Blood Hollow co-4

by William Kent Krueger

  The rear door of the building opened. Gooding came out, escorting Solemn, who’d changed from his county uniform into jeans and a white T-shirt. Twenty yards of open ground lay between them and the Bronco. They’d taken only a few steps when a cry went up from the people who’d stationed themselves at the building’s corner, and the rush was on.

  The Warroad couple arrived first, thrusting the wheelchair and its precious occupant between Solemn and the safety of the Bronco.

  “Please,” the woman said. She grabbed Solemn’s hand. “Heal my son.” She tugged at his arm, pulling him toward the boy. Her husband tried to grasp Solemn’s other arm, but Gooding interfered.

  “Move away, folks,” he ordered. “Let this man through.”

  “Please,” the woman said.

  Solemn could not ignore her desperation. He looked down at the boy whose tongue hung from his mouth, whose eyes roamed, whose hands were locked in a vicious grip that held nothing.

  “What do you want me to do?” he asked.

  Cork heard the noise of the crowd rounding the corner of the building. “Get in, Solemn,” he shouted.

  Solemn’s eyes had not left the boy. “What do you want me to do?”

  “Lay your hands on him,” the woman said. “Touch him.”

  The first of those who’d given the cry neared Solemn. Gooding put himself between them and Winter Moon.

  “Stay back,” he shouted. “That’s a police order.”

  It made them pause only a moment.

  Solemn reached out and laid both his hands on the boy’s head. He looked at the woman, his dark eyes full of doubt. “Like this?”

  The flood of people swept into view. The sound of their coming triggered those already near Solemn, and those anxious few shoved past Gooding. Solemn lost his grip on the boy and stumbled toward the Bronco. He slipped into the backseat and slammed the door as two bodies hurled themselves against it. Cork hit the power lock, put the Bronco into gear, and drove away from the wave of faithful sweeping around Gooding.

  Two blocks distant, he finally asked over his shoulder, “You okay?”

  Solemn didn’t reply.

  Cork glanced in the mirror, and saw behind him the face of a terrified man.

  The whole distance to Sam Winter Moon’s old cabin Solemn didn’t say a word. Cork parked in the shade of the pine trees and got out. Solemn moved like an old man, slowly and in a daze. When he was out of the vehicle, he stood and stared at the cabin.

  “I’ll bring you whatever you need,” Cork said.

  “I touched him. Nothing happened.”

  “What did you expect?”

  Solemn shook his head. “I told you they were looking for something I couldn’t give them.”

  “I know, Solemn.”

  “It’s gone.”

  “What?”

  But Solemn didn’t say. He walked toward the cabin and went inside alone.

  Fifteen minutes later, Dot drove up in her blue Blazer. Jo followed in her Toyota.

  “Where is he?” Dot looked toward the cabin. “Inside?”

  Cork nodded.

  “How’s he doing?” Jo asked.

  “Pretty shaken.”

  “You need anything, Dot?”

  “No.” She took Jo’s hand, and Cork’s, and thanked them. “Migwech.” She went inside to be with her son.

  “Anybody follow you?” Cork asked.

  “No. They were all too confused, I think. It was pretty crazy back there.”

  “Tell me about it.”

  “Cork, I saw Fletcher Kane. He was standing across the street, watching when Dot and I left the building.”

  “What was he doing there?”

  “I don’t know, but he didn’t seem happy.” Jo looked at the old cabin where Dot and Solemn had sought refuge. “Do we need to do anything here?”

  “I don’t know what it would be. Let’s go home.”

  29

  Late that afternoon at Sam’s Place, Jenny said, “Dad?”

  Cork was scraping the griddle. “Yeah?”

  “Dad?”

  He heard this time how queer her voice was and he turned. Business had been slow. Jenny sat on the stool at the serving window with her headphones on, listening to a CD by a group called Garbage. Cork followed her fearful gaze.

  In the parking lot stood Fletcher Kane, staring darkly at Jenny.

  “I’ll be right back, honey,” Cork said.

  He took off his apron and went outside.

