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Revolution and the Republic

Page 44

by Jeremy Jennings


  graced with a royal title. The purpose of the Napoleonic imperium was to serve one

  nation and one person. Napoleon did not abandon all reference to national and

  patriotic sentiment however. He skilfully exploited the military successes of his

  army—la Grande Armée—to bolster support, but over time the vast cost in human

  and physical resources engendered sentiments of sullen resistance and indifference,

  especially amongst the peasantry (whose male offspring bore the brunt of the

  carnage). Only briefly in 1814 was anything like a resurgence of military patriotism

  witnessed. If, later, this gave rise to the mythological patriotism associated with the

  figure of Nicolas Chauvin,31 the consequences of defeat could not have been

  starker. By the treaty of Paris in 1814 France returned to its borders of 1792.

  Following defeat at Waterloo, she returned to her borders of 1790. The restored

  European order of the Holy Alliance was to rest upon the principles of legitimacy

  and stability.

  31 See Gérard de Puymège, ‘Le soldat Chauvin’, in Nora, Les Lieux de mémoire (1997),

  ii. 1699–1728.

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  Universalism, the Nation, and Defeat

  I I

  There were powerful currents of thought in France prepared to turn their backs

  on the nationalist inheritance of the French Revolution. Benjamin Constant for

  one saw that the doctrine of natural frontiers would be such as to condemn

  Europe to permanent war. He also saw—here developing his theme of the

  distinction between the liberty of the ancients and the moderns—that in a

  commercial age the relationship of the individual to the patrie was undergoing

  a fundamental change. In the past, he wrote, ‘the fatherland represented what

  was dearest to a man; to lose his fatherland was to lose his children, his friends, all

  the objects of his affection’. But now, he contended, ‘what we love in a country is

  our possessions, the safety of our person and of those close to us, the careers of

  our children, the progress resulting from our industry . . . in a word, the countless

  forms of happiness that flow from our interests and tastes’. If our own patrie

  could not provide these benefits, Constant argued, we could easily move to one

  of the many ‘civilized and hospitable nations’ that surrounded us. What is more,

  Constant was clear that no government should have ‘either the right or the

  power’ to prevent us from doing so.32

  It would be a mistake to believe that the glorification of the French nation ever

  attained anything like unanimous assent. The voice of theocratic reaction had little

  difficulty in dismissing the unjustified pretensions of the people to constitute the

  nation. In Joseph de Maistre’s view, what characterized a nation was the ‘general

  soul’ or moral unity given to it directly by God and this was not something that

  could find expression through what was taken (in error) to be the popular will.

  ‘What is a nation?’ Maistre asked. ‘It is the sovereign and the aristocracy. One must

  weigh voices, not count them.’33 Similarly, Auguste Comte, when he came to

  provide a detailed specification of the political organization of the envisaged

  positivist society, predicted the eventual break-up of France into ‘seventeen inde-

  pendent republics’ and saw a future in which the family, the city, and humanity,

  bound together by the positivist Church, would leave no place for the nation-state.

  Countries the size of Tuscany, Holland, and Belgium, Comte believed, would

  become the norm.34

  Comte expressed these views in the early 1850s, and in doing so courted

  unpopularity by being among the few to oppose the cause of Italian unification.

  A decade later, the ever-controversial Pierre-Joseph Proudhon did not hesitate to

  adopt the same stance, castigating Mazzini for pursuing a policy that would

  threaten peace in Europe without adding to liberty. ‘Unification in Italy’, Proud-

  hon contended, ‘is the same as the indivisible republic of Robespierre, no more

  than the corner stone of despotism and bourgeois exploitation.’35 Attacking what

  32 Benjamin Constant, Commentaire sur l’ouvrage de Filangieri (1822–4) (2004), 149–50.

  33 Joseph de Maistre, Œuvres (2007), 1234–5.

  34 See Auguste Comte, Système de politique positive (1852), ii. 263–338.

  35 ‘La Fédération et l’Unité en Italie’ (1862), in Du Principe Fédératif: Œuvres complètes de P-J.

  Proudhon (1959), 106.

  Universalism, the Nation, and Defeat

  207

  he saw as the dangerous fallacies of ‘la topographie politique’,36 Proudhon not only

  disputed the logic of the natural frontiers argument—nations were often built

  around rather than separated by such rivers as the Rhine, for example—but went

  on to characterize nation-states in general as wasteful, regressive, bureaucratic, a

  threat to peace, and arbitrary in their manner of operation. ‘The Frenchman’, he

  continued, ‘is a figment of the imagination: he does not exist’, France being

  ‘composed of at least twenty distinct nations’.37 Entities such as France, therefore,

  had to be seen as ‘abstract’ and ‘artificial’ constructions designed solely to secure the

  centralization of power. Proudhon’s proposed alternative thus broke with the

  tradition of centuries of French state-building: France was to be split up into a

  set of loose, self-governing federations. ‘In the Confederation’, he stated, ‘the units

  which comprise the political bodies . . . are groups, constituted a priori by nature,

  and whose average size will not be greater than that of a population drawn from a

  territory of no more than several hundred square miles.’38 In the interests of peace

  and ‘self-government’, the same principle was to be applied across Europe as a

  whole. Proudhon also opposed the claims of Polish nationalism.

