Tell No One (2001)

by Harlan Coben

  Dark rumors swirled around men like Wu, most of which were crap, but Larry Gandle had seen him kill a man by digging his fingers into the soft spots of the face and abdomen. He had seen Wu grab a man by both ears and rip them off in a smooth pluck. He had seen him kill four times in four very different ways, never using a weapon.

  None of the deaths had been quick.

  Nobody knew exactly where Wu came from, but the most accepted tale had something to do with a brutal childhood in North Korea. Gandle had never asked. There were some night paths the mind was better off not traversing; the dark side of Eric Wu ' right, like there might be a light side ' was one of them.

  When Wu finished wrapping up the protoplasm that had been Vic Letty in the drop cloth, he looked up at Gandle with those eyes of his. Dead eyes, Larry Gandle thought. The eyes of a child in a war newsreel.

  Wu had not bothered taking off his headset. His personal stereo did not blare hip hop or rap or even rock 'n' roll. He listened pretty much nonstop to those soothing-sounds CDs you might find at Sharper Image, the ones with names like Ocean Breeze and Running Brook.

  "Should I take him to Benny's?" Wu asked. His voice had a slow, odd cadence to it, like a character from a Peanuts cartoon.

  Larry Gandle nodded. Benny ran a crematorium. Ashes to ashes. Or, in this case, scum to ashes. "And get rid of this."

  Gandle handed Eric Wu the twenty-two. The weapon looked puny and useless in Wu's giant hand. Wu frowned at it, probably disappointed that Gandle had chosen it over Wu's own unique talents, and jammed it in his pocket. With a twenty-two, there were rarely exit wounds. That meant less evidence. The blood had been contained by a vinyl drop cloth. No muss, no fuss.

  "Later," Wu said. He picked up the body with one hand as though it were a briefcase and carried it out.

  Larry Gandle nodded a good-bye. He took little joy from Vic Letty's pain ' but then again, he took little discomfort either. It was a simple matter really. Gandle had to know for absolute certain that Letty was working alone and that he hadn't left evidence around for someone else to find. That meant pushing the man past the breaking point. There was no other way.

  In the end, it came down to a clear choice ' the Scope family or Vic Letty. The Scopes were good people. They had never done a damn thing to Vic Letty. Vic Letty, on the other hand, had gone out of his way to try to hurt the Scope family. Only one of them could get off unscathed ' the innocent, well-meaning victim or the parasite who was trying to feed off another's misery. No choice when you thought about it.

  Gandle's cell phone vibrated. He picked it up and said, "Yes."

  "They identified the bodies at the lake."

  "And?"

  "It's them. Jesus Christ, it's Bob and Mel."

  Gandle closed his eyes.

  "What does it mean, Larry?"

  "I don't know."

  "So what are we going to do?"

  Larry Gandle knew that there was no choice. He'd have to speak with Griffin Scope. It would unearth unpleasant memories. Eight years. After eight years. Gandle shook his head. It would break the old man's heart all over again.

  "I'll handle it."

  Chapter 6

  Kim Parker, my mother-in-law, is beautiful. She'd always looked so much like Elizabeth that her face had become for me the ultimate what-might-have-been. But Elizabeth's death had slowly sapped her. Her face was drawn now, her features almost brittle. Her eyes had that look of marbles shattered from within.

  The Parkers' house had gone through very few changes since the seventies ' adhesive wood paneling, wall-to-wall semi-shag carpet of light blue with flecks of white, a faux-stone raised fireplace + la the Brady Bunch. Folded TV trays, the kind with white plastic tops and gold metal legs, lined one wall. There were clown paintings and Rockwell collector plates. The only noticeable update was the television. It had swelled over the years from a bouncing twelve-inch black-and-white to the monstrous full-color fifty incher that now sat hunched in the corner.

  My mother-in-law sat on the same couch where Elizabeth and I had so often made out and then some. I smiled for a moment and thought, ah, if that couch could talk. But then again, that hideous chunk of sitting space with the loud floral design held a lot more than lustful memories. Elizabeth and I had sat there to open our college acceptance letters. We cuddled to watch One Flew Over the Cuckoo's Nest and The Deer Hunter and all the old Hitchcock films. We did homework, me sitting upright and Elizabeth lying with her head on my lap. I told Elizabeth I wanted to be a doctor ' a big-time surgeon, or so I thought. She told me she wanted to get a law degree and work with kids. Elizabeth couldn't bear the thought of children in pain.

