Americana

by Don DeLillo

  “Where do you normally work, Buford? Tend bar in some bar or something?”

  “I’m a maintenance man. Mae and I, we live down Manhattan in the West Twenties. I maintain six buildings. I collect garbage from outside their doors and bring it downstairs. I fix things need fixing. I shine things up.”

  “What’s it like? Hard work, I bet.”

  “It’s not hard so much as menial. But at least it’s got some intrinsics to it. It gives you clues to human nature. Garbage tells you more than living with a person.”

  “You don’t mind it too much then.”

  “Oh, I love it,” he said.

  “Is the garbage different in different buildings?”

  “Sure it’s different. There’s clues that tell you that. You don’t even have to see the garbage. Anytime you see a cracked mirror in the hallway you know the garbage isn’t going to be any good.”

  “I guess it’s satisfying to help keep the city clean.”

  “It overjoys me,” Buford said.

  “They say pound for pound Sugar Ray Robinson is the best fighter ever.”

  My mother was in the doorway telling me that Amy was all alone. I went out there and stood next to her. John Retley Tucker came by. I asked him if he had ever met my other sister and he said Jane had never mentioned any sister. He stood there talking to us and the index finger of his right hand was stuck between his shirt collar and the back of his neck. This meant his elbow was up around ear level. I saw Amy staring at the patch of sweat under his arm. John Retley was about six-four and two-twenty and he looked like a cop directing traffic on a Sunday afternoon and not minding it at all. The Collier woman approached again and I disengaged myself to talk to her. She was wearing beige.

  “I want to tell you something,” she said. “You’re a young man now and there’s no reason why you shouldn’t know this. You’ve grown to almost your full stature. You have a man’s body and a man’s appetites. This is what I want to say. Women love to be loved.”

  “Yes.”

  “Who is that man behind you?”

  “John Retley Tucker. My sister Jane’s boyfriend.”

  “There’s something indecent about a man with thumbs that large.”

  I needed some air. I told Amy I was going out for a while. She said she’d come with me. I left her there on the porch for a moment and went back inside for two drinks and brought them out. I didn’t turn on the porch light.

  “Do you drink a lot?” she said.

  “I drink quite a bit. I drink quite a bit, yes.”

  “Do you know a boy named David Bell? He drinks incredible amounts of liquor. He does it on a dare. He can really hold it.”

  “I’m David Bell,” I said.

  “I got confused. I meant Dick Davis.”

  “Freudian slip,” I said. “They say if you use somebody’s name like that by mistake it means you like that person very much.”

  “Don’t get ideas, mister.”

  “I was only kidding.”

  “Your parents are very nice.”

  “So are yours. Do you think I’m handsome, Amy?”

  “What a question.”

  “I know it’s an ambivalent thing to ask but I heard you discussing colors with old Andy Alexander and you seem to have good taste and I was just wondering what you thought. I’m sure you wonder if people think you’re pretty. Do you think I’m handsome?”

  “Yes,” she said.

  “Do you want to know if I think you’re pretty?”

  “Okay.”

  “I think you just miss,” I said. “What’s your opinion of Burt Lancaster? I think he’s the all-time greatest.”

  Henry Gossage came out on the porch. He took a deep breath and clubbed himself on the chest with both his baby fists. Then he saw us standing by the rail and pretended to be startled, drawing his body back and raising his arms in self-defense. “Two purple shadows in the snow,” he sang. I hoped he wouldn’t tell another joke.

  “Our kids are away at camp,” he said. “Oldest is a counselor. Middle waits on tables but he’ll be a counselor next year. Youngest is only twelve so he’s got a ways to go yet before he gets out of the camper category.”

  “How’s Hank?” I said.

  “He’s the oldest. Henry Jr. He’s fine. Appreciate your asking.”

  “Give him my best.”

  “Will do. Damn good of you, lad. Damn nice of you, Dave boy. Damn sweet thing to say. Where can I throw up?”

  “In the hedge,” I said.

  “It’s all right. I don’t think I have to anymore.”

  Amy said she thought it would be a good idea to get back inside. Everybody stood talking and eating. At the far end of the room Tod Morgan and Peter Fisher’s wife were talking. I was watching his face when he laughed. His features stretched and quivered. He looked extraordinarily ugly. I imagined a small explosion in his head. He was laughing in an exaggerated manner, overdoing it, creating the laugh as if with ceramics, and I watched his head come apart in slow motion, different sections tumbling through the air, nose-part, ear-part, jaw with lower teeth. I went through the kitchen and out the back door.

  The small porch out there was full of empty bottles. I walked along the edge of the woods past Harris, Torgeson and Weber. The Harris and Weber houses were lit. I cut across a lawn and walked the five blocks to Ridge Street. The drugstore was closed. There were four or five people in the ice cream parlor. I had a soda and waited for Kathy Lovell to turn up but she didn’t. I almost went to the movie theater to look for her. Then I started walking toward her house. Finally I went back to the ice cream parlor and called her from there. Her father answered and I hung up. Ten minutes later I was on Green Street. It was dark and quiet. There was the beginning of a breeze. I stood beneath an elm and watched a woman in a shingled house ironing clothes. No one passed on the street. It was a Sunday night in early September and my body beat with sorrow at the beauty and mockery of all bodies.