  However, there were those for whom almost nothing—not even the descent into

  Terror and the rise to power of Napoleon Bonaparte—could diminish their

  preoccupation with the nation, the left bank of the Rhine, and the need to liberate

  oppressed peoples everywhere. Indeed, the humiliating peace treaties imposed upon

  a defeated France and the return to the throne of what was sometimes deprecatingly

  referred to as the ‘royauté cosaque’ were sufficient to rekindle nationalist fervour

  amongst a new generation, born with the century, and for whom the collective

  trauma was not the Revolution but the collapse of the Empire.39 For these young

  men, blessed with the exuberance of youth (as well as a certain gravity and high

  moral tone), the desire to free France from the humiliating clutches of the Holy

  Alliance was of necessity combined with the wish to see Europe’s established

  monarchical order overturned.

  This mood was captured in Edgar Quinet’s essay 1815 et 1840.40 As Quinet was

  later to write, ‘I set myself the task of relating, from a personal point of view, the

  moral history of the generation to which I belonged.’41 The moment at which the

  text itself was written—the latter of the two dates—was not without significance. In

  that year, Adolphe Thiers, recalled to head the government, was embroiled in a

  serious diplomatic crisis with England over Egy
pt, which threatened war.42

  36 ‘France et Rhin’ (1867), ibid. 558. The texts that make up this collection were probably written

  between 1859 and 1861.

  37 Ibid. 594.

  38 ‘Du Principe Fédératif et de la Nécessité de Reconstituer le Parti de la Révolution’ (1863), ibid.

  546.

  39 Alan B. Spitzer, The French Generation of 1820 (Princeton, NJ, 1983), 10. See also Jean-Claude

  Caron, Générations Romantiques: Les Étudiants de Paris et le Quartier Latin (1991). Caron speaks of the

  students of this period as being ‘more patriotic than Bonapartist’.

  40 See Paul Bénichou, Le Temps des prophètes: Doctrines de l’âge romantique (1977), 454–96.

  41 Edgar Quinet, Œuvres complètes de Edgar Quinet: Histoire de mes idées (1858), pp. iii–iv.

  42 On 10 July 1840 Britain concluded a treaty with Russia, Prussia, and Austrian requiring France’s

  protégé, the Pasha of Egypt, to withdraw from Syria. France did not learn of this treaty until 26 July,

  after which there was a general outcry for war.

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  Universalism, the Nation, and Defeat

  This itself had hastened the decision to encircle Paris with military fortifications. At

  the same time the triumphal return of the Emperor Napoleon’s remains to the

  French capital was being carefully orchestrated, an event only made possible as a

  consequence of Napoleon’s earlier reincarnation as both romantic hero and saviour

  of the patrie.43

  The scene was set by a preface dated 15 November 1840.44 Quinet began by

  asking the Germans to recognize that the interests, the ideas, and even the enemy of

  France and Germany were the same, and thus that Germany should wish that

  France should not die. Germany, he therefore argued, should turn its attention

  away from the Rhine—which was to be shared with France—towards the Danube.

  If not, he concluded, it would be to Russia’s advantage.45 However, what Quinet

  found most difficult to forgive was that those who had governed France since the

  Restoration had been more troubled by the ‘noise of the street’ than they had been

  by the position and fate of France in Europe. France, in effect, has turned away

  from her wounds, as was evidenced by the passion for utopian thinking. ‘[T]he

  character of the greater part of the new doctrines’, Quinet commented, ‘is that of

  the absence of national sentiment. Instead of France, they all embrace the human

  race.’46 Everyone had become cosmopolitan out of necessity.

  It was after these preliminaries that Quinet developed the substance of his

  argument. The Revolution, he argued, had lasted for thirty years but it had only

  been in 1815 that it had ‘handed over its sword’.47 What followed had been a

  catastrophe. ‘If’, Quinet wrote, ‘the French Revolution was defeated in 1815, the

  international order, based upon the treaties of Vienna, was the legal, concrete and

  permanent sign of this defeat. Subjected to treaties written with the blood of

  Waterloo, in the eyes of the world, we are still legally the defeated of Waterloo.’48

  Worse still, since then France had been ‘complicit’ in her ruin and had appeared to

  accept her ‘enslavement’. The Revolution of 1830, Quinet argued, had given hope

  to some that things would change but ‘this large wounded body was only able to

  raise itself to its knees’.

  The result was that a country believing itself to be free was ‘enclosed in a circle of

  iron’. It lived in a web of lies and hypocrisy. France assured the foreign powers that

  the country was resigned to the situation, whilst she told the people that the

  country had been liberated from external threat. As long as France acknowledged

  this defeat, the foreign powers were prepared to extend her chains, but as soon as

  France showed signs of real life and determination ‘the dependence to which she

  has been reduced, and that she has accepted, was harshly felt’.49 This situation,

  Quinet affirmed, could only lead France to the ‘abyss’. She therefore had to have

  the courage to resist or else accept that she would cease to exist. And to resist meant

  43 See Jean Tulard, ‘Le retour des cendres’, in Nora, Les Lieux, ii. 1729–52. See also Natalie

  Petiteau, Napoléon: de la mythologie à l’histoire (1999), 57–105.