  Kane was dressed in a black suit, white shirt, black tie. He reminded Cork of an undertaker. In the heat, sweat trickled down his temples. His eyes stayed locked on Jenny behind the window.

  “What is it, Fletcher?” Cork asked, not kindly.

  “What if she were dead?”

  “What?”

  “Your daughter. What if she were dead?”

  “What do you want?”

  “You have no idea, do you, how that would feel?”

  “Is that a threat?”

  Kane finally looked at Cork. “They let him out.”

  “Solemn? Yes.”

  “He’s not at his mother’s.”

  A boat came up to the dock. The engine whined like a huge insect, sputtered, then died. The silence after seemed heavy.

  “Why would you care?” Cork said.

  “I want to know where he is.”

  “You think I’m going to tell you?”

  Kane reached into the inside pocket of his suit coat and pulled out a checkbook and a Montblanc fountain pen. He unscrewed the cap of the pen and opened the checkbook.

  “How much?”

  “Are you serious?”

  Kane held the checkbook in the palm of his left hand. With his right, he wrote out a check and handed it to Cork.

  Twenty thousand dollars.

  “Go home, Fletcher.” Cork tore up the check.

  Kane watched the torn pieces flutter to the gravel, then looked toward Jenny. “No idea,” he said, and walked back to his car.

  Cork went into Sam’s Place and called the sheriff’s office, asked for Gooding. After he explained the episode with Kane, he said, “Randy, he’s right at the edge of something.”

  Gooding breathed deeply on the other end. “I’ll have a talk with him. I’m not sure what else we can do. He hasn’t broken any law that you know of, has he?”

  “Not yet.”

  “You know how it is, Cork.”

  “Yeah, I know.”

  It was dark when Cork finally locked the door of Sam’s Place and headed to his Bronco with the day’s take in hand.

  He went to First National of Aurora and completed the night deposit. As he prepared to head out of the bank lot onto Center Street, Fletcher Kane’s silver El Dorado cruised passed. Cork waited a moment, then eased onto the street a couple of cars behind him.

  It was a warm summer night. The traffic was primarily young people, teenagers mostly, cruising toward the Broiler, which stayed open until midnight, or to the new Perkins, which was open twenty-four hours. They’d sit in booths, drink coffee or Cokes, smoke cigarettes, and talk of things that mattered to them now. Jenny and her boyfriend would be out there somewhere, in the midnight blue ’76 Camaro that Sean had bought as a junker and had brought back to life. For Jenny, the things that mattered would be books; for Sean, in that season, it would be baseball.

  Cork had been young once, in Aurora. He remembered the explosive feel of summer nights, when, at fourteen or fifteen or sixteen your heart was big and your head was forgotten, when you believed you had it in you to do everything, when you felt like you’d never die but if you did that was all right, too, because it couldn’t get any better than this, or any worse. Every corner on Center Street was a place he’d lingered, spotlighted by a streetlamp, hanging out with a half dozen other boys his age. Except he’d never hung out with Fletcher Kane. Kane was a loner, even then, a small kid with glasses, tending a little toward plump. He was bright, everybody knew that, but not in the least athletic. C
ork couldn’t remember if he had had a best friend, or even a good one. Once the scandal of his father’s death broke, and word got out about the investigation Cork’s father had been conducting, Fletcher Kane stopped going to school and Cork almost never saw him on the street.

  Cork did remember one incident. A Saturday night a couple of weeks after his father had died, Fletcher showed up at the old Rialto Theatre. Cork was there, too, to see Sean Connery as James Bond in From Russia with Love. After the show, as Cork headed home, he saw Fletcher surrounded by a number of high school boys, who’d cornered him in the alley behind Pflugelmann’s Rexall Drugstore. Cork ran hard to the sheriff’s office, where he found Cy Borkmann on duty. The deputy was young, but heavy even then. He followed Cork back to the alley and broke up the gathering where the high school boys were in the process of “pantsing” Kane, forcibly removing his trousers to make him walk the streets in his underwear. Fletcher Kane never said a word of thanks, not to the deputy nor to Cork. He eyed them both while he put on his pants, as if waiting for them to take their own turn at humiliating him, then with as much dignity as he could muster, he walked on home. Two weeks later, Kane’s mother left Aurora for good and took her son with her.

