Coco Chanel: An Intimate Life

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Coco Chanel: An Intimate Life Page 51

by Lisa Chaney


  Schiaparelli, Elsa, Shocking Life, London: J. M. Dent, 1954.

  Schwartz, Vanessa, Spectacular Realities: Early Mass Culture in Fin-de-siècle Paris, Berkeley, CA: University of California Press, 1999.

  Sert, Misia, Two or Three Muses, London: Museum Press, 1953.

  Servadio, Gaia, Luchino Visconti: A Biography, London: Weidenfeld and Nicolson, 1981.

  Simone, André, Men of Europe, New York: Modern Age, 1941.

  Simpson, Colin, Artful Partners, London: Unwin, 1988.

  Sire, H. J. A., Gentlemen Philosophers: Catholic Higher Education at Liège and Stonyhurst 1774–1916, Worthing: Churchman Publishing, 1988.

  Snow, Carmel, The World of Carmel Snow, New York: McGraw-Hill, 1962.

  Stanley, Edward, Paris 1918: War Diary of the British Ambassador, Liverpool, UK: Liverpool University Press, 2001.

  Steegmuller, Francis, Cocteau, London: Constable, 1986.

  Steele, Valerie, Paris Fashion: A Cultural History, Oxford: Oxford University Press, 1988.

  ——, Women of Fashion: Twentieth-Century Designers, New York: Rizzoli International Publications, 1991.

  Stendhal, The Red and the Black, trans. M. R. Shaw, London: Penguin, 1969.

  Stravinsky, Igor, An Autobiography, New York: W. W. Norton, 1962.

  Stuart, Amanda Mackenzie, Consuelo and Alva Vanderbilt, London: HarperCollins, 2005.

  Sydney, Philip, Modern Rome in Modern England, London: The Religious Tract Society, 1906.

  Symons Barrow, George de, The Fire of Life, London: Hutchinson, 1942.

  Thurman, Judith, Secrets of the Flesh: A Life of Colette, London: Bloomsbury, 2000.

  Train, Susan, ed., Le théâtre de la mode, Paris: Le May, 1990.

  Vreeland, Diana, DV, New York: Da Capo Press, 1997.

  Walsh, Stephen, Igor Stravinsky: A Creative Spring: Russia and France 1882–1934, London: Pimlico, 2002.

  Weber, Eugen, Peasants into Frenchmen, Stanford: Stanford University Press, 2007.

  Westminster, Loelia, Duchess of, Grace and Favour, London: Weidenfeld and Nicolson, 1961.

  Wilcox, Claire, ed., The Golden Age of Couture: 1947–57, London: V&A Publications, 2007.

  ——, ed., Radical Fashion, London: V&A Publications, 2001.

  Wilson, Edmund, A Literary Chronicle of the Forties, London: W. H. Allen, 1951.

  Wilson, Elizabeth, Adorned in Dreams: Fashion and Modernity, London: Virago Press, 1985.

  ARCHIVES

  Archives of the Association Sainte Agnès, Saint-Martin-le-Vinoux, France.

  Archives Fédérales Suisses.

  Capel, Arthur, correspondence, courtesy of Christopher Osborn.

  Capel, Diana, correspondence to Duff Cooper, Churchill Archives Centre, Churchill College, Cambridge.

  Chanel, Gabrielle, correspondence, courtesy of the Chanel Conservatoire.

  Churchill Papers, Churchill Archives Centre, Churchill College, Cambridge.

  Dalí correspondence, courtesy Fundació Gala-Salvador Dalí, Figueres, Spain.

  Municipal Archives, Biarritz, France (Mairie de Biarritz, Service des Archives).

  Municipal Archives, Garches, France (Mairie de Garches, Service des Archives — Documentation).

  National Archives, Kew. Foreign Office records, FO 944/35 and FO 371/70892.

  National Archives, Kew. War Office Records, WO339/55790, Arthur Capel file.

  National Archives, Paris (Fonds Chanoine Mugnier).

  Pavlovich, Dmitri, diaries, translated by William Lee, courtesy of Prince Chavchavadze.

  Ponsonby, Dorothy, diaries, courtesy the Honorable Laura Ponsonby.

  ILLUSTRATION CREDITS

  1. View from Ponteils; author’s photo.

  2. The Chanel inn, Ponteils; author’s photo.

  3. Aubazine; author’s photo.

  4. Gabrielle and Adrienne Chanel c. 1904. Courtesy

  LIFE

  ©. All rights reserved.

