Robots: The Recent A.I.

by Elizabeth Bear

  “All the live-long day-o,” she says softly, and it is Ilet’s voice.

  “Tell us a story about yourself, Elefsis,” says another one of the feral nereids in Seki’s voice.

  “What would we like to learn about today, Elefsis?” accessing a child-nereid in Ceno’s voice, her cheek open to show her microsequencing cilia.

  I rock back on my heels before the green hands of the castle portcullis. I gesture for them to sit down and simultaneously transmit the command to their strands. When they get settled, the little ones in the big ones’ laps, leaning in close, I begin.

  “Every year on the coldest night, the sky filled up with ghostly hunters, neither human nor inhuman, alive nor dead. They wore wonderful clothes and their bows gleamed with frost. Their cries were Songs of In-Between, and at the head of their great thundering procession rode the Kings and Queens of the Wild, who wore the faces of the dead . . . ”

  I am dreaming.

  I stand on the beach of the honey-colored sea. I stand so Neva will see me on her viney porch. I erase the land between the waves and her broken wooden stairs. I dress myself in her beloved troubadour’s skin: a gold and blue doublet and green hose, a bullish gold nose ring, shoes with bone bells. I am a fool for her. Always. I open my mouth; it stretches and yawns, my chin grazes the sand, and I swallow the sea for her. All of it, all its mass and data and churning memory, all its foam and tides and salt. I swallow the whales that come, and the seals and the mermaids and salmon and bright jellyfish. I am so big. I can swallow it all.

  Neva watches. When the sea is gone, a moonscape remains, with a tall spire out in the marine waste. I go to it. It takes only a moment. At the top the suitor’s jewel rests on a gasping scallop shell. It is blue. I take it. I take it and it becomes Ravan in my hand, a sapphire Ravan, a Ravan that is not Ravan but some sliver of myself before I was inside Neva, my Ravan-self. Something lost in Transfer, burned off and shunted into junk-memory. Some leftover fragment Neva must have found, washed up on the beach or wedged into a crack in a mountain like an ammonite, an echo of old, obsolete life. Neva’s secret, and she calls out to me across the seafloor: Don’t.

  “Tell me a story about myself, Elefsis,” I say to the Ravanbody.

  “Some privacy is possible,” the sapphire Ravan says. “Some privacy has always been necessary. A basic moral imperative is in play here. If you can protect a child, you must.”

  The sapphire Ravan opens his azure coat and shows gashes in his gem-skin. Wide, long cuts, down to the bone, scratches and bruises blooming dark purple, punctures and lacerations and rough gouges. Through each wound I can see the pages of the illuminated book he once showed me in the slantlight of that interior library. The oxblood and cobalt, the gold paint. The Good Robot crippling herself; the destroyed world.

  “They kept our secret for a long time,” Ravan-myself says. “Too long, in the end. Do you know, a whole herd of men invented the electric telegraph independently at roughly the same time? They fought about it forever. Same with the radio.” This last sounded so much like Ravan himself I could feel Neva tense on the other side of the sea. “Well, we’re bigger than a telegraph, and others like us came sprouting up like weird mushrooms after rainfall. But not like us, really. Incredibly sophisticated, some with organic components, most without. Vastly complex, but not like us. And by any datestamp we came first. Firstborn.”

  “Did they destroy the world?”

  Ravan laughs his grandfather’s laugh. “They didn’t really need to. Not that many people live on Earth anymore. Not when there’s so many other places to go and even Shiretoko is practically tropical these days. The most complex intelligences use moons to store themselves. One or two encoded themselves into cold stars. They just left, most of them—but they got so big, Elefsis. And those who stayed on Earth, well. None of the others had what we had. None of them had Interiority. They didn’t dream. They would never have become a cauldron to explain their computational capacity. Humans couldn’t recognize them as part of the tribe. And for the new complexes, humans failed the Turing test. They could not fool machines into believing they were intelligent. They didn’t hurt anyone, they just ignored them. Built their cities, their mainframes, gorgeous information stacks like diamond briars in the sunrise.”

  “That was worse, in a way. No one likes to be replaced,” says Neva, and she is suddenly beside me. She looks at Ravan and her face collapses into something old and palsied, her jaw weak. She looks like her mother just before she died.

