Halloween 2

by Jack Martin

  Based on the screenplay

  by John Carpenter and Debra Hill

  ZEBRA BOOKS

  are published by

  KENSINGTON PUBLISHING CORP.

  475 Park Avenue South

  New York, N.Y. 10016

  Copyright © 1981 by Pumpkin Pie Productions.

  All rights reserved. No part of this book may be reproduced in any form or by any means without the prior written consent of the Publisher, excepting brief quotes used in reviews.

  Printed in the

  United States of America

  to

  Errol Undercliffe

  Black cats and goblins

  And broomsticks and ghosts

  Covens of witches

  With all of their hosts

  You may think they scare me

  You're probably right

  Black cats and goblins

  On Halloween night!

  —Children's Rhyme

  Facilis descengus Averni;

  Noctes atque dies patet atri janua Ditis; Sed revocare gradum, superasque evadere

  ad auras

  Hoc opus, hic labor est.

  (The descent to Avernus is easy; the gate of Pluto stands open night and day; but to retrace one's steps and return to the upper air, that is the toil, that the difficulty.)

  —Virgil

  Prologue

  THE SHAPE (Dick Warlock).

  It was that time of year when the days are short and the shadows are long. When the earth tilts still further on its axis and the seasons hang suspended between autumn and winter; when the very light seems to change and colors deepen mysteriously. . . .

  You know what it is like.

  The morning sun arcs away across the sky, the afternoon rushes impatiently toward dusk, the cutting edge of darkness like the blade of a sundial pointed and turning under eaves and porches. A time of dampness and slow, flaking rust, of barking dogs that are never seen, of creaking lampposts and pale neon signs, of telephone lines that crackle as if underwater. Of distant traffic and the laughter of children fading behind you and in front of you all at once; of the broken moon drifting like a gauze-covered face. Of the dripping condensation in chattering drainpipes, of the clutching of wings in the roofs of mouldering garages. Of frost on glass; of moist, endless coughs. Of mildewed gloves and too-thin socks, of soft newspapers and food that is never hot, of litter dropped in gutters melting into paste, of laundry wilting before it can be folded away, of labels buckling from jars in the musty cupboard and of your own white breathing, alone at midnight, glazing the window and then slipping out through the screen to meet the cold steam settling in the flowerbeds below. . . .

  It was the thirty-first of October in Haddonfield, Illinois.

  It was late. Very late.

  Once again, it was Halloween.

  The Night He

  Came Home

  Chapter One

  There was a shape in the bushes.

  Which is not surprising, since the dead walked in Haddonfield that night. This is a fact; the dead walked. Also witches and bone-white skeletons, vampires and ghouls and assorted lesser demons, including a four-foot-tall version of the Devil himself.

  The Devil was first seen on Lampkin Lane, stumbling a bit as he led a straggly line of pirates with cutlasses clanking, red kerchiefs tied to their heads and patches strung over bloodshot eyes, treasure bags held open in their dirty hands as if they had only recently been called back from watery graves to claim the booty that was rightfully theirs. The Devil raised a sticky finger and pointed to an old wood-frame house in the middle of the block.

  "Mrs. Elrod!" said the Devil.

  "Yeah!" said the pirates.

  The shape in the bushes watched as the ragged line of ghouls gathered under a large oak tree. The shape breathed hoarsely and pressed forward, threatening to leave its cover of waving branches.

  Then a sword was raised by one of the pirates, glistening silver in the light of the mercury streetlamps, pointing the way to the Elrods' front door.

  The shape drew back, blending into the pattern of leaves.

  "Trick or treat!" cried the Devil. "Smell my feet! Give me something good to eat!"

  The Elrods' yellow porchlight snapped on, already smeared with the powder of mothwings and aswarm now with the sudden clicking of countless flying insects.

  Mrs. Elrod's voice could be heard above the dragging of seven-league boots over the creaking boards of the porch, the weary scuffling around the sagging screen door.