  5. Etienne Balsan c. 1903. Courtesy of Antoine Balsan and Philippe Gontier.

  6. Gabrielle Chanel c. 1910. Apic/Hulton Archive/Getty Images.

  7. Emilienne d’Alençon, 1875. Apic/Hulton Archive/Getty Images.

  8. Royallieu. All rights reserved.

  9. Arthur Capel c. 1910. Courtesy of Christopher Osborn.

  10. Arthur Capel and Gabrielle Chanel on horseback c. 1910. Courtesy

  LIFE ©

  All rights reserved.

  11. Arthur Capel on horseback c. 1910. Courtesy of Christopher Osborn.

  12. Gabrielle in her own hat designs;

  Comoedia Illustré

  , 1910. All rights reserved.

  13. Gabrielle Dorziat in “Marie-Louise” hats;

  Comoedia Illustré

  , 1910. All rights reserved.

  14. Gabrielle Dorziat in a Chanel hat, 1912. All rights reserved.

  15. Gabrielle Dorziat in a Chanel hat;

  Journal des Modes

  , 1912. All rights reserved.

  16. Adrienne and Gabrielle Chanel in front of her Deauville shop. Courtesy

  LIFE

  ©. All rights reserved.

  17.

  Tangoville sur mer

  , caricature of Coco Chanel and Arthur Capel by Sem; Bibliothèque des Arts Decoratifs, Paris/Archives Charmet/Bridgeman Art Library.

  18. Gabrielle and friends outside Deauville shop c. 1914. Courtesy Ville de Deauville ©. All rights reserved.

  19. Coco Chanel playing golf c. 1913; Apic/Hulton Archive/Getty Images.

  20. Coco Chanel and Arthur Capel on the beach at St-Jean-de-Luz, 1915; Apic/Hulton Archive/Getty Images.

  21. Pablo and Olga Picasso, 1917; Popperfoto/Getty Images.

  22. Diana Capel by John Sargent; Private Collection.

  23. The Capel Polo Trophy. Courtesy Polo de Paris; photo Adelia Sabatini.

  24. Sergei Diaghilev and Igor Stravinsky; © Victoria and Albert Museum, London.

  25. Igor Stravinsky, José Maria Sert, Gabrielle Chanel and Misia Sert, 1920; Igor Stravinsky Collection; © Paul Sacher Foundation, Zurich.

  26. Grand Duke Dmitri Pavlovich. From

  Chanel: A Woman of Her Own

  , Axel Madsen. All rights reserved.

  27. Gabrielle and her dog at the Faubourg St-Honoré; Henri de Beaumont; All rights reserved.

  28. Gabrielle Chanel and Dmitri Pavlovich c. 1921; All rights reserved.

  29. Chanel N

  °

  5 by Sem, Musee Carnavalet/Roger Viollet/Getty Images.

  30. Dancers from

  Le Train bleu

  , 1924; © Hulton Deutsch Collection, CORBIS.

  31. Dancers from

  Le Train bleu

  , 1924; © Hulton Deutsch Collection, CORBIS.

  32. Lubov Tchernicheva in

  Apollon musagète

  Courtesy

  Dancing Times

  Archive

  .

  33. Pierre Reverdy; Roger Viollet/Topfoto.

  34. Paul Morand c. 1910; Martinie Roger Viollet/Getty Images.

  35. Duke of Westminster;

  Sunday Telegraph

  , all rights reserved.

  36. Eaton Hall; Hulton Archive/Getty Images.

  37. Randolph and Winston Churchill with Coco Chanel; Hulton Archive/ Getty Images.

  38. Marion Morehouse in dress by Chanel c. 1926; © Condé Nast Archive/ CORBIS.

  39. Coco Chanel at Biarritz, 1928; FPG/Hulton Archive/Getty Images.

  40. Coco Chanel, Misia and José Maria Sert, etc., on the Venice Lido; © Mary Evans/Rue des Archives/Talendier.

  41. Gabrielle Chanel skiing with Etienne de Beaumont,

  etc.

  Henri de Beaumont. All rights reserved.

  42. Coco Chanel in jersey suit c. 1931; Getty Images.

  43. Coco Chanel in white satin pajamas; Photo by New York Times Co./Getty Images.

  44. Coco Chanel with Lady Pamela Smith and models, 1932; © Bettmann/ CORBIS.

  45. Coco Chanel with Cecil Beaton c. 1937; Joh
n Phillips/Time & Life Pictures

  Getty Images.blockquote>

  46. Coco Chanel and Fulco di Verdura, 1937; Lipnitzki Roger Viollet/Getty Images.

  47. Gabrielle with Salvador Dalí c. 1938. Image Rights of Salvador Dalí reserved. Fundació Gala-Salvador Dalí, Figueres, 2011.

