Bach: Music in the Castle of Heaven

Page 83

by Gardiner, John Eliot

in Boethius’s Singende Muse an der Pleisse frontispiece 8.1, 8.2

cantorate situation before Bach’s appointment 6.1, 6.2

churches: Bach’s scheme for distributing the forty-four ‘necessary singers’ 6.1; at centre of Leipzig society 8.1; congregational problems 8.2; Georgenkirche 8.3; Good Friday Vespers liturgy 11.1n; Neukirche 6.2, 8.4, 8.5, 8.6, 10.1, 10.2; Nikolaikirche 6.3, 6.4, 6.5, 7.1n, 8.7, 8.8n, 9.1, 9.2, 10.3, 10.4, 10.5, 14.1; Paulinerkirche 8.9; Petrikirche 8.10; and the role of music 10.6; Thomaskirche 1.1, 2.1, 4.1, 6.6, 6.7, 7.2n, 7.3, 8.11, 8.12, 8.13, 8.14, 8.15, 9.3, 9.4, 10.7, 10.8, 11.2, 11.3, 11.4, 11.5, 14.2

coffee-houses 8.1, 8.2, 8.3, 8.4, 8.5, 8.6, 8.7; Schlaffs Haus 8.8, 8.9; Zimmermann’s 8.10, 8.11, 8.12, 8.13, 8.14; Zum Kaffeebaum 8.15

collegia musica 4.1, 8.1, 8.2, 8.3, 8.4, 10.1n, 14.1

concert tradition origins

conservativism 10.1, 11.1, 11.2

Council/councillors 6.1, 6.2, 6.3, 7.1, 7.2, 8.1, 8.2, 8.3, 8.4, 8.5, 8.6, 9.1, 9.2, 11.1n, 13.1, 14.1, 14.2, 14.3

Easter trade fair (Ostermesse)

Gewandhaus Concert Hall

Großes Concert performance account

hommage to Friedrich August II 8.1

music and the city’s image

opera house 8.1, 8.2, 8.3, 9.1, 9.2, 10.1, 11.1

orchestra

Pietists 2.1n, 8.1

plague 22

and the Second Silesian War

Stadtpfeifer 3.1, 7.1, 8.1, 8.2, 12.1

street music 6.1, 6.2

street oil lamps 8.1

and Telemann 4.1, 4.2, 6.1, 6.2, 8.1, 10.1, 10.2

Thomaner 4.1n, 6.1, 6.2n, 6.3, 6.4, 8.1, 9.1, 9.2, 10.1, 11.1, 12.1, 14.1, 14.2, 14.3; auditions 6.5

Thomasschule 6.1, 6.2, 6.3, 6.4, 6.5, 7.1, 7.2, 8.1, 9.1, 13.1n, 14.1, 14.2; regulations 6.6, 6.7, 6.8, 7.3n, 7.4

Well-Designed and Abridged Housekeeping Magazine

witchcraft trials

Leipzig Radio Chorus

Leonhardt, Gustav

Leopold, Prince of Anhalt-Cöthen 6.1n, 6.2, 6.3, 6.4, 12.1

Lessing, Gotthold Ephraim 8.1n, 8.2

Lévi-Strauss, Claude

Levin, Robert 9.1, 11.1n, 14.1n

Lippi, Filippino 9.1, 12.1

Lotti, Antonio 13.1, 13.2

Louis XIV 2.1n, 2.2, 3.1, 3.2, 4.1n, 9.1n

Lübeck

Lully, Jean-Baptiste 4.1, 14.1

Lüneburg 2.1, 3.1, 3.2, 6.1

Chorus Symphoniacus n

Luther, Martin 2.1, 2.2, 2.3, 5.1, 5.2n, 5.3, 10.1n, 10.2, 11.1, 12.1

and the atonement

and Bach 5.1, 5.2, 5.3n, 5.4, 5.5n, 5.6, 10.1, 11.1, 12.1; and the John Passion 10.2; and the Matthew Passion 11.2

Bible translation 5.1, 5.2n

Christ lag in Todesbanden 5.1, 5.2; Bach’s setting 5.3

complete works

and death 5.1, 5.2, 5.3, 5.4, 5.5, 5.6, 5.7

and education 2.1, 6.1n; see also Latin Schools

‘Ein feste Burg ist unser Gott’

and Latin texts

on listening

‘Meditation on Christ’s Passion’ 10.1n, 11.1

on music 11.1; and the prophets 2.1n

‘penitential exaltation’

