Year's Best SF 8

by David G. Hartwell

“Hey, slave,” she calls idly: “how you doing?”

  Pierre sniffs. “It’s going okay.” He refuses to glance up at her, Amber notices. He’s thirteen: isn’t he supposed to be obsessed with girls by that age? She notices his quiet, intense focus, runs a stealthy probe along his outer boundary: he shows no sign of noticing it but it bounces off, unable to chink his mental armor. “Got cruise speed,” he says, taciturn, as two tons of metal, ceramics, and diamond-phase weirdness hurtles toward the surface of Barney at three hundred kilometers per hour. “Stop shoving me: there’s a three-second lag and I don’t want to get into a feedback control-loop with it.”

  “I’ll shove if I want, slave.” She sticks her tongue out at him.

  “And if you make me drop it?” he asks. Looking up at her, his face serious—“Are we supposed to be doing this?”

  “You cover your ass and I’ll cover mine,” she says, then turns bright red. “You know what I mean.”

  “I do, do I?” Pierre grins widely, then turns back to the console: “Aww, that’s no fun. And you want to tune what-ever bit-bucket you’ve given control of your speech centers to: they’re putting out way too much double-entendre , somebody might mistake you for a grown-up.”

  “You stick to your business and I’ll stick to mine,” she says, emphatically. “And you can start by telling me what’s happening.”

  “Nothing.” He leans back and crosses his arms, grimacing at the screen. “It’s going to drift for five hundred seconds, now, then there’s the midcourse correction and a deceleration burn before touch-down. And then it’s going to be an hour while it unwraps itself and starts unwinding the cable spool. What do you want, minute noodles with that?”

  “Uh-huh.” Amber spreads her bat-wings and lies back in mid-air, staring at the window, feeling rich and idle as Pierre works his way through her day-shift. “Wake me when there’s something interesting to see.” Maybe she should have had him feed her peeled grapes or give her a foot massage, something more traditionally hedonistic: but right now just knowing he’s her own little piece of alienated labor is doing good things for her self-esteem. Looking at those tense arms, the curve of his neck, she thinks maybe there’s something to this whispering-and-giggling he really likes you stuff the older girls go in for—

  The window rings like a gong and Pierre coughs. “You’ve got mail,” he says dryly. “You want me to read it for you?”

  “What the—” A message is flooding across the screen, right-to-left snaky script like the stuff on her corporate instrument (now lodged safely in a deposit box in Zurich). It takes her a while to page-in the grammar agent that can handle Arabic, and another minute for her to take in the meaning of the message. When she does, she starts swearing, loudly and continuously.

  “You bitch, Mom! Why’d you have to go and do a thing like that?”

  The corporate instrument arrived in a huge FedEx box addressed to Amber: it happened on her birthday while Mom was at work, and she remembers it as if it was only an hour ago.

  She remembers reaching up and scraping her thumb over the delivery man’s clipboard, the rough feel of the microsequencers sampling her DNA; afterward, she drags the package inside. When she pulls the tab on the box it unpacks itself automatically, regurgitating a compact 3D printer, half a ream of paper printed in old-fashioned dumb ink, and a small calico cat with a large @-symbol on its flank. The cat hops out of the box, stretches, shakes its head, and glares at her. “You’re Amber?” it mrowls.

  “Yeah,” she says, shyly. “Are you from Tanté ’Nette?”

  “No, I’m from the fucking tooth fairy.” It leans over and head-butts her knee, strops the scent glands between its ears all over her skirt. “Listen, you got any tuna in the kitchen?”

  “Mom doesn’t believe in seafood,” says Amber: “it’s all foreign junk, she says. It’s my birthday today, did I tell you?”

  “Happy fucking birthday, then.” The cat yawns, convincingly realistic. “Here’s your dad’s present. Bastard put me in hibernation and blogged me along to show you how to work it. You take my advice, you’ll trash the fucker. No good will come of it.”

  Amber interrupts the cat’s grumbling by clapping her hands gleefully. “So what is it?” she demands. “A new invention? Some kind of weird sex toy from Amsterdam? A gun, so I can shoot Pastor Wallace?”