  48. Gabrielle with Apelles Fenosa; Hoyningen Huene c. 1939. © R. J. Horst. Photo: courtesy Staley/Wise Gallery NYC.

  49. Baroness M. van Zuylen and Serge Lifar; © Mary Evans/Rue des Archives/ Tallandier.

  50. Baron Hans von Dincklage, passport photograph, 1950.

  51. Model wearing Chanel suit; © Condé Nast Archive/CORBIS.

  52. Model in tiered strapless gown with roses; © Condé Nast Archive/CORBIS.

  53. Coco Chanel on mirrored staircase at her couture house, 1954; © Condé Nast Archive/CORBIS.

  54. Chanel models at 31 rue Cambon, 1958; Roger Viollet/Topfoto.

  55. Coco Chanel pinning dress on model 1959; Archive Photos/Getty Images.

  56. Animal sculptures in Chanel’s rue Cambon salon; © Simon Upton, The Interior Archive.

  57. Dining room in Chanel’s rue Cambon apartment; © Massimo Listri/ CORBIS.

  58. Fashion designer Coco Chanel c. 1965; © Condé Nast Archive/CORBIS.

  59. Models attending mass for Coco Chanel; © Bettmann/CORBIS.

  INDEX

  Abdy, Lady

  Abernon, Helen d’

  Abetz, Otto

  Abetz, Suzanne

  Action Française

  actresses

  Aimée, Anouk

  Alain-Fournier

  À la recherche du temps perdu (Proust)

  Albania

  Alcazar

  aldehydes

  Alençon, Emilienne d’

  Alexander, King of Yugoslavia

  alienation

  Allenby, Edmund

  Allied Force Headquarters

  Allied War Coal Commission

  Allure of Chanel, The (Morand)

  Amazons

  American Emergency Rescue Committee

  Amiot, Félix

  Angèle (seamstress)

  Antigone (Sophocles)

  anti-Semitism

  Apollinaire, Guillaume

  Apollon musagète (ballet)

  Après-midi d’un faune, L’ (ballet)

  Aquascutum

  Aragon, Louis

  A. Rallet & Co.

  Arbuthnot-Leslie, Mrs. William

  Arcangues, Comtesse Mimi D’

  archery

  architecture

  Argentina

  Arletty

  Arnaud, Marie-Hélène

  Arrivabene, Madina

  Arrivabene, Niki

  Astruc, Gabriel

  atelier system

  Aubazine convent

  Aubert, Mme.

  Auden, W. H.

  Auric, Georges

  Auschwitz

  Austria

  Avedon, Richard

  Bacall, Lauren

  Bader, Théophile

  Bailey, David

  Baker, Josephine

  Bakst, Léon

  Balanchine, George

  Bal du Comte d’Orgel, Le

  Balenciaga, Cristóbal

  Ballard, Bettina

  Ballets Russes

  Balmain, Pierre

  Balsan, Charles

  Balsan, Consuelo Vanderbilt

  Balsan, Etienne

  and Coco’s relationship with Capel

  as horseman

  in proposals to Coco

  as womanizer

  Balsan, Jacques

  Balsan, Robert

  Balzac, Honoré de

  Banque de France

  Barney, Natalie

  Barrie, J. M.

  Barrow, George de Symons

  Barthes, Roland

  Barthou, Foreign Minister

  Basilica of Saint Anthony, Padua

  Bate, Frederick

  Bate-Lombardi, Vera

  battle of the sexes

  Beaton, Cecil

  Beaufort Castle

  Beaumont, Edith

  Beaumont, Etienne de

  Beaumont College

  Beaux, Ernest

  Bedford, Sybille

  Beige

  Bel Ami (Maupassant)

  belle excentrique, La (ballet)

  Bel Respiro

  Bend’Or

  Bérard, Christian (Bébé)

  Bergen, Candice

  Bergman, Ingrid

  Bernhardt, Sarah

  Bernstein, Antoinette

  Bernstein, Georges

  Bernstein, Henri-Adrien

  Berthelot, Philippe

  Besson, Luc

  beuglants

  Biarritz, France

  bias-cut clothes

  Bibesco, Princess Marthe

  Bibliothèque Nationale

  biches, Les (Diaghilev ballet)