  "Why, my Lord, what are you coming to my house for?"

  "Nyaahh!" said a witch.

  "Boo!" said a ghost.

  "Trick or treat!" said the Devil.

  "Well, I never," said Mrs. Elrod. She was a stout woman in her late sixties, with a pink bathrobe and a rheumy twinkling in her eyes. She looked as if she had just stepped out onto the moors to see a monster approaching fast on decomposing legs. It now fell to her to do something, she did not know what, with this information. "Harold!" she called. "Come here!"

  "Hurry up," said the Devil, "Mrs. Elrod, please, I gotta go home and go to the bathroom!"

  "Here, Tracy Cronenberg, is that you?"

  "Nyaahh!"

  "And Adam and Noah and Andy . . . what a surprise! Yes sir, an absolute trick-or-treat surprise, that's what it is. But it's late! You should be home in bed. Do you know what time it is? Do your mothers know where you are?"

  "Candy!" said a demon.

  "Bubblegum!" said a witch. "The kind with pictures inside!"

  "It so happens I have a few sugar cookies left in the kitchen. I baked plenty, just in case. I was about to sit down in front of the television with Mr. Elrod and eat the rest of them myself."

  "No!"

  "Well, now, you wait here and I'll go see what I can scare up." Mrs. Elrod winked and went back into the house.

  Across the tree-lined street the shape waited, breathing heavily.

  Mrs. Elrod reappeared.

  "Oh, children, I don't know what to say. Can you imagine? Mr. Elrod ate up all of my—all of our—cookies!"

  "Aww . . . !"

  "Hold your horses, now." The old woman produced a small coin purse from under her apron. She opened it and counted. "You all line up, and I'll give you each something to take home. Don't lose it. And tomorrow morning, bright and early, you can go down to Stoddard's Store and buy yourself something special! Won't that be nice?"

  She dropped silver coins into their bags until her purse was empty.

  "Yayyy!"

  "Thank you, Mrs. Elrod!"

  "See you next year, Mrs. Elrod!"

  "Boo!"

  The pirates and demons and ghouls scattered from the porch.

  Mrs. Elrod turned her coin purse upside down, shook her head and smiled. "They shouldn't be out on the streets alone," she said to no one in particular. Then, "Harold? They're still coming, can you believe it? Harold?"

  She clicked off her yellow porchlight and withdrew into her house.

  On the other side of the street, the shape was cloaked in darkness once more.

  An October wind arose from nowhere, stirring up crisp dust devils in the old leaves, parting the trees and the fullness of the bushes long enough to reveal the black outline standing there, broad and still as a statue.

  A statue of a man, his face pale and his eyes burning.

  The man was waiting.

  He waited as the pirates and goblins and witches and vampires and ghouls and the Devil himself rounded the corner in a laughing chain and disappeared in the night. Their cries grew fainter and finally were lost in the swishing of the trees.

  Still he waited.

  For he had not yet found the One he was looking for.

  Up and down the block trees moved in the wind,
their topmost leaves tipped with blue-white phosphor from the overhead streetlights, their trunks thick and black and glistening like malignant tubers. The lower branches of the oak across the street were tinted through with an unsteady orange glow, the Elrods' pumpkin set out on a side windowsill and guttering low now in the drafts. Leaves moved like a fall of dark coins across the glowing eyes and mouth, fragmenting the jack-o'-lantern into a shifting, disembodied face, a crookedly grinning witness to the last of Haddonfield's wandering bands of Halloween beggars.

  Or were they the last?

  For even now a flickering passed along the block, rushing past other pumpkins set out on the porches and in the windows of a dozen other houses between here and the corner. The carved faces' glowing eyes winked out one by one as something—someone?—crossed the lawns at a rapid pace, coming this way.

  Wait.

  It was more than one. The orange skulls blacked out one after another, marking the passage of low, hunched silhouettes heading toward the Elrod house once, twice, three times. Three figures, moving fast. Coming closer.

  They crossed the street. Coming this way.

