Merrick tvc-7

by Anne Rice

I saw that she had taken off her bloodsoaked dress of white silk, and that it lay in a heap on the floor.

  She wore only her silk petticoat, and I could see her large pink nipples through it. There was blood on the petticoat too. Her shoulders were very straight and her breasts high set, and her arms were just rounded enough to be delicious to my sight.

  I went to pick up the dress. I wanted to clean her up completely. I wanted her to be all right.

  "It's monstrously unfair that you're so frightened," I said.

  "No, leave the dress," she answered, reaching out for my wrist. "Let it go, and sit here, beside me. Take my hand and talk to me. The spirit's a liar, I swear it. You must believe what I say."

  Once again, I sat down on the bed. I wanted to be close to her. I leant over and kissed her bowed head. I wished I couldn't see so much of her breasts, and I wondered if the younger vampires knew—those brought over early in their manhood—how such carnal details still distracted me. Of course the blood lust rose with this distraction. It was not an easy thing to love her so terribly and not taste of her soul through her blood.

  "Why do I have to believe you?" I asked gently.

  She dug her fingers into her hair and swept it back behind her shoulders.

  "Because you must," she said urgently yet quietly. "You must see that I knew what I was doing, you must believe that I can tell a truthtelling spirit from one who lies. That was something, yes, that being which pretended to be Claudia— something very powerful that it could lift the pick and sink it into Louis's flesh. I'll wager anything that it was a spirit who hated him due to his very nature, that he can be dead and still walk the earth. It was something deeply offended by his very existence. But it was taking its verses from his own thoughts."

  "How can you be so sure?" I asked. I shrugged my shoulders. "God knows, 1 wish you were right. But you yourself called on Honey; is not Honey lost in the same realm that this spirit of Claudia described? Doesn't Honey's presence prove there's nothing better for either one of them? You saw the shape of Honey out there before the altar—."

  She nodded.

  "—and you went on to call Claudia from the same realm."

  "Honey wants to be called," she declared, looking up at me, her fingers driven into her hair, tugging it cruelly back, away from her tormented face. "Honey's always there. Honey's waiting for me. That's how I knew for certain that I could call on Honey. But what about Cold Sandra? What about Great Nananne? What about Aaron Lightner? When I opened the door none of those spirits came through. They've long since gone on into the Light, David. If they hadn't they would have long ago let me know. I would have felt them the way I feel Honey. I would have hints of them, as Jesse Reeves had of Claudia when she heard the music in the Rue Royale."

  I was puzzled by this last statement. Very puzzled. I shook my head in an emphatic no.

  "Merrick, you're holding back from me," I said, deciding I must address it directly. "You have called Great Nananne. You think I don't remember what happened only a few nights ago, the night we met in the cafe in the Rue St. Anne?"

  "Yes? What about that night?" she asked. "What are you trying to say?

  "Maybe you don't know what happened," I said. "Is that possible? You called down a spell and didn't know how strong it was yourself?"

  "David, talk straight to me," she responded. Her eyes were clearing and she had stopped trembling. Of this I was glad.

  "That night," I said, "after we met and spoke together, you put a spell on me, Merrick. On my way back to the Rue Royale, I kept seeing you everywhere; to the right of me, and to the left of me, Merrick. And then I saw Great Nananne."

  "Great Nananne?" she asked in a subdued voice, but one which couldn't conceal her disbelief. "What do you mean, you saw Great Nananne?"

  "When I reached the carriageway of my town house," I said, "I saw two spirits behind the iron bars—one in the image of you, a girl of ten, the way you were when I first met you, and the other, Great Nananne in her nightgown, as she was on the only day I was ever to know her, the day of her death. These two spirits stood in the carriageway and spoke together, intimately, tete a tete, their eyes fixed on me. And when I approached them, they disappeared."

  For a moment, she said nothing. Her eyes were narrow and her lips slightly parted, as if she was pondering this with extreme concentration.

  "Great Nananne," she said again.