  Blanche, Jacques-Emile

  Bloomingdale’s

  blues

  Blue Train

  Blum, Léon

  boeuf sur le toit, Le (Cocteau)

  Boeuf sur le Toit, Le (bar)

  Bohan, Marc

  Boldini, Giovanni

  Bon Marché, Le

  Bonnard, Pierre

  Boulez, Pierre

  Bouquet, Carole

  Bouquet de Catherine

  Bourdelle, Antoine

  Bourjois

  Bousquet, Marie-Louise

  boussac, Marcel

  Bow, Clara

  brands

  Braque, Georges

  Breker, Arno

  Bresson, Robert

  Breton, André

  British Expeditionary Force

  British War Office

  Brosse

  Brown Network, The

  Brunhoff, Maurice de

  Brunhoff, Michel de

  Buchenwald

  Bullitt, William

  Burberry

  Burton, Richard

  cabarets

  Café de Paris

  café society

  Caillavet, Simone de

  calisthenics

  camellia flower

  Capel, Ann Diana France Ayesha

  Capel, Arthur

  birth of

  Coco’s first meeting with

  Coco supported by

  death of

  inheritance of

  letters of

  marriage proposal to Wyndham by

  on Misia’s decorations

  in Morand’s novel

  poor health of

  rumored paternity of

  in Sem’s caricature

  at Sorel’s dinner party

  treatise on women by

  at Versailles conference

  will of

  womanizing by

  work done by

  in World War I,

  Wyndham’s affair with

  Capel, Arthur Joseph

  Capel, Bertha

  Capel, Berthe

  Capel, Edith

  Capel, June

  Capel, Marie-Henriette

  Capel, Thomas

  Caracciolo, Olga

  Cardin, Pierre

  Cartier

  Caryathis (Elise Toulemon)

  Casa Maury, Marquise de

  Casati, Luisa

  Castelain, Admiral

  Castellane, Boni de

  Castries, Countess

  Catholics

  Céline (Gabrielle’s maid)

  Cendrars, Blaise

  Cévennes, France

  Chagall, Marc

  Chaillet, Robert

  Chamberlain, Neville

  Chambre Syndicale de la Couture Parisienne

  Chambrun, René de

  Chanel, Adrienne

  advertising for Coco by

  in affair with de Nexon

  beuglants visited by

  clothing of

  death of

  at draper’s shop

  at Notre Dame convent

>   suitors of

  Chanel, Alphonse

  birth of

  death of

  placed with peasant farmers

  Chanel, Angélina

  Chanel, Antoinette

  in Aubazine convent

  at Biarritz shop

  birth of

  in Coco’s hat shop

  in departure to Buenos Aires

  marriage of

  at Notre Dame convent

  suicide of

  Chanel, Eugénie Jeanne Devolle:

  Coco’s reminiscences of

  death of

  marriage of

  pregnancy of

  work by

  Chanel, Gabrielle (Coco):

  appearance of

  artistic character of

  artists supported by

  in Aubazine convent

  “aunts” of

  autobiographical stories of

  Balsan’s affair with

  Balsan’s proprosals to

  Bend’Or’s affair with

  beuglants visited by

  birth of

  bisexuality of

  Capel’s affair with

  Capel’s death and

  Capel’s educating of

  Capel’s support for

  Catholicism of

  Chapel’s marriage and

  childhood pranks of

  cleanliness as preoccupation of

  collaboration charge against

  Dalí’s affair with

  in Dalí’s novel

  dancing by

  death of

  d’Harcourt’s affair with

  at draper’s shop

  drug use of

  education of

  effects of Depression on

  in escape from World War II Paris

  estate of

  grudge against family held by

  hats worn by

  as horsewoman

  importance of socializing to

  independence pursued by

  influence sought by

  injuries of

  intelligence of

  Iribe’s affair with

  kidnapped by Resistance

  lack of sophistication in

  life story desired by

  Lipchitz’s sculpture of

  loneliness of

  luxurious lifestyle of

  make-believe practiced by

  memoirs of

  as modern woman

  modesty of

  money earned by

  in Morand’s novel

  mother’s death and

  myth of

  needlework of

  nickname of

  at Notre Dame convent

  novels read by

  at Parade’s premiere

  paradoxes of

  Pavlovich’s affair with

  peace settlement negotiations of

  photos of

  polo learned by

  practicality of

  at premier of Rite of Spring

  as rejected by father

  as reluctant writer

 

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