The Annotated Lolita: Revised and Updated

by Nabokov, Vladimir

  Such, then, was the mess. I remember reaching the parking area and pumping a handful of rust-tasting water, and drinking it as avidly as if it could give me magic wisdom, youth, freedom, a tiny concubine. For a while, purple-robed, heel-dangling, I sat on the edge of one of the rude tables, under the wooshing pines. In the middle distance, two little maidens in shorts and halters came out of a sun-dappled privy marked “Women.” Gum-chewing Mabel (or Mabel’s understudy) laboriously, absent-mindedly, straddled a bicycle, and Marion, shaking her hair because of the flies, settled behind, legs wide apart; and, wobbling, they slowly, absently, merged with the light and shade. Lolita! Father and daughter melting into these woods! The natural solution was to destroy Mrs. Humbert. But how?

  No man can bring about the perfect murder; chance, however, can do it. There was the famous dispatch of a Mme Lacour in Arles, southern France, at the close of last century. An unidentified bearded six-footer, who, it was later conjectured, had been the lady’s secret lover, walked up to her in a crowded street, soon after her marriage to Colonel Lacour, and mortally stabbed her in the back, three times, while the Colonel, a small bulldog of a man, hung onto the murderer’s arm. By a miraculous and beautiful coincidence, right at the moment when the operator was in the act of loosening the angry little husband’s jaws (while several onlookers were closing in upon the group), a cranky Italian in the house nearest to the scene set off by sheer accident some kind of explosive he was tinkering with, and immediately the street was turned into a pandemonium of smoke, falling bricks and running people. The explosion hurt no one (except that it knocked out game Colonel Lacour); but the lady’s vengeful lover ran when the others ran—and lived happily ever after.

  Now look what happens when the operator himself plans a perfect removal.

  I walked down to Hourglass Lake. The spot from which we and a few other “nice” couples (the Farlows, the Chatfields) bathed was a kind of small cove; my Charlotte liked it because it was almost “a private beach.” The main bathing facilities (or “drowning facilities” as the Ramsdale Journal had had occasion to say) were in the left (eastern) part of the hourglass, and could not be seen from our covelet. To our right, the pines soon gave way to a curve of marshland which turned again into forest on the opposite side.

  I sat down beside my wife so noiselessly that she started.

  “Shall we go in?” she asked.

  “We shall in a minute. Let me follow a train of thought.”

  I thought. More than a minute passed.

  “All right. Come on.”

  “Was I on that train?”

  “You certainly were.”

  “I hope so,” said Charlotte entering the water. It soon reached the gooseflesh of her thick thighs; and then, joining her outstretched hands, shutting her mouth tight, very plain-faced in her black rubber headgear, Charlotte flung herself forward with a great splash.

  Slowly we swam out into the shimmer of the lake.

  On the opposite bank, at least a thousand paces away (if one could walk across water), I could make out the tiny figures of two men working like beavers on their stretch of shore. I knew exactly who they were: a retired policeman of Polish descent and the retired plumber who owned most of the timber on that side of the lake. And I also knew they were engaged in building, just for the dismal fun of the thing, a wharf. The knocks that reached us seemed so much bigger than what could be distinguished of those dwarfs’ arms and tools; indeed, one suspected the director of those acrosonic effects to have been at odds with the puppet-master, especially since the hefty crack of each diminutive blow lagged behind its visual version.

