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Cloud Nine

Page 4

by Caryl Churchill


  HARRY

  Hadn’t we better look for the others?

  EDWARD

  Wait. I’ve got something for you. It was in Mama’s box but she never wears it.

  EDWARD gives HARRY a necklace.

  You don’t have to wear it either but you might like it to look at.

  HARRY

  It’s beautiful. But you’ll have to put it back.

  EDWARD

  I wanted to give it to you.

  HARRY

  You did. It can go back in the box. You still gave it to me. Come on now, we have to find the others.

  EDWARD

  Harry, I love you.

  HARRY

  Yes I know. I love you too.

  EDWARD

  You know what we did when you were here before. I want to do it again. I think about it all the time. I try to do it to myself but it’s not as good. Don’t you want to any more?

  HARRY

  I do, but it’s a sin and a crime and it’s also wrong.

  EDWARD

  But we’ll do it anyway won’t we?

  HARRY

  Yes of course.

  EDWARD

  I wish the others would all be killed. Take it out now and let me see it.

  HARRY

  No.

  EDWARD

  Is it big now?

  HARRY

  Yes.

  EDWARD

  Let me touch it.

  HARRY

  No.

  EDWARD

  Just hold me.

  HARRY

  When you can’t sleep.

  EDWARD

  We’d better find the others then. Come on.

  HARRY

  Ready or not, here we come.

  They go out with whoops and shouts. BETTY and ELLEN come.

  BETTY

  Ellen, I don’t want to play any more.

  ELLEN

  Nor do I, Betty.

  BETTY

  Come and sit here with me. Oh Ellen, what will become of me?

  ELLEN

  Betty, are you crying? Are you laughing?

  BETTY

  Tell me what you think of Harry Bagley.

  ELLEN

  He’s a very fine man.

  BETTY

  No, Ellen, what you really think.

  ELLEN

  I think you think he’s very handsome.

  BETTY

  And don’t you think he is? Oh Ellen, you’re so good and I’m so wicked.

  ELLEN

  I’m not so good as you think.

  EDWARD comes.

  EDWARD

  I’ve found you.

  ELLEN

  We’re not hiding Edward.

  EDWARD

  But I found you.

  ELLEN

  We’re not playing, Edward, now run along.

  EDWARD

  Come on, Ellen, do play. Come on, Mama.

  ELLEN

  Edward, don’t pull your mama like that.

  BETTY

  Edward, you must do what your governess says. Go and play with Uncle Harry.

  EDWARD

  Uncle Harry!

  EDWARD goes.

  BETTY

  Ellen, can you keep a secret?

  ELLEN

  Oh yes, yes please.

  BETTY

  I love Harry Bagley. I want to go away with him. There, I’ve said it, it’s true.

  ELLEN

  How do you know you love him?

  BETTY

  I kissed him.

  ELLEN

  Betty.

  BETTY

  He held my hand like this. Oh I want him to do it again. I want him to stroke my hair.

  ELLEN

  Your lovely hair. Like this, Betty?

  BETTY

  I want him to put his arm around my waist.

  ELLEN

  Like this, Betty?

  BETTY

  Yes, oh I want him to kiss me again.

  ELLEN

  Like this Betty?

  ELLEN kisses BETTY.

  BETTY

  Ellen, whatever are you doing? It’s not a joke.

  ELLEN

  I’m sorry, Betty. You’re so pretty. Harry Bagley doesn’t deserve you. You wouldn’t really go away with him?

  BETTY

  Oh Ellen, you don’t know what I suffer. You don’t know what love is. Everyone will hate me, but it’s worth it for Harry’s love.

  ELLEN

  I don’t hate you, Betty, I love you.

  BETTY

  Harry says we shouldn’t go away. But he says he worships me.

  ELLEN

  I worship you Betty.

  BETTY

  Oh Ellen, you are my only friend.

  They embrace. The others have all gathered together. MAUD has rejoined the party, and JOSHUA.

  CLIVE

  Come along everyone, you mustn’t miss Harry’s conjuring trick.

  BETTY and ELLEN go to join the others.

  MAUD

  I didn’t want to spoil the fun by not being here.

  HARRY

  What is it that flies all over the world and is up my sleeve?

  HARRY produces a Union Flag from up his sleeve. General acclaim.

  CLIVE

  I think we should have some singing now. Ladies, I rely on you to lead the way.

  ELLEN

  We have a surprise for you. I have taught Joshua a Christmas carol. He has been singing it at the piano but I’m sure he can sing it unaccompanied, can’t you, Joshua?

