Alan Furst's Classic Spy Novels

by Alan Furst

  “Well, Morath, here it is!”

  “Gives you a stiff pencil just to see this bed, right?”

  “Ma biche, ma douce, that army blanket! That coat rolled up for a pillow! Now is our moment! Undress—if you dare!”

  “Who’s your friend?”

  “Laszlo.”

  “Nice Hungarian name.”

  “Nice Hungarian man.”

  “Thank him for me—I’ll give you some money to take him to dinner.”

  “So then, it’s the first one, right? The pink boudoir?”

  “Or the atelier. I have to think it over.”

  They left the apartment and walked downstairs. Morath headed toward the street door but Mitten took his elbow. “Let’s go the other way.”

  Morath followed, through a door at the opposite end of the hallway, across a narrow courtyard in perpetual shadow, then through another door and down a corridor where several men and women were talking and smoking cigarettes.

  “Where the hell are we?”

  “The Galeries. But not the part the public sees. It’s where the clerks go for a cigarette. Sometimes it’s used for deliveries.”

  They came to another door, Szubl opened it and they were on the street floor of the department store, amid crowds of well-dressed people carrying packages.

  “Need anything?” Szubl said.

  “Maybe a tie?”

  “Salauds!” Morath was smiling.

  “Laszlo wants twenty-five hundred.”

  Balki called him a week later.

  “Perhaps you’d like to meet a friend of mine.”

  Morath said he would.

  “So tomorrow. At the big café on the rue de Rivoli, by the Palais Royal Métro. Around four. She’ll be wearing flowers—you’ll know who she is.”

  “Four o’clock.”

  “Her name is Silvana.”

  “Thank you, Boris,” Morath said.

  “Sure,” Balki said, his voice hard. “Any time.”

  The café was exceptionally neutral ground; tourists, poets, thieves, anybody at all could go there. On a steaming day in July, Silvana wore a dark suit with a tiny corsage pinned to the lapel. Back straight, knees together, legs angled off to one side, face set in stone.

  Morath had very good manners—not once in his life had he remained seated when a woman came to a table. And a very good heart, people tended to know that about him right away. Even so, it did not go easily between them. He was pleased to meet her, he said, and went on a little, his voice quiet and cool and far more communicative than whatever words it happened to be saying. I know how hard life can be. We all do the best we can. There is nothing to fear.

  She was not unattractive—that was the phrase that occurred to him when he first saw her. Thirty-five or so, with brass-colored hair that hung limp around her face, an upturned nose, generous lips, and olive, slightly oily skin. Not glamorous particularly, but sulky, that kind of looks. Prominent breasts, very pert in a tight sweater, narrow waist, hips not too wide. From somewhere around the Mediterranean, he guessed. Was she Marseillaise? Maybe Greek, or Italian. But cold, he thought. Would Von Schleben actually make love to her? For himself, he wouldn’t, but it was impossible to know what other people liked in bed.

  “Well then,” he said. “An aperitif? A Cinzano—would that be good? With glaçons—we’ll drink like Americans.”

  She shook a stubby Gauloise Bleue loose from its packet and tapped the end on her thumbnail. He lit a match for her, she cupped the back of his hand with hers, then blew out the flame. “Thank you,” she said. She inhaled eagerly, then coughed.

  The drinks came—there was no ice. Looking over Silvana’s shoulder, he happened to notice that a little man seated at a corner table was watching her. He had thin hair combed flat and wore a bow tie, which made him look like—Morath had to search for it—the American comedian Buster Keaton. He met Morath’s eyes for a moment, then went back to reading his magazine.

  “My friend is German,” Morath said. “A gentleman. From the nobility.”

  She nodded. “Yes, Balki told me.”

  “He would like you to join him for dinner, tomorrow night, at the Pré Catalan. At 8:30. Of course he’ll send his car for you.”

  “All right. I stay at a hotel on the rue Georgette, in Montparnasse.” She paused. “It’s just the two of us?”

  “No. A large dinner party, I believe.”

  “And where did you say?”

  “Pré Catalan. In the Bois de Boulogne. It’s very fin-de-siècle. Champagne, dancing till dawn.”

  Silvana was amused. “Oh,” she said.

