The House With the Green Shutters

by George Douglas Brown

  "Likely enough," said Sandy Toddle; "he wouldn't be quick enough to jump at the new way of doing."

  "Moar than that!" cried the Provost, spite sharpening his insight, "moar than that—he'd be owre dour to abandon the auld way. I'm talling ye. He would just be left entirely! It's only those, like myself, who approach him on the town's affairs that know the full extent of his stupeedity."

  "Oh, he's a 'demned ess,'" said the Deacon, rubbing it into Toddle and Gourlay at the same time.

  "A-ah, but then, ye see, he has the abeelity that comes from character," said Johnny Coe, who was a sage philosopher. "For there are two kinds of abeelity, don't ye understa-and? There's a scattered abeelity that's of no use! Auld Randie Donaldson was good at fifty different things, and he died in the poorhouse! There's a dour kind of abeelity, though, that has no cleverness, but just gangs tramping on; and that's—"

  "The easiest beaten by a flank attack," said the Deacon, snubbing him.

  Chapter III

  *

  With the sudden start of a man roused from a daydream Gourlay turned from the green gate and entered the yard. Jock Gilmour, the "orra" man, was washing down the legs of a horse beside the trough. It was Gourlay's own cob, which he used for driving round the countryside. It was a black—Gourlay "made a point" of driving with a black. "The brown for sturdiness, the black for speed," he would say, making a maxim of his whim to give it the sanction of a higher law.

  Gilmour was in a wild temper because he had been forced to get up at five o'clock in order to turn several hundred cheeses, to prevent them bulging out of shape owing to the heat, and so becoming cracked and spoiled. He did not raise his head at his master's approach. And his head being bent, the eye was attracted to a patent leather collar which he wore, glazed with black and red stripes. It is a collar much affected by ploughmen, because a dip in the horse-trough once a month suffices for its washing. Between the striped collar and his hair (as he stooped) the sunburnt redness of his neck struck the eye vividly—the cropped fair hairs on it showing whitish on the red skin.

  The horse quivered as the cold water swashed about its legs, and turned playfully to bite its groom. Gilmour, still stooping, dug his elbow up beneath its ribs. The animal wheeled in anger, but Gilmour ran to its head with most manful blasphemy, and led it to the stable door. The off hind leg was still unwashed.

  "Has the horse but the three legs?" said Gourlay suavely.

  Gilmour brought the horse back to the trough, muttering sullenly.

  "Were ye saying anything?" said Gourlay. "Eih?"

  Gilmour sulked out and said nothing; and his master smiled grimly at the sudden redness that swelled his neck and ears to the verge of bursting.

  A boy, standing in his shirt and trousers at an open window of the house above, had looked down at the scene with craning interest—big-eyed. He had been alive to every turn and phase of it—the horse's quiver of delight and fear, his skittishness, the groom's ill-temper, and Gourlay's grinding will. Eh, but his father was a caution! How easy he had downed Jock Gilmour! The boy was afraid of his father himself, but he liked to see him send other folk to the right about. For he was John Gourlay, too. Hokey, but his father could down them!

  Mr. Gourlay passed on to the inner yard, which was close to the scullery door. The paved little court, within its high wooden walls, was curiously fresh and clean. A cock-pigeon strutted round, puffing his gleaming breast and rooketty-cooing in the sun. Large, clear drops fell slowly from the spout of a wooden pump, and splashed upon a flat stone. The place seemed to enfold the stillness. There was a sense of inclusion and peace.

  There is a distinct pleasure to the eye in a quiet brick court where everything is fresh and prim; in sunny weather you can lounge in a room and watch it through an open door, in a kind of lazy dream. The boy, standing at the window above to let the fresh air blow round his neck, was alive to that pleasure; he was intensely conscious of the pigeon swelling in its bravery, of the clean yard, the dripping pump, and the great stillness. His father on the step beneath had a different pleasure in the sight. The fresh indolence of morning was round him too, but it was more than that that kept him gazing in idle happiness. He was delighting in the sense of his own property around him, the most substantial pleasure possible to man. His feeling, deep though it was, was quite vague and inarticulate. If you had asked Gourlay what he was thinking of he could not have told you, even if he had been willing to answer you civilly—which is most unlikely. Yet his whole being, physical and mental (physical, indeed, rather than mental), was surcharged with the feeling that the fine buildings around him were his, that he had won them by his own effort, and built them large and significant before the world. He was lapped in the thought of it.

