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Incendiary Circumstances

Page 26

by Amitav Ghosh


  On King Sisowath's death in 1927, his son Monivong succeeded to the throne, and soon the regime in the palace underwent a change. The new king's favorite mistress was a talented dancer called Luk Khun Meak, and she now gradually took over Princess Soumphady's role as "the lady in charge of the women." Meak made use of her influence to introduce several members of her family into the palace. Among them were some relatives from a small village in the province of Kompong Thom. One of them—later to become Chea Samy's husband—took a job as a clerk at the palace. He in turn brought two of his brothers to Phnom Penh. The youngest was a boy of six called Saloth Sar, who was later to take the nom de guerre Pol Pot.

  Chea Samy made a respectful gesture at a picture on the wall behind her, and I looked up to find myself transfixed by Luk Khun Meak's stern, frowning gaze. "She was killed by Pol Pot," said Chea Samy, using the generic phrase with which Cambodians refer to the deaths of that time. The distinguished old dancer, mistress of King Monivong, died of starvation after the revolution. One of her daughters was apprehended by the Khmer Rouge while trying to buy rice with a little bit of gold. Her breasts were sliced off and she was left to bleed to death.

  "What was Pol Pot like as a boy?" I asked, inevitably.

  Chea Samy hesitated for a moment. It was easy to see that she had often been asked the question before and had thought about it at some length. "He was a very good boy," she said at last, emphatically. "In all the years he lived with me, he never gave me any trouble at all."

  Then, with a despairing gesture, she said, "I have been married to his brother for fifty years now, and I can tell you that my husband is a good man, a kind man. He doesn't drink, doesn't smoke, has never made trouble between friends, never hit his nephews, never made difficulties for his children..."

  She gave up; her hands flipped over in a flutter of bewilderment and fell limp into her lap.

  The young Saloth Sar's palace connections ensured places for him at some of the country's better-known schools. Then, in 1949, he was awarded a scholarship to study electronics in Paris. When he returned to Cambodia three years later, he began working in secret for the Indochina Communist Party. Neither Chea Samy nor her husband saw much of him, and he told them very little of what he was doing. Then, in 1963, he disappeared; they learned later that he had fled into the jungle along with several well-known leftists and Communists. That was the last they heard of Saloth Sar.

  In 1975, when the Khmer Rouge seized power, Chea Samy and her husband were evacuated like everyone else. They were sent off to a village of "old people," longtime Khmer Rouge sympathizers, and along with all the other "new people" were made to work in the rice fields. For the next couple of years there was a complete news blackout and they knew nothing of what had happened and who had come to power: it was a part of the Khmer Rouge's mechanics of terror to deprive the population of knowledge. They first began to hear the words "Pol Pot" in 1978, when the regime tried to create a personality cult around its leader in an attempt to stave off imminent collapse.

  Chea Samy was working in a communal kitchen at the time, cooking and washing dishes. Late that year some party workers stuck a poster on the walls of the kitchen: they said it was a picture of their leader, Pol Pot. She knew who it was the moment she set eyes on the picture.

  That was how she discovered that the leader of Angkar, the terrifying, inscrutable "Organization" that ruled over their lives, was none other than little Saloth Sar.

  4

  A few months later, in January 1979, the Vietnamese "broke" Cambodia, as the Khmer phrase has it, and the regime collapsed. Shortly afterward Chea Samy and her husband, like all the other evacuees, began to drift out of the villages they had been imprisoned in. Carrying nothing but a few cupfuls of dry rice, barefoot, half starved, and dressed in rags, they began to find their way back toward the places they had once known, where they had once had friends and relatives.

  Walking down the dusty country roads, encountering others like themselves, the bands of "new people" slowly began to rediscover the exhilaration of speech. For more than three years now they had not been able to say a word to anyone with confidence, not even their own children. Many of them had reinvented their lives in order to protect themselves from the obsessive biographical curiosity of Angkar's cadres. Now, talking on the roads, they slowly began to shed their assumed personae; they began to mine their memories for information about the people they had met and heard of over the past few years, the names of the living and the dead.

  It was the strangest of times.

  The American Quaker Eva Mysliwiec arrived in the country in 1981; she was one of the first foreign relief workers to come to Cambodia and is now a legend in Phnom Penh. Some of her most vivid memories of that period are of the volcanic outbursts of speech that erupted everywhere at unexpected moments. Friends and acquaintances would suddenly begin to describe what they had lived through and seen, what had happened to them and their families and how they had managed to survive. Often people would wake up in the morning looking worse than they had the night before: they would see things in their dreams, all those things they had tried to put out of their minds when they were happening because they would have gone mad if they'd stopped to think about them—a brother called away in the dark, an infant battered against a tree, children starving to death. When you saw them in the morning and asked what had happened at night, what was the matter, they would make a circular gesture, as though the past had been unfolding before them like a turning reel, and they would say simply, "Camera."

  Eventually, after weeks of wandering, Chea Samy and her husband reached the western outskirts of Phnom Penh. There, one day, entirely by accident, she ran into a girl who had studied dance with her before the revolution. The girl cried, "Teacher! Where have you been? They've been looking for you everywhere."

