Complete Works of Gustave Flaubert

by Gustave Flaubert

  "Geology is too defective. Some parts of Europe are hardly known. As for the rest, together with the foundation of the oceans, we shall always be in a state of ignorance on the subject."

  Finally, Pécuchet having pronounced the word "mineral kingdom":

  "I don't believe in it, this mineral kingdom, since organic substances have taken part in the formation of flint, of chalk, and perhaps of gold. Hasn't the diamond been charcoal; coal a collection of vegetables? and by heating it to I know not how many degrees, we get the sawdust of wood, so that everything passes, everything goes to ruin, and everything is transformed. Creation is carried out in an undulating and fugitive fashion. Much better to occupy ourselves with something else."

  He stretched himself on his back and went to sleep, while Pécuchet, with his head down and one knee between his hands, gave himself up to his own reflections.

  A border of moss stood on the edge of a hollow path overhung by ash trees, whose slender tops quivered; angelica, mint, and lavender exhaled warm, pungent odours. The atmosphere was drowsy, and Pécuchet, in a kind of stupor, dreamed of the innumerable existences scattered around him — of the insects that buzzed, the springs hidden beneath the grass, the sap of plants, the birds in their nests, the wind, the clouds — of all Nature, without seeking to unveil her mysteries, enchanted by her power, lost in her grandeur.

  "I'm thirsty!" said Bouvard, waking up.

  "So am I. I should be glad to drink something."

  "That's easy," answered a man who was passing by in his shirt-sleeves with a plank on his shoulder. And they recognised that vagabond to whom, on a former occasion, Bouvard had given a glass of wine. He seemed ten years younger, wore his hair foppishly curled, his moustache well waxed, and twisted his figure about in quite a Parisian fashion. After walking about a hundred paces, he opened the gateway of a farmyard, threw down his plank against the wall, and led them into a large kitchen.

  "Mélie! are you there, Mélie?"

  A young girl appeared. At a word from him she drew some liquor and came back to the table to serve the gentlemen.

  Her wheat-coloured head-bands fell over a cap of grey linen. Her worn dress of poor material fell down her entire body without a crease, and, with her straight nose and blue eyes, she had about her something dainty, rustic, and ingenuous.

  "She's nice, eh?" said the joiner, while she was bringing them the glasses. "You might take her for a lady dressed up as a peasant-girl, and yet able to do rough work! Poor little heart, come! When I'm rich I'll marry you!"

  "You are always talking nonsense, Monsieur Gorju," she replied, in a soft voice, with a slightly drawling accent.

  A stable boy came in to get some oats out of an old chest, and let the lid fall down so awkwardly that it made splinters of wood fly upwards.

  Gorju declaimed against the clumsiness of all "these country fellows," then, on his knees in front of the article of furniture, he tried to put the piece in its place. Pécuchet, while offering to assist him, traced beneath the dust faces of notable characters.

  It was a chest of the Renaissance period, with a twisted fringe below, vine branches in the corner, and little columns dividing its front into five portions. In the centre might be seen Venus-Anadyomene standing on a shell, then Hercules and Omphale, Samson and Delilah, Circe and her swine, the daughters of Lot making their father drunk; and all this in a state of complete decay, the chest being worm-eaten, and even its right panel wanting.

  Gorju took a candle, in order to give Pécuchet a better view of the left one, which exhibited Adam and Eve under a tree in Paradise in an affectionate attitude.

  Bouvard equally admired the chest.

  "If you keep it they'll give it to you cheap."

  They hesitated, thinking of the necessary repairs.

  Gorju might do them, cabinet-making being a branch of his trade.

  "Let us go. Come on."

  And he dragged Pécuchet towards the fruit-garden, where Madame Castillon, the mistress, was spreading linen.

  Mélie, when she had washed her hands, took from where it lay beside the window her lace-frame, sat down in the broad daylight and worked.

  The lintel of the door enclosed her like a picture-frame. The bobbins disentangled themselves under her fingers with a sound like the clicking of castanets. Her profile remained bent.