  All men are suffused with that quiet pride in looking at the houses and lands which they have won by their endeavours—in looking at the houses more than at the lands, for the house which a man has built seems to express his character and stand for him before the world, as a sign of his success. It is more personal than cold acres, stamped with an individuality. All men know that soothing pride in the contemplation of their own property. But in Gourlay's sense of property there was another element—an element peculiar to itself, which endowed it with its warmest glow. Conscious always that he was at a disadvantage among his cleverer neighbours, who could achieve a civic eminence denied to him, he felt nevertheless that there was one means, a material means, by which he could hold his own and reassert himself—by the bravery of his business, namely, and all the appointments thereof, among which his dwelling was the chief. That was why he had spent so much money on the house. That was why he had such keen delight in surveying it. Every time he looked at the place he had a sense of triumph over what he knew in his bones to be an adverse public opinion. There was anger in his pleasure, and the pleasure that is mixed with anger often gives the keenest thrill. It is the delight of triumph in spite of opposition. Gourlay's house was a material expression of that delight, stood for it in stone and lime.

  It was not that he reasoned deliberately when he built the house. But every improvement that he made—and he was always spending money on improvements—had for its secret motive a more or less vague desire to score off his rivals. "That'll be a slap in the face to the Provost!" he smiled, when he planted his great mound of shrubs. "There's noathing like that about the Provost's! Ha, ha!"

  Encased as he was in his hard and insensitive nature, he was not the man who in new surroundings would be quick to every whisper of opinion. But he had been born and bred in Barbie, and he knew his townsmen—oh yes, he knew them. He knew they laughed because he had no gift of the gab, and could never be Provost, or Bailie, or Elder, or even Chairman of the Gasworks! Oh, verra well, verra well; let Connal and Brodie and Allardyce have the talk, and manage the town's affairs (he was damned if they should manage his!)—he, for his part, preferred the substantial reality. He could never aspire to the provostship, but a man with a house like that, he was fain to think, could afford to do without it. Oh yes; he was of opinion he could do without it! It had run him short of cash to build the place so big and braw, but, Lord! it was worth it. There wasn't a man in the town who had such accommodation!

  And so, gradually, his dwelling had come to be a passion of Gourlay's life. It was a by-word in the place that if ever his ghost was seen, it would be haunting the House with the Green Shutters. Deacon Allardyce, trying to make a phrase with him, once quoted the saying in his presence. "Likely enough!" said Gourlay. "It's only reasonable I should prefer my own house to you rabble in the graveyard!"

  Both in appearance and position the house was a worthy counterpart of its owner. It was a substantial two-story dwelling, planted firm and gawcey on a little natural terrace that projected a considerable distance into the Square. At the foot of the steep little bank shelving to the terrace ran a stone wall, of no great height, and the iron railings it uplifted were no higher than the sward within. Thus the whole house was bare to the view from the gro
und up, nothing in front to screen its admirable qualities. From each corner, behind, flanking walls went out to the right and left, and hid the yard and the granaries. In front of these walls the dwelling seemed to thrust itself out for notice. It took the eye of a stranger the moment he entered the Square. "Whose place is that?" was his natural question. A house that challenges regard in that way should have a gallant bravery in its look; if its aspect be mean, its assertive position but directs the eye to its infirmities. There is something pathetic about a tall, cold, barn-like house set high upon a brae; it cannot hide its naked shame; it thrusts its ugliness dumbly on your notice, a manifest blotch upon the world, a place for the winds to whistle round. But Gourlay's house was worthy its commanding station. A little dour and blunt in the outlines like Gourlay himself, it drew and satisfied your eye as he did.

  And its position, "cockit up there on the brae," made it the theme of constant remark—to men because of the tyrant who owned it, and to women because of the poor woman who mismanaged its affairs. "'Deed, I don't wonder that gurly Gourlay, as they ca' him, has an ill temper," said the gossips gathered at the pump, with their big, bare arms akimbo; "whatever led him to marry that dishclout of a woman clean beats me! I never could make head nor tail o't!" As for the men, they twisted every item about Gourlay and his domicile into fresh matter of assailment. "What's the news?" asked one, returning from a long absence; to whom the smith, after smoking in silence for five minutes, said, "Gourlay has got new rones!" "Ha—ay, man, Gourlay has got new rones!" buzzed the visitor; and then their eyes, diminished in mirth, twinkled at each other from out their ruddy wrinkles, as if wit had volleyed between them. In short, the House with the Green Shutters was on every tongue—and with a scoff in the voice, if possible.

