motions here, some robot they hired to mindlessly patrol his assigned area, professional in every manner.

  ALMA

  So, what, they fired you?

  OTTO

  Fuck them.

  Walkie-talkie.

  What?

  Walkie-talkie.

  Stop calling me.

  Walkie-talkie.

  Well, tell her to calm the fuck down.

  Walkie-talkie.

  Well, then bring her back in here.

  Walkie-talkie.

  Yeah, over and out.

  Beat. He breathes heavily.

  ALMA

  Why don’t you loosen your tie, Otto?

  Beat.

  It’s gonna be a long afternoon.

  Blackout.

  Scene Four

  The room is empty. Suddenly, the door flies open and PHYLLIS is shoved into the room, followed by DOM. He sits her down in a chair, and then speaks surreptitiously into his walkie-talkie.

  DOM

  Otto? Are you there? Over.

  PHYLLIS

  I told you, I have to pee.

  DOM

  Please remain seated, ma’am. (into walkie-talkie) Otto?

  PHYLLIS

  Where have they gone? I knew this would happen. It was too extravagant.

  DOM

  Keep your voice down.

  PHYLLIS

  You just want me to keep my voice down so that I keep my voice down.

  DOM

  What? (into walkie-talkie) Otto?

  PHYLLIS

  What do you want from me?

  DOM

  A confession is what I want.

  PHYLLIS

  I confess that I didn’t do anything.

  DOM

  You broke the law.

  PHYLLIS

  I have peripheral edema.

  DOM

  No you don’t. What is that?

  PHYLLIS

  It’s a very serious condition, just so you know.

  DOM

  Is it fatal?

  PHYLLIS

  Possibly. It’s a swelling of the feet from standing around all day behind a counter. There was a stool in the corner, but, no, the manager took that away because in the opinion of the
head hostess I looked bored when I sat on it. She doesn’t know the difference between boredom and – that other thing.

  DOM

  Is that why you stole meat?

  PHYLLIS

  I didn’t steal anything. And even if I did, which I didn’t, it wasn’t my idea. I said just because it’s a big grocery store doesn’t mean that you can take things. It’s not like a rich lady who doesn’t care about seventy-five cents she didn’t even know was in her pocket in the first place. It’s an institution, is what I said, which takes stock of things.

  DOM

  Do you know what the seventh commandment is?

  PHYLLIS

  Is it the one about lying?

  DOM

  It’s the one about stealing.

  PHYLLIS

  You can have it all back.

  DOM

  Have all what back?

  PHYLLIS

  Nothing.

  Beat.

  DOM

  You got more stuff under there? I am not allowed to search you, so I am asking you with my searching voice.

  PHYLLIS

  Just this.

  She removes a Happy Birthday tiara from under her skirt and hands it to him.

  DOM

  What is this?

  PHYLLIS

  And this.

  She removes a package of birthday candles and a bottle of sprinkles from her jacket pockets and places them on the table.

  PHYLLIS

  And that’s all. That’s everything. And this –

  She removes a box of sugar and a bottle of canola oil from her purse and places them on the table. Beat. Then she removes a box of cake mix from under her skirt. Beat. Finally, she removes a carton of six eggs from under her skirt and places it on the table.

  PHYLLIS

  Now, let me out of here.

  She stands to go. He makes a judo move.

  PHYLLIS

  What is that?

  DOM

  I’m asking you one last time to sit down, ma’am. Please. For your own safety.

  Walkie-talkie.

  Otto?

  PHYLLIS

  I didn’t do anything.

  DOM

  Sure, we all didn’t do anything. Nobody ever coveted thy neighbour’s wife, and nobody ever made a covenant with idolaters! And nobody ever misinterpreted the Book of Solomon for their own evil purposes!

  PHYLLIS

  What?

  DOM

  Huh?

  PHYLLIS

  Let me go!

  DOM

  Stay where you are.

  She moves, and he counters with one swift move, rolling over the table to block her way to the door.

  DOM

  What did I just say? Did I not say “stay where you are”? (whipping out his handcuffs) Now I’m going to have to restrain you.

  PHYLLIS

  What are those . . . are those handcuffs? Help!

  He grabs her wrists and quickly cuffs them together.

  PHYLLIS

  What are you doing? I have scurvy! Help.

  DOM

  I’m just –

  PHYLLIS

  Help!

  She is cuffed.

  DOM

  Now.

  PHYLLIS

  You’re imprisoning me, which, by the way, also means you’re also imprisoning yourself.

  DOM

  How? How am I imprisoning myself?

 

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