The Secrets of Life and Death
Page 1
Contents
Cover
About the Book
About the Author
Title Page
Dedication
Prologue
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
Chapter 50
Chapter 51
Chapter 52
Chapter 53
Chapter 54
Chapter 55
Chapter 56
Chapter 57
Chapter 58
Chapter 59
Chapter 60
Chapter 61
Chapter 62
Chapter 63
Chapter 64
Chapter 65
Chapter 66
Chapter 67
Epilogue
Historical note
Acknowledgements
Copyright
About the Book
Krakow, 1585
Summoned by the King of Poland to help save his dying niece, Edward Kelley and his master, alchemist and scholar Dr John Dee, discover a dark secret at the heart of The Countess Bathory’s malady.
But perhaps the cure will prove more terrifying than the alternative...
England, 2013
Jackdaw Hammond lives in the shadows, a practitioner and purveyor of occult materials. But when she learns of a young woman found dead on a train, her body covered in arcane symbols, there’s no escaping the attention of police consultant Felix Guichard.
Together they must solve a mystery centuries in the making, or die trying…
About the Author
Rebecca Alexander fell in love with all things sorcery, magic and witchcraft as a teenager and has enjoyed reading and writing fantasy ever since. She wrote her first book aged nineteen and since then has been runner up in the Myslexia novel writing competition and the Yeovil Literary Prize 2012.
Trained in psychology and education, and having researched magical thinking in adults for her MSc, Rebecca met some really interesting people in some very odd circumstances, which she could no longer resist writing down.
She lives in a haunted house by the sea with her second husband, four cats, three chickens and the occasional rook.
To the seven special people I have had the privilege of helping to bring up: Léonie, Jennie, Sophie, Carey, Sam, Isaac and Rosie.
Prologue
‘As a boy, on one frosted morning, my father bade me dig out a pile of rotting straw that was obstructing the stable. I took a shovel and plunged it into the heap. Within, a knot of serpents in their winter sleep had been injured by my blade. One had been cut almost in two, and their bodies writhed together even in the depths of their hibernation, the severed bodies pumping blood upon their brethren. That night, I was reminded, as the bodies of the count and his lady writhed together over the bloodied limbs of Zsófia, the witch. The countess, no longer with the greyness of death upon her skin, looked young again. Her teeth were stained with the witch’s blood, and her body scarred with the symbols I had seen burned and carved into her living flesh. I knew then that I was damned, and the sorcery we had completed would haunt the world.
‘But at the beginning of our journey, I knew nothing but the flattering invitation of King Istvan Báthory to travel through his beautiful but barbarous country to aid his dying niece, the Countess Elizabeth Báthory.’
Edward Kelley
St Clément’s Eve, 1585
On paper owned by Ms Jackdaw Hammond, translated from the Latin original by Professor Felix Guichard, retained in evidence in the case of the death of SADIE BETHANY WILLIAMS, coroner case no. 238956-3-12
Chapter 1
Another crime scene, a dead body, and possible evidence of sorcery. Felix stood in the car park, and watched the activity in the railway station in Exeter. His gut squirmed at the thought of what he would see. He assumed the police became accustomed to seeing bodies, but he never had, despite spending time in Liberia and the Ivory Coast, where human life had become disposable. He pulled his collar up against the rain.
The station was lit by temporary lights on stands, illuminating one of the carriages of a static train. Felix paused at the entrance. The last crime scene he had attended involved an elderly woman stabbed to death, and her yawning wounds had haunted him for weeks. The police had consulted him on some ‘black magic’ graffiti, which had turned out to be the logo of a death metal band. He took a deep breath, blew it out. Hopefully, his involvement in this case would be unnecessary as well.
A movement caught his attention as he walked across the car park. There was a woman standing in the rain a dozen yards from the ticket office, looking through the railings towards the train. She appeared to be watching the police as they worked, but her posture was odd and she didn’t look like a chance spectator observing a tragedy. The rain poured off a hat, the brim sheltering her face, which was whitened by flashes from the scene. She wore a long coat, with water streaming down it, and what looked like boots. She was definitely female; her features looked delicate in a long face, framed by short fair hair that was haloed against the arc lights. She was young, he thought, younger than him, anyway. Her attention to the scene was intense.
He turned away and approached the officer at the gate.
‘Sorry sir, the station is closed. There’s a bus to take passengers to the next station.’ The policeman had water running from the edge of a cap, dropping in silver lines down the wide shoulders of his coat.
‘I was asked to attend. I’m supposed to ask for Detective Inspector Soames.’
‘I see. Can I have your name, sir?’
‘Felix Guichard. Professor Guichard, from the university.’
The man nodded to another officer, a woman who stared straight through Felix, then looked away.
Felix’s eyes began to adjust to the glare. Through the gate, he could see cast-iron columns supporting the roof of the station, the grandeur somewhat marred by advertising hoardings and modern wooden benches. A police barrier obscured the view of the window of one of the carriages. A number of people were walking about in white suits. Flashes lit up one carriage, greening the scene with after-images.