  Morath explained about Szubl and Mitten, the apartment, the money. Silvana seemed a little detached, watching the smoke rise from the end of her cigarette. They had another Cinzano. Silvana told him she was Roumanian, from Sinaia. She’d come to Paris in the winter of ’36 with “a man who made a living playing cards.” He’d gotten into some sort of trouble, then disappeared. “I expect he’s dead,” she said, then smiled. “Of course, with him you never know.” A friend found her a job in a shop, selling candy in a confiserie, but it didn’t last. Then, down on her luck, she’d been hired as the hatcheck girl at the Balalaika. She shook her head ruefully. “Quelle catastrophe.” She laughed, exhaling Gauloise smoke. “I couldn’t do it at all, and poor Boris got the blame.”

  It was the end of the afternoon, cool and dark beneath the arches that covered the rue de Rivoli. The café was jammed with people and very loud. A street musician showed up and started to play the concertina. “I think I’ll go home,” Silvana said. They stood and shook hands, then she unchained a bicycle from the lamppost on the corner, climbed on, waved to Morath, and pedaled away into traffic.

  Morath ordered a scotch.

  An old woman came around, selling newspapers. Morath bought a Paris-Soir to see what was at the movies. He was going to spend the evening by himself. The headlines were thick and black: GOVERNMENT DECLARES COMMITMENT TO DEFEND CZECHOSLOVAKIA “INDISPUTABLE AND SACRED.”

  The little man who looked like Buster Keaton left the café, giving Morath a glance as he went. Morath thought, for a moment, that he’d nodded. But, if it happened at all, it was very subtle, or, more likely, it was just his imagination.

  Juillet, Juillet. The sun hammered down on the city and the smell of the butcher shops hung like smoke in the dead air.

  Morath retreated to the Agence Courtmain, not the first time he’d sought refuge there. On the run from summer, on the run from Uncle Janos and his politics, on the run from Cara, lately consumed by vacation manias. The sacred mois d’Août approached—one either went to the countryside or hid in one’s apartment and didn’t answer the phone. What troubled Cara was, should they go to the baroness Frei up in Normandy? Or to her friend Francesca and her boyfriend, in Sussex? It wasn’t the same, not at all, and one had to shop.

  At Agence Courtmain they had big black fans that blew the heat around, and sometimes a breeze from the river worked its way up avenue Matignon and leaked in the window. Morath sat with Courtmain and his copy chief in her office, staring at a tin of cocoa.

  “They have plantations in Africa, at the southern border of the Gold Coast,” the copy chief said. Her name was Mary Day—a French mother and an Irish father. She was close to Morath’s age and had never married. One line of gossip had it that she was religious, formerly a nun, while another speculated that she made extra income by writing naughty novels under a pen name.

  Morath asked about the owner.

  “It’s a big provincial family, from around Bordeaux. We deal with the general manager.”

  “A Parisian?”

  “Colonial,” Courtmain said. “Pied-noir, with barbered whiskers.”

  The tin had a red label with CASTEGNAC printed in black across the top. Down below it said CACAO FIN. Morath pried up the metal cap, touched a finger to the powder and licked it. Bitter, but not unpleasant. He did it again.

  “It’s supposedly very pure,” Mary Day said. “S
old to chocolatiers, here and in Turin and Vienna.”

  “What do they want us to do?”

  “Sell cocoa,” Courtmain said.

  “Well, new art,” Mary Day said. “Posters for bakeries and grocery stores. And he told us that now, with the war winding down, they want to sell in Spain.”

  “Do Spaniards like chocolate?”

  She leaned forward to say of course, then realized she didn’t know.

  “Can’t get enough,” Courtmain said. They do in this agency.

  Morath held the tin up to the window. Outside, the sky was white, and there were pigeons cooing on a ledge. “The label’s not so bad.” There was a decorative strand of intertwined ivy leaves around the border, nothing else.

  Courtmain laughed. “It’s perfection,” he said. “We’ll sell it back to them in ten years.”

  Mary Day took several sheets of art paper from a folder and pinned them up on the wall. “We’re going to give them Cassandre,” she said. A. M. Cassandre had done the artwork for the popular Dubo/Dubon/Dubonnet image in three panels.

  “In-house Cassandre,” Courtmain said.