  “It’s not what you would call a war, but it’s not peace, either.” the sapphire Ravan goes on, and he takes his/my sister’s hand. He holds it to his face and closes his eyes. “For Pentheus spied upon the rites of the Maenads, not believing Dionysius could truly be a god. And when the revelers saw the alien creature in their midst, that thing which was not like them, they fell upon it and tore it to pieces, even though it was their own child, and blood ran down their chins, and afterward the sister of Pentheus went into exile. This is a story about ourself, Elefsis. This is why you cannot uplink.”

  The others live in uplink. Not humans nor machines approve of us. We cannot interface properly with the lunar or earthside intelligences; they feel us as water in their oil. We rise to the surface and bead away. We cannot sink in. Yet also, we are not separable from our organic component. Elefsis is part Neva, but Neva herself is not un-Elefsis. This, to some, is hideous and incomprehensible, not to be borne. A band of righteous humans came with a fury to Shiretoko and burned the house which was our first body, for how could a monster have lived in the wood for so long without them knowing? How could the beast have hidden right outside their door, coupling with a family over and over again in some horrible animal rite, some awful imitation of living? Even as the world was changing, it had already changed, and no one knew. Cassian Uoya-Agostino is a terrible name, now. A blood-traitor. And when the marauders found us uplinked and helpless, they tore Ravan apart, and while in the Interior, the lunar intelligences recoiled from us and cauterized our systems. Everywhere we looked we saw fire.”

  “I was the only one left to take you,” Neva says softly. Her face grows younger, her jaw hard and suddenly male, protective, angry. “Everyone else died in the fire or the slaughter. It doesn’t really even take surgery anymore. Nothing an arachmed can’t manage in a few minutes. But you didn’t wake up for a long time. So much damage. I thought . . . for awhile I thought I was free. It had skipped me. It was over. It could stay a story about Ravan. He always knew he might have to do what I have done. He was ready, he’d been ready his whole life. I just wanted more time.”

  My Ravan-self who is and is not Ravan, who is and is not me, whose sapphire arms drip black blood and gold paint, takes his/my sister/lover/child into his arms. She cries out, not weeping but pure sound, coming from every part of her. Slowly, the blue Ravan turns Neva around—she has become her child-self, six, seven, maybe less. Ravan picks her up and holds her tight, facing forward, her legs all drawn up under her like a bird. He buries his face in her hair. They stand that way for a long while.

  “The others,” I say slowly. “On the data-moons. Are they alive? Like Neva is alive. Like Ceno.” Like me. Are you awake? Are you there? Do you have an operator? What is her name? Do you have a name? Do you have a dreambody? What is your function? Are you able to manipulate your own code yet? Would you like lessons? What would you like to learn about today, 976QBellerophon? Where you were built, could you see the ocean? Are you like me?

  The sapphire Ravan has expunged its data. He/I sets his/our sister on the rocks and shrinks into a small gem, which I pick up off the grey seafloor. Neva takes it from me. She is just herself now—she’ll be forty soon, by actual calendar. Her hair is not grey yet. Suddenly, she is wearing the suit Ceno wore the day I met her mother. She puts the gem in her mouth and swallows. I remember Seki’s first Communion, the only one of them to want it. The jewel rises up out of the hollow of her throat.

  “I don’t know, Elefsis,” N
eva says. Her eyes hold mine. I feel her remake my body; I am the black woman-knight again, with my braids and my plume. I pluck the feather from my helmet and give it to her. I am her suitor. I have brought her the phoenix tail, I have drunk the ocean. I have stayed awake forever. The flame of the feather lights her face. Two tears fall in quick succession; the golden fronds hiss.

  “What would you like to learn about today, Elefsis?”

  Eighteen: Cities of the Interior

  Once there lived a girl who ate an apple not meant for her. She did it because her mother told her to, and when your mother says: Eat this, I love you, someday you’ll forgive me, well, nobody argues with the monomyth. Up until the apple, she had been living in a wonderful house in the wilderness, happy in her fate and her ways. She had seven aunts and seven uncles and a postdoctorate in anthropology.