  There were only about fifteen people left when I returned to the house. They seemed to have too much room to move around in. Unfinished drinks were everywhere and the chairs and sofas were occupied now. On the floor was a white slice of turkey with a shoeprint on it. Most of the women were sitting together at one end of the room. The men were drifting in and out of the kitchen. They all seemed to be drinking beer now. I walked across the room smiling. I went upstairs and took off my jacket and tie. I could hear voices from Jane’s room. I stood very still. Jane was apparently showing her boyfriend a family photo album.

  “This is mother as a little girl,” she said. “That’s her father and that’s her uncle Jess who wrote poems and killed himself. This is me as a little girl. This was taken on West End Avenue, where we used to live. This was taken in Central Park. This is Old Holly and that’s daddy. This is Aunt Grace in Alexandria. This is mother again. So’s this. So’s this. This is David when he was two years old. This is daddy in his office.”

  “Jane,” he said. “Jane.”

  I went downstairs to the kitchen and got a beer out of the refrigerator. Harold Torgeson was standing in the corner. He was drinking a glass of milk. We were alone.

  “I’ve always wanted to be a writer,” he said. “Right out there in that room tonight there were forty or fifty good stories. I tried to write when I was a young man but I had no staying power. I’d get started in a burst of energy and goodwill and then I’d just fade out and die. Let’s face it, I was born to be an insurance agent. But the thing gnaws at me even now, lad. Sometimes I have trouble sleeping and I get out of bed and light a cigarette and sit by the open window. And I get this bittersweet feeling about my life and what I’ve done and what I haven’t done. You’re too young to understand that. But there’s something poetic about sitting by an open window at midnight smoking a cigarette. The cigarette is part of it. There are memories in the smoking of a cigarette. I just sit there thinking about my life. I killed three Japanese in the war that I know of. I’m telling you these things because the
y’ll be useful to you someday.”

  Ray Smith had come in halfway through Torgeson’s monologue. He went over and shook Torgeson’s hand. Then he got a beer from the refrigerator.

  “My own story begins in wartime London,” he said. “There was a nurse named Celia Archer.”

  Three other men were standing in the kitchen entrance, listening. I slipped past them into the living room. The ladies didn’t seem to have very much to say to each other. Through the window I saw my father out on the porch. William Judge and I were the only men in the room. Nobody said anything. My mother looked strange. Then Jane and her boyfriend came down the stairs. Someone asked what they had been doing up there and everyone laughed. The laughter was a signal. They had all been waiting for it. They got up now and began to leave. My father came inside and stood by the door, trying not to look delighted. My mother was standing in the middle of the room. Her hands whisked back and forth as if she were trying to sweep everyone out the door. People kept leaving and then returning seconds later for things they had forgotten. Finally they were gone for good. My father began turning out lights and locking doors. Jane was already upstairs. Soon I was alone in the living room. Someone had left almost a full glass of something on the buffet table. I took a sip, closed my eyes, concentrated, could not determine what it was, and slowly finished it off. I realized my father had not said goodnight to anyone. I turned off the hall lamp and the house was dark except for the kitchen. I started in and then stopped at the doorway. My mother was in there. The refrigerator door was open. She was wearing just one shoe. The other was on the floor, a black shoe, upright, near the wall. She held a tray of ice cubes in her hands and she was spitting on the cubes. She disappeared behind the refrigerator door and I could hear her open the freezer compartment and slide the tray back in. I moved away as the freezer slammed shut. I went upstairs and into my room. I closed the door behind me as quietly as I could. I took off my shirt and my shoes and lay on the bed, knowing it was too hot to sleep. I thought of Harold Torgeson sitting by his open window smoking a cigarette. I wondered how many novels he had dictated to himself that way. After a long time I passed into a thin dreamless sleep, less a state of mind than a dislocation of the senses. Coming up out of it for only seconds at a time, I did not know where I was or whether it was morning or the middle of the night. It disturbed me not to know where I was and yet I was content to slip off again into the river, the not at all deep or treacherous river, the river which is language without thought, and in seconds, what seemed like seconds, I would come up again and wonder where I was but somehow never who; that much did not escape me. Then I was wide awake. My hand was on my belt buckle and I realized I hadn’t taken off my pants. I lay there without moving, aware that sleep was impossible now. I listened for trains or cars but there was nothing. Trains are lovely things to hear when you are waiting for sleep. I imagined that the novel Torgeson was dictating to himself at that moment was the kind of novel in which young lovers hear a train in the distance or in which somewhere a dog is barking or in which laughter is always floating across the lawn. I felt tense and restless. It was my body that was awake but not my mind. I would think of something and then try to come back to it and it would be gone. I could not keep a thought going. Nothing connected. I got up and looked out the window. Then I went downstairs. The kitchen light was still on but she was in the pantry. I could barely see her. She was sitting on a stool against the bare wall that faced the door. On either side the high shelves were stocked with bottles, jars and cartons.

