Of her sweet-singing mouth;
Forgot his flocks, his panting flocks
In parching hill-side drouth;
Forgot himself for weal or woe.
Trilled her song and swelled her song
With maiden coy caprice
In a labyrinth of throbs,
Pauses, cadences;
Clear-noted as a dropping brook,
Soft-noted like the bees,
Wild-noted as the shivering wind
Forlorn through forest trees:
Love-noted like the wood-pigeon
Who hides herself for love,
Yet cannot keep her secret safe,
But coos and coos thereof:
Thus the notes rang loud or low.
He hung breathless on her breath;
Speechless, who listened well;
Could not speak or think or wish
Till silence broke the spell.
Then he spoke, and spread his hands,
Pointing here and there:
‘See my sheep and see the lambs,
Twin lambs which they bare.
All myself I offer you,
All my flocks and care,
Your sweet song hath moved me so.’
In her fluttered heart young May
Mused a dubious while:
‘If he loves me as he says’ —
Her lips curved with a smile:
‘Where Margaret shines like the sun
I shine but like a moon;
If sister Meggan makes her choice
I can make mine as soon;
At cockcrow we were sister-maids,
We may be brides at noon.’
Said Meggan, ‘Yes;’ May said not ‘No.’
Fair Margaret stayed alone at home,
Awhile she sang her song,
Awhile sat silent, then she thought:
‘My sisters loiter long.’
That sultry noon had waned away,
Shadows had waxen great:
‘Surely,’ she thought within herself,
‘My sisters loiter late.’
She rose, and peered out at the door,
With patient heart to wait,
And heard a distant nightingale
Complaining of its mate;
Then down the garden slope she walked,
Down to the garden gate,
Leaned on the rail and waited so.
The slope was lightened by her eyes
Like summer lightning fair,
Like rising of the haloed moon
Lightened her glimmering hair,
While her face lightened like the sun
Whose dawn is rosy white.
Thus crowned with maiden majesty
She peered into the night,
Looked up the hill and down the hill,
To left hand and to right,
Flashing like fire-flies to and fro.
Waiting thus in weariness
She marked the nightingale
Telling, if any one would heed,
Its old complaining tale.
Then lifted she her voice and sang,
Answering the bird:
Then lifted she her voice and sang,
Such notes were never heard
From any bird when Spring’s in blow.
The king of all that country
Coursing far, coursing near,
Curbed his amber-bitted steed,
Coursed amain to hear;
All his princes in his train,
Squire, and knight, and peer,
With his crown upon his head,
His sceptre in his hand,
Down he fell at Margaret’s knees
Lord king of all that land,
To her highness bending low.
Every beast and bird and fish
Came mustering to the sound,
Every man and every maid
From miles of country round:
Meggan on her herdsman’s arm,
With her shepherd May,
Flocks and herds trooped at their heels
Along the hill-side way;
No foot too feeble for the ascent,
Not any head too grey;
Some were swift and none were slow.
So Margaret sang her sisters home
In their marriage mirth;
Sang free birds out of the sky,
Beasts along the earth,
Sang up fishes of the deep —
All breathing things that move
Sang from far and sang from near
To her lovely love;
Sang together friend and foe;
Sang a golden-bearded king
Straightway to her feet,
Sang him silent where he knelt
In eager anguish sweet.
But when the clear voice died away,
When longest echoes died,
He stood up like a royal man
And claimed her for his bride.
So three maids were wooed and won
In a brief May-tide,
Long ago and long ago.
JESSIE CAMERON
‘Jessie, Jessie Cameron,
Hear me but this once,’ quoth he.
‘Good luck go with you, neighbor’s son,
But I’m no mate for you,’ quoth she.
Day was verging toward the night
There beside the moaning sea,
Dimness overtook the light
There where the breakers be.
‘O Jessie, Jessie Cameron,
I have loved you long and true.’ —
‘Good luck go with you, neighbor’s son,
But I’m no mate for you.’
She was a careless, fearless girl,
And made her answer plain,
Outspoken she to earl or churl,
Kindhearted in the main,
But somewhat heedless with her tongue,
And apt at causing pain;
A mirthful maiden she and young,
Most fair for bliss or bane.