Table Talk/Tischreden 2.1, 5.1

Lutheranism 2.1, 2.2, 5.1, 10.1

ars moriendi 5.1, 12.1, 13.1, 14.1

Augsburg Confession

Bach’s Lutheran faith see Bach, Johann Sebastian, man and musician: faith

and Calvinism

education, Latin Schools 2.1, 2.2; theology 2.3

eschatology, and Bach’s music

Formula of Concord

Hutter’s Compendium 2.1

Latin Schools 2.1, 2.2; see also Latin Schools

lectionary 9.1n, 9.2

in Leipzig

and music 1.1, 1.2, 2.1, 8.1, 8.2; and Bach’s B minor Mass 13.1; Bach’s cantatas based on Lutheran chorales 9.1, 12.1; Bach’s choral works and Lutheran eschatology 12.2; and Bach’s John Passion 10.1; chorales 2.2, 9.2, 9.3, 9.4, 12.3; Italian 2.3, 5.1n; in Latin Schools 2.4; and the liturgy 2.5, 3.1, 9.5, 9.6 (see also cantatas of J. S. Bach: cycles); and the Pietists 2.6, 8.3, 8.4, 10.2

Orthodox 2.1, 2.2; Orthodox–Pietist tension 2.3, 2.4

Pietist 8.1, 12.1; and music 2.1, 8.2, 8.3, 10.1; Orthodox–Pietist tension 2.2, 2.3

and science

theology of the cross

Ma, Yo-Yo n

Mabey, Richard n

Magno, Carlo

Mahler, Gustav

Maintenon, Madame de

Mainwaring, John 4.1, 13.1n

Malcolm, George

Mancini, Francesco 13.1, 13.2n

Manfredini, Francesco Onofrio

Manichaeans

Marchand, Louis 6.1, 13.1

Marissen, Michael n

Marius, Richard n

Marshall, Robert L. prf.1, 5.1n, 6.1n, 7.1, 7.2, 7.3n

Martius, Johann Georg n

Marvell, Andrew n

Mass in B minor by J. S. Bach 1.1, 1.2, 4.1, 7.1, 9.1, 11.1, 12.1, 479–524

Agnus Dei 13.1, 13.2, 13.3; Dona nobis 13.4

and C. P. E. Bach 13.1, 13.2

Credo (Symbolum Nicenum) 12.1n, 13.1, 13.2, 13.3; Confiteor 13.4; Crucifixus 13.5, 13.6; Et expecto resurrectionem 13.7, 13.8; Et in spiritum 13.9; Et incarnatus 13.10; Et resurrexit 13.11

Gloria 13.1, 13.2; Cum sancto spiritu 12.1, 13.3; Domine Deus 13.4; Et in terra pax 13.5; Gloria in excelsis 13.6; Gratias agimus tibi 13.7, 13.8, 13.9; Laudamus te 13.10; Qui sedes 13.11; Qui tollis 13.12, 13.13; Quoniam tu solus 13.14

Kyrie 13.1, 13.2, 13.3; Christe eleison 13.4

origins in 1733 Dresden Missa 13.1

Sanctus 13.1; Bach’s MS 7.1; Benedictus 13.2, 13.3; Osanna 13.4, 13.5

and stile antico 13.1, 13.2, 13.3, 13.4

structure, and Luther’s articles of belief

and the ‘war trauma’ hypothesis 13.1, 13.2

Mattheson, Johann 3.1, 4.1, 4.2, 4.3, 4.4, 4.5n, 5.1n, 6.1n, 7.1, 7.2, 8.1, 8.2, 9.1n, 10.1, 10.2n, 12.1, 12.2, 12.3, 13.1n, 14.1, 14.2, 14.3

engraving after a mezzotint by Wahll 4.1

and Handel

Lied des Lammes 10.1n

Matthew Passion 1.1, 1.2, 5.1, 6.1, 7.1, 9.1n, 397–433, 14.1

Affekte 11.1, 11.2, 11.3, 11.4

autograph score

and Bach’s cantatas: BWV 101 cantata 9.1; BWV 127 cantata 9.2; Second Leipzig Cycle 11.1, 11.2