  Bouvard asked her questions as to her family, the part of the country she came from, and the wages she got.

  She was from Ouistreham, had no relations alive, and earned seventeen shillings a month; in short, she pleased him so much that he wished to take her into his service to assist old Germaine.

  Pécuchet reappeared with the mistress of the farm-house, and, while they went on with their bargaining, Bouvard asked Gorju in a very low tone whether the girl would consent to become their servant.

  "Lord, yes."

  "However," said Bouvard, "I must consult my friend."

  The bargain had just been concluded, the price fixed for the chest being thirty-five francs. They were to come to an understanding about the repairs.

  They had scarcely got out into the yard when Bouvard spoke of his intentions with regard to Mélie.

  Pécuchet stopped (in order the better to reflect), opened his snuff-box, took a pinch, and, wiping the snuff off his nose:

  "Indeed, it is a good idea. Good heavens! yes! why not? Besides, you are the master."

  Ten minutes afterwards, Gorju showed himself on the top of a ditch, and questioning them: "When do you want me to bring you the chest?"

  "To-morrow."

  "And about the other question, have you both made up your minds?"

  "It's all right," replied Pécuchet.

  CHAPTER IV.

  Researches in Archæology.

  Six months later they had become archæologists, and their house was like a museum.

  In the vestibule stood an old wooden beam. The staircase was encumbered with the geological specimens, and an enormous chain was stretched on the ground all along the corridor. They had taken off its hinges the door between the two rooms in which they did not sleep, and had condemned the outer door of the second in order to convert both into a single apartment.

  As soon as you crossed the threshold, you came in contact with a stone trough (a Gallo-Roman sarcophagus); the ironwork next attracted your attention. Fixed to the opposite wall, a warming-pan looked down on two andirons and a hearthplate representing a monk caressing a shepherdess. On the boards all around, you saw torches, locks, bolts, and nuts of screws. The floor was rendered invisible beneath fragments of red tiles. A table in the centre exhibited curiosities of the rarest description: the shell of a Cauchoise cap, two argil urns, medals, and a phial of opaline glass. An upholstered armchair had at its back a triangle worked with guipure. A piece of a coat of mail adorned the partition to the right, and on the other side sharp spikes sustained in a horizontal position a unique specimen of a halberd.

  The second room, into which two steps led down, contained the old books which they had brought with them from Paris, and those which, on their arrival, they had found in a press. The leaves of the folding-doors had been removed hither. They called it the library.

  The back of the door was entirely covered by the genealogical tree of the Croixmare family. In the panelling on the return side, a pastel of a lady in the dress of the period of Louis XV. made a companion picture to the portrait of Père Bouvard. The casing of the glass was decorated with a sombrero of black felt, and a monstrous galoche filled with leaves, the remains of a nest.

  Two cocoanuts (which had belonged to Pécuchet since his younger days) flanked on the chimney-piece an earthenware cask on which a peasant sat astride. Close by, in a straw basket, was a little coin brought up by a duck.

  In front of the bookcase stood a shell chest of drawers trimmed with plush. The cover of it supported a cat with a mouse in its mouth — a petrifaction from St. Allyre; a work-box, also of shell work, and on this box a decanter of brandy contained a Bon Chr�
�tien pear.

  But the finest thing was a statue of St. Peter in the embrasure of the window. His right hand, covered with a glove of apple-green colour, was pressing the key of Paradise. His chasuble, ornamented with fleurs-de-luce, was azure blue, and his tiara very yellow, pointed like a pagoda. He had flabby cheeks, big round eyes, a gaping mouth, and a crooked nose shaped like a trumpet. Above him hung a canopy made of an old carpet in which you could distinguish two Cupids in a circle of roses, and at his feet, like a pillar, rose a butter-pot bearing these words in white letters on a chocolate ground: "Executed in the presence of H.R.H. the Duke of Angoulême at Noron, 3rd of October, 1847."

  Pécuchet, from his bed, saw all these things in a row, and sometimes he went as far as Bouvard's room to lengthen the perspective.

