The Big U

by Neal Stephenson

  The Big U

  Neal Stephenson

  to John Forssman

  “When I think of the men who were my teachers, I realized that most of them were slightly mad. The men who could be regarded as good teachers were exceptional. It’s tragic to think that such people have the power to bar a young man’s way.”

  —German political figure Adolf Hitler, 1889–1945 (from Hitler’s Secret Conversations, 1941–44, translated by Norman Cameron and R. H. Stevens)

  Contents

  Epigraph

  The Go Big Red Fan

  First Semester

  September

  On back-to-school day, Sarah Jane Johnson and Casimir Radon waited,…

  October

  At the front of the auditorium, Professor Embers spoke. He…

  November

  Fred Fine was trying to decide whether to lob his…

  December

  So nervous was Ephraim Klein, so primed for flight or…

  Second Semester

  January

  The fog of war was real down here. The knee-deep glom on the…

  February

  Sarah quit the Presidency of the Student Government on the…

  March

  The social lounge of D24E had picture windows that looked…

  April

  While we sewer-slogged, E13S held a giant party in honor…

  May

  “Everyone look at Big Wheel!” she said. There was long…

  About the Author

  Other Books by Neal Stephenson

  Copyright

  About the Publisher

  I am indebted to the following people for the following things:

  My parents for providing several kinds of support.

  Edward Gibbon, for writing The Decline and Fall of the Roman Empire.

  Julian Jaynes, for writing The Origin of Consciousness in the Breakdown of the Bicameral Mind.

  William Blake and William Butler Yeats, for providing Pertinax with inspiration.

  Kathrin Day Lassila, for numerous and thoughtful disagreements.

  Gordon Lish, for the most productive rejection slip of all time.

  Gary Fisketjon, for buying me a beer in the Top Hat in Missoula, Montana, on July 1, 1983, and other services beyond the call of editorial duty.

  THE GO BIG RED FAN

  The Go Big Red Fan was John Wesley Fenrick’s, and when ventilating his System it throbbed and crept along the floor with a rhythmic chunka-chunka-chunk. Fenrick was a Business major and a senior. From the talk of my wingmates I gathered that he was smart, yet crazy, which helped. The description weird was also used, but admiringly. His roomie, Ephraim Klein of New Jersey, was in Philosophy. Worse, he was found to be smart and weird and crazy, intolerably so on all these counts and several others besides.

  As for the Fan, it was old and square, with a heavy rounded design suitable for the Tulsa duplex window that had been its station before John Wesley Fenrick had brought it out to the Big U with him. Running up one sky-blue side was a Go Big Red bumper sticker. When Fenrick ran his System—that is, bludgeoned the rest of the wing with a record or tape—he used the Fan to blow air over the back of the component rack to prevent the electronics from melting down. Fenrick was tall and spindly, with a turkey-like head and neck, and all of us in the east corridor of the south wing of the seventh floor of E Tower knew him for three things: his seventies rock-’n’-roll souvenir collection, his trove of preposterous electrical appliances, and his laugh—a screaming hysterical cackle that would ricochet down the long shiny cinderblock corridor whenever something grotesque flashed across the 45-inch screen of his Video System or he did something especially humiliating to Ephraim Klein.

  Klein was a subdued, intellectual type. He reacted to his victories with a contented smirk, and this quietness gave some residents of E07S East the impression that Fenrick, a roomie-buster with many a notch on his keychain, had already cornered the young sage. In fact, Klein beat Fenrick at a rate of perhaps sixty percent, or whenever he could reduce the conflict to a rational discussion. He felt that he should be capable of better against a power-punker Business major, but he was not taking into account the animal shrewdness that enabled Fenrick to land lucrative oil-company internships to pay for the modernization of his System.

  Inveterate and cynical audio nuts, common at the Big U, would walk into their room and freeze solid, such was Fenrick’s System, its skyscraping rack of obscure black slabs with no lights, knobs or switches, the 600-watt Black Hole Hyperspace Energy Nexus Field Amp that sat alone like the Kaaba, the shielded coaxial cables thrown out across the room to the six speaker stacks that made it look like an enormous sonic slime mold in spawn. Klein himself knew a few things about stereos, having a system that could reproduce Bach about as well as the American Megaversity Chamber Orchestra, and it galled him.

  To begin with there was the music. That was bad enough, but Klein had associated with musical Mau Maus since junior high, and could inure himself to it in the same way that he kept himself from jumping up and shouting back at television commercials. It was the Go Big Red Fan that really got to him. “Okay, okay, let’s just accept as a given that your music is worth playing. Now, even assuming that, why spend six thousand dollars on a perfect system with no extraneous noises in it, and then, then, cool it with a noisy fan that couldn’t fetch six bucks at a fire sale?” Still, Fenrick would ignore him. “I mean, you amaze me sometimes. You can’t think at all, can you? I mean, you’re not even a sentient being, if you look at it strictly.”