  The short white-sand strip of “our” beach—from which by now we had gone a little way to reach deep water—was empty on weekday mornings. There was nobody around except those two tiny very busy figures on the opposite side, and a dark-red private plane that droned overhead, and then disappeared in the blue. The setting was really perfect for a brisk bubbling murder, and here was the subtle point: the man of law and the man of water were just near enough to witness an accident and just far enough not to observe a crime. They were near enough to hear a distracted bather thrashing about and bellowing for somebody to come and help him save his drowning wife; and they were too far to distinguish (if they happened to look too soon) that the anything but distracted swimmer was finishing to tread his wife underfoot. I was not yet at that stage; I merely want to convey the ease of the act, the nicety of the setting! So there was Charlotte swimming on with dutiful awkwardness (she was a very mediocre mermaid), but not without a certain solemn pleasure (for was not her merman by her side?); and as I watched, with the stark lucidity of a future recollection (you know—trying to see things as you will remember having seen them), the glossy whiteness of her wet face so little tanned despite all her endeavors, and her pale lips, and her naked convex forehead, and the tight black cap, and the plump wet neck, I knew that all I had to do was to drop back, take a deep breath, then grab her by the ankle and rapidly dive with my captive corpse. I say corpse because surprise, panic and inexperience would cause her to inhale at once a lethal gallon of lake, while I would be able to hold on for at least a full minute, open-eyed under water. The fatal gesture passed like the tail of a falling star across the blackness of the contemplated crime. It was like some dreadful silent ballet, the male dancer holding the ballerina by her foot and streaking down through watery twilight. I might come up for a mouthful of air while still holding her down, and then would dive again as many times as would be necessary, and only when the curtain came down on her for good, would I permit myself to yell for help. And when some twenty minutes later the two puppets steadily growing arrived in a rowboat, one half newly painted, poor Mrs. Humbert Humbert, the victim of a cramp or coronary occlusion, or both, would be standing on her head in the inky ooze, some thirty feet below the smiling surface of Hourglass Lake.

  Simple, was it not? But what d’ye know, folks—I just could not make myself do it!

  She swam beside me, a trustful and clumsy seal, and all the logic of passion screamed in my ear: Now is the time! And, folks, I just couldn’t! In silence I turned shoreward and gravely, dutifully, she also turned, and still hell screamed its counsel, and still I could not make myself drown the poor, slippery, big-bodied creature. The scream grew more and more remote as I realized the melancholy fact that neither tomorrow, nor Friday, nor any other day or night, could I make myself put her to death. Oh, I could visualize myself slapping Valeria’s breasts out of alignment, or otherwise hurting her—and I could see myself, no less clearly, shooting her lover in the underbelly and making him say “akh!” and sit down. But I could not kill Charlotte—especially when things were on the whole not quite as hopeless, perhaps, as they seemed at first wince on that miserable morning. Were I to catch her by her strong kicking foot; were I to see her amazed look, hear her awful voice; were I still to go through with the ordeal, her ghost would haunt me all my life. Perhaps if the year were 1447 instead of 1947 I might have hoodwinked my gentle nature by administering her some classical poison from a hollow agate, some tender philter of death. But in our middle-class nosy era it would not have come off the way it used to in the brocaded palaces of the past. Nowadays you have to be a scientist if you want to be a killer. No, no, I was neither. Ladies and gentlemen of the jury, the majority of sex offenders that hanker for some throbbing, sweet-moaning, physical but not necessarily coital, relation with a girl-child, are innocuous, inadequate, passive, timid strangers who merely ask the community to allow them to pursue their practically harmless, so-called aberrant behavior, their little hot wet private acts of sexual deviation without the police and society cracking down upon them. We are not sex fiends! We do not rape as good soldiers do. We are unhappy, mild, dog-eyed gentlemen, sufficiently well integrated to control our urge in the presence of adults, but ready to give years and years of life for one chance to touch a nymphet. Emphatically, no killers are we. Poets never kill. Oh, my poor Charlotte, do not hate me in your
eternal heaven among an eternal alchemy of asphalt and rubber and metal and stone—but thank God, not water, not water!

  Nonetheless it was a very close shave, speaking quite objectively. And now comes the point of my perfect-crime parable.

  We sat down on our towels in the thirsty sun. She looked around, loosened her bra, and turned over on her stomach to give her back a chance to be feasted upon. She said she loved me. She sighed deeply. She extended one arm and groped in the pocket of her robe for her cigarettes. She sat up and smoked. She examined her right shoulder. She kissed me heavily with open smoky mouth. Suddenly, down the sand bank behind us, from under the bushes and pines, a stone rolled, then another.