chorales 11.1, 11.2, 11.3, 11.4, 11.5, 11.6, 11.7, 11.8, 11.9

completion deferral 9.1, 9.2, 11.1n

da capo form 11.1, 11.2

dramatic impact

first-time listeners

first performance: date 11.1n; deferral 9.1, 9.2

John Passion compared with 10.1, 10.2n, 10.3, 11.1

Mendelssohn’s revival of 9.1, 10.1, 12.1

modern performance

music–word relationship 11.1, 11.2

Nietzsche’s reaction to

oboe da caccia in 9.1, 11.1, 11.2, 11.3, 11.4

opening

pacing

and Picander 11.1, 11.2, 11.3, 11.4n, 11.5, 11.6, 11.7, 11.8

revisions 11.1, 11.2

spiritual impact/intent 11.1, 11.2, 11.3, 11.4, 11.5

structural outline

Maul, Michael 6.1n, 8.1n, 8.2n, 13.1n

Mayhew, Mr and Mrs

Mazzocchi, Domenico

Meckbach, Conrad

Meder, Johann Valentin 2.1, 10.1n, 10.2

Meiningen court 5.1n, 12.1

Meissner, Christian Gottlob

Melamed, Daniel R. 10.1n, 11.1n, 12.1n

Melanchthon, Philipp 2.1, 5.1n

Mellers, Wilfrid 10.1n, 10.2n, 10.3n, 10.4n, 13.1n, 13.2n, 13.3, 13.4n, 13.5n

Mendel, Arthur n

Mendelssohn(-Bartholdy), Felix 7.1, 12.1

Matthew Passion revival 9.1, 10.1, 12.1

Menser, Herr

Messiaen, Olivier: Quartet for the End of Ti
me 12.1

Metastasio, Pietro n

Michael, archangel 3.1, 12.1

Miller, Jonathan

Milton, John: Paradise Lost 5.1

Mizler, Lorenz 7.1, 14.1

epigraph

Moller, Martin n

Montaigne, Michel de 5.1, 12.1

Montanists

Monteverdi, Claudio 2.1, 3.1, 4.1, 4.2, 4.3, 4.4, 4.5, 10.1, 10.2n, 14.1

Il ballo delle ingrate 4.1n

Lamento della ninfa 4.1n, 4.2

L’incoronazione di Poppea

L’Orfeo

and Schütz 4.1, 4.2

seconda prattica

stile concitato 9.1, 10.1

Vespro della Beata Vergine 1.1, 4.1

Monteverdi Choir 1.1, 1.2, 1.3, 1.4, 1.5

Monteverdi Orchestra 1.1, 1.2

Morrison, Blake n

Mozart, Wolfgang Amadeus 6.1, 8.1, 11.1, 12.1, 12.2, 14.1n, 14.2

La clemenza di Tito

Idomeneo

Muhammad

Mühlhausen 2.1, 5.1, 5.2, 5.3n, 5.4, 6.1n, 6.2, 9.1, 9.2, 14.1

Müller, Heinrich 9.1, 10.1n, 12.1

Himmlicher Liebes-Kuss 5.1

Liebes-Kuss 14.1, 14.2

Munich Bach Choir

Munrow, David

music-drama

Bach’s drammi per musica/sound dramas 4.1; John Passion and drama 10.1, 10.2, 11.1; Matthew Passion and drama 11.2; secular cantatas 6.1, 205n, 7.1n, 8.1, 8.2, 8.3, 8.4, 9.1, 13.1, 14.1

and the emergence of opera 4.1, 4.2; see also opera

English Restoration

‘mutant’ forms 4.1, 4.2, 9.1

oratorio see oratorio

as a ‘replicator’

musical education, Latin Schools 2.1, 6.1

musical receptivity see receptivity, musical

Mystery Plays

Nantes, Edict of n

Naples 3.1, 4.1

Naumann, Johann Gottlieb n

Nekrolog (obituary, Agricola and C. P. E. Bach) prf.1, 3.1, 3.2, 3.3, 3.4, 7.1, 8.1, 9.1, 12.1, 14.1, 14.2n, 14.3