  Chapter IV

  *

  Gourlay went swiftly to the kitchen from the inner yard. He had stood so long in silence on the step, and his coming was so noiseless, that he surprised a long, thin trollop of a woman, with a long, thin, scraggy neck, seated by the slatternly table, and busy with a frowsy paper-covered volume, over which her head was bent in intent perusal.

  "At your novelles?" said he. "Ay, woman; will it be a good story?"

  She rose in a nervous flutter when she saw him; yet needlessly shrill in her defence, because she was angry at detection.

  "Ah, well!" she cried, in weary petulance, "it's an unco thing if a body's not to have a moment's rest after such a morning's darg! I just sat down wi' the book for a little, till John should come till his breakfast!"

  "So?" said Gourlay. "God, ay!" he went on; "you're making a nice job of him. He'll be a credit to the house. Oh, it's right, no doubt, that you should neglect your work till he consents to rise."

  "Eh, the puir la-amb," she protested, dwelling on the vowels in fatuous, maternal love; "the bairn's wearied, man! He's ainything but strong, and the schooling's owre sore on him."

  "Poor lamb, atweel," said Gourlay. "It was a muckle sheep that dropped him."

  It was Gourlay's pride in his house that made him harsher to his wife than others, since her sluttishness was a constant offence to the order in which he loved to have his dear possessions. He, for his part, liked everything precise. His claw-toed hammer always hung by the head on a couple of nails close together near the big clock; his gun always lay across a pair of wooden pegs, projecting from the brown rafters, just above the hearth. His bigotry in trifles expressed his character. Strong men of a mean understanding often deliberately assume, and passionately defend, peculiarities of no importance, because they have nothing else to get a repute for. "No, no," said Gourlay; "you'll never see a brown cob in my gig—I wouldn't take one in a present!" He was full of such fads, and nothing should persuade him to alter the crotchets, which, for want of something better, he made the marks of his dour character. He had worked them up as part of his personality, and his pride of personality was such that he would never consent to change them. Hence the burly and gurly man was prim as an old maid with regard to his belongings. Yet his wife was continually infringing the order on which he set his heart. If he went forward to the big clock to look for his hammer, it was sure to be gone—the two bright nails staring at him vacantly. "Oh," she would say, in weary complaint, "I just took it to break a wheen coals;" and he would find it in the coal-hole, greasy and grimy finger-marks engrained on the handle which he loved to keep so smooth and clean. Innumerable her offences of the kind. Independent of these, the sight of her general incompetence filled him with a seething rage, which found vent not in lengthy tirades but the smooth venom of his tongue. Let him keep the outside of the house never so spick and span, inside was awry with her untidiness. She was unworthy of the House with the Green Shutters—that was the gist of it. Every time he set eyes on the poor trollop, the fresh perception of her incompetence which the sudden sight of her flashed, as she trailed aimlessly about, seemed to fatten his rage and give a coarser birr to his tongue.

  Mrs. Gourlay had only four people to look after—her husband, her two children, and Jock Gilmour, the orra man. And the wife of Drucken Wabster—who had to go charing because she was the wife of Drucken Wabster—came in every day, and all day long, to help her with the work. Yet the house was always in confusion. Mrs. Gourlay had asked for another servant, but Gourlay would not allow that; "one's enough," said he, and what he once laid down he never went back on. Mrs. Gourlay had to muddle along as best she could, and having no strength either of mind or body, she let things drift, and took refuge in reading silly fiction.

  As Gourlay shoved his feet into his boots, and stamped to make them easy, he glowered at the kitchen from under his heavy brows with a huge disgust. The table was littered with unwashed dishes, and on the corner of it next him was a great black sloppy ring, showing where a wet saucepan had been laid upon the bare board. The sun streamed through the window in yellow heat right on to a pat of melting butter. There was a basin of dirty water beneath the table, with the dishcloth slopping over on the ground.