  “It was only a matter of time,” she said.

  “I’d better turn on the light.”

  It was a low-watt bulb and the light seemed almost brown in that narrow room full of dark jars. She was standing now.

  “There is nothing but time. Time is the only thing that happens of itself. We should learn to let it take us along. The Collier woman is a fool.”

  I did not move. I felt close to some overwhelming moment. In the dim light her shadow behind her consumed my own. I knew what was happening and I did not care to argue with the doctors of that knowledge. Let it be. Inside her was something splintered and bright, something that might have been left by the spiral passage of my own body. She was before me now, looking up, her hands on my shoulders. The sense of tightness I had felt in my room was beginning to yield to a promise of fantastic release. It was going to happen. Whatever would happen. The cage would open, the mad bird soar, and I would cry in epic joy and pain at the freeing of a single moment, the beginning of time. Then I heard my father’s bare feet on the stairs. That was all.

  * * *

  We sat in the Aston-Martin inside the garage. There were still some traces of snow on the windshield.

  “My father’s name was Harkavy Clinton Bell. They named me Clinton Harkavy Bell. He made his money late in life. Not that we weren’t comfortable early on. But it was his reputation that came first, before he started earning top dollar. He told me the story dozens of times. He was on a Union Pacific train somewhere between Omaha and Cheyenne. He was sitting next to a man named McHenry who owned a pajama company named McHenry Woolens. McHenry took out a bottle and he and my father got good and soused. He told my father he was on the verge of bankruptcy. So old Harkavy tells him what he needs is a catchy advertising campaign. You’ve got a good American name and you’re not using it to advantage. McHenry. Fort McHenry. Where Francis Scott Key wrote ‘The Star-Spangled Banner.’ And with that my father takes out a pencil and starts making a layout on the back of a big manila envelope. He draws a battle scene, get it, ships, rockets, a fort, hundreds of troops and a big flag flying on the battlements. Then he writes a single line at the bottom of the layout. McHenry—the Star-Spangled Pajamas. Then—this is the crusher—he tells McHenry that what he has to do to nail it down solid is to sew forty-eight stars on every pair of pajamas he manufactures. That did it. It was the greatest merchandising gimmick of the decade. It made McHenry rich and my father famous. That’s how they wrote ads in the old days, kid—sloshed to the eyeballs on the Union Pacific Railroad. He told me that story dozens of times. I think it has a fine innocence to it. I mean the whole idea of getting plastered with a stranger. And the campaign itself. The star-spangled pajamas. It has a lovely innocence to it. You could afford to be innocent in the old days.”

  * * *

  About a week after the party Tommy Valerio and I went over to a deserted ballfield on the edge of town. The field was surrounded by woods. Only the bare outlines of basepaths and a pitcher’s mound remained, and what should have been the skin part of the infield was covered with weeds. Tommy had a long thin fungo bat and we took turns hitting fly balls to each other. It was a cool day for September, generously blue, football weather really, and I ranged across the outfield making casual basket catches, hunching my shoulder and pounding the glove twice like Willie Mays, and trying to adjust to the sudden change of season; not sorry to see summer go because autumn was all gold and wine in the New Hampshire fields and I would be going into senior year at St. Dymphna’s, where I would amble along the gray lanes in my tweed sport-coat. And yet something was coming to an end, not just summer but something like the idea of what I was, the time I occupied like space, that private time in which one moves and thinks and knows the questions. Time had been warped and I looked back to the week before and could not find myself. It wasn’t until years later, in the period of the affairs, that I began to struggle against this disappearance; to give nothing to Jennifer Fine for fear there would be nothing left for myself. I drifted back to the edge of the trees and caught a long high drive.

  “Let’s switch,” Tommy shouted.

  “Keep on hitting,” I said. “I want to shag a few more.”

  I stayed out there for a long time. Tommy got tired of swinging the bat but I kept telling him to hit a few more, just a few more. I didn’t want to stop. The ball would rise from the bat and then I would hear the light crack of contact and it would go up into the cloudless sky, almost vanishin
g, black at its apogee, coming down white and bruised, an old ball bruised green from the grass. I began to get serious. I would crouch as Tommy went into his swing, meat-hand on my right knee, glove-hand dangling straight down. Ball in the air, I would break quickly, watching just the first second of its flight, and then run head-down to the spot where I knew it would land, the spot dictated by the memory of that first second and a knowledge of the wind and Tommy’s power and the sound of ball on bat. Ball caught, I would fire it back as hard and straight as I could, as if a runner had been tagging from third. Tommy would let my throw bounce into the sagging backstop. It went on like this. I was nobody. I was instinct and speed and a memory that extended back for no more than seconds. That was all. I could have gone on all day. But Tommy got exhausted and finally called it quits. I went home, oiled my glove and put it away for the winter.