The Aeneid

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by Robert Fagles; Bernard Knox Virgil

bewitched by the boy’s resemblance to his father,

  trying to cheat the love she dare not tell.

  The towers of Carthage, half built, rise no more,

  and the young men quit their combat drills in arms.

  The harbors, the battlements planned to block attack,

  all work’s suspended now, the huge, threatening walls

  with the soaring cranes that sway across the sky.

  Now, no sooner had Jove’s dear wife perceived

  that Dido was in the grip of such a scourge—

  no thought of pride could stem her passion now—

  than Juno approaches Venus and sets a cunning trap:

  “What a glittering prize, a triumph you carry home!

  You and your boy there, you grand and glorious Powers.

  Just look, one woman crushed by the craft of two gods!

  I am not blind, you know. For years you’ve looked askance

  at the homes of rising Carthage, feared our ramparts.

  But where will it end? What good is all our strife?

  Come, why don’t we labor now to live in peace?

  Eternal peace, sealed with the bonds of marriage.

  You have it all, whatever your heart desires—

  Dido’s ablaze with love,

  drawing the frenzy deep into her bones. So,

  let us rule this people in common: joint command.

  And let her marry her Phrygian lover, be his slave

  and give her Tyrians over to your control,

  her dowry in your hands!”

  Perceiving at once

  that this was all pretense, a ruse to shift

  the kingdom of Italy onto Libyan shores,

  Venus countered Juno: “Now who’d be so insane

  as to shun your offer and strive with you in war?

  If only Fortune crowns your proposal with success!

  But swayed by the Fates, I have my doubts. Would Jove

  want one city to hold the Tyrians and the Trojan exiles?

  Would he sanction the mingling of their peoples,

  bless their binding pacts? You are his wife,

  with every right to probe him with your prayers.

  You lead the way. I’ll follow.”

  “The work is mine,”

  imperious Juno carried on, “but how to begin

  this pressing matter now and see it through?

  I’ll explain in a word or so. Listen closely.

  Tomorrow Aeneas and lovesick Dido plan to hunt

  the woods together, soon as the day’s first light

  climbs high and the Titan’s rays lay bare the earth.

  But while the beaters scramble to ring the glens with nets,

  I’ll shower down a cloudburst, hail, black driving rain—

  I’ll shatter the vaulting sky with claps of thunder.

  The huntsmen will scatter, swallowed up in the dark,

  and Dido and Troy’s commander will make their way

  to the same cave for shelter. And I’ll be there,

  if I can count on your own good will in this—

  I’ll bind them in lasting marriage, make them one.

  Their wedding it will be!”

  So Juno appealed

  and Venus did not oppose her, nodding in assent

  and smiling at all the guile she saw through . . .

  Meanwhile Dawn rose up and left her Ocean bed

  and soon as her rays have lit the sky, an elite band

  of young huntsmen streams out through the gates,

  bearing the nets, wide-meshed or tight for traps

  and their hunting spears with broad iron heads,

  troops of Massylian horsemen galloping hard,

  packs of powerful hounds, keen on the scent.

  Yet the queen delays, lingering in her chamber

  with Carthaginian chiefs expectant at her doors.

  And there her proud, mettlesome charger prances

  in gold and royal purple, pawing with thunder-hoofs,

  champing a foam-flecked bit. At last she comes,

  with a great retinue crowding round the queen

  who wears a Tyrian cloak with rich embroidered fringe.

  Her quiver is gold, her hair drawn up in a golden torque

  and a golden buckle clasps her purple robe in folds.

  Nor do her Trojan comrades tarry. Out they march,

  young Iulus flushed with joy.

  Aeneas in command, the handsomest of them all,

  advancing as her companion joins his troop with hers.

  So vivid. Think of Apollo leaving his Lycian haunts

  and Xanthus in winter spate, he’s out to visit Delos,

  his mother’s isle, and strike up the dance again

  while round the altars swirls a growing throng

  of Cretans, Dryopians, Agathyrsians with tattoos,

  and a drumming roar goes up as the god himself

  strides the Cynthian ridge, his streaming hair

  braided with pliant laurel leaves entwined

  in twists of gold, and arrows clash on his shoulders.

  So no less swiftly Aeneas strides forward now

  and his face shines with a glory like the god’s.

  Once the huntsmen have reached the trackless lairs

  aloft in the foothills, suddenly, look, some wild goats

  flushed from a ridge come scampering down the slopes

  and lower down a herd of stags goes bounding across

  the open country, ranks massed in a cloud of dust,

  fleeing the high ground. But young Ascanius,

  deep in the valley, rides his eager mount

  and relishing every stride, outstrips them all,

  now goats, now stags, but his heart is racing, praying—

  if only they’d send among this feeble, easy game

  some frothing wild boar or a lion stalking down

  from the heights and tawny in the sun.

  Too late.

