Beatles vs. Stones
Page 33
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Melly, George. Revolt into Style: The Pop Arts (New York: Anchor Books, 1971).
Miles, Barry. The Beatles Diary, Volume One: The Beatles Years (London and New York: Omnibus Press, 2001).
———. The British Invasion: The Music, the Times, the Era (New York: Sterling, 2009).
———.Mick Jagger: In His Own Words (New York: Delilah/Putnam, 1982).
———.Paul McCartney: Many Years from Now (New York: Holt, 1998).
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———. Mick Jagger (New York: Ecco, 2012).
———. Shout! The True Story of the Beatles (New York: Fireside, 2005, c. 1981).
———. The Stones (New York: Penguin, 1994).
O’Brien, Geoffrey. Dream Time (London: Secker & Warburg, 1998).
Oldham, Andrew Loog. Stoned: A Memoir of London in the 1960s (New York: St. Martin’s, 2000).
———. 2Stoned (New York: Vintage, 2003).
———. Stone Free (North Yorkshire, England: 2012).
O’Mahony, Sean. Best of the Beatles Book (London: Beat Publications, 2005).
Ono, Yoko, ed. Memories of John Lennon (New York: HarperCollins, 2005).
Oosterbaan, Hans, ed. Love You Live, Rolling Stones: Fanfare from the Common Fan (Springfield, PA: Fanfare Publishing, 2002).
Pallington, Jessica West, ed. What Would Keith Richards Do? Daily Affirmations from a Rock and Roll Survivor (New York: Bloomsbury, 2009).
Pawlowksi, Gareth L. How They Became the Beatles: A Definitive History of the Early Years (London & Sydney: Macdonald, 1990).
Paytress, Mark, ed. The Rolling Stones: Off the Record (London: Omnibus Press, 2003).
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Pritchard, David, and Alan Lysaght, eds. The Beatles: An Oral History (New York: Hyperion, 2005).
Raskin, Jonah. Out of the Whale: Growing Up in the American Left (New York: Link Books, 1974).
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The Rolling Stones. According to the Rolling Stones (San Francisco: Chronicle Books, 2003).
———. The Rolling Stones 50 (New York: Hyperion, 2012).
Sanchez, Tony. Up and Down with the Rolling Stones (London: John Blake, 2011).
Sandercombe, W. Fraser, ed. The Beatles: Press Reports (Ontario: Collector’s Guide Publishing, 2003).
Sanford, Christopher. Keith Richards: Satisfaction (London: Headline Books, 2003).
———. Mick Jagger: Rebel Knight (London: Omnibus Press, 2003).
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Thompson, Gordon. Please Please Me: Sixties British Pop, Inside Out (New York: Oxford, 2008).
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Weiner, Sue, and Lisa Howard. The Rolling Stones A to Z (New York: Grove, 1983).
Wells, Simon. Butterfly on a Wheel: The Great Rolling Stones Drug Bust (London: Omnibus, 2112).
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Wiener, Jon. Come Together: John Lennon in His Time (Champagne-Urbana: University of Illinois Press, 1990).
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Wyman, Bill. Rolling with the Stones (New York: DK Publishing, 2002).
———. Stone Alone (New York: Da Capo, 1997).
PERIODICALS
(Underground newspapers available in Bell & Howell’s Underground Press Collection on microfilm.)
