Delphi Complete Poetical Works of Christina Rossetti

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Delphi Complete Poetical Works of Christina Rossetti Page 12

by Christina Rossetti

But I have not often smiled

  Since then, nor questioned since,

  Nor cared for corn-flowers wild,

  Nor sung with the singing bird.

  I take my heart in my hand,

  O my God, O my God,

  My broken heart in my hand:

  Thou hast seen, judge Thou.

  My hope was written on sand,

  O my God, O my God:

  Now let thy judgment stand —

  Yea, judge me now.

  This contemned of a man,

  This marred one heedless day,

  This heart take Thou to scan

  Both within and without:

  Refine with fire its gold,

  Purge thou its dross away —

  Yea, hold it in Thy hold,

  Whence none can pluck it out.

  I take my heart in my hand —

  I shall not die, but live —

  Before Thy face I stand;

  I, for Thou callest such:

  All that I have I bring,

  All that I am I give,

  Smile Thou and I shall sing,

  But shall not question much.

  SONGS IN A CORNFIELD

  A song in a cornfield

  Where corn begins to fall,

  Where reapers are reaping,

  Reaping one, reaping all.

  Sing pretty Lettice,

  Sing Rachel, sing May;

  Only Marian cannot sing

  While her sweetheart’s away.

  Where is he gone to

  And why does he stay?

  He came across the green sea

  But for a day,

  Across the deep green sea

  To help with the hay.

  His hair was curly yellow

  And his eyes were grey,

  He laughed a merry laugh

  And said a sweet say.

  Where is he gone to

  That he comes not home?

  Today or tomorrow

  He surely will come.

  Let him haste to joy

  Lest he lag for sorrow,

  For one weeps today

  Who’ll not weep tomorrow:

  Today she must weep

  For gnawing sorrow,

  Tonight she may sleep

  And not wake tomorrow.

  May sang with Rachel

  In the waxing warm weather,

  Lettice sang with them,

  They sang all together: —

  ‘Take the wheat in your arm

  Whilst day is broad above,

  Take the wheat to your bosom,

  But not a false love.

  Out in the fields

  Summer heat gloweth,

  Out in the fields

  Summer wind bloweth,

  Out in the fields

  Summer friend showeth,

  Out in the fields

  Summer wheat groweth;

  But in the winter

  When summer heat is dead

  And summer wind has veered

  And summer friend has fled,

  Only summer wheat remaineth,

  White cakes and bread.

  Take the wheat, clasp the wheat

  That’s food for maid and dove;

  Take the wheat to your bosom,

  But not a false false love.’

  A silence of full noontide heat

  Grew on them at their toil:

  The farmer’s dog woke up from sleep,

  The green snake hid her coil.

  Where grass stood thickest, bird and beast

  Sought shadows as they could,

  The reaping men and women paused

  And sat down where they stood;

  They ate and drank and were refreshed,

  For rest from toil is good.

  While the reapers took their ease,

  Their sickles lying by,

  Rachel sang a second strain,

  And singing seemed to sigh: —

  ‘There goes the swallow —

  Could we but follow!

  Hasty swallow stay,

  Point us out the way;

  Look back swallow, turn back swallow, stop swallow.

  ‘There went the swallow —

  Too late to follow:

  Lost our note of way,

  Lost our chance today;

  Good bye swallow, sunny swallow, wise swallow.

  ‘After the swallow

  All sweet things follow:

  All things go their way,

  Only we must stay,

  Must not follow; good bye swallow, good swallow.’

  Then listless Marian raised her head

  Among the nodding sheaves;

  Her voice was sweeter than that voice;

  She sang like one who grieves:

  Her voice was sweeter than its wont

  Among the nodding sheaves;

  All wondered while they heard her sing

  Like one who hopes and grieves: —

  ‘Deeper than the hail can smite,

  Deeper than the frost can bite,

  Deep asleep through day and night,

  Our delight.

  ‘Now thy sleep no pang can break,

  No tomorrow bid thee wake,

  Not our sobs who sit and ache

  For thy sake.

  ‘Is it dark or light below?

  Oh, but is it cold like snow?

  Dost thou feel the green things grow

  Fast or slow?

  ‘Is it warm or cold beneath,

  Oh, but is it cold like death?

  Cold like death, without a breath,

  Cold like death?’

  If he comes today

  He will find her weeping;

  If he comes tomorrow

  He will find her sleeping;

  If he comes the next day

  He’ll not find her at all,

  He may tear his curling hair,

  Beat his breast and call.

  A YEAR’S WINDFALLS

  On the wind of January

  Down flits the snow,

  Travelling from the frozen North

  As cold as it can blow.