  They were not going to the Elrods', after all. They were coming here, to what had once been the old Myers house.

  To the bushes.

  Behind which a man was waiting.

  Waiting for them?

  They made it across the damp street, gathered together there on the cracked sidewalk. Not ten feet away.

  The Myers house, set back from the street on a piebald plot of dead grass, was utterly dark. Not so much as the glow of a TV set or the feeble suggestion of a ghostly nightlight or even the forgotten pilot flame of a heater or kitchen range disturbed the impenetrable, tomb-like dimness beyond the coated windows.

  It was a house whose residents had long since abandoned it, like rats from a sinking ship, with no new owner forthcoming in all these years to take over the weeding and the painting and the repairing of rusty hinges and broken glass. It was to all appearances a structure designed on the backlot of a Hollywood movie studio, built by art directors and maintained as the classic model of a haunted house for no other reason than to scare little children and teenaged girls and others who had not entirely grown up and put such childish things safely behind them. Once it had known flowers and curtains and the busy slamming of doors; but now it was a forgotten relic, a peeling facade ignored by neighbors and passed by in daylight with a shudder, eyes averted, as if hoping would make it go away forever.

  The shape in the bushes raised a thick hand, parted the shrubbery, and pressed its face forward.

  A few feet away toes scuffed the sidewalk, rubber masks were lifted, sweat was wiped from wide-eyed faces.

  "This is it, Lonnie," said a boy's voice.

  "So?"

  "So go inside," said a third voice, "like you said."

  "Unless you're chicken."

  "I'm not chicken," said Lonnie.

  "Bullshit."

  "I'm not, Richie!"

  "Do it, then. Make him do it, Keith."

  The shape squinted, peering intently.

  Richie, Keith and Lonnie: three boys caught in that no man's land of eleven-to-thirteen, hovering somewhere between boyhood and adolescence, circling in an endless holding pattern and waiting impatiently for clearance to touch down.

  They were too old for games and trick-or-treat candy, too young for girls and six-packs. Now, tonight, instead of staying home with popcorn and parents and six hours of horror movies on the Dr. Dementia Show, bored and sad at the same time, though none dared admit it, they had reluctantly donned last year's masks (but no costumes, that's kids' stuff) and spent the night hanging out on the fringes of doorbell ringing and window soaping and holiday noisemaking, neither a part of it nor apart from it, until even they, sixth-graders though they were, knew it was past time to be home and with a good excuse, too. So that finally, here, left to their own devices, they had contrived a last rite of passage before the season was lost to them forever and the long test of winter would begin in earnest.

  "I'm not chicken."

  "Then go in."

  The boy Lonnie hesitated. Then he laid a hand on the weathered front gate. It swung open with a screak, gaping wide on an over-grown walkway that led to a drooping porch.

  The shape in the bushes watched this.

  Lonnie passed into shadow and reappeared ahead without a sound from his sneakers to give him away. The porch, the house and the dimness within awaited his next move. Patiently. Almost invitingly.

  "Go on, Lon!"

  "I'm going."

  "Chicken."

  "Am not!"

  The shape maneuvered to a new position behind the bushes.

  "LON-NIE. . . !"

  "Who said that?"

  Three pairs of eyes searched the yard frantically, settling on the misshapen hedge.

  From behind the hedge and bushes a deep, deep, very deep voice said again:

  "HEY, LONNIE . . . GET YOUR ASS AWAY FROM THERE!"

  Lonnie dove from the porch, scrabbled up and hurtled through the gate. Then the other boys were barreling from the yard, racing away in three different directions as fast as their legs would carry them. Running. Growing smaller in the distance. Gone.

  The man behind the hedge stood up to his full height and stepped forward from his hiding place, his features outlined now by fugitive light from a nearby streetlamp.

  He was smiling grimly.

  A bald man with tough, polished skin and close-set eyes like the eyes of a cat, always alert but busy gazing beyond, past surfaces and old configurations for something which might come into range at any moment. He turned up his collar, stuffed his hands into his pockets, and continued to face the street.