Neues vollständiges Eisenachisches Gesangbuch

Neumark, Georg

Neumeister, Erdmann 11.1n, 12.1

Newton, Isaac 2.1, 2.2, 2.3

Nicene Creed 13.1, 13.2

Nichelmann, Christoph

Nicholas of Cusa

Nicolai, Philipp n

Niedt, Friedrich Erhard

Nietzsche, Friedrich

Notke, Bernt

Obergleichen, Count of

Oberman, Heiko n

oboes

da caccia (‘hunting oboes’) 7.1n, 9.1, 9.2, 9.3, 9.4, 9.5, 9.6, 9.7, 10.1, 11.1, 11.2, 11.3, 11.4, 12.1

d’amore 9.1, 9.2, 9.3, 10.1, 12.1, 12.2, 12.3, 12.4, 12.5, 13.1n, 13.2

Ohrdruf 2.1, 3.1, 3.2, 3.3, 6.1

school register 3.1, 6.1

Olearius, Johann Gottfried 5.1, 5.2

opera

and Bach 4.1, 4.2, 8.1n, 8.2, 11.1

church singing incorporating operatic elements 4.1, 8.1, 8.2

and the Class of ’85 (major composers born around 1685) 4.1, 4.2, 4.3, 4.4, 4.5, 4.6, 14.1, 14.2

da capo arias 4.1, 4.2, 4.3

English Restoration music-drama

Hamburg Opera 3.1, 4.1, 4.2, 4.3

hybrids 4.1n, 4.2n

music-drama and the emergence of

mutant 4.1, 4.2, 9.1

recitative 4.1n, 4.2, 4.3, 4.4

spread of theatres n

Venetian 4.1, 4.2, 4.3

see also specific works under a composer’s name

oratorio 4.1, 8.1

Passions by Bach: John see John Passion; Mark (lost) 14.1; Matthew see Matthew Passion

see also specific works under a composer’s name

Orchestre Révolutionnaire et Romantique

Origen

Österreich, Georg 2.1, 5.1, 6.1n

Pachelbel, Johann 3.1, 3.2, 3.3, 3.4, 3.5n

Paczkowski, Szymon n

Palestrina, Giovanni Pierluigi da

Missa sine nomine 13.1, 13.2

Papists 10.1, 12.1

Parmentier, Antoine-Augustin

Passions by Bach

John Passion see John Passion

Mark Passion (lost)