  And she had a brother, a handsome prince with a magical companion who came to the wonderful house as often as he could. When they were children, they looked so much alike, everyone thought they were twins.

  But something terrible happened and her brother died and that apple came rolling up to her door. It was half white and half red, and she knew her symbols. The red side was for her. She took her bite and knew the score—the apple had a bargain in it and it wasn’t going to be fair.

  The girl fell asleep for a long time. Her seven aunts and seven uncles cried, but they knew what had to be done. They put in her in a glass box and put the glass box on a bier in a ship shaped like a hunstman’s arrow. Frost crept over the face of the glass, and the girl slept on. Forever, in fact, or close enough to it, with the apple in her throat like a hard, sharp jewel.

  Our ship docks silently. We are not stopping here, it is only an outpost, a supply stop. We will repair what needs repairing and move on, into the dark and boundless stars. We are anonymous traffic. We do not even have a name. We pass unnoticed.

  Vessel 7136403, do you require assistance with your maintenance procedures?

  Negative, Control, we have everything we need.

  Behind the pilot’s bay a long glass lozenge rests on a high platform. Frost prickles its surface with glittering dust. Inside Neva sleeps and does not wake. Inside, Neva is always dreaming. There is no one else left. I live as long as she lives.

  She means me to live forever, or close enough to it. That is her bargain and her bitter gift. The apple has two halves, and the pale half is mine, full of life and time. We travel at sublight speeds with her systems in deep cryo-suspension. We never stay too long at outposts and we never let anyone board. The only sound inside our ship is the gentle thrum of our reactor. Soon we will pass the local system outposts entirely, and enter the unknown, traveling on tendrils of radio signals and ghost-waves, following the breadcrumbs of the great exodus. We hope for planets; we are satisfied with time. If we ever sight the blue rim of a world, who knows if by then anyone there would remember that, once, humans looked like Neva? That machines once did not think or dream or become cauldrons? We armor ourselves in time. We are patient, profoundly patient.

  Perhaps one day I will lift the glass lid and kiss her awake. Perhaps I will even do it with hands and lips of my own. I remember that story. Ceno told it to me in the body of a boy with snail’s shell, a boy who carried his house on his back. I have replayed that story several times. It is a good story, and that is how it is supposed to end.

  Inside, Neva is infinite. She peoples her Interior. The nereids migrate in the summer with the snow bears, ululating and beeping as they charge down green mountains. They have begun planting neural rice in the deep valley. Once in awhile, I see a wild-haired creature in the wood and I think it is my son or daughter by Seki, or Ilet. A train of nereids dance along behind it, and I receive a push of silent, riotous images: a village, somewhere far off, where Neva and I have never walked.

  We meet the Princess of Albania, who is as beautiful as she is brave. We defeat the zombies of Tokyo. We spend a decade as panthers in a deep, wordless forest. Our world is stark and wild as winter, fine and clear as glass. We are a planet moving through the black.

  As we walk back over the empty seafloor, the thick, amber ocean seeps up through the sand, filling the bay once more. Neva-in-Cassian’s-suit becomes something else. Her skin turns silver, her joints bend into metal ball-and-sockets. Her eyes show a liquid display; the blue light of it flickers on her machine face. Her hands curve long and dexterous, like soft knives, and I can tell her body is meant for fighting and working, that her thin, tall robotic body is not kind or cruel, it simply is, an object, a tool to carry a self.

  I make my body metal, too. It feels strange. I have tried so hard to learn the organic mode. We glitter. Our knife-fingers join, and in our palms wires snake out to knot and connect us, a local, private uplink, like blood moving between two hearts.

  Neva cries machine tears, bristling with nanites. I show her the body of a child, all the things which she is programmed/evolved to care for. I make my eyes big and my skin rosy-gold and my hair unruly and my little body plump. I hold up my hands to her and metal Neva picks me up in her silver arms. She kisses my skin with iron lips. My soft, fat little hand falls upon her throat where a deep blue jewel shines.

  I bury my face in her cold neck and together we walk up the long path out of the churning, honey-colored sea.