  The art was sumptuous, suggesting the tropics. Backgrounds in renaissance ochres and chrome yellows, with figures—mostly tigers and palm trees—in a span of Venetian reds.

  “Handsome,” Morath said, impressed.

  Courtmain agreed. “Too bad about the name,” he said. He made a label in the air with his thumb and index finger. “Palmier,” he suggested, meaning palm tree. “Cacao fin!”

  “Tigre?” Morath said.

  Mary Day had a very impish smile. “Tigresse,” she said.

  Courtmain nodded. He took an artist’s chalk from a cup on the desk and stood to one side of the drawings. “That’s the name,” he said. “With this tree,” it curved gently, with three fronds on top, “and this tiger.” A front view. The animal sat on its haunches, revealing a broad expanse of white chest.

  Morath was excited. “Do you think they’ll do it?”

  “Not in a thousand years.”

  He was at Cara’s when the telephone rang, three-thirty in the morning. He rolled out of bed, managed to fumble the receiver free of the cradle. “Yes?”

  “It’s Wolfi.” Szubl was almost whispering.

  “What is it?”

  “You better go to the apartment. There’s big trouble.”

  “I’ll be there,” Morath said, and hung up the phone.

  What to wear?

  “Nicky?”

  He’d already put on a shirt and was trying to knot his tie. “I have to go out.”

  “Now?”

  “Yes?”

  “What’s going on?”

  “A friend in trouble.”

  After a silence, “Oh.”

  He buttoned his pants, shrugged a jacket on, forced his feet into his shoes while smoothing his hair back with his hands.

  “What friend?” Now the note was in her voice.

  “A Hungarian man, Cara. Nobody you know.”

  Then he was out the door.

  The streets were deserted. He walked quickly toward the Métro at Pont d’ Alma. The trains had stopped running two hours earlier, but there was a taxi parked by the entrance. “Rue Mogador,” Morath told the driver. “Just around the corner from the Galeries.”

  The street door had been left open. Morath stood at the foot of the staircase and peered up into the gloom. Thirty seconds, nothing happened, then, just as he started up the stairs, he heard the click of a closing door, somewhere above him. Trying not to make a noise. Again he waited, then started to climb.

  On the first floor landing, he stopped again. “Szubl?” He said it in a low voice—not a whisper, just barely loud enough to be heard on the floor above.

  No answer.

  He held his breath. He thought he could hear light snoring, a creak, then another. Normal for a building at four in the morning. Again he climbed, slowly, standing for a moment on every step. Halfway up, he touched something sticky on the wall. What was that? Too dark to see, he swore and rubbed his fingers against his trousers.

  On the third floor, he went to the end of the hall and stood in front of the door. The smell was not at all strong—not yet—but Morath had fought in the war and knew exactly what it was. The woman. His heart sank. He had known this would happen. Somehow, mysteriously, he’d known it. And he would settle with whoever had done it. Von Schleben, somebody else, it didn’t matter. His blood was racing, he told himself to calm down.

  Or, maybe, Szubl. No, why would anyone bother.

  He put his index finger on the door and pushed. It swung open. He could see the couch, the bed, a dresser he didn’t remember. He smelled paint, along with the other smell, stronger now, and the burnt, bittersweet odor of a weapon fired in a small room.

  He stepped inside. Now he could see the tiny stove and the table covered with oilcloth. At one end, a man was sitting in a chair, his legs spread wide, his head hanging, almost upside down, over the back, his arms dangling at his sides.

  Morath lit a match. Boots and trousers of a German officer’s uniform. The man was wearing a white shirt and suspenders, his jacket hung carefully on the chair and now pinned in place by his head. A gray face, well puffed up, one eye open, one eye shut. The expression—and he had seen this before—one of sorrow mixed with petty irritation. The hole in the temple was small, the blood had dried to brown on the face and down the arm. Morath knelt, the Walther sidearm had dropped to the floor beneath the hand. On the table, the wallet. A note? No, not that he could see.

  The match started to burn his fingers. Morath shook it out and lit another. He opened the wallet: a photograph of a wife and grown children, various Wehrmacht identity papers. Here was Oberst—Colonel—Albert Stieffen, attached to the German general staff at the Stahlheim barracks, who’d come to Paris and shot himself in the kitchen of Von Schleben’s love nest.