  “Naaah.” The cat yawns, yet again, and curls up on the floor next to the 3D printer. “It’s some kinda dodgy business model to get you out of hock to your mom. Better be careful, though—he says its legality is narrowly scoped jurisdiction-wise.”

  “Wow. Like, how totally cool!” In truth, Amber is delighted because it is her birthday, but Mom’s at work and Amber’s home alone, with just the TV in moral-majority mode for company. Things have gone so far downhill since Mom discovered religion that absolutely the best thing in the world tante Annette could have sent her is some scam programmed by Daddy to take her away. If he doesn’t, Mom will take her to Church tonight (and maybe to an IRS compliance-certified restaurant afterward, if Amber’s good and does whatever Pastor Wallace tells her to).

  The cat sniffs in the direction of the printer: “Why dontcha fire it up?” Amber opens the lid on the printer, removes the packing popcorn, and plugs it in. There’s a whirr and a rush of waste heat from its rear as it cools the imaging heads down to working temperature and registers her ownership.

  “What do I do now?” she asks.

  “Pick up the page labeled READ ME and follow the instructions,” the cat recites in a bored sing-song voice. It winks at her, then fakes an exaggerated French accent: “Le READ ME contains directions pour l’execution instrument corporate dans le boîte. In event of perplexity, consult the accompanying aineko for clarification.” The cat wrinkles its nose rapidly, as if it’s about to bite an invisible insect. “Warning: don’t rely on your father’s cat’s opinions, it is a perverse beast and cannot be trusted. Your mother helped seed its meme base, back when they were married. Ends.” It mumbles on for a while: “fucking snotty Parisian bitch, I’ll piss in her knicker drawer, I’ll molt in her bidet….”

  “Don’t be vile.” Amber scans the README quickly. Corporate instruments are strong magic, according to Daddy, and this one is exotic by any standards: a limited company established in Yemen, contorted by the intersection between shari’a and the global legislatosaurus. Understanding it isn’t easy, even with a personal net full of sub-sapient agents that have full access to whole libraries of international trade law—the bottleneck is comprehension. Amber finds the documents highly puzzling. It’s not the fact that half of them are written in Arabic that bothers her—that’s what her grammar engine is for—or even that they’re full of S-expressions and semi-digestible chunks of LISP: but that the company seems to assert that it exists for the sole purpose of owning slaves.

  “What’s going on?” she asks the cat. “What’s this all about?”

  The cat sneezes, then looks disgusted. “This wasn’t my idea, big shot. Your father is a very weird guy and your mother hates him lots because she’s still in love with him. She’s got kinks, y’know? Or maybe she’s sublimating them, if she’s serious about this church shit she’s putting you through. He thinks that she’s a control freak. Anyway, after your dad ran off in search of another dome, she took out an injunction against him. But she forgot to cover his partner, and she bought this parcel of worms and sent them to you, okay? Annie is a real bitch, but he’s got her wrapped right around his finger, or something. Anyway, he built these companies and this printer—which isn’t hardwired to a filtering proxy, like your mom’s—specifically to let you get away from her legally. If that’s what you want to do.”

  Amber fast-forward through the dynamic chunks of the README—boring static UML diagrams, mostly—soaking up the gist of the plan. Yemen is one of the few countries to implement traditional Sunni shari’a law and a limited-liability company scam at the same time. Owning slaves is legal—the fiction is that the owner has an option hedged
on the indentured laborer’s future output, with interest payments that grow faster than the unfortunate victim can pay them off—and companies are legal entities. If Amber sells herself into slavery to this company, she will become a slave, and the company will be legally liable for her actions and upkeep. The rest of the legal instrument—about 90 percent of it, in fact—is a set of self-modifying corporate mechanisms coded in a variety of jurisdictions that permit Turing-complete company constitutions, and which act as an ownership shell for the slavery contract: at the far end of the corporate firewall is a trust fund of which Amber is the prime beneficiary and shareholder. When she reaches the age of majority, she’ll acquire total control over all the companies in the network and can dissolve her slave contract; until then, the trust funds (which she essentially owns) oversee the company that owns her (and keeps it safe from hostile takeover bids). Oh, and the company network is primed by an extraordinary general meeting that instructed it to move the trust’s assets to Paris immediately. A one-way airline ticket is enclosed.