  "Just as I've told you, Merrick," I said. "Am I to understand now that you yourself didn't call her? You know what happened next, don't you? I went back to the Windsor Court, to the suite where I'd left you. I found you dead drunk on the bed."

  "Don't use such a charming expression for it," she whispered crossly. "You came back, yes, and you wrote me a note."

  "But after I wrote that note, Merrick, I saw Great Nananne there in the hotel, standing in the door of your bedroom. She was challenging me, Merrick. She was challenging me by her very presence and posture. It was a dense and undeniable apparition. It endured for moments—chilling moments, Merrick. Am I to understand this wasn't part of your spell?"

  Merrick sat silent for a long moment, her hands still splayed in her hair. She lifted her knees and drew them close to her breasts. Her sharp gaze never left me.

  "Great Nananne," she whispered. "You're telling me the truth. Of course you are. And you thought that I called my godmother? You thought I could call her and make her appear like that?"

  "Merrick, I saw the statue of St. Peter. I saw my own handkerchief beneath it with the drops of blood on it. I saw the candle you'd lighted. I saw the offerings. You had cast a spell."

  "Yes, my darling," she said quickly, her right hand clutching mine to quiet me. "I fixed you, yes, I put a little fixing spell on you to make you want me, to make you quite unable to think of anything else but me, to make you come back if by the slightest chance you had decided never to come to me again. Just a fixing spell, David, you know what I'm saying. I wanted to see if I could do it now that you were a vampire. And you see what happened? You didn't feel love or obsession, David, you saw images of me instead. Your strength came to the fore, David, that's all that happened. And you wrote your sharp little note to me, and when I read it, I think I might have even laughed."

  She broke off, deeply troubled, her eyes large as she stared in front her, perhaps into her own thoughts.

  "And Great Nananne? " I pressed. "You didn't call her?"

  "I can't call my godmother," she said, her tone serious, her eyes narrow as she looked at me again. "I pray to my godmother, David, don't you realize that, as I pray to Cold Sandra, as I pray to Oncle Vervain. They're no longer near us, any of them, my ancestors. I pray to them in Heaven as I would to the angels and the saints."

  "I'm telling you I saw her spirit."

  "And I'm telling you I've never seen it," she whispered. "I'm telling you I'd give anything I possess if only I could."

  She looked at my hand, the one which she held in her own, and then she pressed it warmly and she let it go. Her hands went up to her temples again and her fingers found their way again into her hair.

  "Great Nananne's in the Light," she said, as though she were arguing with me, and perhaps she was. But her gaze was lost to me. "Great Nananne's in the Light, David," she said again. "I tell you I know she is." She looked up into the airy semi-darkness, and then her eyes drifted to the altar and the candles in their long flickering rows.

  "I don't believe she came," she whispered. "I don't believe they're all in some 'insubstantial realm!' No, I tell you, I don't believe it," she said. She put her hands on her knees. "I don't believe anything so absolutely awful—that all the souls of the 'faithful departed' are lost in darkness. No, I can't believe such a thing."

  "Very well, then," I said, wanting for the moment only to comfort her, and remembering too keenly the spirits at the gate once more, old woman and young girl. "Great Nananne came of her own accord. It's as you indicated earlier—you said that spirits only tell the truth if they come of their own accord
. Great Nananne didn't want me near you, Merrick.

  Great Nananne has told me that. And maybe she'll come again if I don't somewhat repair the damage I've done to you, and leave you alone."

  She appeared to be thinking this over.

  A long interval ensued during which I watched her intently, and she gave me no clue of her feelings or her intentions, and then finally, she took my hand again. She drew it up to her lips and she kissed it. It was painfully sweet.

  "David, my beloved David," she said, but her eyes were secretive. "Leave me now."

  "No, I won't even think of it, until I have to do it."

  "No, I want you to go," she said. "I'll be quite all right on my own."

  "Call the caretaker," I said. "I want him here before I leave the property at dawn."

  She reached over to the night table and produced one of those small modern cellular phones that is no bigger than a man's wallet. She punched in a series of numbers. I heard the appropriate voice on the other end, "Yes, Ma'am, coming directly."