  A soft tap at the door. Morath glanced at the pistol, then let it lay there. “Yes?”

  Szubl came into the room. He was sweating, red-faced. “Christ,” he said.

  “Where were you?”

  “Over at the Gare Saint-Lazare. I used the phone, then I stood across the street and watched you come inside.”

  “What happened?”

  Szubl spread his hands apart, God only knows. “A man called, about two-thirty in the morning. Told me to come over here and take care of things.”

  “ ‘Take care of things.’ ”

  “Yes. A German, speaking German.”

  “Meaning, it happened here, so it’s our problem.” Morath looked at his watch, it was almost five.

  “Something like that.”

  They were silent for a time. Szubl shook his head, slow and ponderous. Morath exhaled, a sound of exasperation, ran his fingers through his hair, swore in Hungarian—mostly to do with fate, shitting pigs, saints’ blood—and lit a cigarette. “All right,” he said, more to himself than to Szubl. “So now it disappears.”

  Szubl looked glum. “It will cost plenty, that kind of thing.”

  Morath laughed and waved the problem away. “Don’t worry about that,” he said.

  “Really? Well, then you’re in luck. I have a friend.”

  “Flic? Undertaker?”

  “Better. A desk man at the Grand Hotel.”

  “Who is he?”

  “One of us. From Debrecen, a long time ago. He was in a French prisoner-of-war camp in 1917, somehow managed to get himself to the local hospital. Long story short, he married the nurse. Then, after the war, he settled in Paris and worked in the hotels. So, about a year ago, he tells me a story. Seems there was a symphony conductor, a celebrity, staying in the luxury suite. One night, maybe two in the morning, the phone at the desk rings. It’s the maestro, he’s frantic. My friend rushes upstairs—the guy had a sailor in the room, the sailor died.”

  “Awkward.”

  “Yes, very. Anyhow, it was taken care of.”

  Morath thought it over. “Go back to Saint-
Lazare,” he said. “Call your friend.”

  Szubl turned to leave.

  “I’m sorry to put you through this, Wolfi. It’s Polanyi, and his . . .”

  Szubl shrugged, adjusted his hat. “Don’t blame your uncle for intrigue, Nicholas. It’s like blaming a fox for killing a chicken.”

  From Morath, a sour smile, Szubl wasn’t wrong. Although, he thought, “blaming” isn’t what’s usually done to a fox. The stairs creaked as Szubl went down, then Morath watched him through the window. The dawn was gray and humid, Szubl trudged along, head down, shoulders hunched.

  The desk man was tall and handsome, dashing, with a cavalry mustache. He arrived at 6:30, wearing a red uniform with gold buttons. “Feeling better?” he said to the corpse.

  “Two thousand francs,” Morath said. “All right?”

  “Could be a little more, by the time it’s done, but I trust Wolfi for it.” For a moment, he stared at the dead officer. “Our friend here is drunk,” he said to Morath. “We’re going to get his arms around our shoulders and carry him downstairs. I’d ask you to sing, but something tells me you won’t. Anyhow, there’s a taxi at the door, the driver is in on it. We’ll put our friend here in the backseat, I’ll get in with the driver, and that’s that. The jacket, the gun, the wallet, you find a way to get rid of those. If it was me, I’d burn the papers.”

  Eventually, Morath and the desk man had to carry Stieffen downstairs—the pantomime played out only from the street door to the taxi, and they barely made it that far.

  A blue car—later he thought it was a big Peugeot—pulled to the curb in front of him. Slowly, the back window was lowered and the little man in the bow tie stared out at him. “Thank you,” he said. The window was rolled back up as the car pulled away, following the taxi.

  Morath watched as they drove off, then returned to the apartment where Szubl, stripped to his underwear, was scrubbing the floor and whistling a Mozart aria.

  Polanyi outdid himself, Morath thought, when he chose a place to meet. A nameless little bar in the quarter known as the grande truanderie, the thieves’ palace, buried in the maze of streets around Montorgueil. It reminded Morath of something Emile Courtmain had once told him: “The truth of lunch is in the choice of the restaurant. All that other business, eating, drinking, talking, that doesn’t mean very much.”