  Fletcher Kane had been set that way in Cork’s mind for thirty-five years. Then the tall man with long hands and deep pockets had showed up in Aurora. The boy, however, was still visible in the face, especially in the hard, dark eyes that even after more than three decades still seemed to be watching the town, as if ready to be hurt and to hurt in return.

  Kane turned onto Cascade, circled back, and again entered the stream of vehicles on Center Street. What was he looking for? What was out there in the night that drew him from the solitary dark of his home?

  Cork followed for nearly an hour, up and down Center, past the Broiler and Perkins, as Kane insinuated his El Dorado into the flow of cars packed with teenagers. He had no business tailing the man this way, but he was curious and also concerned. Everything he believed told him Kane needed watching.

  Finally, the El Dorado made a left on Olive and headed west, away from the center of town. Kane took another left on Madison and two blocks later, turned the corner, and pulled to the curb in front of St. Agnes. Cork drove past and rounded the next corner. He parked and leaped from the Bronco.

  A waxing half moon had risen, bright enough to cast vague, disturbing shadows. Cork kept to those shadows as he made his way back toward the church. In the moonlight, the silver El Dorado seemed to glow. The driver’s door, when it opened, flashed like a signal mirror. Cork ducked behind a minivan parked on the street.

  Kane moved like a man condemned, dragging himself up the steps to the doors of St. Agnes. His shadow went before him and touched the wood long before he did. He reached out and tugged at the knob. His right hand rose in a fist and beat against the door. He stepped back, and for a long moment stared at what was locked against him. Finally he turned and sat down on the top step. He bent forward, and his shadow bent with him while he and his darker self began to weep.

  Cork knew that he was trespassing on something terribly private. He crept away, wondering if Kane wept for himself, for his own hopeless situation. Was he, perhaps, still grieving for his daughter? Or had he come to the church seeking something that the locked door prevented him from finding?

  30

  Gooding joined Cork at the counter of the Broiler the next morning. Cork was finishing his coffee. Gooding ordered a cup for himself and a side of whole wheat toast.

  “Light breakfast,” Cork said.

  “Here on official business, sort of. Our acting sheriff asked me to find you, let you know a couple of things.”

  “Cy? How’s he doing?”

  “Holding his own, I’d say.” Gooding leaned nearer to Cork. “If you haven’t heard, you soon will. Arne Soderberg came into the office yesterday afternoon with his attorney. Gave a full statement. He admitted to an affair with Charlotte Kane. Said it began last summer, but he broke it off when he got himself elected sheriff. When she took up with Winter Moon, he got jealous, went back to seeing her. He admitted he was at Valhalla, but swears she was alive and unharmed when he left. He’s got a receipt and a witness that place him in town in the time frame we believe she was attacked. Looks like a pretty solid alibi. He also admitted that the rose petals were his doing. Said the last promise he made to her was that when he was a free man, as in divorced from Lyla, I guess, he’d give her a bed of roses to lie in.” Gooding looked down. “Soderberg. I should have been suspicious. He had money, transport, and a key to the cemetery. Pretty sloppy police work.”

  “Give yourself a break. You couldn’t have known he had a motive. Who would have thought it?”

  Gooding looked up again. “You did.”

  “What about the blood tears? Did he know anything about that?”

  “Swore he didn’t have anything to do with it. Doesn’t know a thing about it.”

  “You hear anything yet from the BCA on the samples you took from the angel?”

  “Mostly water and a little blood. Type O-positive, most common blood type. Nobody actually saw the angel weeping. The tears had already streamed down the monument when the crowd started to gather, so I suppose they could easily have been put there earlier by almost anyone. Somebody, maybe, who just wanted to add to the mystique. You could figure it any number of ways that have nothing to do with miracles.”

  Gooding’s toast arrived. He opened a packet of honey.

  “Cork, I’ve got to tell you, we still like Winter Moon for the girl’s murder. Too much evidence against him. The CA’s going ahead with the prosecution. You still believe he’s innocent?”