  I was satisfied.

  I stood up. I took several steps towards the center of the room, and then the most desolate feeling descended upon me.

  I turned around and looked at her as she sat there, her knees up close to her breasts, her head resting on her knees, her arms locked around her legs.

  "Am I fixed now with a spell, Merrick?" I asked her, my voice even more gentle than I meant for it to be. "I don't want to leave you, my precious darling," I said. "I can't bear the thought of it, but I know that we have to part from one another, you and I. One more meeting, perhaps two. No more than two."

  She looked up, startled, and her face was touched with fear.

  "Bring him back to me, David," she said imploringly. "In the name of God, you have to do that. I must see Louis and talk to him again." She waited a moment, during which time I didn't answer her. "As for you and me, don't talk as if we can simply say goodbye to one another. David, I can't bear that just now. You must assure me—."

  "It won't be abrupt," I said, cutting her off, "and it won't be without your knowledge. But we can't go on, Merrick. If we try to go on, you'll lose faith in yourself and everything that matters to you. Believe me, I know."

  "But it never happened to you, dearest," she said, with strong confidence, as though she'd thought through this very matter. "You were happy and independent when the Vampire Lestat brought you over. You told me so. Don't you give me credit for that much, David? Each of us is different."

  "Know that I love you, Merrick," I said softly.

  "Don't try to say farewell, David. Come here and kiss me and come back to me tomorrow night."

  I went to the bed, and I took her in my arms. I kissed her on both cheeks. And then in a sinful, wretchedly strong-willed manner, I kissed her unresisting breasts, kissed both her nipples, and I drew back, full of her scent and furious with myself.

  "For now, darling," I said.

  And I went out and home to the Rue Royale.

  22

  LOUIS WAS HOME when I reached the flat. I could sense his presence even as I came up the stairs. Only a few hours remained of the night for both of us, but I was so glad to see him that I went directly into the front parlor where he stood at the window, looking out over the Rue Royale below.

  The room was full of lighted lamps, and the paintings of Matisse and Monet seemed to be singing on the walls.

  He had taken off his bloodsoiled clothes, and wore now a simple turtleneck shirt of black cotton, and black pants. His shoes were old and tattered, but had once been very fine.

  He turned as I entered the room, and I took him in my arms. With him, I could give vent to the affection I'd held so severely in check with Merrick. I held him to myself and kissed him as men might do with other men when they are alone. I kissed his dark black hair and kissed his eyes, and then I kissed his lips.

  For the first time in our existence together, I felt a great outpouring of affection from him, a deep affinity, yet something else made him stiffen suddenly, against his will.

  It was the pain in his chest from the wound.

  "I should have come with you," I confessed. "I should never have let you go off, but I felt she needed me. And I remained with her. It was what I had to do."

  "Of course, you did," he said, "and I wouldn't have allowed you to leave her. She needed you much more than I did. Never mind this wound; it's already healing. I've decades enough behind me on the Devil's Road that it will heal in a few nights."

  "Not so, and you know it," I said. "Let me give you my blood, my blood's infinitely stronger. Don't turn away from me, man, listen to me. If you won't drink from me, then let me put my blood to the wound."

  He was deeply distressed. He sat down in a chair and put his elbows on his knees. I couldn't see his face. I took the chair nearby and I waited.

  "It will heal, I told you," he said softly.

  I let the matter drop. What else could I do? Yet I could see that the wound was hurting him powerfully. I could tell it by his slightest gestures—how they began in utter fluidity, and were suddenly cut short.

  "And the spirit, what did you make of it, yourself?" I asked. "Let me hear it from your lips before I tell you what Merrick felt, and what I saw."

  "I know what you both think," he said. He looked up finally and sat back gingerly in the chair. For the first time I saw the darkness of the blood on his shirt. The wound was wretched. I didn't like it. I didn't like seeing blood on him any more than I liked seeing it on Merrick. It struck me hard how much I loved them both.