Matthew Passion see Matthew Passion

Pater, Jean-Baptiste

pathopoeia

patronage

paysage moralisé

Peachum, Henry

Pelagians

performance of Bach see entries at Bach, Johann Sebastian, works: performance

Pergolesi, Giovanni Battista: Stabat Mater 13.1, 13.2

Petzoldt, Martin

Pezel, Johann Christoph

Pezold, Carl Friedrich

Pfeiffer, August n

Pfeiffer, Johann

Picander (Christian Friedrich Henrici) 6.1n, 7.1, 8.1, 8.2, 11.1, 14.1

Die Weiberprobe

Matthew Passion 11.1, 11.2, 11.3, 11.4n, 11.5, 11.6, 11.7, 11.8

Pinnock, Trevor

Pisendel, Johann Georg 8.1n, 13.1n, 13.2, 13.3, 13.4

Pitschel, Theodor Leberecht

plague 2.1n, 22, 3.1, 3.2, 3.3, 3.4, 9.1, 12.1

Playford, John: The English Dancing Master 12.1

Platz, Councillor n

Pope, Alexander

Porpora, Nicola

Postel, Christian Heinrich n

potatoes

Potsdam 3.1, 7.1, 8.1, 13.1, 14.1

Powers, Thomas n

Praetorius, Michael 3.1, 9.1

Price, Curtis n

Printz, Wolfgang Caspar

Ptolemy

Pufendorf, Samuel von 2.1, 2.2, 2.3

Pullman, Philip 3.1n, 5.1, 7.1, 9.1n, 11.1n

Purcell, Henry 4.1, 4.2, 4.3, 4.4, 4.5, 5.1n, 9.1

Dido and Aeneas 4.1, 4.2

Fairy Queen

Jehovah, quam multi sunt hostes

King Arthur

Saul and the Witch of Endor

and Schütz

Puritans

Pythagoras

Pythagorean harmony

Quantz, Johann

Quinney, Robert prf.1n, 6.1n, 10.1n, 14.1n

Ramachandran, V. n

Rambach, prefect

Rameau, Jean-Philippe 4.1, 4.2, 4.3, 4.4, 4.5, 5.1, 11.1, 14.1

Les Boréades

Ramsay, Robert n

Rausch, Gottfried

receptivity, musical

and Affektenlehre 8.1, 14.1

and awareness of musical/mathematical patterns and images 10.1, 10.2

and awareness of theological subtexts

German reverence in listening to Bach 8.1, 8.2n

in Leipzig at time of Bach 8.1, 8.2, 8.3, 10.1, 10.2, 11.1

and the listener’s beliefs

Reichardt, Adam Andreas

Reichardt, Johann Friedrich n

Reiche, Gottfried

Reichsstande

Reichstädte

Reichstag

Reincken, Johann Adam 3.1, 3.2, 3.3, 4.1, 6.1

religion

atonement theories 10.1, 10.2

Calvinist see Calvinism

Catholic see Catholicism

and ‘collective effervescence’

‘danced’

Lutheran see Lutheranism

musical receptivity and religious belief

and science

and secular theatre

theological education, Latin Schools

see also Bible; Christianity; spirituality

Rembrandt 4.1, 10.1, 10.2, 12.1, 13.1, 14.1

Reyher, Andreas 2.1, 6.1

Rhode, Erwin

Richter, Karl 1.1, 1.2

Riemer, Johannes

Rietz, Julius n

Rifkin, Joshua 11.1n, 13.1n

Rigatti, Giovanni

Ringwaldt, Bartholomäus

Rist, Johann 3.1, 9.1

Rizzolatti, Giacomo n

Robscheit, Pastor 5.1, 5.2

Rohr, Julio B
ernhard von 8.1, 8.2, 12.1

Roman Catholicism see Catholicism

Romanus, C. F.

Rome 4.1, 4.2, 4.3, 4.4, 4.5n

and the Scarlattis 3.1, 4.1

Romstet, Christian

Rörer, Johann Günther, hymnal

Rosen, Charles

Rosenbusch, Johann Conrad

Rosenmüller, Johann 2.1, 4.1n, 8.1

Ross, Alex

Rossini, Gioachino Antonio

Rost, Johann Christoph n

Rubens

Rüetz, Caspar 1.1n, 8.1n, 13.1n

Runciman, Steven n

Sabbagh, Karl n

Sagan, Carl

Said, Edward

St John/Matthew Passions see John Passion; Matthew Passion

Sangerhausen

Sarro, Domenico 13.1, 13.2n

Saxe-Weimar Duchy

Ernst August 6.1, 6.2, 6.3

Johann Ernst III 3.1, 3.2, 6.1, 6.2

Wilhelm Ernst 6.1, 6.2, 6.3, 6.4, 6.5, 6.6

Saxony 1.1, 2.1, 2.2, 2.3, 22, 2.4, 6.1, 6.2, 7.1, 8.1, 9.1

Scandello, Antonio: John Passion 10.1n

Scarlatti, Alessandro 3.1, 4.1, 4.2

Scarlatti, Anna Maria

Scarlatti, Domenico 3.1, 4.1, 4.2, 4.3, 4.4, 8.1, 14.1

Scarlatti, Melchiorra

Scarlatti, Pietro

Scarlatti family

Schama, Simon n

Scheibe, Johann Adolph 4.1, 7.1, 7.2, 7.3, 7.4, 8.1n, 8.2, 8.3, 9.1n, 10.1n, 12.1, 13.1n, 14.1, 14.2

Der Engel des Herrn 7.1n

Scheibel, Gottfried Ephraim 4.1n, 4.2, 8.1, 10.1, 12.1, 14.1

Schein, Johann Hermann 2.1, 6.1

five-part circular canon 2.1

Schelle, Johann 6.1, 6.2, 9.1

Schering, Arnold 10.1n, 12.1, 14.1n

Schneegass, Cyriacus n

Schneider, Johann n

Schnitger, Arp

Scholze, Johann Sigismund (Sperontes) n

Schott, Georg Balthasar 8.1n, 10.1n

Schrön, Magister

Schröter, C. G.

Schubert, Franz

Schumann, Robert Alexander 9.1, 11.1

on Brahms

on the John Passion 10.1

Schürmann, Georg Caspar 2.1, 4.1n, 5.1

Schuster, Joseph n

Schütz, Heinrich 2.1, 2.2, 3.1, 3.2, 4.1, 4.2, 4.3, 4.4, 5.1n, 10.1, 12.1

biblical scenas and dialogues 4.1

Ich beschwöre euch 11.1n

Luke Passion 10.1n

and Luther’s ‘penitential exaltation’

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