  The skies have begun to rumble, peals of thunder first

  and the storm breaking next, a cloudburst pelting hail

  and the troops of hunters scatter up and down the plain,

  Tyrian comrades, bands of Dardans, Venus’ grandson Iulus

  panicking, running for cover, quick, and down the mountain

  gulleys erupt in torrents. Dido and Troy’s commander

  make their way to the same cave for shelter now.

  Primordial Earth and Juno, Queen of Marriage,

  give the signal and lightning torches flare

  and the high sky bears witness to the wedding,

  nymphs on the mountaintops wail out the wedding hymn.

  This was the first day of her death, the first of grief,

  the cause of it all. From now on, Dido cares no more

  for appearances, nor for her reputation, either.

  She no longer thinks to keep the affair a secret,

  no, she calls it a marriage,

  using the word to cloak her sense of guilt.

  Straightway Rumor flies through Libya’s great cities,

  Rumor, swiftest of all the evils in the world.

  She thrives on speed, stronger for every stride,

  slight with fear at first, soon soaring into the air

  she treads the ground and hides her head in the clouds.

  She is the last, they say, our Mother Earth produced.

  Bursting in rage against the gods, she bore a sister

  for Coeus and Enceladus: Rumor, quicksilver afoot

  and swift on the wing, a monster, horrific, huge

  and under every feather on her body—what a marvel—

  an eye that never sleeps and as many tongues as eyes

  and as many raucous mouths and ears pricked up for news.

  By night she flies aloft, between the earth and sky,

  whirring across the dark, never closing her lids

  in soothing sleep. By day she keeps her watch,

&
nbsp; crouched on a peaked roof or palace turret,

  terrorizing the great cities, clinging as fast

  to her twisted lies as she clings to words of truth.

  Now Rumor is in her glory, filling Africa’s ears

  with tale on tale of intrigue, bruiting her song

  of facts and falsehoods mingled . . .

  “Here this Aeneas, born of Trojan blood,

  has arrived in Carthage, and lovely Dido deigns

  to join the man in wedlock. Even now they warm

  the winter, long as it lasts, with obscene desire,

  oblivious to their kingdoms, abject thralls of lust.”

  Such talk the sordid goddess spreads on the lips of men,

  then swerves in her course and heading straight for King Iarbas,

  stokes his heart with hearsay, piling fuel on his fire.

  Iarbas—son of an African nymph whom Jove had raped—

  raised the god a hundred splendid temples across

  the king’s wide realm, a hundred altars too,

  consecrating the sacred fires

  that never died, eternal sentinels of the gods.

  The earth was rich with blood of slaughtered herds

  and the temple doorways wreathed with riots of flowers.

  This Iarbas, driven wild, set ablaze by the bitter rumor,

  approached an altar, they say, as the gods hovered round,

  and lifting a suppliant’s hands, he poured out prayers to Jove:

  “Almighty Jove! Now as the Moors adore you, feasting away

  on their gaudy couches, tipping wine in your honor—

  do you see this? Or are we all fools, Father,

  to dread the bolts you hurl? All aimless then,

  your fires high in the clouds that terrify us so?

  All empty noise, your peals of grumbling thunder?

  That woman, that vagrant! Here in my own land

  she founded her paltry city for a pittance.

  We tossed her some beach to plow—on my terms—

  and then she spurns our offer of marriage, she

  embraces Aeneas as lord and master in her realm.

  And now this second Paris . . .

  leading his troupe of eunuchs, his hair oozing oil,

  a Phrygian bonnet tucked up under his chin, he revels

  in all that he has filched, while we keep bearing gifts

  to your temples—yes, yours—coddling your reputation,

  all your hollow show!”

  So King Iarbas appealed,

  his hand clutching the altar, and Jove Almighty heard

  and turned his gaze on the royal walls of Carthage

  and the lovers oblivious now to their good name.

  He summons Mercury, gives him marching orders:

  “Quick, my son, away! Call up the Zephyrs,

  glide on wings of the wind. Find the Dardan captain

  who now malingers long in Tyrian Carthage, look,

  and pays no heed to the cities Fate decrees are his.

  Take my commands through the racing winds and tell him

  this is not the man his mother, the lovely goddess, promised,

  not for this did she save him twice from Greek attacks.

  Never. He would be the one to master an Italy

  rife with leaders, shrill with the cries of war,

  to sire a people sprung from Teucer’s noble blood

  and bring the entire world beneath the rule of law.

  If such a glorious destiny cannot fire his spirit,

  if he will not shoulder the task for his own fame,

  does the father of Ascanius grudge his son

  the walls of Rome? What is he plotting now?

  What hope can make him loiter among his foes,

  lose sight of Italian offspring still to come

  and all the Lavinian fields? Let him set sail!

  This is the sum of it. This must be our message.”

  Jove had spoken. Mercury made ready at once

  to obey the great commands of his almighty father.

  First he fastens under his feet the golden sandals,

  winged to sweep him over the waves and earth alike

  with the rush of gusting winds. Then he seizes the wand

  that calls the pallid spirits up from the Underworld

  and ushers others down to the grim dark depths,

  the wand that lends us sleep or sends it away,

  that unseals our eyes in death. Equipped with this,

  he spurs the winds and swims through billowing clouds

  till in mid-flight he spies the summit and rugged flanks

  of Atlas, whose long-enduring peak supports the skies.