  One spot remained empty, exactly opposite to the coat of arms, that intended for the Renaissance chest. It was not finished; Gorju was still working at it, jointing the panels in the bakehouse, squaring them or undoing them.

  At eleven o'clock he took his breakfast, chatted after that with Mélie, and often did not make his appearance again for the rest of the day.

  In order to have pieces of furniture in good style, Bouvard and Pécuchet went scouring the country. What they brought back was not suitable; but they had come across a heap of curious things. Their first passion was a taste for articles of virtù; then came the love of the Middle Ages.

  To begin with, they visited cathedrals; and the lofty naves mirroring themselves in the holy-water fonts, the glass ornaments dazzling as hangings of precious stones, the tombs in the recesses of the chapels, the uncertain light of crypts — everything, even to the coolness of the walls, thrilled them with a shudder of joy, a religious emotion.

  They were soon able to distinguish the epochs, and, disdainful of sacristans, they would say: "Ha! a Romanesque apsis!" "That's of the twelfth century!" "Here we are falling back again into the flamboyant!"

  They strove to interpret the sculptured symbols on the capitals, such as the two griffins of Marigny pecking at a tree in blossom; Pécuchet read a satire in the singers with grotesque jaws which terminate the mouldings at Feugerolles; and as for the exuberance of the man that covers one of the mullions at Hérouville, that was a proof, according to Bouvard, of our ancestors' love of broad jokes.

  They ended by not tolerating the least symptom of decadence. All was decadence, and they deplored vandalism, and thundered against badigeon.

  But the style of a monument does not always agree with its supposed date. The semicircular arch of the thirteenth century still holds sway in Provence. The ogive is, perhaps, very ancient; and authors dispute as to the anteriority of the Romanesque to the Gothic. This want of certainty disappointed them.

  After the churches they studied fortresses — those of Domfront and Falaise. They admired under the gate the grooves of the portcullis, and, having reached the top, they first saw all the country around them, then the roofs of the houses in the town, the streets intersecting one another, the carts on the square, the women at the washhouse. The wall descended perpendicularly as far as the palisade; and they grew pale as they thought that men had mounted there, hanging to ladders. They would have ventured into the subterranean passages but that Bouvard found an obstacle in his stomach and Pécuchet in his horror of vipers.

  They desired to make the acquaintance of the old manor-houses — Curcy, Bully, Fontenay, Lemarmion, Argonge. Sometimes a Carlovingian tower would show itself at the corner of some farm-buildings behind a heap of manure. The kitchen, garnished with stone benches, made them dream of feudal junketings. Others had a forbiddingly fierce aspect with their three enceintes still visible, their loopholes under the staircase, and their high turrets with pointed sides. Then they came to an apartment in which a window of the Valois period, chased so as to resemble ivory, let in the sun, which heated the grains of colza that strewed the floor. Abbeys were used as barns. The inscriptions on tombstones were effaced. In the midst of fields a gable-end remained standing, clad from top to bottom in ivy which trembled in the wind.

  A number of things excited in their breasts a longing to possess them — a tin pot, a paste buckle, printed calicoes with large flowerings. The shortness of money restrained them.

  By a happy chance, they unearthed at Balleroy in a tinman's house a Gothic church window, and it was big enough to cover, near the armchair, the right side of the casement up to the second pane. The steeple of Chavignolles displayed itself in the distance, producing a magnificent effect. With the lower part of a cupboard Gorju manufactured a prie-dieu to put under the Gothic window, for he humoured their hobby. So pronounced was it that they regretted monuments about which nothing at all is known — such as the villa residence of the bishops of Séez.

  "Bayeux," says M. de Caumont, "must have possessed a theatre." They searched for the site of it without success.

  The village of Montrecy contained a meadow celebrated for the number of medals which chanced formerly to have been found there. They calculated on making a fine harvest in this place. The caretaker refused to admit them.

  They were not more fortunate as to the connection which existed between a cistern at Falaise and the faubourg of Caen. Ducks which had been put in there reappeared at Vaucelles, quacking, "Can, can, can" — whence is derived the name of the town!

  No step, no sacrifice, was too great for them.

