Power Play td-36
Page 2
He announced it to the world at a hastily called press conference in the New York Gross-Out club. For the occasion, the Grossie Girls were almost clad and the dwarf-a-go-go had been closed down.
"Why are you buying a county?" one of the reporters asked. "What do you want with a county?"
"Because there weren't any countries for sale," Pruiss said. When the laughter had subsided, he looked earnestly at the reporter. "Seriously," he said. "For a number of years, I've been concerned with the nation's energy crisis. The government seems unwilling to break the stranglehold the big oil companies and the Arabs have on America."
"What's that got to do with you buying a county?"
"I'm buying Furlong County to make it a national laboratory for solar energy," Pruiss said. "I'm going to prove that solar energy can work. That it can heat and light and cool and power an entire American county. And to that end, I'm putting all the resources of Gross into the project. We're going to make it work."
He looked around triumphantly. Staff members applauded. Grossie Girls sitting in the audience next to the press members nudged them into applause too. Pruiss looked around the room, nodding vigorously, then stepped back from the microphone and whispered to Theodosia:
"Yeah, we'll make it work. But it may take twenty years. In the meantime, we'll make our movies too. Tell me, did you check? Do I own the sun in Furlong County?"
"Honey, you are the sun in Furlong County," Theodosia said with a tight-lipped smile.
The people of Furlong County had been prepared to be outraged when they heard that Wesley Pruiss, that filthy disgusting easterner with the dirty filthy mind who thought money can buy anything, had bought their county. Then they received letters from Pruiss announcing that whatever they had paid in real estate taxes last year would be cut in half this year. They decided they could not understand what all the fuss was about. After all, Mister Pruiss had a right to make a living and nobody forced anybody to read his magazine, and if you didn't like it, you didn't have to read it, and that, Mister Gentleman from the New York Times, is what freedom of speech is all about, and we're surprised at you all picking at a fine gentleman like Wesley Pruiss who wants to do something about the energy crisis and we're all proud to be helping him and playing a part. This is America, you know, or maybe you don't, because we hear what goes on there in New York City, fella.
The combined bands of Furlong County High School, St. Luke's High School, Lincoln Junior High School, Ettinger Junior High and the police and fire marching society were playing when Wesley Pruiss arrived in Furlong.
He was with Theodosia. He introduced her as his secretary. She wore a white cotton top and matching houri trousers and the sun behind her made them transparent.
One woman in the crowd looked at Pruiss and said, "He don't look like no perverter, Melvin."
"Who?" said Melvin, staring at Theodosia and gulping a lot.
Wesley Pruiss said he was happy to be among his people. The band played some more. It kept playing as Pruiss and Theodosia left the airport.
Pruiss had already decided that the only building in the county that he would consider spending a night in was the Furlong Country Club, so he closed down the golf course and took it over as his home.
The bands lined up alongside the practice putting green as Pruiss and Theodosia went inside. They played "Hail to the Chief" a lot. Pruiss told them to go home. They cheered and played some more.
Pruiss told them he loved them all.
The audience cheered. The band played "Hail to the Chief."
Pruiss told the crowd that they must have more important things to do than just greet him.
They shook their heads and cheered. The band played "Garryowen."
"And now I am weary and must sleep," Pruiss said, working hard at keeping his smile.
"We'll play soft," the bandleader shouted. He raised his hands to put the bands into Brahms's Lullaby.
"Get the fuck out of here!" Pruiss screamed.
The longer he had been away from the Jersey City slum he grew up in, the more golden it had grown in Wesley Pruiss's memory. He had invested the town with some kind of mythic quality, an ability to create toughness and smarts, which he credited for his success in the world.
In talking to the press, Pruiss always referred to himself as a street kid, a slum lad, a kid who learned to fight almost as soon as he learned to walk. A kid who had to fight to survive. He gave bonuses to members of the Gross public relations staff who could get that point of view into any national publication. He relished reading about himself as the tough urchin, the child of the streets.
Across the street from the Furlong Country Club, there was a small cluster of three-story frame buildings. One of them looked to Pruiss a little like the cold-water tenement building in which he had been raised in Jersey City. He sent for an architect.
When he explained his idea, the architect said: "You sure you want to do this?"
"Just do it," Pruiss said.
"It'll cost a lot of money."
"Do it."
"You really want me to import garbage and break windows and throw rubble in those lots?" the architect asked.
"That's right."
"You could do it a lot cheaper by starting an affirmative-action housing program," the architect said. "Those people litter a lot faster than workmen on an eight-hour shift."
"That's all right," Pruiss said. I'm interested in quality, not quantity. You do it."
The architect tore down the two end buildings in a three-building cluster. He showed up with contractors and plans and took the structurally-sound, neat, three-story building and turned it into a six-family cold-water walkup. He grumbled a lot and refused to let his name be used in any promotion Pruiss might do about the building.
Every day, as his little transplanted slum area took shape, Pruiss looked from the window of his bedroom, which used to be the country club's card room, and nodded approvingly.
It was done in two weeks.
"You want to inspect it?" the architect said.
"You did it just the way you were supposed to?"
The architect nodded.