  Atlas: his pine-covered crown is forever girded

  round with black clouds, battered by wind and rain;

  driving blizzards cloak his shoulders with snow,

  torrents course down from the old Titan’s chin

  and shaggy beard that bristles stiff with ice.

  Here the god of Cyllene landed first,

  banking down to a stop on balanced wings.

  From there, headlong down with his full weight

  he plunged to the sea as a seahawk skims the waves,

  rounding the beaches, rounding cliffs to hunt for fish inshore.

  So Mercury of Cyllene flew between the earth and sky

  to gain the sandy coast of Libya, cutting the winds

  that sweep down from his mother’s father, Atlas.

  Soon

  as his winged feet touched down on the first huts in sight,

  he spots Aeneas founding the city fortifications,

  building homes in Carthage. And his sword-hilt

  is studded with tawny jasper stars, a cloak

  of glowing Tyrian purple drapes his shoulders,

  a gift that the wealthy queen had made herself,

  weaving into the weft a glinting mesh of gold.

  Mercury lashes out at once: “You, so now you lay

  foundation stones for the soaring walls of Carthage!

  Building her gorgeous city, doting on your wife.

  Blind to your own realm, oblivious to your fate!

  The King of the Gods, whose power sways earth and sky—

  he is the one who sends me down from brilliant Olympus,

  bearing commands for you through the racing winds.

  What are you plotting now?

  Wasting time in Libya—what hope misleads you so?

  If such a glorious destiny cannot fire your spirit,

  [if you will not shoulder the task for your own fame,]

  at least remember Ascanius rising into his prime,

  the hopes you lodge in Iulus, your only heir—

  you owe him Italy’s realm, the land of Rome!”

  This order still on his lips, the god vanished

  from sight into empty air.

  Then Aeneas

  was truly overwhelmed by the vision, stunned,

  his hackles bristle with fear, his voice chokes in his throat.

  He yearns to be gone, to desert this land he loves,

  thunderstruck by the warnings, Jupiter’s command . . .

  But what can he do? What can he dare say now

  to the queen in all her fury and win her over?

  Where to begin, what opening? Thoughts racing,

  here, there, probing his options, turning

  to this plan, that plan—torn in two until,

  at his wits’ end, this answer seems the best.

  He summons Mnestheus, Sergestus, staunch Serestus,

  gives them orders: “Fit out the fleet, but not a word.

  Muster the crews on shore, all tackle set to sail,

  but the cause for our new course, you keep it secret.”

  Yet he himself, since Dido who means the world to him

  knows nothing, never dreaming such a powerful love

  could be uprooted—he will try to approach her,

  find th
e moment to break the news gently,

  a way to soften the blow that he must leave.

  All shipmates snap to commands,

  glad to do his orders.

  True, but the queen—

  who can delude a lover?—soon caught wind

  of a plot afoot, the first to sense the Trojans

  are on the move . . . She fears everything now,

  even with all secure. Rumor, vicious as ever,

  brings her word, already distraught, that Trojans

  are rigging out their galleys, gearing to set sail.

  She rages in helpless frenzy, blazing through

  the entire city, raving like some Maenad

  driven wild when the women shake the sacred emblems,

  when the cyclic orgy, shouts of “Bacchus!” fire her on

  and Cithaeron echoes round with maddened midnight cries.

  At last she assails Aeneas, before he’s said a word:

  “So, you traitor, you really believed you’d keep

  this a secret, this great outrage? Steal away

  in silence from my shores? Can nothing hold you back?

  Not our love? Not the pledge once sealed with our right hands?

  Not even the thought of Dido doomed to a cruel death?

  Why labor to rig your fleet when the winter’s raw,

  to risk the deep when the Northwind’s closing in?

  You cruel, heartless—Even if you were not

  pursuing alien fields and unknown homes,

  even if ancient Troy were standing, still,

  who’d sail for Troy across such heaving seas?

  You’re running away—from me? Oh, I pray you

  by these tears, by the faith in your right hand—

  what else have I left myself in all my pain?—

  by our wedding vows, the marriage we began,

  if I deserve some decency from you now,

  if anything mine has ever won your heart,

  pity a great house about to fall, I pray you,

  if prayers have any place—reject this scheme of yours!

  Thanks to you, the African tribes, Numidian warlords

  hate me, even my own Tyrians rise against me.

  Thanks to you, my sense of honor is gone,

  my one and only pathway to the stars,

  the renown I once held dear. In whose hands,

  my guest, do you leave me here to meet my death?

  ‘Guest’—that’s all that remains of ‘husband’ now.

  But why do I linger on? Until my brother Pygmalion

  batters down my walls? Or Iarbas drags me off, his slave?

  If only you’d left a baby in my arms—our child—

  before you deserted me! Some little Aeneas

 

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