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Sharp Page 38

by Michelle Dean


  Village Voice

  Vinaver, Stanislav

  Viva

  Vogue

  Arendt in

  Didion and

  as marketing tool

  McCarthy and

  Parker and

  Sontag and

  Wakefield, Dan

  Walker, Alice

  Wallflower at the Orgy (Ephron)

  Ward, Mary Augusta (Mrs. Humphry Ward)

  Washington Journalism Review

  Washington Post

  Wayne, John

  “The Weeds” (McCarthy)

  We Have Always Lived in the Castle (Jackson)

  Weil, Simone

  Welles, Orson

  Wells, H. G.

  affair with West

  early novels

  as feminist

  New Republic and

  West on writings of

  Wells, Ida B.

  “We Refugees” (Arendt)

  West, Anthony Panther

  birth

  knowledge of

  left with grandmother

  resentment of mother

  Wells’s relationship with

  West, Jim

  West, Rebecca. See also specific works

  affairs after Wells

  American lecture tour

  on American women

  background

  characteristics

  choice of name

  colleagues’ opinions of

  on Communism

  feminism and

  on James

  marriage

  McCarthy and

  on Nazi Germany

  Nin and

  on Parker

  on racism

  reputation as critic

  reviews of fiction by

  subjects of articles

  suffragettes and

  West, Rebecca targets of writing

  as unwed mother

  Wells and

  on women writers

  writing as a mask

  Yugoslavian lecture tour

  Westmoreland v. CBS

  We Thought We Could Do Anything (Henry Ephron)

  “What White Publishers Won’t Print” (Hurston)

  When the Lights Go Down (Kael)

  “Where Bookmen Meet to Eat” (Ephron)

  “The White Album” (Didion)

  The White Album (Didion)

  “Why I Haven’t Married” (Parker)

  Wienovera, Jana. See Malcolm, Janet

  Wild 90 (Mailer)

  Wilder, Matthew

  Wilder, Thornton

  Willis, Ellen

  Wilson, Edmund

  on Enough Rope

  McCarthy and

  Parker and

  Parker’s “Lolita” and

  Wilson, Reuel

  Winn, Janet. See Malcolm, Janet

  Wodehouse, P. G.

  Wolcott, James

  Woman Problem

  women. See also feminism

  acceptable characterizations of

  confines of femininity as Parker target

  contempt for, as intellectuals

  F. Scott Fitzgerald’s treatment of

  factors affecting experiences of

  in film

  gendered art of

  James’s inability to write about

  need for autonomy in sex and romance

  Newsweek’s refusal to hire, as writers

  professional competition

  sharp, described

  as subject of West

  surge of, as novelists

  West on

  “The Women’s Movement” (Didion)

  Women’s Wear Daily

  “The Wonderful Old Gentleman” (Parker)

  Woolf, Virginia

  Woollcott, Alexander

  The Year of Magical Thinking (Didion)

  The Years with Ross (Thurber)

  Young-Bruehl, Elisabeth

  “The Younger Set” (Parker)

  Zanuck, Darryl F.

  Ziegfeld, Flo

 

 

 


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