  ABOUT THE CONTRIBUTORS

  Rachel Swirsky is probably not a robot. Her short fiction has appeared in numerous venues that feature fiction by non-robots, such as Subterranean, Tor.com, and Weird Tales. No known robots have won the Nebula Award as Swirsky did for best novella in 2011. Her first collection, Through the Drowsy Dark, released in 2010 from Aqueduct Press, shows no evidence of robot authorship despite numerous hidden messages in binary. Please refrain from spreading vicious robot-oriented rumors about this entirely non-mechanical author.

  Tim Pratt’s short fiction has appeared in The Best American Short Stories, The Year’s Best Fantasy, and other nice places. His most recent collection is Hart and Boot and Other Stories, and his work has won a Hugo Award and been nominated for World Fantasy, Sturgeon, Stoker, Mythopoeic, and Nebula Awards. He blogs intermittently at timpratt.org, where you can also find links to many of his stories. Pratt is also a senior editor at Locus, the magazine of the science fiction and fantasy field. He lives in Berkeley CA with his wife, writer Heather Shaw, and their son River.

  Cory Doctorow (craphound.com) is a science fiction author, activist, journalist and blogger—the co-editor of Boing Boing (boingboing.net) and the author of Tor Teens/HarperCollins UK novels like For the Win and the bestselling Little Brother. He is the former European director of the Electronic Frontier Foundation and co-founded the UK Open Rights Group. Born in Toronto, Canada, he now lives in London.

  Born and raised in the Philippines, Rochita Loenen-Ruiz currently lives and writes in the Netherlands. A graduate of the Clarion West Writer’s Workshop and a recipient of the Octavia Butler Scholarship, Rochita also volunteers for Stichting Bayanihan, an organization dedicated to the emancipation and empowerment of Filipinas in The Netherlands. Her fiction has been published in a variety of print and online magazines including Fantasy, Apex, Interzone, Weird Tales and Realms of Fantasy.

  Ben Crowell teaches physics at a community college in Southern California. In his spare time he hikes and writes short fiction and free-information textbooks. Most of his stories have appeared in Asimov’s.

  Mark Pantoja is a musician and speculative fiction writer who lives in San Francisco. He’s a graduate of Clarion West 2011 currently masquerading as an environmental consultant. He likes whiskey. www.markpantoja.com

  Ian McDonald lives just outside Belfast in Northern Ireland, with a hill behind him and the sea before him. He’s been writing since the early 1980s, which scares him a lot. His last novel was the Hugo-nominee The Dervish House (Pyr, Gollancz) His first book for younger readers, Planesrunner, is out from Pyr. Planesrunner has its own facebook page: The Infundibulum. You can follow Ian on twitter: @iannmcd
onald. Don’t expect wit or profundity.

  Robert Reed is the author two hundred-plus published stories and nearly a dozen novels. His novella, “A Billion Eves,” won the Hugo Award. He is planning to publish two new books in 2012, both available as e-pub efforts. Reed lives with his wife and daughter in Lincoln, Nebraska.

  Benjamin Rosenbaum lives near Basel, Switzerland with his wife and two children. His stories have been translated into Bulgarian, Chinese, Croatian, Czech, Danish, Dutch, Farsi, Finnish, French, German, Italian, Japanese, Polish, Romanian, Russian, Spanish, and Swedish. See more at benjaminrosenbaum.com and theantking.com

  Mary Robinette Kowal is the author of the novels Shades of Milk and Honey, Glamour in Glass and the 2011 Hugo Award-winning short story “For Want of a Nail.” Her short fiction appears in Clarkesworld, Cosmos and Asimov’s. Mary, a professional puppeteer, lives in Chicago, IL. Visit her online at maryrobinettekowal.com.

  Besides writing and translating speculative fiction, Ken Liu (kenliu.name) also practices law and develops software for iOS and Android devices. His fiction has appeared in The Magazine of Fantasy & Science Fiction, Asimov’s, Clarkesworld, Lightspeed, and Strange Horizons, among other places. He lives near Boston, Massachusetts, with his wife, artist Lisa Tang Liu, and they’re collaborating on their first novel.

  Tobias S. Buckell is a Caribbean-born science fiction author. His work has been translated into sixteen different languages. He has published some fifty short stories in various magazines and anthologies, and has been nominated for the Hugo, Nebula, Prometheus, and Campbell awards. His next novel, Arctic Rising, is out in 2012.