  There was no real administration in those days. Many of the resistance leaders who had come back to Cambodia with the Vietnamese had never held administrative positions before; for the most part they were breakaway members of the Khmer Rouge who had been opposed to the policies of Pol Pot and his group. They had to learn on the job when they returned, and for a long time there was nothing like a real government in Cambodia. The country was like a shattered slate: before you could think of drawing lines on it, you had to find the pieces and fit them together.

  But already the fledgling Ministry of Culture had launched an effort to locate the classical dancers and teachers who had survived. Its officials were overjoyed to find Chea Samy. They quickly arranged for her to travel through the country to look for other teachers and for young people with talent and potential.

  "It was very difficult," said Chea Samy. "I did not know where to go, where to start. Most of the teachers had been killed or maimed, and the others were in no state to begin teaching again. Anyway, there was no one to teach. So many of the children were orphans, half starved. They had no idea of dance—they had never seen Khmer dance. It seemed impossible; there was no place to begin."

  Her voice was quiet and matter-of-fact, but there was a quality of muted exhilaration in it too. I recognized that note at once, for I had heard it before: in Molyka's voice, for example, when she spoke of the first years after the Pol Pot time, when slowly, patiently, she had picked through the rubble around her, building a life for herself and her family. I was to hear it again and again in Cambodia, most often in the voices of women. They had lived through an experience very nearly unique in human history: they had found themselves adrift in the ruins of a society that had collapsed into a formless heap, with its scaffolding systematically dismantled, picked apart with the tools of a murderously rational form of social science. At a time when there was widespread fear and uncertainty about the intentions of the Vietnamese, they had had to start from the beginning, literally, like rag pickers, piecing their families, their homes, their lives together from the little that was left.

  Like everyone around her, Chea Samy too had started all over again—at the age
of sixty, with her health shattered by the years of famine and hard labor. Working with quiet, dogged persistence, she and a handful of other dancers and musicians slowly brought together a ragged, half-starved bunch of orphans and castaways, and with the discipline of their long, rigorous years of training they began to resurrect the art that Princess Soumphady and Luk Khun Meak had passed on to them in that long-ago world when King Sisowath reigned. Out of the ruins around them they began to forge the means of denying Pol Pot his victory.

  5

  Everywhere he went on his tour of France, King Sisowath was accompanied by his palace minister, an official who bore the simple name of Thiounn (pronounced Chunn). For all his Francophilia, King Sisowath spoke no French, and it was Minister Thiounn who served as his interpreter.

  Minister Thiounn was widely acknowledged to be one of the most remarkable men in Cambodia; his career was without precedent in the aristocratic, rigidly hierarchical world of Cambodian officialdom. Starting as an interpreter for the French, at the age of nineteen, he had overcome the twin disadvantages of modest birth and a mixed Khmer-Vietnamese ancestry to become the most powerful official at the court of Phnom Penh: the minister simultaneously of finance, fine arts, and palace affairs.

  This spectacular rise owed a great deal to the French, to whom he had been of considerable assistance in their decades-long struggle with Cambodia's ruling family. His role had earned him the bitter contempt of certain members of the royal family, and a famous prince had even denounced the "boy interpreter" as a French collaborator. But with French dominance in Cambodia already assured, there was little that any Cambodian prince could do to check the growing influence of Minister Thiounn. Norodom Sihanouk, King Sisowath's great-nephew, spent several of his early years on the throne smarting under Minister Thiounn's tutelage: he was to describe him later as a "veritable little king," "as powerful as the French résidents-supérieurs of the period."

  The trip to France was to become something of a personal triumph for Minister Thiounn, earning him compliments from a number of French ministers and politicians. But it also served a more practical function, for traveling on the Amiral-Kersaint, along with the dancers and the rest of the royal entourage, was the minister's son, Thiounn Hol. In the course of his stay in France, the minister succeeded in entering him as a student in the École Coloniale. He was the only Cambodian commoner to be accepted; the other three were all princes of the royal family.

  Not unpredictably, the minister's son proved to be a far better student than the princelings and went on to become the first Cambodian to earn university qualifications in France. Later, the minister's grandsons too, scions of what was by then the second most powerful family in Cambodia, were to make the journey to France.

  One of those grandsons, Thiounn Mumm, earned considerable distinction as a student in Paris, acquiring a doctorate in applied science and becoming the first Cambodian to graduate from the exalted École Polytechnique. In the process he also became a central figure within the small circle of Cambodians in France. The story goes that he made a point of befriending every student from his country and even went to the airport to receive newcomers.

  Thiounn Mumm was, in other words, part mentor, part older brother, and part leader, a figure immediately recognizable to anyone who has ever inhabited the turbulent limbo of the Asian or African student in Europe—that curious circumstance of social dislocation and emotional turmoil that for more than a century now has provided the site for some of the globe's most explosive political encounters. The peculiar conditions of that situation, part exile and part a process of accession to power, have allowed many strong and gifted personalities to have a powerful impact on their countries through their influence on their student contemporaries. Thiounn Mumm's was thus a role with a long colonial genealogy. And he brought to it an authority beyond that of his own talents and forceful personality, for he was also a member of a political dynasty—the Cambodian equivalent of the Nehrus or the Bhuttos.