  “You think I should take this?” she asks uncertainly. It’s hard to tell how smart the cat really is—there’s probably a yawning vacuum behind those semantic networks if you dig deep enough—but it tells a pretty convincing tale.

  The cat squats and curls its tail protectively around its paws: “I’m saying nothing, you know what I mean? You take this, you can go live with your dad. But it won’t stop your ma coming after him with a horse whip and after you with a bunch of lawyers and a set of handcuffs. You want my advice, you’ll phone the Franklins and get aboard their off-planet mining scam. In space, no one can serve a writ on you. Plus, they got long-term plans to get into the CETI market, cracking alien network packets. You want my honest opinion, you wouldn’t like it in Paris after a bit. Your dad and the frog bitch, they’re swingers, y’know? No time in their lives for a kid. Or a cat like me, now I think of it. They’re out all hours of the night doing drugs, fetish parties, raves, opera, that kind of adult shit. Your dad dresses in frocks more than your mom, and your tante ’Nettie leads him around the apartment on a chain when they’re not having noisy sex on the balcony. They’d cramp your style, kid: you shouldn’t have to put up with parents who have more of a life than you do.”

  “Huh.” Amber wrinkles her nose, half-disgusted by the cat’s transparent scheming, and half-acknowledging its message: I’d better think hard about this, she decides. Then she flies off in so many directions at once that she nearly browns out the household net feed. Part of her is examining the intricate card pyramid of company structures; somewhere else, she’s thinking about what can go wrong, while another bit (probably some of her wet, messy glandular biological self) is thinking about how nice it would be to see Daddy again, albeit with some trepidation. Parents aren’t supposed to have sex: isn’t there a law, or something? “Tell me about the Franklins? Are they married? Singular?”

  The 3D printer is cranking up. It hisses slightly, dissipating heat from the hard-vacuum chamber in its supercooled workspace. Deep in its guts it creates coherent atom beams, from a bunch of Bose-Einstein condensates hovering on the edge of absolute zero: by superimposing interference patterns on them, it generates an atomic hologram, building a perfect replica of some original artifact, right down to the atomic level—there are no clunky moving nanotechnology parts to break or overheat or mutate. Something is going to come out of the printer in half an hour, something cloned off its original right down to the individual quantum states of its component atomic nuclei. The cat, seemingly oblivious, shuffles closer to its exhaust ducts.

  “Bob Franklin, he died about two, three years before you were born: your dad did business with him. So did your mom. Anyway, he had chunks of his noumen preserved, and the estate trustees are trying to re-create his consciousness by cross-loading him in their implants. They’re sort of a borganism, but with money and style. Anyway, Bob got into the space biz back then, with some financial wizardry a friend of your father whipped up for him, and now they-he are building a spacehab that they’re going to take all the way out to Jupiter, where they can dismantle a couple of small moons and begin building helium-three refineries. It’s that CETI scam I told you about earlier, but they’ve got a whole load of other angles on it for the long term.”

  This is mostly going right over Amber’s head—she’ll have to learn what helium-three refineries are later—but the idea of running away to space has a certain appeal. Adventure, that’s what. Amber looks around the living room and sees it for a moment as a capsule, a small wooden cell locked deep in a vision of a middle-America that never was—the one her mom wants to retreat into. “Is Jupiter fun?” she asks. “I know it’s big and not very dense, but is it, like, a happening place?”

  “You could say that,” says the cat, as the printer clanks and disgorges a fake passport (convincingly aged), an intricate metal seal engraved with Arabic script, and a tailored wide-spectrum vaccine targeted on Amber’s immature immune system. “Stick that on your wrist, sign the three top copies, put them in the envelope, and let’s get going: we’ve got a flight to catch.”

  Sadeq is eating his dinner when the lawsuit rolls in.