  At the inn of Mesnil-Villement, in 1816, M. Galeron got a breakfast for the sum of four sous. They took the same meal there, and ascertained with surprise that things were altered!

  Who was the founder of the abbey of St. Anne? Is there any relationship between Marin Onfroy, who, in the twelfth century, imported a new kind of potato, and Onfroy, governor of Hastings at the period of the Conquest? How were they to procure L'Astucieuse Pythonisse, a comedy in verse by one Dutrezor, produced at Bayeux, and just now exceedingly rare? Under Louis XIV., Hérambert Dupaty, or Dupastis Hérambert, composed a work which has never appeared, full of anecdotes about Argentan: the question was how to recover these anecdotes. What have become of the autograph memoirs of Madame Dubois de la Pierre, consulted for the unpublished history of L'Aigle by Louis Dasprès, curate of St. Martin? So many problems, so many curious points, to clear up.

  But a slight mark often puts one on the track of an invaluable discovery.

  Accordingly, they put on their blouses, in order not to put people on their guard, and, in the guise of hawkers, they presented themselves at houses, where they expressed a desire to buy up old papers. They obtained heaps of them. These included school copybooks, invoices, newspapers that were out of date — nothing of any value.

  At last Bouvard and Pécuchet addressed themselves to Larsoneur.

  He was absorbed in Celtic studies, and while summarily replying to their questions put others to them.

  Had they observed in their rounds any traces of dog-worship, such as are seen at Montargis, or any special circumstances with regard to the fires on St. John's night, marriages, popular sayings, etc.? He even begged of them to collect for him some of those flint axes, then called celtæ, which the Druids used in their criminal holocausts.

  They procured a dozen of them through Gorju, sent him the smallest of them, and with the others enriched the museum. There they walked with delight, swept the place themselves, and talked about it to all their acquaintances.

  One afternoon Madame Bordin and M. Marescot came to see it.

  Bouvard welcomed them, and began the demonstration in the porch.

  The beam was nothing less than the old gibbet of Falaise, according to the joiner who had sold it, and who had got this information from his grand-father.

  The big chain in the corridor came from the subterranean cells of the keep of Torteval. In the notary's opinion it resembled the boundary chains in front of the entrance-courts of manor-houses. Bouvard was convinced that it had been used in former times to bind the captives. He opened the door of the first chamber.

  "What are all th
ese tiles for?" exclaimed Madame Bordin.

  "To heat the stoves. But let us be a little regular, if you please. This is a tomb discovered in an inn where they made use of it as a horse-trough."

  After this, Bouvard took up the two urns filled with a substance which consisted of human dust, and he drew the phials up to his eyes, for the purpose of showing the way the Romans used to shed tears in it.

  "But one sees only dismal things at your house!"

  Indeed it was a rather grave subject for a lady. So he next drew out of a case several copper coins, together with a silver denarius.

  Madame Bordin asked the notary what sum this would be worth at the present day.

  The coat of mail which he was examining slipped out of his fingers; some of the links snapped.

  Bouvard stifled his annoyance. He had even the politeness to unfasten the halberd, and, bending forward, raising his arms and stamping with his heels, he made a show of hamstringing a horse, stabbing as if with a bayonet and overpowering an enemy.

  The widow inwardly voted him a rough person.

  She went into raptures over the shell chest of drawers.

  The cat of St. Allyre much astonished her, the pear in the decanter not quite so much; then, when she came to the chimney-piece: "Ha! here's a hat that would need mending!"

  Three holes, marks of bullets, pierced its brims.

  It was the head-piece of a robber chief under the Directory, David de la Bazoque, caught in the act of treason, and immediately put to death.

  "So much the better! They did right," said Madame Bordin.

  Marescot smiled disdainfully as he gazed at the different objects. He did not understand this galoche having been the sign of a hosier, nor the purport of the earthenware cask — a common cider-keg — and, to be candid, the St. Peter was lamentable with his drunkard's physiognomy.

  Madame Bordin made this observation:

  "All the same, it must have cost you a good deal?"