  I remember an internship she did during the summer break after our freshman year of college. She worked for Covenant House, rescuing runaway and homeless children from New York's worst streets. I went with her once in the Covenant House van, cruising up and down Forty-second Street pre-Giuliani, sifting through putrid pools of quasi-humanity for children who needed shelter. Elizabeth spotted a fourteen-year-old hooker who was so strung out that she'd soiled herself. I winced in disgust. I'm not proud of that. These people may have been human, but ' I'm being honest here ' the filth repulsed me. I helped. But I winced.

  Elizabeth never winced. That was her gift. She took the children by the hand. She carried them. She cleaned off that girl and nursed her and talked to her all night. She looked them straight in the eye. Elizabeth truly believed that everyone was good and worthy; she was na+>>ve in a way I wish I could be.

  I'd always wondered if she'd died that same way ' with that na+>>vet+! intact ' still clinging through the pain to her faith in humanity and all that wonderful nonsense. I hope so, but I suspect that KillRoy probably broke her.

  Kim Parker sat primly with her hands in her lap. She'd always liked me well enough, though during our youth both sets of parents had been concerned with our closeness. They wanted us to play with others. They wanted us to make more friends. Natural, I suppose.

  Hoyt Parker, Elizabeth's father, wasn't home yet, so Kim and I chatted about nothing ' or, to say the same thing a different way, we chatted about everything except Elizabeth. I kept my eyes focused on Kim because I knew that the mantel was chock-full of photographs of Elizabeth and her heart-splitting smile.

  She's alive....

  I couldn't make myself believe it. The mind, I know from my psychiatric rotation in medical school (not to mention my family history), has incredible distortive powers. I didn't believe I was nuts enough to conjure up her image, but then again, crazy people never do. I thought about my mother and wondered what she realized about her mental health, if she was even capable of engaging in serious introspection.

  Probably not.

  Kim and I talked about the weather. We talked about my patients. We talked about her new part-time job at Macy's. And then Kim surprised the hell out of me.

  "Are you seeing anyone?" she asked.

  It was the first truly personal question she had ever asked me. It knocked me back a step. I wondered what she wanted to hear. "No," I said.

  She nodded and looked as though she wanted to say something else. Her hand fluttered up to her face.

  "I date," I said.

  "Good," she replied with too hearty a nod. "You should."

  I stared at my hands and surprised myself by saying, "I still miss her so much." I didn't plan on that. I planned on keeping quiet and following our usual safe track. I glanced up at her face. She looked pained and grateful.

  "I know you do, Beck," Kim said. "But you shouldn't feel guilty about seeing other people."

  "I don't," I said. "I mean, it's not that."

  She uncrossed her legs and leaned toward me. "Then what is it?"

  I couldn't speak. I wanted to. For her sake. She looked at me with those shattered eyes, her need to talk about her daughter so surface, so raw. But I couldn't. I shook my head.

  I heard a key in the door. We both turned suddenly, straightening up like caught lovers. Hoyt Parker sh
ouldered open the door and called out his wife's name. He stepped into the den and with a hearty sigh, he put down a gym bag. His tie was loosened, his shirt wrinkled, his sleeves rolled up to the elbows. Hoyt had forearms like Popeye. When he saw us sitting on the couch, he let loose another sigh, this one deeper and with more than a hint of disapproval.

  "How are you, David?" he said to me.

  We shook hands. His grip, as always, was callous-scratchy and too firm. Kim excused herself and hurried out of the room. Hoyt and I exchanged pleasantries, and silence settled in. Hoyt Parker had never been comfortable with me. There might have been some Electra complex here, but I'd always felt that he saw me as a threat. I understood. His little girl had spent all her time with me. Over the years, we'd managed to fight through his resentment and forged something of a friendship. Until Elizabeth's death.

  He blames me for what happened.