‘Oh, long ago I told you so,
I tell you so today:
Go you your way, and let me go
Just my own free way.’
The sea swept in with moan and foam,
Quickening the stretch of sand;
They stood almost in sight of home;
He strove to take her hand.
‘Oh, can’t you take your answer then,
And won’t you understand?
For me you’re not the man of men,
I’ve other plans are planned.
You’re good for Madge, or good for Cis,
Or good for Kate, may be:
But what’s to me the good of this
While you’re not good for me?’
They stood together on the beach,
They two alone,
And louder waxed his urgent speech,
His patience almost gone:
‘Oh, say but one kind word to me,
Jessie, Jessie Cameron.’ —
‘I’d be too proud to beg,’ quoth she,
And pride was in her tone.
And pride was in her lifted head,
And in her angry eye
And in her foot, which might have fled,
But would not fly.
Some say that he had gipsy blood;
That in his heart was guile:
Yet he had gone through fire and flood
Only to win her smile.
Some say his grandam was a witch,
A black witch from beyond the Nile,
Who kept an image in a niche
And talked with it the while.
And by her hut far down the lane
Some say they would not pass at night,
Lest they should hear an unked strain
Or see an unked sight.
Alas, for Jessie Cameron! —
The sea crept moaning, moaning nigher:
She should have hastened to begone, —
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p; The sea swept higher, breaking by her:
She should have hastened to her home
While yet the west was flushed with fire,
But now her feet are in the foam,
The sea-foam, sweeping higher.
O mother, linger at your door,
And light your lamp to make it plain,
But Jessie she comes home no more,
No more again.
They stood together on the strand,
They only, each by each;
Home, her home, was close at hand,
Utterly out of reach.
Her mother in the chimney nook
Heard a startled sea-gull screech,
But never turned her head to look
Towards the darkening beach:
Neighbours here and neighbours there
Heard one scream, as if a bird
Shrilly screaming cleft the air: —
That was all they heard.
Jessie she comes home no more,
Comes home never;
Her lover’s step sounds at his door
No more forever.
And boats may search upon the sea
And search along the river,
But none know where the bodies be:
Sea-winds that shiver,
Sea-birds that breast the blast,
Sea-waves swelling,
Keep the secret first and last
Of their dwelling.
Whether the tide so hemmed them round
With its pitiless flow,
That when they would have gone they found
No way to go;
Whether she scorned him to the last
With words flung to and fro,
Or clung to him when hope was past,
None will ever know:
Whether he helped or hindered her,
Threw up his life or lost it well,
The troubled sea, for all its stir
Finds no voice to tell.
Only watchers by the dying
Have thought they heard one pray
Wordless, urgent; and replying
One seem to say him nay:
And watchers by the dead have heard
A windy swell from miles away,
With sobs and screams, but not a word
Distinct for them to say:
And watchers out at sea have caught
Glimpse of a pale gleam here or there,
Come and gone as quick as thought,
Which might be hand or hair.
SPRING QUIET
Gone were but the Winter,
Come were but the Spring,
I would go to a covert
Where the birds sing;
Where in the whitethorn
Singeth a thrush,
And a robin sings
In the holly-bush.
Full of fresh scents
Are the budding boughs
Arching high over
A cool green house:
Full of sweet scents,
And whispering air
Which sayeth softly:
‘We spread no snare;
‘Here dwell in safety,
Here dwell alone,
With a clear stream
And a mossy stone.
‘Here the sun shineth
Most shadily;
Here is heard an echo
Of the far sea,
Though far off it be.’
THE POOR GHOST
‘Oh whence do you come, my dear friend, to me,
With your golden hair all fallen below your knee,
And your face as white as snowdrops on the lea,
And your voice as hollow as the hollow sea?’
‘From the other world I come back to you,
My locks are uncurled with dripping drenching dew.
You know the old, whilst I know the new:
But tomorrow you shall know this too.’
‘Oh not tomorrow into the dark, I pray;
Oh not tomorrow, too soon to go away:
Here I feel warm and well-content and gay:
Give me another year, another day.’
‘Am I so changed in a day and a night
That mine own only love shrinks from me with fright,
Is fain to turn away to left or right
And cover up his eyes from the sight?’