A bleached figure beckoned to him. ‘Professor? Professor Gwitchard? Is that how you pronounce it?’
‘Well, it’s Gwee-shar. It’s a French name.’ A gap appeared in the ranks and he walked through to the white-suited officer.
‘DI Dan Soames.’ The man’s hand was warm and solid in the draughty, wet station. ‘We were ho
ping you could have a look at this scene for us. You’re a professor of what, exactly?’
‘My subject is the culture of belief systems, religions and superstitions. I’ve worked with your chief constable before, on a case of a witchcraft killing in London.’ Inside he was shivering. Soames was maybe five foot eight or nine, inches shorter than Felix, but had a restrained energy that made him seem like a larger man.
‘Well, these markings have us stumped. Any ideas why someone would draw all over a dead kid are welcome. You’ll have to suit up.’
Felix followed him into a tented area where a young man helped him into a one-piece coverall and booties.
‘Tuck your hair in, sir,’ the young officer said. ‘We’re still looking for DNA and trace evidence.’
Felix pushed his curly fringe back. A single flash from a camera illuminated an image, which glowed for a moment in his brain.
It was the face of a girl, just a teenager, blonde hair stuck to damp glass, over pearl-coloured skin. She must have slid down the window, her eyebrow dragged into a curve, and her open eye stared, it seemed, straight at Felix.
Soames’s voice scratched into Felix’s awareness.
‘Professor of superstitions and religions?’
‘My subject is social anthropology, but I specialise in esoteric belief systems.’
‘Esoteric what?’
Felix tore his attention away from the fading image of the girl. ‘Beliefs outside of a culture’s mainstream. My PhD was in West African beliefs. Witchcraft, sorcery, magic.’
Soames shrugged his shoulders and tucked the hood of his coverall closer around his face. ‘We’re investigating the disappearance of several young girls from the town.’
‘Oh, I see. Is this one of them?’
‘Possibly. The thing is, there are symbols – come and have a look. We were told you’ve done this sort of consulting before and attended crime scenes.’
Felix followed him along the platform and into the doorway of the carriage. ‘A few times. Do you know what happened? How she died?’
‘We’re not sure. It looks like an overdose, but it’s too early to tell.’
He led the way towards the end of the carriage where a scrum of white figures was strobed with camera flashes.
‘Can we have a look at the body, Jim?’ At Soames’s approach, people fell back a little, some to the other side of the aisle, some to the corridor between the two carriages. The faint sour odour of the toilet was signposted with a glowing ‘vacant’ sign.
Felix squeezed between two officers to look down on the body.
At first, tiny details hit him. Her hand, lying on its back, her fingers curved like a dead crab on the beach. Her lips were distorted by the glass into a half smile, their lavender skin parted to show a few gleaming teeth. The space in front of her was covered with litter left for the train cleaner at the end of the journey. Felix wondered how many people had discarded used paper cups and newspapers on her table, walking past the slumped girl without realising she was dead.
Soames gripped his shoulder. ‘You OK, Professor?’
‘Yes.’ He cleared his throat. ‘Yes. You said there were symbols?’
Soames nodded to the man sitting beside the body, and he lifted the bottom of her T-shirt with gloved hands.
Felix flinched as her pale skin was revealed. Red marks criss-crossed her body, and for a moment he thought they were injuries. Then he realised she had been marked with red pen.
‘That’s an Enochian symbol.’ As the shirt was lifted higher and the slack skin on her belly was revealed, more symbols appeared in two concentric curves. ‘And that one, too. I don’t recognise all of them. Two circles of what look like sigils.’ He bent forward, to get a better look, and caught the flowery scent of clean laundry and the acrid smell of voided urine from the body. Sadness rolled over him, and he looked at her face for a moment. So young. The surface of her eye was just touching the glass, starting to lose its gloss as it dried.
‘We’ll photograph them at the post-mortem.’ Soames stepped back into the aisle, away from the actual scene. ‘So, what are these drawings?’
‘Enochian symbols. They’re supposed to be an alphabet given to John Dee, an Elizabethan scholar. He got them through a man called Edward Kelley, who channelled angels for him.’
‘Channelled?’
‘Like a psychic speaking for the dead.’ Felix’s mind was flying through memories. The arrangement of the characters in a circle seemed familiar.
‘You believe all this?’ Soames was staring at him.
‘Of course not, but some people do. These symbols are used in ritual magic.’
‘Like black magic, satanism?’
‘Colloquially, yes, I suppose so.’ Felix leaned in for a closer look. ‘But black magic wouldn’t necessarily use Enochian sigils, and I can’t see any pseudo-Christian shapes. I think you can rule out satanism.’
‘Sigils?’
‘Designs which are supposed to construct magical intent. Magic talismans and lucky charms sometimes have them.’ Felix stepped back, his legs shaky, whether with tiredness or adrenaline he couldn’t tell. ‘I’ve never heard of them being used in this way.’