  Poor robin redbreast,

  Look where he comes;

  Let him in to feel your fire,

  And toss him of your crumbs.

  On the wind in February

  Snowflakes float still,

  Half inclined to turn to rain,

  Nipping, dripping, chill.

  Then the thaws swell the streams,

  And swollen rivers swell the sea: —

  If the winter ever ends

  How pleasant it will be!

  In the wind of windy March

  The catkins drop down,

  Curly, caterpillar-like,

  Curious green and brown.

  With concourse of nest-building birds

  And leaf-buds by the way,

  We begin to think of flowers

  And life and nuts some day.

  With the gusts of April

  Rich fruit-tree blossoms fall,

  On the hedged-in orchard-green,

  From the southern wall.

  Apple-trees and pear-trees

  Shed petals white or pink,

  Plum-trees and peach-trees;

  While sharp showers sink and sink.

  Little brings the May breeze

  Beside pure scent of flowers,

  While all things wax and nothing wanes

  In lengthening daylight hours.

  Across the hyacinth beds

  The wind lags warm and sweet,

  Across the hawthorn tops,

  Across the blades of wheat.

  In the wind of sunny June

  Thrives the red rose crop,

  Every day fresh blossoms blow

  While the first leaves drop;

  White rose and yellow rose

  And moss-rose choice to find,

  And the cottage cabbage-rose

  Not one whit behind.

  On th
e blast of scorched July

  Drives the pelting hail,

  From thunderous lightning-clouds, that blot

  Blue heaven grown lurid-pale.

  Weedy waves are tossed ashore,

  Sea-things strange to sight

  Gasp upon the barren shore

  And fade away in light.

  In the parching August wind

  Corn-fields bow the head,

  Sheltered in round valley depths,

  On low hills outspread.

  Early leaves drop loitering down

  Weightless on the breeze,

  First fruits of the year’s decay

  From the withering trees.

  In brisk wind of September

  The heavy-headed fruits

  Shake upon their bending boughs

  And drop from the shoots;

  Some glow golden in the sun,

  Some show green and streaked,

  Some set forth a purple bloom,

  Some blush rosy-cheeked.

  In strong blast of October

  At the equinox,

  Stirred up in his hollow bed

  Broad ocean rocks;

  Plunge the ships on his bosom,

  Leaps and plunges the foam, —

  It’s oh! for mothers’ sons at sea,

  That they were safe at home.

  In slack wind of November

  The fog forms and shifts;

  All the world comes out again

  When the fog lifts.

  Loosened from their sapless twigs

  Leaves drop with every gust;

  Drifting, rustling, out of sight

  In the damp or dust.

  Last of all, December,

  The year’s sands nearly run,

  Speeds on the shortest day,

  Curtails the sun;

  With its bleak raw wind

  Lays the last leaves low,

  Brings back the nightly frosts,

  Brings back the snow.

  THE QUEEN OF HEARTS

  How comes it, Flora, that, whenever we

  Play cards together, you invariably,

  However the pack parts,

  Still hold the Queen of Hearts?

  I’ve scanned you with a scrutinizing gaze,

  Resolved to fathom these your secret ways:

  But, sift them as I will,

  Your ways are secret still.

  I cut and shuffle; shuffle, cut, again;

  But all my cutting, shuffling, proves in vain:

  Vain hope, vain forethought too;

  The Queen still falls to you.

  I dropped her once, prepense; but, ere the deal

  Was dealt, your instinct seemed her loss to feel:

  ‘There should be one card more,’

  You said, and searched the floor.

  I cheated once; I made a private notch

  In Heart-Queen’s back, and kept a lynx-eyed watch;

  Yet such another back

  Deceived me in the pack:

  The Queen of Clubs assumed by arts unknown

  An imitative dint that seemed my own;

  This notch, not of my doing,

  Misled me to my ruin.

  It baffles me to puzzle out the clue,

  Which must be skill, or craft, or luck in you:

  Unless, indeed, it be

  Natural affinity.

  ONE DAY

  I will tell you when they met:

  In the limpid days of Spring;

  Elder boughs were budding yet,

  Oaken boughs looked wintry still,

  But primrose and veined violet

  In the mossful turf were set,

  While meeting birds made haste to sing

  And build with right good will.

  I will tell you when they parted:

  When plenteous Autumn sheaves were brown,

  Then they parted heavy-hearted;

  The full rejoicing sun looked down

  As grand as in the days before;

  Only they had lost a crown;

  Only to them those days of yore

  Could come back nevermore.

  When shall they meet? I cannot tell,

  Indeed, when they shall meet again,

  Except some day in Paradise:

  For this they wait, one waits in pain.