  Alone in the cramped humming void of his station, he contemplates the plea. The language is awkward, showing all the hallmarks of a crude machine translation: the suppli-

  cant is American, a woman, and—oddly—claims to be a Christian. This is surprising enough, but the nature of her claim is, at face value, preposterous. He forces himself to finish his bread, then bag the waste and clean the platter, before he gives it his full consideration. Is it a tasteless joke? Evidently not: as the only quadi outside the orbit of Mars he is uniquely qualified to hear it, and it is a case that cries out for justice.

  A woman who leads a God-fearing life—not a correct one, no, but she shows some signs of humility and progress toward a deeper understanding—is deprived of her child by the machinations of a feckless husband who deserted her years before. That the woman was raising the child alone strikes Sadeq as disturbingly western, but pardonable when he reads her account of the feckless one’s behavior, which is degenerate: an ill fate indeed would await any child that this man raises to adulthood. This man deprives her of her child, but not by legitimate means: he doesn’t take the child into his own household or make any attempt to raise her, either in accordance with his own customs or the precepts of shari’a. Instead, he enslaves her wickedly in the mire of the western legal tradition, then casts her into outer darkness to be used as a laborer by the dubious forces of self-proclaimed “progress.” The same forces that Sadeq has been sent to confront, as representative of the Ummah in orbit around Jupiter.

  Sadeq scratches his short beard thoughtfully. A nasty tale, but what can he do about it? “Computer,” he says, “a reply to this supplicant: my sympathies lie with you in the manner of your suffering, but I fail to see in what way I can be of assistance. Your heart cries out for help before God (blessed be his name), but surely this is a matter for the temporal authorities of the dar al-Harb.” He pauses: or is it? he wonders. Legal wheels begin to turn in his mind. “If you can but find your way to extending to me a path by which I can assert the primacy of shari’ah over your daughter, I shall apply myself to constructing a case for her emancipation, to the greater glory of God (blessed be his name) in the name of the Prophet (peace be unto him). Ends, sigblock, send.”

  Releasing the Velcro straps that hold him at the table, Sadeq floats up and then kicks gently toward the forward end of the cramped habitat. The controls of the telescope are positioned between the ultrasonic clothing cleaner and the lithium hydroxide scrubbers: they’re already freed up, because he was conducting a wide-field survey of the inner ring, looking for the signature of water ice. It is the work of a few moments to pipe the navigation and tracking system into the telescope’s controller and direct it to hunt for the big foreign ship of fools. Something nudges at Sadeq’s mind urgently, an irritating realization that he may have missed somethin
g in the woman’s email: there were a number of huge attachments. With half his mind, he surfs the news digest his scholarly peers send him daily: meanwhile, he waits patiently for the telescope to find the speck of light that the poor woman’s daughter is enslaved within.

  This might be a way in, he realizes, a way to enter dialogue with them. Let the hard questions answer themselves, elegantly. There will be no need for the war of the sword if they can be convinced that their plans are faulty: no need to defend the godly from the latter-day Tower of Babel these people propose to build. If this woman Pamela means what she says, Sadeq need not end his days out here in the cold between the worlds, away from his elderly parents and brother and his colleagues and friends. And he will be profoundly grateful: because, in his heart of hearts, he knows that he is less a warrior than a scholar.

  “I’m sorry, but the Borg is attempting to assimilate a lawsuit,” says the receptionist. “Will you hold?”

  “Crud.” Amber blinks the Binary Betty answerphone sprite out of her eye and glances around at the cabin. “That is so last century,” she grumbles. “Who do they think they are?”

  “Doctor Robert H. Franklin,” volunteers the cat. “It’s a losing proposition if you ask me. Bob was so fond of his dope that there’s this whole hippie groupmind that’s grown up using his state vector as a bong—”

  “Shut the fuck up!” Amber shouts at him. Instantly contrite (for yelling in an inflatable spacecraft is a major faux pas): “Sorry.” She spawns an autonomic thread with full parasympathetic nervous control, tells it to calm her down: then she spawns a couple more to go forth and become fuqaha, expert on shari’a law. She realizes she’s buying up way too much of the orphanage’s scarce bandwidth—time that will have to be paid for in chores, later—but it’s necessary. “She’s gone too far. This time, it’s war.”

  She slams out of her cabin and spins right around in the central axis of the hab, a rogue missile pinging for a target to vent her rage on. A tantrum would be good—