  He has never said that, of course, but I see it in his eyes. Hoyt Parker is a burly, strong man. Rock-solid, honest Americana. He'd always made Elizabeth feel unconditionally safe. Hoyt had that kind of protective aura. No harm would come to his little girl as long as Big Hoyt was by her side.

  I don't think I ever made Elizabeth feel safe like that.

  "Work good?" Hoyt asked me.

  "Fine," I said. "You?"

  "A year away from retirement."

  I nodded and we again fell into silence. On the ride over here, I decided not to say anything about what I'd seen on the computer. Forget the fact that it sounded loony. Forget the fact that it would open old wounds and hurt them both like all hell. The truth was, I didn't have a clue what was going on. The more time passed, the more the whole episode felt unreal. I also decided to take that last email to heart. Tell no one. I couldn't imagine why or what was going on, but whatever connection I'd made felt frighteningly tenuous.

  Nonetheless I still found myself making sure Kim was out of earshot. Then I leaned closer to Hoyt and said softly, "Can I ask you something?"

  He didn't reply, offering up instead one of his patented skeptical gazes.

  "I want to know '" I stopped. "I want to know how you found her."

  "Found her?"

  "I mean when you first walked into the morgue. I want to know what you saw."

  Something happened to his face, like tiny explosions collapsing the foundation. "For the love of Christ, why would you ask me that?"

  "I've just been thinking about it," I said lamely. "With the anniversary and all."

  He stood suddenly and wiped his palms on the legs of his pants. "You want a drink?"

  "Sure."

  "Bourbon okay?"

  "That would be great."

  He walked over to an old bar cart near the mantel and thus the photographs. I kept my gaze on the floor.

  "Hoyt?" I tried.

  He twisted open a bottle. "You're a doctor," he said, pointing a glass at me. "You've seen dead bodies."

  "Yes."

  "Then you know."

  I did know.

  He brought over my drink. I grabbed it a little too quickly and downed a sip. He watched me and then brought his glass to his lips.

  "I know I never asked you about the details," I began. More than that, I had studiously avoided them. Other "families of the victims," as the media referred to us, bathed in them. They showed up every day at KillRoy's trial and listened and cried. I didn't. I think it helped them channel their grief. I chose to channel mine back at myself.

  "You don't want to know the details, Beck."

  "She was beaten?"

  Hoyt studied his drink. "Why are you doing this?"

  "I need to know."

  He peered at me over the glass. His eyes moved along my face. It felt as though they were prodding my skin. I kept my gaze steady.

  "There were bruises, yes."

  "Where?"

  "David'"

  "On her face?"

  His eyes narrowed, as though he'd spotted something unexpected. "Yes."

  "On her body too?"

  "I didn't look at her body," he said. "But I know the answer is yes."

  "Why didn't you look at her body?"

  "I was there as her father, not an investigator ' for the purposes of identification only."

  "Was that easy?" I asked.

  "Was what easy?"

  "Making the identification. I mean, you said her face was bruised."

  His body stiffened. He put down his drink, and with mounting dread, I realized I'd gone too far. I should have stuck to my plan. I should have just kept my mouth shut.

  "You really want to hear all this?"

  No, I thought. But I nodded my head.

  Hoyt Parker put down his drink, crossed his arms, and leaned back on his heels. "Elizabeth's left eye was swollen closed. Her nose was broken and flattened like wet clay. There was a slash across her forehead, probably made with a box cutter. Her jaw had been ripped out of its hinges, snapping all the tendons." His voice was a total monotone. "The letter K was burnt into her right cheek. The smell of charred skin was still obvious."

  My stomach knotted.

  Hoyt's eyes settled onto mine hard. "Do you want to know what was the worst part. Beck?"

  I looked at him and waited.

  "It still took no time at all," he said. "I knew in an instant that it was Elizabeth."

  Chapter 7

  Champagne flutes tinkled in harmony with the Mozart sonata. A harp underscored the subdued pitch of the party chatter. Griffin Scope moved serpentine through the black tuxedos and shimmering gowns. People always used the same word to describe Griffin Scope: billionaire. After that, they might call him businessman or power broker or mention that he was tall or a husband or a grandfather or that he was seventy years old. They might comment on his personality or his family tree or his work ethic. But the first word ' in the papers, on television, on people's lists ' was always the B word. Billionaire. Billionaire Griffin Scope.