  “Those disgusting prying kids,” said Charlotte, holding up her big bra to her breast and turning prone again. “I shall have to speak about that to Peter Krestovski.”

  From the debouchment of the trail came a rustle, a footfall, and Jean Farlow marched down with her easel and things.

  “You scared us,” said Charlotte.

  Jean said she had been up there, in a place of green concealment, spying on nature (spies are generally shot), trying to finish a lakescape, but it was no good, she had no talent whatever (which was quite true)—“And have you ever tried painting, Humbert?” Charlotte, who was a little jealous of Jean, wanted to know if John was coming.

  He was. He was coming home for lunch today. He had dropped her on the way to Parkington and should be picking her up any time now. It was a grand morning. She always felt a traitor to Cavall and Melampus for leaving them roped on such gorgeous days. She sat down on the white sand between Charlotte and me. She wore shorts. Her long brown legs were about as attractive to me as those of a chestnut mare. She showed her gums when she smiled.

  “I almost put both of you into my lake,” she said. “I even noticed something you overlooked. You [addressing Humbert] had your wrist watch on in, yes, sir, you had.”

  “Waterproof,” said Charlotte softly, making a fish mouth.

  Jean took my wrist upon her knee and examined Charlotte’s gift, then put back Humbert’s hand on the sand, palm up.

  “You could see anything that way,” remarked Charlotte coquettishly.

  Jean sighed. “I once saw,” she said, “two children, male and female, at sunset, right here, making love. Their shadows were giants. And I told you about Mr. Tomson at daybreak. Next time I expect to see fat old Ivor in the ivory. He is really a freak, that man. Last time he told me a completely indecent story about his nephew. It appears—”

  “Hullo there,” said John’s voice.

  21

  My habit of being silent when displeased, or, more exactly, the cold and scaly quality of my displeased silence, used to frighten Valeria out of her wits. She used to whimper and wail, saying “Ce qui me rend folle, c’est que je ne sais à quoi tu penses quand tu es connne ça.” I tried being silent with Charlotte—and she just chirped on, or chucked my silence under the chin. An astonishing woman! I would retire to my former room, now a regular “studio,” mumbling I had after all a learned opus to write, and cheerfully Charlotte went on beautifying the home, warbling on the telephone and writing letters. From my window, through the lacquered shiver of poplar leaves, I could see her crossing the street and contentedly mailing her letter to Miss Phalen’s sister.

  The week of scattered showers and shadows which elapsed after our last visit to the motionless sands of Hourglass Lake was one of the gloomiest I can recall. Then came two or three dim rays of hope—before the ultimate sunburst.

  It occurred to me that I had a fine brain in beautiful working order and that I might as well use it. If I dared not meddle with my wife’s plans for her daughter (getting warmer and browner every day in the fair weather of hopeless distance), I could surely devise some general means to assert myself in a general way that might be later directed toward a particular occasion. One evening, Charlotte herself provided me with an opening.

  “I have a surprise for you,” she said looking at me with fond eyes over a spoonful of soup. “In the fall we two are going to England.”

  I swallowed my spoonful, wiped my lips with pink paper (Oh, the cool rich linens of Mirana Hotel!) and said:

  “I have also a surprise for you, my dear. We two are not going to England.”

  “Why, what’s the matter?” she said, looking—with more surprise than I had counted upon—at my hands (I was involuntarily folding and tearing and crushing and tearing again the innocent pink napkin). My smiling face set her somewhat at ease, however.

  “The matter is quite simple,” I replied. “Even in the most harmonious of households, as ours is, not all decisions are taken by the female partner. There are certain things that the husband is there to decide. I can well imagine the thrill that you, a healthy American gal, must experience at crossing the Atlantic on the same ocean liner with Lady Bumble—or Sam Bumble, the Frozen Meat King, or a Hollywood harlot. And I doubt not that you and I would make a pretty ad for the Traveling Agency when portrayed looking—you, frankly starry-eyed, I, controlling my envious admiration—at the Palace Sentries, or Scarlet Guards, or Beaver Eaters, or whatever they are called. But I happen to be allergic to Europe, including merry old England. As you well know, I have nothing but very sad associations with the Old and rotting World. No colored ads in your magazines will change the situation.”