  JOSHUA

  In the deep midwinter

  Frosty wind made moan,

  Earth stood hard as iron, Water like a stone.

  Snow had fallen snow on snow

  Snow on snow,

  In the deep midwinter Long long ago.

  What can I give him

  Poor as I am?

  If I were a shepherd

  I would bring a lamb.

  If I were a wise man

  I would do my part.

  What I can I give him?

  Give my heart.

  Scene Three

  Inside the house. BETTY, MRS SAUNDERS, MAUD with VICTORIA. The blinds are down so the light isn’t bright though it is day outside. CLIVE looks in.

  CLIVE

  Everything all right? Nothing to be frightened of.

  CLIVE goes. Silence.

  MAUD

  Clap hands, Daddy comes, with his pockets full of plums. All for Vicky.

  Silence.

  MRS SAUNDERS

  Who actually does the flogging?

  MAUD

  I don’t think we want to imagine.

  MRS SAUNDERS

  I imagine Joshua.

  BETTY

  Yes I think it would be Joshua. Or would Clive do it himself?

  MRS SAUNDERS

  Well we can ask them afterwards.

  MAUD

  I don’t like the way you speak of it, Mrs Saunders.

  MRS SAUNDERS

  How should I speak of it?

  MAUD

  The men will do it in the proper way, whatever it is. We have our own part to play.

  MRS SAUNDERS

  Harry Bagley says they should just be sent away. I don’t think he likes to see them beaten.

  BETTY

  Harry is so tender-hearted. perhaps he is right.

  MAUD

  Harry Bagley is not altogether – He has lived in this country a long time without any responsibilities. It is part of his charm but it hasn’t improved his judgement. If the boys were just sent away they would go back to the village and make more trouble.

  MRS SAUNDERS

  And what will they say about us in the village if they’ve been flogged?

  BETTY

  Perhaps Clive should keep them here.

  MRS SAUNDERS

  That is never wise.

  BETTY

  Whatever shall we do?

  MAUD

  I don’t think it is up t
o us to wonder. The men don’t tell us what is going on among the tribes, so how can we possibly make a judgement?

  MRS SAUNDERS

  I know a little of what is going on.

  BETTY

  Tell me what you know. Clive tells me nothing.

  MAUD

  You would not want to be told about it, Betty. It is enough for you that Clive knows what is happening. Clive will know what to do. Your father always knew what to do.

  BETTY

  Are you saying you would do something different, Caroline?

  MRS SAUNDERS

  I would do what I did at my own home. I left. I can’t see any way out except to leave. I will leave here. I will keep leaving everywhere I suppose.

  MAUD

  Luckily this household has a head. I am squeamish myself. But luckily Clive is not.

  BETTY

  You are leaving here then, Caroline?

  MRS SAUNDERS

  Not immediately. I’m sorry.

  Silence.

  I wonder if it’s over.

  EDWARD comes in.

  BETTY

  Shouldn’t you be with the men, Edward?

  EDWARD

  I didn’t want to see any more. They got what they deserved. Uncle Harry said I could come in.

  MRS SAUNDERS

  I never allowed the servants to be beaten in my own house. I’m going to find out what’s happening.

  MRS SAUNDERS goes out.

  BETTY

  Will she go and look?

  MAUD

  Let Mrs Saunders be a warning to you, Betty. She is alone in the world. You are not, thank God. Since your father died, I know what it is to be unprotected. Vicky is such a pretty little girl. Clap hands, Daddy comes, with his pockets full of plums. All for Vicky.

  EDWARD, meanwhile, has found the doll and is playing clap hands with her.

  BETTY

  Edward, what have you got there?

  EDWARD

  I’m minding her.

  BETTY

  Edward, I’ve told you before, dolls are for girls.

  MAUD

  Where is Ellen? She should be looking after Edward. (She goes to the door.) Ellen! Betty, why do you let that girl mope about in her own room? That’s not what she’s come to Africa for.

  BETTY

  You must never let the boys at school know you like dolls. Never, never. No one will talk to you, you won’t be on the cricket team, you won’t grow up to be a man like your papa.

  EDWARD

  I don’t want to be like papa. I hate Papa.

  MAUD

  Edward! Edward!

  BETTY

  You’re a horrid wicked boy and papa will beat you. Of course you don’t hate him, you love him. Now give Victoria her doll at once.

  EDWARD

  She’s not Victoria’s doll, she’s my doll. She doesn’t love Victoria and Victoria doesn’t love her. Victoria never even plays with her.