  "It's a tidy house!" said he.

  "Ach, well," she cried, "you and your kitchen-range! It was that that did it! The masons could have redd out the fireplace to make room for't in the afternoon before it comes hame. They could have done't brawly, but ye wouldna hear o't—oh no; ye bude to have the whole place gutted out yestreen. I had to boil everything on the parlour fire this morning; no wonder I'm a little tousy!"

  The old-fashioned kitchen grate had been removed and the jambs had been widened on each side of the fireplace; it yawned empty and cold. A little rubble of mortar, newly dried, lay about the bottom of the square recess. The sight of the crude, unfamiliar scraps of dropped lime in the gaping place where warmth should have been, increased the discomfort of the kitchen.

  "Oh, that's it!" said Gourlay. "I see! It was want of the fireplace that kept ye from washing the dishes that we used yestreen. That was terrible! However, ye'll have plenty of boiling water when I put in the grand new range for ye; there winna be its equal in the parish! We'll maybe have a clean house than."

  Mrs. Gourlay leaned, with the outspread thumb and red raw knuckles of her right hand, on the sloppy table, and gazed away through the back window of the kitchen in a kind of mournful vacancy. Always when her first complaining defence had failed to turn aside her husband's tongue, her mind became a blank beneath his heavy sarcasms, and sought refuge by drifting far away. She would fix her eyes on the distance in dreary contemplation, and her mind would follow her eyes in a vacant and wistful regard. The preoccupation of her mournful gaze enabled her to meet her husband's sneers with a kind of numb, unheeding acquiescence. She scarcely heard them.

  Her head hung a little to one side as if too heavy for her wilting neck. Her hair, of a dry, red brown, curved low on either side of her brow, in a thick, untidy mass, to her almost transparent ears. As she gazed in weary and dreary absorption her lips had fallen heavy and relaxed, in unison with her mood; and through her open mouth her breathing was quick, and short, and noiseless. She wor
e no stays, and her slack cotton blouse showed the flatness of her bosom, and the faint outlines of her withered and pendulous breasts hanging low within.

  There was something tragic in her pose, as she stood, sad and abstracted, by the dirty table. She was scraggy helplessness, staring in sorrowful vacancy. But Gourlay eyed her with disgust. Why, by Heaven, even now her petticoat was gaping behind, worse than the sloven's at the Red Lion. She was a pr-r-retty wife for John Gourlay! The sight of her feebleness would have roused pity in some: Gourlay it moved to a steady and seething rage. As she stood helpless before him he stung her with crude, brief irony.

  Yet he was not wilfully cruel; only a stupid man with a strong character, in which he took a dogged pride. Stupidity and pride provoked the brute in him. He was so dull—only dull is hardly the word for a man of his smouldering fire—he was so dour of wit that he could never hope to distinguish himself by anything in the shape of cleverness. Yet so resolute a man must make the strong personality of which he was proud tell in some way. How, then, should he assert his superiority and hold his own? Only by affecting a brutal scorn of everything said and done unless it was said and done by John Gourlay. His lack of understanding made his affectation of contempt the easier. A man can never sneer at a thing which he really understands. Gourlay, understanding nothing, was able to sneer at everything. "Hah! I don't understand that; it's damned nonsense!"—that was his attitude to life. If "that" had been an utterance of Shakespeare or Napoleon it would have made no difference to John Gourlay. It would have been damned nonsense just the same. And he would have told them so, if he had met them.

  The man had made dogged scorn a principle of life to maintain himself at the height which his courage warranted. His thickness of wit was never a bar to the success of his irony. For the irony of the ignorant Scot is rarely the outcome of intellectual qualities. It depends on a falsetto voice and the use of a recognized number of catchwords. "Dee-ee-ar me, dee-ee-ar me;" "Just so-a, just so-a;" "Im-phm!" "D'ye tell me that?" "Wonderful, serr, wonderful;" "Ah, well, may-ay-be, may-ay-be"—these be words of potent irony when uttered with a certain birr. Long practice had made Gourlay an adept in their use. He never spoke to those he despised or disliked without "the birr." Not that he was voluble of speech; he wasn't clever enough for lengthy abuse. He said little and his voice was low, but every word from the hard, clean lips was a stab. And often his silence was more withering than any utterance. It struck life like a black frost.