  Beyond the sea of death love lies

  For ever, yesterday, today;

  Angels shall ask them, ‘Is it well?’

  And they shall answer, ‘Yea.’

  A BIRD’S-EYE VIEW

  ‘Croak, croak, croak,’

  Thus the Raven spoke,

  Perched on his crooked tree

  As hoarse as hoarse could be.

  Shun him and fear him,

  Lest the Bridegroom hear him;

  Scout him and rout him

  With his ominous eye about him.

  Yet, ‘Croak, croak, croak,’

  Still tolled from the oak;

  From that fatal black bird,

  Whether heard or unheard:

  ‘O ship upon the high seas,

  Freighted with lives and spices,

  Sink, O ship,’ croaked the Raven:

  ‘Let the Bride mount to heaven.’

  In a far foreign land,

  Upon the wave-edged sand,

  Some friends gaze wistfully

  Across the glittering sea.

  ‘If we could clasp our sister,’

  Three say, ‘now we have missed her!’

  ‘If we could kiss our daughter!’

  Two sigh across the water.

  Oh, the ship sails fast

  With silken flags at the mast,

  And the home-wind blows soft;

  But a Raven sits aloft,

  Chuckling and choking,

  Croaking, croaking, croaking: —

  Let the beacon-fire blaze higher;

  Bridegroom, watch; the Bride draws nigher.

  On a sloped sandy beach,

  Which the spring-tide billows reach,

  Stand a watchful throng

  Who have hoped and waited long:

  ‘Fie on this ship, that tarries

  With the priceless freight it carries.

  The time seems long and longer:

  O languid wind, wax stronger;’ —

  Whilst the Raven perched at ease

  Still croaks and does not cease,

  One monotonous note

  Tolled from his iron throat:

  ‘No father, no mother,

  But I have a sable brother:

  He sees where ocean flows to,

  And he knows what he knows, too.’

  A day and a night

  They kept watch worn and white;

  A night and a day

  For the swift ship on its way:

  For the Bride and her maidens

  — Clear chimes the bridal cadence —

  For the tall ship that never

  Hove in sight for ever.

  On either shore, some

  Stand in grief loud or dumb

  As the dreadful dread

  Grows certain though unsaid.

  For laughter there is weeping,

  And waking instead of sleeping,

  And a desperate sorrow

  Morrow after morrow.

  Oh, who knows the truth,

  How she perished in her youth,

  And like a queen went down

  Pale in her royal crown:

  How she went up to glory

  From the sea-foam chill and hoary,

  From the sea-depth black and riven

  To the calm that is in Heaven?

  They went down, all the crew,

  The silks and spices too,

  The great ones and the small,

  One and all, one and all.

  Was it through stress of weather,

  Quicksands, rocks, or all together?

  Only the Raven knows this,

  And he will not disclose this. —

 
After a day and year

  The bridal bells chime clear;

  After a year and a day

  The Bridegroom is brave and gay:

  Love is sound, faith is rotten;

  The old Bride is forgotten: —

  Two ominous Ravens only

  Remember, black and lonely.

  LIGHT LOVE

  ‘Oh, sad thy lot before I came,

  But sadder when I go;

  My presence but a flash of flame,

  A transitory glow

  Between two barren wastes like snow.

  What wilt thou do when I am gone,

  Where wilt thou rest, my dear?

  For cold thy bed to rest upon,

  And cold the falling year

  Whose withered leaves are lost and sere.’

  She hushed the baby at her breast,

  She rocked it on her knee:

  ‘And I will rest my lonely rest,

  Warmed with the thought of thee,

  Rest lulled to rest by memory.’

  She hushed the baby with her kiss,

  She hushed it with her breast:

  ‘Is death so sadder much than this —

  Sure death that builds a nest

  For those who elsewhere cannot rest?’

  ‘Oh, sad thy note, my mateless dove,

  With tender nestling cold;

  But hast thou ne’er another love

  Left from the days of old,

  To build thy nest of silk and gold,

  To warm thy paleness to a blush

  When I am far away —

  To warm thy coldness to a flush,

  And turn thee back to May,

  And turn thy twilight back to day?’

  She did not answer him again,

  But leaned her face aside,

  Weary with the pang of shame and pain,

  And sore with wounded pride:

  He knew his very soul had lied.

  She strained his baby in her arms,

  His baby to her heart:

  ‘Even let it go, the love that harms:

  We twain will never part;

  Mine own, his own, how dear thou art.’

  ‘Now never teaze me, tender-eyed,

  Sigh-voiced,’ he said in scorn:

  ‘For nigh at hand there blooms a bride,

 

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