  “I do.”

  “You really care about that kid, don’t you?” Gooding said as he spread the honey over his toast. “I wonder if sometimes we want to believe something so much that the truth can smack us right between the eyes and we don’t even notice.”

  Cork sipped his coffee and ignored the comment. “You said you’d have a talk with Kane. Did you?”

  “I went to his place yesterday. It was like talking to a lamp-post. I don’t know where Winter Moon is, but if I were you, I’d tell him to lie low right now. I think you’re right about Kane. He’s right on the edge of doing something stupid.”

  From the Broiler, Cork headed straight to Sam Winter Moon’s old cabin. As he passed through Alouette on the rez, he saw Dot’s Blazer parked outside LeDuc’s general store. Solemn was in it, alone behind the wheel. Cork pulled up on the passenger side and got out of his Bronco. He walked around the back of the Blazer to the driver’s side, and noticed the old pickup parked not far away, and the two men who occupied the cab. He went to the pickup and leaned in the window.

  “Junior,” he said. “Phil. What’s up?”

  The smell of beer came from inside the cab where Junior and Philbert Medina sat. The two men were relatives of Dorothy Winter Moon, her mother’s sister’s husband’s children from a first marriage. They were both mechanics in their father’s garage in Brandywine, the other rez community. Junior wore a ball cap over his long black hair. Phil kept his own hair in a buzz cut. Both men cradled rifles on their laps and each had a can of Budweiser clamped in a free hand. They gave Cork big, stupid grins.

  “Just getting ready for a little deer hunting,” Junior said.

  “Deer?”

  “Yeah,” Phil put in. “Waiting for a fat buck to come strolling onto the rez.”

  “Helping Dot out, are you?”

  “That’s what family’s for, cousin.” On the reservation, everyone was cousin.

  “You know, I’d feel a lot better if you’d put away either the beer or the rifles.” Cork paused a moment, then added, “You ought to put away both.”

  “What are you going to do? Arrest us?” Junior laughed.

  Cork turned away and walked to the Blazer.

  “Morning, Solemn.”

  “Hey, Cork.” Solemn kept his eyes straight ahead.

  “I’m gues
sing you already heard that Kane’s looking for you.”

  “I heard.”

  “And Tweedle Dum and Tweedle Dee over there are your answer?”

  “Phil and Junior were my idea.”

  Dorothy Winter Moon had come from LeDuc’s store with a sack of groceries in her arms. She wore sunglasses against the glare of the bright morning sunlight. She stepped around Cork and opened the Blazer’s back door.

  “This isn’t a good idea, Dot.”

  “You got a better one?” She set the grocery bag on the backseat and shut the door.

  “Go to Henry Meloux, Solemn,” Cork said. “You’ll be safe with him, and maybe he can help in other ways.”

  “I can take care of my son,” Dot said.

  Cork looked at Solemn. “Is this what you want?”

  Solemn didn’t seem to hear. The two Medinas laughed at something, a loud and grating sound.

  “Don’t let go of it, Solemn,” Cork said.

  Solemn slowly turned his head, and Cork saw the hardness in his eyes.

  “Let go of what?” Solemn said.

  “What you found out there in the woods. That feeling. That belief.”

  Solemn regarded him for a long time. “What if it wasn’t real?”

  “Sometimes believing is all it takes to make a thing real.”

  “That boy in the wheelchair, his folks, they believed.”

  Dot scanned the street as if any moment she expected that Kane would leap out of the shadows in ambush. “We need to get back to Sam’s cabin.” She circled around the front of the Blazer and got in on the passenger side. “Let’s go, Solemn.”

  Cork reached through the window and put his hand on the young man’s arm. “Go to Meloux.”

  Solemn didn’t answer. He started the engine and, when Cork withdrew his hand, backed onto the street and headed north out of Alouette. The Medinas followed in their truck.

  Cork looked at the dust kicked up in Solemn’s wake and wondered about the comment Gooding had made earlier. Maybe he did believe in Solemn’s innocence simply because he wanted to believe. Was that enough to make it so?