  When Klein said something like this (I heard the above one night when going down to the bathroom), Fenrick would look up at him from his Business textbook, peering over the wall of bright, stolen record-store displays he had erected along the room’s centerline; because his glasses had slipped down his long thin nose, he would wrinkle it, forcing the lenses toward the desired altitude, involuntarily baring his canine teeth in the process and causing the stiff spiky hair atop his head to shift around as though inhabited by a band of panicked rats.

  “You don’t understand real meaning,” he’d say. “You don’t have a monopsony on meaning. I don’t get meaning from books. My meaning means what it means to me.” He would say this, or something equally twisted, and watch Klein for a reaction. After he had done it a few times, though, Klein figured out that his roomie was merely trying to get him all bent out of shape—to freak his brain, as it were—and so he would drop it, denying Fenrick the chance to shriek his vicious laugh and tell the wing that he had scored again.

  Klein was also annoyed by the fact that Fenrick, smoking loads of parsley-spiked dope while playing his bad music, would forget to keep an eye on the Go Big Red Fan. Klein, sitting with his back to the stereo, wads of foam packed in his ears, would abruptly feel the Fan chunk into the back of his chair, and as he spazzed out in hysterical surprise it would sit there maliciously grinding away and transmitting chunka-chunka-chunks into his pelvis like muffled laughs.

  If it was not clear which of them had air rights, they would wage sonic wars.

  They both got out of class at 3:30. Each would spend twenty minutes dashing through the labyrinthine ways of the Monoplex, pounding fruitlessly on elevator buttons and bounding up steps three at a time, palpitating at the thought of having to listen to his roommate’s music until at least midnight. Often as not, one would explode from the elevator on E07S, veer around to the corridor, and with disgust feel the other’s tunes pulsing victoriously through the floor. Sometimes, though, they would arrive simultaneously and power up their Systems together. The first time they tried this, about halfway through September, the room’s circuit breaker shut down. They sat in darkness and silence for above half an hour, each knowing that if he left his stereo to turn
the power back on, the other would have his going full blast by the time he returned. This impasse was concluded by a simultaneous two-tower fire drill that kept both out of the room for three hours.

  Subsequently John Wesley Fenrick ran a fifty-foot tri-lead extension cord down the hallway and into the Social Lounge, and plugged his System into that. This meant that he could now shut down Klein’s stereo simply by turning on his burger-maker, donut-maker, blow-dryer and bun-warmer simultaneously, shutting off the room’s circuit breaker. But Klein was only three feet from the extension cord and thus could easily shut Fenrick down with a tug. So these tactics were not resorted to; the duelists preferred, against all reason, to wait each other out.

  Klein used organ music, usually lush garbled Romantic masterpieces or what he called Atomic Bach. Fenrick had the edge in system power, but most of that year’s music was not as dense as, say, Heavy Metal had been in its prime, and so this difference was usually erased by the thinness of his ammunition. This did not mean, however, that we had any trouble hearing him.

  The Systems would trade salvos as the volume controls were brought up as high as they could go, the screaming guitars-from-Hell power chords on one side matched by the subterranean grease-gun blasts of the 32-foot reed stops on the other. As both recordings piled into the thick of things, the combatants would turn to their long thin frequency equalizers and shove all channels up to full blast like Mr. Spock beaming a live antimatter bomb into Deep Space. Finally the filters would be thrown off and the loudness switches on, and the speakers would distort and crackle with strain as huge wattages pulsed through their magnet coils. Sometimes Klein would use Bach’s “Passacaglia and Fugue in C Minor,” and at the end of each phrase the bass line would plunge back down home to that old low C, and Klein’s sub-woofers would pick up the temblor of the 64-foot pipes and magnify it until he could watch the naked speaker cones thrash away at the air. This particular note happened to be the natural resonating frequency of the main hallways, which were cut into 64-foot, 3-inch halves by the fire doors (Klein and I measured one while drunk), and therefore the resonant frequency of every other hall in every other wing of all the towers of the Plex, and so at these moments everything in the world would vibrate at sixteen cycles per second; beds would tremble, large objects would float off the edges of tables, and tables and chairs themselves would buzz around the rooms of their own volition. The occasional wandering bat who might be in the hall would take off in random flight, his sensors jammed by the noise, beating his wings against the standing waves in the corridor in an effort to escape.

  The Resident Assistant, or RA, was a reclusive Social Work major who, intuitively knowing she was never going to get a job, spent her time locked in her little room testing perfumes and watching MTV under a set of headphones. She could not possibly help.

  That made it my responsibility. I lived on E07S that year as faculty-in-residence. I had just obtained my Ph.D. from Ohio State in an interdisciplinary field called Remote Sensing, and was a brand-shiny-new associate professor at the Big U.

  Now, at the little southern black college where I went to school, we had no megadorms. We were cool at the right times and academic at the right times and we had neither Kleins nor Fenricks. Boston University, where I did my Master’s, had pulled through its crisis when I got there; most students had no time for sonic war, and the rest vented their humors in the city, not in the dorms. Ohio State was nicely spread out, and I lived in an apartment complex where noisy shit-for-brains undergrads were even less welcome than tweedy black bachelors. I just did not know what to make of Klein and Fenrick; I did not handle them well at all. As a matter of fact, most of my time at the Big U was spent observing and talking, and very little doing, and I may bear some of the blame.