‘We’ll photograph them at the post-mortem and let you have a better look. The pathologist says there appear to be more on her back.’
Felix took a deep breath, and stepped out of the circle of genderless suits gathered around the girl. She glowed in the light of arc lamps, propped over the backs of surrounding seats. Soames followed him.
‘You OK?’ Soames brushed the hood back from his face.
‘Yes, fine. It just seems sad – she’s so young.’
‘First thoughts?’
‘I’ll wait for the photographs and then do a bit of research. Inspector, are the symbols in complete circles?’
Soames nodded. ‘We think so; we’ll know more at the postmortem. It looks like two concentric rings of maybe a dozen or so shapes in each, drawn in some kind of pen. Why do you ask?’
‘I’m not sure … I think I’ve seen something like it before, that’s all.’
Soames ushered him off the train and started stripping off the white suit. ‘I’m sure I don’t need to remind you to keep this confidential, Professor.’
‘No, of course.’
Soames smiled. ‘We don’t want a big “black-magic sacrifice” headline in the local press.’
‘I understand. But there is no evidence, in the UK anyway, of Satanist sacrifices of any kind.’
Soames’s smile faded. ‘What about that boy, hacked up in London? I hear you were consulted on that one.’
‘That was a different kind of case altogether. A Muti killing, taking body parts to make magical charms. Terrible, but from a different belief system completely.’ Felix dropped the suit and booties into a bin. ‘Anyway, you said this case is probably an overdose?’
‘Maybe. She was a known drug user and prostitute. But we have three other young women who have gone missing over the last few months. Normally, we trace them to London or they’ve run off with boyfriends, but we haven’t had even a whisper about these girls. No texts, emails, no social networking, nothing. Then one turns up dead.’
‘Well, get the pictures to me and I’ll do the research. I noticed someone in the car park. A woman, she looked distressed, like she might have known the girl …’
‘What did she look like?’ Soames scanned the station.
‘I suppose, medium height, slim, attractive, shortish hair … blonde. Striking. Thirties, maybe, it was hard to tell.’ He looked across the tarmac, the rain drifting through cones of light onto parked vehicles.
The woman had vanished.
Chapter 2
‘It is said that the wolves of the Klaj, or the royal hunting forest of Niepolomice, are the largest in the world, fed as they are upon the great aurochs and bison that dwell there. Also the bodies of peasants, thrown out by cruel masters onto the frozen ground when graves cannot be dug, which has given them a
taste for human flesh.’
Edward Kelley
Journal entry, 11 November 1585
The Royal Road from Krakow
The darkness was filling the spaces between the trees when the first howl rang out. My horse flinched and tossed her head, I had to cling to the high pommelled Magyar saddle. The mare stumbled behind the main party, flinching at the echo of the strange sound, neither hound nor man. I looked about me, the cry hung around the black trunks lining the forest road. The horse flared her nostrils, huffing in the cold air, rolling her eyes back at me. Whatever she scented put a judder in her trot. Veils of mist dropped through the canopy. Dew beaded on my cloak and ran off the brim of my hat. I turned in the saddle to look behind me, but the silent trees seemed empty.
Doctor John Dee, my master, was sat tall atop a great horse. He was draped about in the cloak given to him by Her Majesty Queen Elizabeth herself, at Greenwich palace after Dee had demonstrated necromancy. Another howl, this one more of a shriek, was cut short by a deep rumbling. I jumped, and the nag’s ears flattened onto its sweaty neck.
‘God preserve us,’ I prayed, clutching the pommel. I resisted the urge to cross myself, clinging instead to the greasy leather. Our rented house in Krakow, my mentor’s wife cooking, the sound of Dee’s children playing, all felt very far away. I longed for Richmond and the library at Mortlake.
Once out of the city, this country closed in on all travellers. No one dawdled on these roads, nor ventured off the track into miles of dense forest. I had long since lost all sense of where we were. Dee was the navigator, keen to add to his collection of maps and charts. We met few people on the road, and they treated us with equal suspicion. The Hungarian Magyars galloped everywhere on shaggy ponies, often with swords in their hands. The Poles travelled in armed caravans, guarding themselves against the Hungarians, the Lithuanians, the gypsies and, most of all, the forest. I caught a drop of the mist on my tongue. Winter came early in the mountains of Poland; the rain had the taste of melted snow.
A flicker of movement in the edge of my vision made me lean back in the saddle. In the scrub that separated the forest from the road, blackened brambles shivered and cast silver droplets to the ground. The lead escort shouted to his countrymen with urgency in his tone. They kicked their horses into a canter, Dee’s horse swept along with them as the party rode away from me. I shouted at my steed in good English, then in poor German, but all the rangy mare could manage was a jaw-jarring trot. Then I saw it, a grey pelt sliding between decaying brackens. The wolf – for it was certainly no dog – threw back a long snout over the leaves, and howled with an eerie, halting voice.