Argus (Ann Arbor, MI)
The Beatles Monthly Book
The Black Dwarf
Connections (Madison, WI)
Creem
The Daily Express
The Daily Mirror
The Great Speckled Bird (Atlanta, GA)
The Guardian
Helix (Seattle, WA)
The Independent
Kudzu (Oxford, MS)
Liberation News Service (New York City)
Melody Maker
New Left Review
New Musical Express (NME)
News of the World
The (London) Times
The New York Times
Playboy
Record Mirror
Rising Up Angry (Chicago, IL)
Rolling Stone
The Rolling Stones Monthly Book
San Diego Free Press
The Seed (Chicago, IL)
Teaspoon Door (San Diego, CA)
WIN (New York City)
WEBSITES
www.beatlesinterviews.org
www.beatlemoney.com
www.heydullblog.blogspot.com
www.rocksbackpages.com
www.timeisonourside.com
INDEX
Abbey Road, 191, 221
Abbey Road Studios, 82, 134, 135, 242n
ABC-TV, 33, 48, 125, 126
ABKCO (the Allen and Betty Klein Company), 199
Ad Lib, 112, 143
>
Aftermath, 139–42, 146, 147
Rubber Soul vs., 140–41, 142
Ali, Muhammad, 117
Ali, Tariq, 157, 169, 178, 179, 186, 271n
“All You Need Is Love,” 171, 189, 198, 222
Almost Famous (film), 227
Altamont, 127, 190
Altham, Keith, 147, 148, 175
American R&B, 2, 25, 42, 51, 65, 77, 96, 102, 114, 147
see also R&B music
amphetamines, 16, 23, 87, 149, 163
Jagger’s conviction for possession of, 167–68
anarchists, 183–84
Andrews, Pat, 21, 22
Animals, 83, 138
antiwar movement, 156–57, 176–77, 181–82, 184, 189, 270n, 273n
see also counterculture movement
Apple Boutique, 187, 205
Apple Corps, 159, 179, 180, 201, 204–8, 212, 214, 220, 221
mismanagement of, 206–8, 209, 221
Asher, Jane, 138, 211, 249n
Aspinall, Neil, 49, 54, 59
“As Tears Go By,” 73, 74, 139, 146
Atlantic Records, 221
ATV (Associated Television), 216
“Baby You’re a Rich Man,” 198, 274n–75n
Backbeat (P. Sutcliffe), 89
Baez, Joan, 131
Bailey, David, 83–84, 111, 113
Ballard, Flo, 120
Bardot, Brigitte, 203
Barrow, Tony, 2, 133, 195, 246n
BBC, 7, 36, 50, 58, 59, 103, 150, 171, 172, 202, 247n, 248n, 261n
Beach Boys, 138
Beatlemania, 8, 48, 85–86, 88, 114, 118, 131, 158, 246n
Beatlemania (musical review), 279n
Beatles, 4–6, 34–35, 48–49, 64, 73, 74, 77, 100, 105, 106, 109, 111, 123, 159, 176, 185, 262n, 266n, 272n, 273n, 274n
album covers of, 94, 146, 170–71, 263n
amiable, “clean-cut” image of, 2, 3, 4, 8, 30–31, 37, 39, 40, 53, 54, 82, 84, 91, 92, 94, 99, 100, 101, 107, 114–15, 235n, 243n
Apple Corps and, 159, 179, 180, 201, 204–8, 209, 212, 220, 221
background of, 4, 9–10, 11–16, 35, 37–38, 237n
bad contract deals of, 57, 63, 196–97
bands threatening pop chart dominance of, 96–99, 100–101
breakup of, 186, 217, 220, 221, 225, 231
Cavern Club performances of, 19, 27–28, 30, 41, 242n
chart success of, 41, 44, 52, 148
commercially appealing music of, 83, 84, 93, 134
copycat groups spawned by, 42–43, 44, 78, 120, 244n
counterculture’s embracing of, 154–55, 157–58
cultural influence of, 2, 120, 154–55, 158, 178, 184, 186–87, 190–91, 192
Decca’s rejection of, 12, 60, 63
disabled children brought to, 85, 253n
discord and tensions in, 212, 213, 214, 215, 216–20, 221, 222, 276n
downside of fame for, 118, 120, 131–32, 133–34