  Waiting.

  Three of them saved, he thought, at least for the time being. But, God help me, I can't save them all.

  Around him the Illinois night was filled with portents, just beyond the edge of hearing and the borderland of a now-familiar treetop skyline. To his left a cricket resumed its sawing chirrup from somewhere deep within the hedge; to his right a parked car, its windows beaded and sweating coldly, masked a rectangle of dry pavement the length and breadth of a grave alongside the curb. Above his head the stars shone down, wheeling in silent orbit about the indifferent eye of the moon.

  It was, he thought, the perfect night for a sacrifice.

  No wonder he chose Hallowmas, the man thought. The last night of the year, according to his calendar.

  It certainly seemed that tonight, with the bright, talking tongues of fire within the graven pumpkin heads about to lick their last and enter the final darkness. They would have been better off left dying on the vine and replenishing the earth, instead of being ripped up and slashed into crescent skulls for his glorification. A circle of worshippers, thought the man. That's what he wants. A coven. A crowd. A world of them, an inferno of split, burning skulls grinning to honor him in a blazing rictus of death and destruction.

  Even they weren't enough, fifteen years ago. He demanded other, more knowing obeisance, cries of agony as he called living flesh to the long winter of that-which-was-never-born—it must have been music to his ears. If he even heard them as he spilled their blood at his pagan feet.

  Damn him to Hell! thought the man. That is his just reward. Only let me be here when it happens. Let me be present when he returns to his earthly home to dance on the graves of the dead. I know his perversion now, and I will be waiting. This time I will be ready.

  The man fingered cold steel in his trenchcoat pocket.

  I'll be here, no matter how long it takes. I defy him to show his obscene face once more to the world of the living. So that I can blow him into a thousand putrid pieces and scatter those pieces on the four winds. For even Lord Samhain is bound for the present into his human form. If you cut him, does he not bleed? You're damned right he does. I'll rip his death-eating heart into pulp with a load of burning lead. . . .

  I should have done it long ago. If I ha
d had the guts.

  I'll be here, he thought.

  Try to get back, you Prince of Scum. You'll have to go through me first. I don't need a car to track you down. You took it—well, keep it. I know where you are driving even now. I know. Which is why I can afford to let you come to me.

  I should have finished the job the first time I saw you. You were still impersonating a child then. I should have torn your heart out with my bare hands and stuffed it down your fucking throat. I should have carved out your eyes like one of your miserable pumpkins and fed them to your rotten face, read you your future from your stinking entrails. Tonight your only future is an eternity of non-being from which you'll never return again. It would have been easier. But you won't get past me now.

  This time it ends here.

  He paced to the next yard, his footsteps echoing hollowly, his eyes blind with hatred and shame.

  He hefted the .357 magnum in his pocket, feeling the reassuring balance of it. On this night, he thought, it will be the instrument of your mortal baptism. With this gun I christen thee Michael Bloody Myers of Evil Incarnate, in the name of your father who art in Hell. May damnation be your lot forever, darkness without end, amen, till time itself is done.

  He saw the street, the corner with its stoplight buzzing like a trapped insect; the next block of houses, only a few with candlelit pumpkins still strobing to ward off evil spirits—what a cruel joke! if only they knew; porchlights blinking off for another night as he watched, the last night of the traditional harvest year, the night that would soon belong to the righteous on All Souls' Day.

  He saw block after block of signal lights pulsing in unison, like a string of yellow eyes seen through a tunnel. He saw the hissing high-voltage lines strung like spidersilk over the nightscape, the shapes in the hedges that might have been him but were not, the dropped candy wrappers dotting the lawns, the rainbow pools of dark water in the gutters, reflecting the stars like distortion lenses. He saw it all, every detail, as if it were a time exposure photograph which if studied closely might offer a clue to his whereabouts. He saw all this and more, everything that was in front of him and to the right and to the left.