‘Indeed I loved you, my chosen friend,
I loved you for life, but life has an end;
Through sickness I was ready to tend:
But death mars all, which we cannot mend.
‘Indeed I loved you; I love you yet,
If you will stay where your bed is set,
Where I have planted a violet,
Which the wind waves, which the dew makes wet.’
‘Life is gone, then love too is gone,
It was a reed that I leant upon:
Never doubt I will leave you alone
And not wake you rattling bone with bone.
‘I go home alone to my bed,
Dug deep at the foot and deep at the head,
Roofed in with a load of lead,
Warm enough for the forgotten dead.
‘But why did your tears soak through the clay,
And why did your sobs wake me where I lay?
I was away, far enough away:
Let me sleep now till the Judgment Day.’
A PORTRAIT
I
She gave up beauty in her tender youth,
Gave all her hope and joy and pleasant ways;
She covered up her eyes lest they should gaze
On vanity, and chose the bitter truth.
Harsh towards herself, towards others full of ruth,
Servant of servants, little known to praise,
Long prayers and fasts trenched on her nights and days:
She schooled herself to sights and sounds uncouth
That with the poor and stricken she might make
A home, until the least of all sufficed
Her wants; her own self learned she to forsake,
Counting all earthly gain but hurt and loss.
So with calm will she chose and bore the cross
And hated all for love of Jesus Christ.
II
They knelt in silent anguish by her bed,
And could not weep; but calmly there she lay.
All pain had left her; and the sun’s last ray
Shone through upon her, warming into red
The shady curtains. In her heart she said:
‘Heaven opens; I leave these and go away;
The Bridegroom calls, — shall the Bride seek to stay?’
Then low upon her breast she bowed her head.
O lily flower, O gem of priceless worth,
O dove with patient voice and patient eyes,
O fruitful vine amid a land of dearth,
O maid replete with loving purities,
Thou bowedst down thy head with friends on earth
To raise it with the saints in Paradise.
DREAM-LOVE
Young Love lies sleeping
In May-time of the year,
Among the lilies,
Lapped in the tender light:
White lambs come grazing,
White doves come building there:
And round about him
The May-bushes are white.
Soft moss the pillow
For oh, a softer cheek;
Broad leaves cast shadow
Upon the heavy eyes:
There winds and waters
Grow lulled and scarcely speak;
There twilight lingers
The longest in the skies.
Young Love lies dreaming;
But who shall tell the dream?
A perfect sunlight
On rustling forest tips;
Or perfect moonlight
Upon a rippling stream;
Or perfect silence,
Or song of cherished lips.
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Burn odors round him
To fill the drowsy air;
Weave silent dances
Around him to and fro;
For oh, in waking
The sights are not so fair,
And song and silence
Are not like these below.
Young Love lies dreaming
Till summer days are gone, —
Dreaming and drowsing
Away to perfect sleep:
He sees the beauty
Sun hath not looked upon,
And tastes the fountain
Unutterably deep.
Him perfect music
Doth hush unto his rest,
And through the pauses
The perfect silence calms:
Oh, poor the voices
Of earth from east to west,
And poor earth’s stillness
Between her stately palms.
Young Love lies drowsing
Away to poppied death;
Cool shadows deepen
Across the sleeping face:
So fails the summer
With warm, delicious breath;
And what hath autumn
To give us in its place?
Draw close the curtains
Of branched evergreen;
Change cannot touch them
With fading fingers sere:
Here the first violets
Perhaps will bud unseen,
And a dove, may be,
Return to nestle here.
TWICE
I took my heart in my hand
(O my love, O my love),
I said: Let me fall or stand,
Let me live or die,
But this once hear me speak —
(O my love, O my love) —
Yet a woman’s words are weak;
You should speak, not I.
You took my heart in your hand
With a friendly smile,
With a critical eye you scanned,
Then set it down,
And said: It is still unripe,
Better wait awhile;
Wait while the skylarks pipe,
Till the corn grows brown.
As you set it down it broke —
Broke, but I did not wince;
I smiled at the speech you spoke,
At your judgment that I heard:
Delphi Complete Poetical Works of Christina Rossetti Page 11