drinking of, 15, 16, 17, 19, 28, 71
drug use of, 15, 16, 17–18, 19, 49–50, 87, 116, 120, 137, 138, 155, 194, 213, 215, 217–18, 266n, 268n, 278n
Dylan’s first meeting with, 49–50
early R&B sound of, 42, 44, 48, 51–52, 249n, 253n
Eastern mysticism and philosophy explored by, 175, 193–94, 207, 213, 268n–69n
end of touring for, 133–34, 143
evolving look and sound of, 49–50, 95, 116, 120, 134–38, 140, 142, 154, 171
fanzine of, 7, 8, 39–40
films of, 94–95, 116, 202–3, 207, 217, 219, 246n–47n, 256n
final live concert of, 133–34
first U.S. visit of, 36, 88, 92, 116, 117–18, 124, 129, 154, 237n
frantic work schedule and stressful lifestyle of, 41–42, 93, 120, 131–32, 133–34
frenzied fan reaction to, 42, 59–60, 77, 85–86, 88, 94, 114, 118, 119, 120, 134, 144, 154, 246n, 262n
girl-group covers of, 82, 89–90, 253n, 255n
Gomelsky’s movie proposal for, 48, 246n–47n
growing artistic sophistication of, 136–38, 140, 142, 146, 154
Hall of Fame induction of, 52
innovative and experimental studio work of, 95, 116, 120, 135, 138, 140, 154
Jagger’s criticisms of, 107, 222, 223, 266n
Klein’s aggressive pursuit of, 197–98, 201–2, 208–11, 212–15, 219, 277n
large female following of, 19, 77, 82, 85, 88, 90, 93–94, 115, 254n
McCartney’s lawsuit against, 221
management controversy in, 197–98, 210, 211, 212–17, 219, 277n
mass popularity and success of, 2, 35, 39, 77, 82, 83, 84, 88, 117–18, 119–20, 121–22, 131, 148, 223, 249n
matching suits and ties of, 29, 30, 84, 242n
materialistic ambitions of, 56, 92–94, 115, 272n
MBEs awarded to, 165, 187
media-protected image of, 8–9, 40, 91, 194, 208, 266n
moptop hairstyles of, 15, 42–43, 44, 52, 58, 84, 87, 103, 115, 154, 245n
multigenerational and mainstream establishment’s acceptance of, 2, 37, 82, 94, 99, 101, 102, 103, 114–15, 165, 187
musical influences on, 89–90, 96, 136, 138, 255n
music-publishing company of, 56, 215–17
name origins of, 89, 253n, 254n–55n
at NME poll winners concert, 143–46
O’Mahony’s first meeting with, 7–8
onstage antics of, 16–17, 19–20, 28, 29, 94
origins and formation of, 86–87
“passing fad” perception of, 56, 63, 93, 97, 115–16
personal pronouns in lyrics of, 90, 255n–56n, 263n
political passivity of, 155, 156–57, 158, 169, 178, 181, 186–88, 189, 190–91, 271n
Presley’s ill-fated meeting with, 50
proposed Stones business alliance with, 220–21
radicalist backlash and criticisms of, 178–81, 186, 187, 189, 191–92, 271n
radio performances of, 7, 50–52, 247n, 248n
reunion rumors and, 225–26, 278n–79n
rockists’ unfair criticisms of, 84, 93–94, 95
“rough-and-tumble” image in early days of, 17, 18–20, 28, 30, 38–39
Royal Albert Hall performances of, 58–59, 70, 77, 78
Royal Variety Show performance of, 94, 114
security measures for, 117–18, 119, 133
sexual charisma exuded by, 18–19, 88, 90
sexual exploits of, 15, 17, 91–92, 239n
sexually suggestive lyrics of, 90, 256n
Shea Stadium concert of, 85–86, 118–19, 120, 134, 148, 261n, 262n
Stones’ alleged joint photo session with, 78–79
Stones as accepting songwriting contributions from, 72, 75, 173–74, 175, 223, 251n, 268n