  This is a history, in that it intends to describe what happened and suggest why. It is a work of the imagination in that by writing it I hope to purge the Big U from my system, and with it all my bitterness and contempt. I may have fooled around with a few facts. But I served as witness until as close to the end as anyone could have, and I knew enough of the major actors to learn about what I didn’t witness, and so there is not so much art in this as to make it irrelevant. What you are about to read is not an aberration: it can happen in your local university too. The Big U, simply, was a few years ahead of the rest.

  FIRST SEMESTER

  SEPTEMBER

  On back-to-school day, Sarah Jane Johnson and Casimir Radon waited, for a while, in line together. At the time they did not know each other. Sarah had just found that she had no place to live, and was suffering that tense and lonely feeling that sets in when you have no place to hide. Casimir was just discovering that American Megaversity was a terrible place, and was not happy either.

  After they had worked their way down the hall and into the office of the Dean of the College of Sciences and Humanities, they sat down next to each other on the scratchy Day-glo orange chairs below the Julian Didius III Memorial Window. The sunlight strained in greyly over their shoulders, and occasionally they turned to look at the scene outside.

  Below them on one of the Parkway off-ramps a rented truck from Maryland had tried to pass under a low bridge, its student driver forgetting that he was in a truck and not his Trans-Am. Upon impact, the steel molding that fastened the truck’s top to its sides had wrapped itself around the frame of a green highway sign bolted to the bridge. Now the sign, which read:

  AMERICAN MEGAVERSITY

  VISITOR PARKING

  SPORTS EVENTS

  EXIT 500 FT.

  was suspended in the air at the end of a long strip of truck that had been peeled up and aside.

  A small crowd of students, apparently finished with all their line-waiting, stood on the bridge and beside the ramp, throwing Frisbees and debris into the torn-open back of the truck, where its renters lounged in sofas and recliners and drank beer, and threw the projectiles back. Sarah thought it was idiotic, and Casimir couldn’t understand it at all.

  Out in the hallway, people behind them in the line were being verbally abused by an old derelict who had penetrated the Plex security system. “The only degree you kids deserve is the third degree!” he shouted, waving his arms and staggering in place. He wore a ratty tweed jacket whose elbow patches flapped like vestigial wings, and he drank in turns from a bottle of Happy’s vodka and a Schlitz tall-boy which he kept holstered in his pockets. He had the full attention of the students, who were understandably bored, and most of them laughed and tried to think of provocative remarks.

  As the drunk was wading toward them, one asked another how her summer had been. “What about it?” asked the derelict. “Fiscal conservatism? Fine in theory! Tough, though! You have to be tough and humane together, you see, the two opposites must unite in one great leader! Can’t be a damn dictator like S. S. Krupp!”

  This brought cheers and laughter from the upperclassmen, who had just decided the drunk was a cool guy. Septimius Severus Krupp, the President of American Megaversity, was not popular. “Jesus Christ!” he continued through the laughter. “What the hell are they teaching you savages these days? You need a spanking! No more circuses. Maybe a dictator is just what you need! Alcibiades! Pompilius Numa! They’d straighten things out good and fast.”

  Sarah knew the man. He liked to break into classes at the Big U and lecture the professors, who usually were at a loss as to how to deal with him. His name was Bert Nix. He had taken quite a shine to Sarah: for her part, she did not know whether or not to be scared of him. During the preceding spring’s student government compaign, Bert Nix had posed with Sarah for a campaign photo which had then appeared on posters all over the Plex. This was just the kind of thing that Megaversity students regarded as a sign of greatness, so she had won, despite progressive political ideas which, as it turned out, nobody was even aware of. This was all hard for Sarah to believe. She felt that Bert Nix had been elected President, not the woman he had appeared with on the campaign poster, and she felt obliged to listen
to him even when he simply jabbered for hours on end. He was a nice lunatic, but he was adrift in the Bert Nix universe, and that stirred deep fears in Sarah’s soul.

  Casimir paid little attention to the drunk and a great deal to Sarah. He could not help it, because she was the first nice seeming person, concept or thing he had found in his six hours at the Big U. During the ten years he had spent saving up money to attend this school, Casimir had kept himself sane by imagining it. Unfortunately, he had imagined quiet talks over brunch with old professors, profound discussions in the bathrooms, and dazzling, sensitive people everywhere just waiting to make new friends. What he had found, of course, was American Megaversity. There was only one explanation for this atmosphere that he was willing to believe: that these people were civilized, and that for amusement they were acting out a parody of the squalor of high school life, which parody Casimir had been too slow to get so far. The obvious explanation—that it was really this way—was so horrible that it had not even entered his mind.

  When he saw the photo of her on the back page of the back-to-school edition of the Monoplex Monitor, and read the caption identifying her as Sarah Jane Johnson, Student Government President, he made the most loutish double take between her and the photograph. He knew that she knew that he now knew who she was, and that was no way to start a passionate love affair. All he could do was to make a big show of reading about her in the Monitor, and wait for her to make the first move. He nodded thoughtfully at the botched quotations and oversimplifications in the article.