  "You both think the spirit preyed upon my fears," he said calmly. "I knew it was what you'd say even before we ever began. But you see, I remember her too vividly. I know her French, I know her cadences, I know the very rhythm of her speech. And it was Claudia, and she had come out of darkness just as she confided, she had come from a terrible place where she's not at rest."

  "You know my arguments," I said, shaking my head. "What will you do now? Whatever your plan, you can't go forward without telling me what it is."

  "I know, mon ami, I'm aware of that," he answered. "And you must know now I won't be with you for very long."

  "Louis, I beg you—."

  "David, I'm weary," he said, "and I would swap one pain for another. There was something she said, you see, which I can't forget. She asked if I would give up my comforts for her? Do you remember?"

  "No, old man, you've got it wrong. She asked if you'd give up your comforts for death, but she never promised that she would be there! That's just the point. She won't be. Good Lord, how many years in the Talamasca did I study the history of apparitions and their messages, how many years did I pore over first person accounts of those who'd trafficked with ghosts and recorded their wisdom. You can choose what you will believe about the hereafter. It doesn't matter. But once you choose death, Louis, you can't choose life again. Belief ends. Don't make that choice, I implore you. Stay for me, if you won't for any other reason. Stay for me, because I need you, and stay for Lestat, because he needs you as well."

  Of course my words didn't surprise him. He put his left hand to his chest and pressed on the wound lightly, and a grimace, for one moment, disfigured his face.

  He shook his head.

  "For you and Lestat, yes, I've thought of that. And what of her? What of our lovely Merrick? What does she need from me too?"

  It seemed he had a great deal more to say, but suddenly he fell silent, and his brows were knitted, and he looked young and impossibly innocent as his head quickly turned to the side.

  "David, do you hear it?" he asked with mounting excitement. "David, listen!"

  I heard nothing but the noises of the city.

  "What is it, man?" I asked.

  "David, listen to it. It's all around us." He rose to his feet, his left hand still pressed to the pain he felt. "David, it's Claudia, it's the music, it's the harpsichord. I hear it all around us. David, she wants me to come. I know it."

  I was on my feet in
a second. I took hold of him.

  "You're not going to do it, friend, you can't do it without a farewell to Merrick, without a farewell to Lestat, and there are not enough hours left in this night for that."

  He was gazing off, mesmerized and comforted, and his eyes were glazed and his face was softened and unchallenging.

  "I know that sonata. I remember it. And yes, she loved it, she loved it because Mozart had written it when he was only a child. You can't hear, can you? But you did once, think back on it. It's so very lovely, and how fast she plays, my Claudia."

  He made a dazed laugh. The tears thickened; his eyes were veiled in blood.

  "I hear the birds singing. Listen. I hear them in their cage. The others—all our kind who know of her—they think of her as heartless, but she wasn't heartless. She was only aware of things which I didn't learn till so many decades had passed. She knew secrets that only suffering can teach. . . ."

  His voice trailed off. He pulled back gracefully from my grasp and he walked to the center of the room. He turned about as though the music were truly surrounding him.

  "Don't you see what a kindness she's done?" he whispered. "It's going on and on, David, it's getting all the more rapid. Claudia, I'm listening to you." He broke off, and turned again, his eyes moving over everything yet seeing, nothing. "Claudia, I'll be with you very soon."

  "Louis," I said, "it's almost morning. Come with me now."

  He stood still with his head bowed. His hands had dropped to his sides. He seemed infinitely sad and infinitely defeated.

  "Has it stopped?" I asked.

  "Yes," he whispered. Slowly he looked up, lost for the moment, then getting his bearings. He looked at me. "Two nights won't matter, will it? And then I can thank Merrick. I can give her the picture. The Talamasca may want it." He gestured to the nearby table, the low oval table which stood before the couch.

  I saw the daguerreotype open on the table. Claudia's image jarred me as I met its gaze. I wanted to close the little case, but never mind. I knew that I could never allow the picture to fall into the hands of the Talamasca. I could never allow such a contact, let alone the possession of such a potent object by seers as powerful as Merrick. I could never allow such evidence to remain for the Talamasca to investigate whatever we had all seen this night.