Stones as “copying” look and sound of, 36, 37, 44, 58, 124, 139, 146–47, 175, 176, 222, 223, 245n, 264n
Stones encouraged to write original material by, 74–75, 77
Stones’ first encounter with, 53–58, 70, 249n
Stones’ first time listening to, 50–52, 247n
teenybopper fanbase of, 2, 4, 41, 49, 82, 83, 85, 88, 90, 93–94, 95, 109, 115, 253n, 254n
tepid political statements of, 155–57, 186, 189
“thuggish” behavior of, 9, 15, 16–18, 19
tight-knit group dynamic of, 86, 87–88, 254n
trendy capitalist ventures of, 179, 180, 187, 205–8
TV appearances and specials of, 30, 33, 36, 48, 54, 58, 118, 171–72, 202–3, 207, 246n, 256n
typecasting of, 88
underground press coverage of, 154, 158, 178–81, 186, 187–88, 189, 191–92, 271n
untarnished legacy of, 225, 228, 231
wardrobe choices of, 17, 18, 19, 29, 30, 39, 53, 54, 71, 79, 84, 171, 242n
see also specific band members
Beatles, The (album), see White Album, The
Beatles Anthology, The (documentary), 231, 261n, 264n
Beatles Anthology 2, The (album), 263n
Beatle
s as Musicians, The: The Quarry Men Through Rubber Soul (Everett), 255n
Beatles at Shea Stadium, The (documentary), 134, 261n
Beatles Diary (Miles), 255n
Beatles Monthly Book, 7, 8, 39, 40
Beatles’ Shadow, The: Stuart Sutcliffe and His Lonely Hearts Club (P. Sutcliffe), 239n
Beatles-Stones rivalry, 1–5, 52, 83–84, 97–99, 101, 120–23, 124, 142–48
Beatles breakup and, 221–22
contrasting fanbases in, 2–3, 4, 83, 94, 109, 110, 235n–36n
friendliness and mutual respect in, 2, 38–39, 43–44, 52, 70, 99, 122, 142–43, 181, 221
as media-fueled myth, 3, 43–44, 52, 100, 122, 143, 146
perceived ideological rift in, 178–79, 180, 181, 184, 186, 187–88, 189, 190–92, 222–23
Stones as envious of Beatles’ success in, 39, 59–60, 69–70, 78, 99, 120–21, 147–48, 223
Stones’ growing popularity and, 97–99, 100–101
Stones viewed as more “authentic” band in, 83–84, 93–94, 101, 109, 113–14, 115, 187–88, 189, 266n
Beats, 83, 102
Beggars Banquet, 1, 6, 181, 221, 227
Beggars Banquet (Internet fanzine), 229
Bennett, Ronnie, 89, 91–92
Berger Oliver & Co., 200, 202
Berkeley Barb, 158, 180
Bernstein, Sid, 119, 278n
Berry, Chuck, 16, 42, 51, 65, 83, 101, 128, 247n, 248n, 253n, 263n
Best, Pete, 15, 17, 18, 19, 60, 89
firing of, 87
Between the Buttons, 160, 172
Big Brother and the Holding Company, 169–70
Billboard, 139
Bill Haley and the Comets, 86
Billy J. Kramer and the Dakotas, 33, 36, 60, 251n
Birt, John, 150–51
Black Dwarf, The, 178–80, 182, 186, 271n
Black Panthers, 177, 182, 185
Blaises, 160
Blake, Peter, 170, 176
Block, Leslie, 164, 166, 167, 168
Book World, 95
Boyd, Pattie, 113, 161, 162
Boyfriend, 8, 54
“Boys,” 89–90, 255n
Bramwell, Tony, 171–72, 277n
Brando, Marlon, 89
Braun, Michael, 8, 97
Brian Poole and the Tremeloes, 12
Brown, Peter, 197, 209, 213, 216, 276n
Buddy Holly and the Crickets, 86, 89, 249n–50n, 255n
Burroughs, William, 102, 171
Butterfly on a Wheel (Wells), 163
Byrds, 138
Calder, Tony, 173–74, 209
Cameo-Parkway Records, 212, 213, 276n–77n
Candlestick Park, 133
Capitol Records, 90, 124, 197, 256n