  MAUD

  Victoria will learn to play with her.

  EDWARD

  She’s mine and she loves me and she won’t be happy if you take her away, she’ll cry, she’ll cry, she’ll cry.

  BETTY takes the doll away, slaps him, bursts into tears. ELLEN comes in.

  BETTY

  Ellen, look what you’ve done. Edward’s got the doll again. Now, Ellen, will you please do your job.

  ELLEN

  Edward, you are a wicked boy. I am going to lock you in the nursery until supper time. Now go upstairs this minute.

  She slaps EDWARD, who bursts into tears and goes out.

  I do try to do what you want. I’m so sorry.

  ELLEN bursts into tears and goes out.

  MAUD

  There now, Vicky’s got her baby back. Where did Vicky’s naughty baby go? Shall we smack her? Just a little smack. (MAUD smacks the doll hard.) There, now she’s a good baby. Clap hands, Daddy comes, with his pockets full of plums. All for Vicky’s baby. When I was a child we honoured our parents. My mama was an angel.

  JOSHUA comes in. He stands without speaking.

  BETTY

  Joshua?

  JOSHUA

  Madam?

  BETTY

  Did you want something?

  JOSHUA

  Sent to see the ladies are all right, madam.

  MRS SAUNDERS comes in.

  MRS SAUNDERS

  We’re very well thank you, Joshua, and how are you?

  JOSHUA

  Very well thank you, Mrs Saunders.

  MRS SAUNDERS

  And the stable boys?

  JOSHUA

  They have had justice, madam.

  MRS SAUNDERS

  So I saw. And does your arm ache?

  MAUD

  This is not a proper conversation, Mrs Saunders.

  MRS SAUNDERS

  You don’t mind beating your own people?

  JOSHUA

  Not my people, madam.

  MRS SAUNDERS

  A different tribe?

  JOSHUA

  Bad people.

  HARRY and CLIVE come in.

  CLIVE

  Well this is all very gloomy and solemn. Can we have the shutters open? The heat of the day has gone, we could have some light, I think. And cool drinks on the verandah, Joshua. Have some lemonade yourself. It is most refreshing. Sunlight floods in as the shutters are opened.

  EDWARD comes.

  EDWARD

  Papa, Papa, Ellen tried to lock me in the nursery. Mama is going to tell you of me. I’d rather tell you myself. I was playing with Vicky’s doll again and I know it’s very bad of me. And I said I didn’t want to be like you and I said I hated you. And it’s not true and I’m sorry, I’m sorry and please beat me and forgive me.

  CLIVE

  Well there’s a brave boy to own up. You should always respect and love me, Edward, not for myself, I may not deserve it, but as I respected and loved my own father, because he was my father. Through our father we love our Queen and our God, Edward. Do you understand? It is something men understand.

  EDWARD

  Yes papa.

  CLIVE

  Then I forgive you and shake you by the hand. You spend too much time with the women. You may spend more time with me and Uncle Harry, little man.

  EDWARD

  I don’t like women. I don’t like dolls papa, and I love you, Uncle Harry.

  CLIVE

  There’s a fine fellow. Let us go out onto the verandah.

  They all start to go. EDWARD takes HARRY ’s hand and goes with him. CLIVE draws BETTY back. They embrace.

  BETTY

  Poor Clive.

  CLIVE

  It was my duty to have them flogged. For you and Edward and Victoria, to keep you safe.

  BETTY

  It is terrible to feel betrayed.

  CLIVE

  You can tame a wild animal only so far. They revert to their true nature and savage your hand. Sometimes I feel the natives are the enemy. I know that is wrong. I know I have a responsibility towards them, to care for them and bring them all to be like Joshua. But there is something dangerous. Implacable. This whole continent is my enemy. I am pitching my whole mind and will and reason and spirit against it to tame it, and I sometimes feel it will break over me and swallow me up.

  BETTY

  Clive, Clive, I am here. I have faith in you.

  CLIVE

  Yes, I can show you my moments of weakness, Betty, because you are my wife and because I trust you. I trust you, Betty, and it would break my heart if you did not deserve that trust. Harry Bagley is my friend. It would break my heart if he did not deserve my trust.

  BETTY

  I’m sorry, I’m sorry. Forgive me. It is not Harry’s fault, it is all mine. Harry is noble. He has rejected me. It is my wickedness. I get bored, I get restless, I imagine things. There is something so wicked in me, Clive.

 

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