"It looks just like the building in Jersey City?" Pruiss asked.
"Exactly. God help me."
"Fine. Send your bill to Theodosia. She'll pay you right away."
That night, there was a full moon over Furlong County. Theodosia was downstairs in the country club's suite of offices, working on Pruiss's personal profit and loss statements.
Pruiss looked out his bedroom window and the top of the three-story building across the street was bathed in a soft white moonglow. He put a light sweater over his T-shirt and walked across the street.
As he stepped inside the door of the replicated tenement, his palms began to sweat.
He looked up the steps. There was a bare bulb burning at the top of the second-floor landing. It cast long shadows down along the wooden steps, each stair meticulously swaybacked in the center, duplicating tenement steps curved and bowed from years of being walked on in the center. Pruiss stepped on the first stair. It squeaked, as it always had when he was a boy. The smell of urine in the hall was strong and bitter.
Sweat broke out on Pruiss's forehead.
He was frightened, just as he had always been frightened, every time he walked up the stairs of that building, the bare wooden steps that led to hallways lined with green linoleum, worn through in spots, installed in a desperate and futile attempt to make the building cheery.
For all his talk of being a child of the streets, the streets had terrified Pruiss. He was smaller than other boys his age and they didn't like him, and whereas they seemed not to mind living in dangerous, dirty slums, Pruiss was frightened for his life every moment of his childhood. It was as if he alone, of all the boys, knew how impermanent life was and that his life was precious, something to be guarded. He had taken to spending more and more time in the family's apartment with his hardworking mother and rarely-seen father, dreaming of what life w
ould be like when he was grown and powerful and rich.
Both mother and father were gone now. He wished they had been around to see him make it.
The farther he walked up the steps, the more he perspired. The light over the third floor landing was out, as it always had been when he was a boy. He forced himself to go upstairs, knowing even as he did it that it was a mistake, something he should not do, something he should never do. The perspiration rolled off his head. There were crumpled-up newspapers and a crushed brown paper bag in one corner of the hallway. That was where Mr. Bailey, who lived one flight down, always disposed of the evidence of the bottle of wine he brought home and hid in his apartment. Outside one of the apartment doors, a stack of newspapers was piled neatly and tied. Those were Mrs. Acalara's papers. She was a widow and Wesley would carry her papers to the junkyard down the block on the back of his wagon. He always went very early on Saturday morning when the big lads weren't out yet. A three-foot high pile of papers would sell for twenty cents. Mrs. Acalara always gave him a nickel to keep for himself.
Pruiss stood in the darkness of the third floor landing and listened to the stillness of the building. There was no sound except for his breathing and his heartbeat thumping in his ears.
He had never been so frightened in his life. It was as if he had walked through a time warp into the past. He put his hand on the doorknob to the Pruiss family's flat. He told himself that he was rich and powerful now and this was no longer a rundown building in a strange tough city where he had been just another potential victim. This was his building in his town, his county, his piece of the world. And he was king.
He swallowed hard, took a deep breath and opened the door and stepped inside. He reached for the overhead light string just inside the door and pulled it but there was no answer of lights. In his childhood, there had hardly ever been, for old man Pruiss was not among the world's most consistent or productive workers and the electric bill had rarely been paid.
Wesley Pruiss had been brought up in the dim light and the bitter smoky smell of kerosene lamps.
He reached in his pants for a Butane lighter. In the dim moonlight through a kitchen window, he could see the kerosene lamp on top of the red and white oilcloth covering the kitchen table. The table underneath, he knew, was porcelain topped metal, with chips in the porcelain at the corners where the bare metal showed through.
The kitchen was redolent with the enduring smell of poverty, of cabbage, of kidney and liver. He looked toward the sink. There was a gauzy bag of white stuff hanging from the old fashioned faucet. That would be a bag of curdled milk, dripping away its juices, being turned into pot cheese by the necessarily-frugal Mrs. Pruiss.
He struck the lighter and reached for the kerosene lamp.
A voice behind him said, "I've been waiting for you."
Pruiss dropped the lighter. It went out, hit the table and fell onto the floor.
He whirled and looked into the darkness of the passageway leading to the apartment's living room.
"Who's there?"
There was no answer. Pruiss was still, but all he could hear was his breathing and the thumping of his pulse.
"I said who's there?"
His answer was silence, and Pruiss wheeled back and dropped to the floor, wiping it with his hand, looking for the cigarette lighter.
He heard a whirring sound behind him. Then he felt something bite into his back and although it was something outside his experience, he knew as he felt it force its way into his flesh that it was the blade of a knife that had been thrown at him.
Then the feeling left his legs and Wesley Pruiss sank slowly forward onto his face on the floor and he knew that something bad had happened to his body, something very bad, and the pain of the knife in his back was like a heated spear, but then the spear seemed to cool and Wesley Pruiss found that he could close his eyes and sleep.
But as he lapsed into unconsciousness, a thought came into his mind with bright, searing clarity. The thought was that even if he had done some bad things, he did not deserve a knife in the back. That was unjust, and if there was such a thing as justice, there should be justice even for those who do bad. His last thought as he closed his eyes was, Is there no one who can give me justice?