  44 Edgar Quinet, 1815 et 1840 (1840).

  45 See Quinet, De l’Allemagne et la Révolution (1832).

  46 Quinet, 1815 et 1840, 25.

  47 Ibid. 26.

  48 Ibid. 27–8.

  49 Ibid. 40.

  Universalism, the Nation, and Defeat

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  that the treaties which had followed Waterloo had to be overturned—by war if

  necessary.

  What was evident in this text was a deep sense of national shame and dishonour.

  This was combined with a powerful resentment directed against the politicians who

  appeared to have accepted the abject enslavement and humiliation imposed upon

  France by the victorious powers in the wake of Waterloo. If we are to believe

  Quinet, these sentiments were shared by his generation. What this text did

  not explain, however, was the manner in which the architect of this disgrace—

  Napoleon—was reintegrated into the patriotic vision. How was it possible that the

  man who had so recklessly squandered the lives of so many Frenchmen could be

  viewed as the nation’s saviour?50

  Here again Quinet can act as our guide. In 1858 he published an intellectual

  biography entitled Histoire de mes idées.51 Written in a tone of genuine modesty,

  much of it concerned Quinet’s early years and recounted his life in a countryside

  untouched by considerations of the Revolution. As a child, Quinet told his readers,

  he had not known who the Girondins and the Jacobins were. Nevertheless, ‘the

  events which changed the face of the world’ eventually reached his isolated village.

  It was ‘by chance’, he recalled, that one of the children of his own age told him of

  the burning of Moscow. Subsequently, there occurred the invasion of the Prussians

  and the beginning of ‘the bereavement of France, the deep sense of her fall’. A

  decisive moment in Quinet’s intellectual development, however, came with the

  return of Napoleon from Elba. Prior to this ‘the legend of the Empire’ had only had

  an ‘impersonal’ existence for him: henceforth it had a real physical form and was

  called Napoleon. His abiding sentiment after the defeat at Waterloo was that of

  ‘treason’, only to be followed by a sense of shame with the second invasion of

  France. From this point onwards, Quinet argued, the ‘temperament’ of France

  changed, as indeed did his own character. He was, he wrote, surrounded by a

  ‘profound sadness’. Everything he had idolized was suddenly denied and slandered.

  All that he had considered honourable and virtuous was viewed as infamy and a

  crime. Moreover, this was true not only of himself but of an entire nation which

  was forced to abandon its ‘past education’ and to construct ‘another nature’. Such

  were the emotional and psychological outcomes of ‘the cataclysm’ of 1815.

  In these dire circumstances what happened to the legend of Napoleon? ‘Like

  everything else’, Quinet wrote, ‘this legend suffered a great eclipse in the first years

  which followed 1815. . . . It was f
orbidden to speak of it; forced to be silent, one

  found oneself forgetting.’52 It was then that Quinet felt ‘a violent interior struggle’.

  How, he asked, could ‘my religion for Napoleon’ be reconciled with the ‘ferment of

  liberal ideas that were coming at me from all sides and that I had firmly decided not

  to give up?’53 Need he make a choice between Napoleon and liberty? At first

  Quinet believed not, but little by little he thought more about liberty and less about

  Napoleon. But this changed with Napoleon’s death in 1821. Napoleon came back,

  50 See Sudhir Hazareesingh, The Legend of Napoleon (London, 2004).

  51 See Œuvres complètes de Edgar Quinet, 89–270.

  52 Ibid. 210.

  53 Ibid. 212.

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  Universalism, the Nation, and Defeat

  Quinet recorded, ‘to haunt my mind, no longer as my Emperor and as my absolute

  master, but as a spectre that death had almost entirely changed’.54 Quinet therefore

  conjured up the final one hundred days of Napoleon’s reign as proof that at the end

  Napoleon had embraced the liberal ideas that he had formerly rejected. ‘This is

  how’, Quinet explained, ‘I was able to accommodate what had appeared to me to be

  irreconcilable, my worship of Napoleon with my thirst for liberty. It was not we

  who went to Napoleon but Napoleon who came back to us.’55

  Seen from this perspective, Napoleon’s ambitions could be allied to the

  struggles for national liberation and emancipation emerging right across Europe.

  So also the story of his life could be retold and refashioned as one dedicated to

  the cause of the French nation. And this was how Napoleon was increasingly

  seen, the image of the Corsican brigand and adventurer quickly fading from

  view. Following his death, intimate accounts of his final years in exile appeared in

  print, each confirming the portrait of a man (and harshly treated prisoner) selflessly

  dedicated to high and noble ideals. Poets and novelists continued the trend, exalting

  Napoleon’s exploits and praising his almost superhuman genius. Thus romanticized,

  all ordinary mortals could only suffer in comparison. By the same token, the mediocre

  might be elevated by the Emperor’s presence. Louis-Philippe and the politicians of the

  July Monarchy proved themselves not slow to appreciate this. In 1833 Napoleon’s

 

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