  Among Thiounn Mumm's many protégés was the young Pol Pot, then still known as Saloth Sar. It is generally believed that it was Thiounn Mumm who was responsible for his induction into the French Communist Party in 1952. Those Parisian loyalties have proved unshakeable: Thiounn Mumm and two of his brothers have been members of Pol Pot's innermost clique ever since.

  That this ultraradical clique should be so intimately linked with the palace and with colonial officialdom is not particularly a matter of surprise in Cambodia. "Revolutions and coups d'état always start in the courtyards of the palace," a well-known political figure in Phnom Penh told me. "It's the people within who realize that the king is ordinary, while everyone else takes him for a god."

  I heard the matter stated even more bluntly by someone whose family had once known the Thiounns well. "Ever since their grandfather's time," he said, "they wanted to be king."

  Be that as it may, it is certainly possible that the Thiounns, with their peculiarly ambiguous relationship with the Cambodian monarchy, were responsible, as the historian Ben Kiernan has suggested, for the powerful strain of "national and racial grandiosity" in the ideology of Pol Pot's clique. That strain has eventually proved dominant: the Khmer Rouge's program now consists largely of an undisguisedly racist nationalism whose principal targets, for the time being, are Vietnam and Cambodia's own Vietnamese minority.

  A recent defector, describing his political training with the Khmer Rouge, told UN officials that "as far as the Vietnamese are concerned, whenever we meet them we must kill them, whether they are militaries or civilians, because they are not ordinary civilians but soldiers disguised as civilians. We must kill them, whether they are men, women, or children, there is no distinction, they are enemies. Children are not militaries but if they are born or grow up in Cambodia, when they will be adult, they will consider Cambodian land as theirs. So we make no distinction. As to women, they give birth to Vietnamese children."

  Later, shortly before the elections, there was a sudden enlargement of the Khmer Rouge's racist vocabulary. No matter that its own guerrillas had been trained by British military units in the not-so-distant past, it began inciting violence against "white-skinned, point-nosed UNTAC soldiers."

  6

  The more I learned of Pol Pot's journey to France, and of the other journeys that had preceded it, the more curious I became about his origins. One day, late in January, I decided to go looking for his ancestral village in the province of Kompong Thom.

  Kompong Thom has great military importance, for it straddles the vital middle section of Cambodia; the town of the same name lies at the strategic heart of the country. It is very small: a string of houses that grows suddenly into a bullet-riddled marketplace, a school, a hospital, a few roads that extend all of a hundred yards, a bridge across the Sen River, a tall, freshly painted wat, a few outcrops of blue-signposted UNTAC land, and then the countryside again, flat and dusty, clumps of palms leaning raggedly over the earth, fading into the horizon in a dull gray-green patina, like mold upon a copper tray.

  Two of the country's most important roadways intersect to the north of the little town. One of them leads directly to Thailand and has long been one of the most hotly contested highways in Cambodia, for the Khmer Rouge controls large chunks of territory on either side of it. The State troops who are posted along the road are under constant pressure, and there are daily exchanges of shells and gunfire.

  The point where the two roads meet is guarded by an old army encampment, now controlled by the State. A tract of heavily mined ground runs along its outer perimeter; the minefield is reputed to have been laid by the State itself, partly to keep the Khmer Rouge out, but also to keep its own none-too-willing soldiers in.

  Here, in this strategic hub, this center of centers, looking for Pol Pot's ancestral home, inevitably I came across someone from mine. He was a Bangladeshi sergeant, a large, friendly man with a bushy mustache. We had an ancestral district in common in Bangladesh, and the unexpectedness of this discovery—at the
edge of a Cambodian minefield—linked us immediately in a ridiculously intimate kind of bonhomie.

  The sergeant and his colleagues were teaching a group of Cambodian soldiers professional de-mining techniques. They were themselves trained sappers and engineers, but as it happened, none of them had ever seen or worked in a minefield that had been laid with intent to kill, so to speak. For their Cambodian charges, on the other hand, mines were a commonplace hazard of everyday life, like snakes or spiders.

  This irony was not lost on the Bangladeshi sergeant. "They think nothing of laying mines," he said in trenchant Bengali. "They scatter them about like popped rice. Often they mine their own doorstep before going to bed, to keep thieves out. They mine their cars, their television sets, even their vegetable patches. They don't care who gets killed. Life really has no value here."

  He shook his head in perplexity, looking at his young Cambodian charges. They were working in teams of two on the minefield, an expanse of scrub and grass that had been divided into narrow strips with tape. The teams were inching along their strips, one man scanning the ground ahead with a mine detector, the other lying flat, armed with a probe and trowel, ready to dig for mines. By this slow, painstaking method, the team had cleared a couple of acres in a month's time. This was considered good progress, and the sergeant had reason to be pleased. Generally speaking, Bangladeshi military units have an enviable reputation in Cambodia and are said to do thoughtful developmental work wherever they are posted, in addition to their duties.

 

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