  Griffin had been born rich. His grandfather was an early industrialist; his father improved the fortune; Griffin multiplied it several fold. Most family empires fall apart before the third generation. Not the Scopes'. A lot of that had to do with their upbringing. Griffin, for example, did not attend a prestigious prep school like Exeter or Lawrenceville, as so many of his peers did. His father insisted that Griffin not only attend public school but that he do so in the closest major city, Newark. His father had offices there, thus setting up a fake residence was no problem.

  Newark's east side wasn't a bad neighborhood back then ' not like now, when a sane person would barely want to drive through it. It was working class, blue collar ' tough rather than dangerous.

  Griffin loved it.

  His best friends from those high school days were still his friends fifty years later. Loyalty was a rare quality; when Griffin found it, he made sure to reward it. Many of tonight's guests were from those Newark days. Some even worked for him, though he tried to make it a point to never be their day-to-day boss.

  Tonight's gala celebrated the cause most dear to Griffin Scope's heart: the Brandon Scope Memorial Charity, named for Griffin's murdered son. Griffin had started the fund with a one-hundred million-dollar contribution. Friends quickly added to the till. Griffin was not stupid. He knew that many donated to curry his favor. But there was more to it than that. During his too-brief life, Brandon Scope touched people. A boy born with so much luck and talent, Brandon had an almost supernatural charisma. People were drawn to him.

  His other son, Randall, was a good boy who had grown up to be a good man. But Brandon... Brandon had been magic.

  The pain flooded in again. It was always there, of course. Through the shaking hands and slapping of the backs, the grief stayed by his side, tapping Griffin on the shoulder, whispering in his ear, reminding him that they were partners for life.

  "Lovely party, Griff."

  Griffin said thank you and moved on. The women were well coiffed and wore gowns that highlighted lovely bare shoulders; they fit in nicel
y with the many ice sculptures ' a favorite of Griffin's wife Allison ' that slowly melted atop imported linen tablecloths. The Mozart sonata changed over to one by Chopin. White-gloved servers made the rounds with silver trays of Malaysian shrimp and Omaha tenderloin and a potpourri of bizarre finger-food that always seemed to contain sun-dried tomatoes.

  He reached Linda Beck, the young lady who headed up Brandon's charitable fund. Linda's father had been an old Newark classmate too, and she, so like so many others, had become entwined in the massive Scope holdings. She'd started working for various Scope enterprises while still in high school. Both she and her brother had paid for their education with Scope scholarship grants.

  "You look smashing," he told her, though in truth he thought she looked tired.

  Linda Beck smiled at him. "Thank you, Mr. Scope."

  "How many times have I asked you to call me Griff?"

  "Several hundred," she said.

  "How's Shauna?"

  "A little under the weather, I'm afraid."

  "Give her my best."

  "I will, thank you."

  "We should probably meet next week."

  "I'll call your secretary."

  "Good."

  Griffin gave her a peck on the cheek, and that was when he spotted Larry Gandle in the foyer. Larry looked bleary-eyed and disheveled, but then again, he always looked that way. You could slap a custom-cut Joseph Abboud on him, and an hour later he'd still look like someone who'd gotten into a tussle.

  Larry Gandle was not supposed to be here.

  The two men's eyes met. Larry nodded once and turned away. Griffin waited another moment or two and then followed his young friend down the corridor.

  Larry's father, Edward, had also been one of Griffin's classmates from the old Newark days. Edward Gandle died of a sudden heart attack twelve years ago. Damn shame. Edward had been a fine man. Since then, his son had taken over as the Scopes' closest confidant.

  The two men entered Griffin's library. At one time, the library had been a wonderful room of oak and mahogany and floor-to ceiling bookshelves and antique globes. Two years ago, Allison, in a postmodern mood, decided that the room needed a total updating. The old woodwork was torn out and now the room was white and sleek and functional and held all the warmth of a work cubicle. Allison had been so proud of the room that Griffin didn't have the heart to tell her how much he disliked it.