  “My darling,” said Charlotte. “I really—”

  “No, wait a minute. The present matter is only incidental. I am concerned with a general trend. When you wanted me to spend my afternoons sunbathing on the Lake instead of doing my work, I gladly gave in and became a bronzed glamor boy for your sake, instead of remaining a scholar and, well, an educator. When you lead me to bridge and bourbon with the charming Farlows, I meekly follow. No, please, wait. When you decorate your home, I do not interfere with your schemes. When you decide—when you decide all kinds of matters, I may be in complete, or in partial, let us say, disagreement—but I say nothing. I ignore the particular. I cannot ignore the general. I love being bossed by you, but every game has its rules. I am not cross. I am not cross at all. Don’t do that. But I am one half of this household, and have a small but distinct voice.”

  She had come to my side and had fallen on her knees and was slowly, but very vehemently, shaking her head and clawing at my trousers. She said she had never realized. She said I was her ruler and her god. She said Louise had gone, and let us make love right away. She said I must forgive her or she would die.

  This little incident filled me with considerable elation. I told her quietly that it was a matter not of asking forgiveness, but of changing one’s ways; and I resolved to press my advantage and spend a good deal of time, aloof and moody, working at my book—or at least pretending to work.

  The “studio bed” in my former room had long been converted into the sofa it had always been at heart, and Charlotte had warned me since the very beginning of our cohabitation that gradually the room would be turned into a regular “writer’s den.” A couple of days after the British Incident, I was sitting in a new and very comfortable easy chair, with a large volume in my lap, when Charlotte rapped with her ring finger and sauntered in. How different were her movements from those of my Lolita, when she used to visit me in her dear dirty blue jeans, smelling of orchards in nymphetland; awkward and fey, and dimly depraved, the lower buttons of her shirt unfastened. Let me tell you, however, something. Behind the brashness of little Haze, and the poise of big Haze, a trickle of shy life ran that tasted the same, that murmured the same. A great French doctor once told my father that in near relatives the faintest gastric gurgle has the same “voice.”

  So Charlotte sauntered in. She felt all was not well between us. I had pretended to fall asleep the night before, and the night before that, as soon as we had gone to bed, and had risen at dawn.

  Tenderly, she inquired if she were not “interrupting.”

  “Not at the moment,” I said, turning volume C of the Girls’ Encyclopedia aro
und to examine a picture printed “bottom-edge” as printers say.

  Charlotte went up to a little table of imitation mahogany with a drawer. She put her hand upon it. The little table was ugly, no doubt, but it had done nothing to her.

  “I have always wanted to ask you,” she said (businesslike, not coquettish), “why is this thing locked up? Do you want it in this room? It’s so abominably uncouth.”

  “Leave it alone,” I said. I was Camping in Scandinavia.

  “Is there a key?”

  “Hidden.”

  “Oh, Hum …”

  “Locked up love letters.”

  She gave me one of those wounded-doe looks that irritated me so much, and then, not quite knowing if I was serious, or how to keep up the conversation, stood for several slow pages (Campus, Canada, Candid Camera, Candy) peering at the window-pane rather than through it, drumming upon it with sharp almond-and-rose fingernails.

  Presently (at Canoeing or Canvasback) she strolled up to my chair and sank down, tweedily, weightily, on its arm, inundating me with the perfume my first wife had used. “Would his lordship like to spend the fall here?” she asked, pointing with her little finger at an autumn view in a conservative Eastern State. “Why?” (very distinctly and slowly). She shrugged. (Probably Harold used to take a vacation at that time. Open season. Conditional reflex on her part.)