CHAPTER TWO
His name was Remo and he knew what justice was. Justice was time-and-a-half for overtime. Justice was not being given more jobs in a night than you could reasonably handle. Justice was being appreciated for what you did better than anyone else.
All those things were justice and Remo knew there was no justice.
So he knew the man he wanted would not be where Upstairs said he would be, and he resigned himself to having to trail him all over New York, finally winding up in some strobe-lighted disco whose sound level would turn sand to glass.
Remo slid into the empty seat at the small round-topped table and Kenroth Winstler looked up at him with a bemused smile on his face. The man sitting across from Winstler was certainly dressed strangely for a discotheque, even in an age of wrinkled cottons and baggy jumpsuits. The man wore black chinos and a black T-shirt. He had dark hair and deep-set eyes that were like pools of night and he seemed slim, except for thick wrists that he rested on the table. He looked at Winstler for a long time as if making sure of something.
"I'm sorry, Mr." Winstler said, nodding toward Remo and the chair he occupied. "But I'm expecting a lady."
"That's all right," Remo said. "I'll be gone and you'll be dead before she gets here. My name's Remo, by the way."
Winstler smiled. The din from the disco records was deafening. If he hadn't known better, he would have sworn that the man opposite him was saying that Kenroth Winstler was going to die.
"I'm sorry, I didn't hear you," Winstler said.
"You heard me," Remo said. "Now I've got a lot of things to do tonight and not much time to waste, so just tell me, please, where is the Red Regiment?"
Winstler leaned forward to hear him better. He thought the man had asked him where the Red Regiment was.
"What?"
"Are you going to keep answering my questions with questions?" Remo said. He mouthed the words carefully and slowly. "The... Red... Regiment... Where?"
Winstler heard him clearly this time and turned around, looking for a waiter to throw the man out.
"That's all right," Remo said. "I don't want any thing. Well, maybe a glass of water. No, never mind. In this place, water would curdle."
Winstler ignored him and kept looking for a waiter. Remo sighed. He slid his chair around next to Winstler's. Winstler saw the waiter in the back of the room. He was about to wave to him, when he felt a bitter pain in his right knee, a pain so intense that it felt as if his knee were being cut into by a dull and rusty saw. He turned away, the waiter forgotten, and clapped his hand to his right knee. His hand landed on Remo's hand. Remo's face was close to his now and Remo was smiling.
"See," Remo said. "That's pain. Now if you don't want pain, we're going to talk nicey-nice. I told you already, I don't have a lot of time."
Winstler had no trouble hearing the thin young man now. The pain in his knee subsided briefly.
"Where's the Red Regiment holed up?" asked Remo.
"Did you say before you were going to kill me?" Winstler asked.
"See. There you go again. Asking questions instead of just answering." The pain returned to the knee. Winstler grimaced. He would have screamed except Remo's left hand had come around his back and was resting on his left shoulder and one finger was touching something in Winstler's throat and no sound came out.
"Yes, of course I'm going to kill you," Remo said.
"Why?" gasped Winstler.
"Now, you might reasonably think," Remo said, "that it's because you always answer a question with a question. But that's not the reason. I'm going to kill you because that's what I do. And do. And do. No one cares how much I work. No unions for me. If I ever get in a deal like this again, I'm getting me a lawyer, a fancy lawyer like you. Now, come
on, the Red Regiment, where are they?"
Winstler hesitated and there was the pain again in the knee. He tried to scream and there was the finger again alongside the throat. The throat pressure lessened.
"I don't know," he gasped.
"Aww, come on," Remo said in annoyance. "What do you lawyers say, that's not responsive. You know and I know that you know and I've got to find out so I can go there and get that businessman they're holding free and now will you please tell me 'cause it's getting late and I've got a lot of things to do."
"What makes you think I know?" Winstler tried again.
"Because they're loonies and you defend all the loonies and besides your secretary's been dropping a dime on you all the while and letting Upstairs know who you talk to on the phone. And you been talking to the Red Regiment, so come on."
And then there was the pain again, but this time it was pointed, shafting pain. Winstler felt tears come to his eyes. It felt as if his kneecap had rusted onto his leg and this man was wrenching it free.
"See, real pain is like that," Remo said.
"You're really going to kill me." This time it was not a question. For the first time, Winstler believed that perhaps this man might mean what he had said. "Here? In this disco?"
"Why not? For supporting music like this, you deserve death. Where are they?"
"If I tell you, you let me live."
"No," Remo said.
"Why not?"
"Because I'm going to kill you whether you tell me or not," Remo said.
"Then why should I tell you?"
"Why not out of an overriding commitment to the truth, above all things?" Remo said. Winstler shook his head. "All right," Remo said. "Because of this. There are lots of ways to die. There are quick and painless ways and there are slow and painful ways and they only make you want the quick and painless ways. Now it's up to you. I only have five more minutes."
"Let me live," Winstler said.
The waiter appeared alongside the table. Winstler felt the slight thumb pressure on his throat again and his voice vanished.
"Would you care for something?" the waiter asked, looking at Winstler and ignoring the man in the black T-shirt.